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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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The Bottle Riot

king-william-of-orange-monument

On December 14, 1822, a “bottle riot” takes place at a performance of Oliver Goldsmith’s She Stoops to Conquer at the Theatre Royal in Dublin. Among those in attendance is the Lord Lieutenant of Ireland, Richard Wellesley, the brother of the Duke of Wellington. Wellesley is quite unpopular at the time among Orange Order members in the city, owing to what they perceive as his role in stopping an annual ceremony at the statue of King William of Orange on College Green, and other perceived concessions to the Catholic population.

The statue is the location for annual rituals organised by loyalist elements in the city, with events held in July and November being flashpoints on the Dublin calendar. Heavily criticised by Daniel O’Connell and other nationalist voices, Dublin Castle distances itself from the ceremonies, but it is the eventual banning of the November ceremony which infuriates the Orange Order into action.

Following clashes at the event in July 1822, a decision is made by Marquess Wellesley, in his capacity as Lord Lieutenant, to seek a ban against the November event. A heavy military presence prevents the traditional loyalist display. This decision causes great resentment towards Wellesley from loyalists in the city, as would other actions such as appointing a Catholic lawyer to a position of importance in the courts. A visit by him to the Theatre Royal is seen as an opportunity to show that discontent. The Theatre Royal on Hawkins Street is relatively new at the time, having only opened the previous year. The announcement that the Lord Lieutenant would be attending the theatre causes considerable excitement in the city.

Six men meet in a tavern on Wednesday, December 11, all members of the Orange Order. John and George Atkinson, James Forbes, William Graham and Henry and Matthew Handwith drink to “the glorious, immortal and pious memory” of King William of Orange, plotting a protest against the Lord Lieutenant which would grab the attention of the city. On December 13, a meeting of Lodge 1612 of the Orange Order on Werburgh Street decides to fund the purchase of twelve pit tickets for the upcoming play, with the aim of creating a scene which would embarrass the Lord Lieutenant.

The trouble begins inside the theatre with the tossing of pamphlets with the slogan “No Popery” upon them, most of which drift towards the stage. There are some cries of “No Popish Lord Lieutenant,” and the Lord Mayor of Dublin is also subject to ridicule. The play begins as planned, only to be interrupted throughout. A series of items are thrown in the direction of the Lord Lieutenant. The event comes to be known as “The Bottle Riot” in Dublin, owing to the missiles thrown. While the Lord Lieutenant is never in any real physical danger, the incident is hugely embarrassing for the authorities, with mob rule taking centre stage at one of Dublin’s most prestigious venues.

Several days later, the behaviour of the Orangemen is the subject of a protest meeting in Dublin. This meeting is significant as it is addressed by some hugely influential figures, including the Duke of Leinster, Daniel O’Connell, Henry Grattan, Jr. and Arthur Guinness II, son of the famous brewer. Guinness denounces the men as a “mischievous faction” and calls for them to be opposed “by the severe but wholesome discipline of the laws.”

While the instigators of the affair are brought in front of the courts on two separate occasions, both cases collapse causing much anger. Lord Chief Justice of Ireland Charles Kendal Bushe remarks to the jury in his summation that “an audience may cry down a play, or hiss, or hoot an actor,” but that riotous behaviour is not permitted. One effect of the mini riot is the outlawing of the Orange Order for a period, when the Unlawful Societies Act of 1825 comes into being.

(Pictured: Undated postcard showing the monument of King William of Orange on College Green)


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Birth of Sculptor John Edward Jones

john-edward-jones-busts

John Edward Jones, noted Irish civil engineer and sculptor in Dublin and London, is born in Dublin on May 2, 1806.

Jones is the son of miniature painter Edward Jones. Under the identity of “J. Jones,” architect, 7 Amiens Street, North Strand, Dublin, he exhibits several watercolors at the Royal Hibernian Academy in 1828 and 1829, including his View of the Town of Youghall, showing the proposed Chain Bridge (1828) and Design for a Viaduct (1829). He studies engineering under Alexander Nimmo and works for him on major engineering projects in Ireland including the building of the bridge at Waterford from 1829-1832, which he directs. He is listed as a civil engineer in Wilson’s Dublin Directory for the years 1833-35 with an office address at the Commercial Buildings, Dame Street. In 1839, he is awarded a Telford Medal in silver and 20 guineas for his paper and drawings on the sewage in Westminster.

In 1840, Jones ceases his engineering practice to become a sculptor in London, with considerable success, particularly in portrait busts of notables. Among his sitters are Queen Victoria, Albert, Prince Consort, Louis-Philippe, Napoleon III, the Duke of Cambridge, the Duke of Wellington, Lord Brougham, the Earl of Clarendon, Lord Palmerston, Daniel O’Connell, and Lord Gough. Among his few full-length statues is one of Sir R. Ferguson at Londonderry. He exhibits at the Royal Academy of Arts from 1854-1862.

Jones dies on July 25, 1862, while visiting Finglas, near Dublin, and is buried in Mount Jerome Cemetery.