seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Edward Poynings Appointed Lord Deputy of Ireland

Edward Poynings, best known for his introduction of “Poynings Law,” which prevents the Irish Parliament from meeting without royal permission and approval of its agenda, is appointed Lord Deputy of Ireland under King Henry VII of England on September 13, 1494.

Poynings is the only son of Sir Robert Poynings, second son of the 5th Baron Poynings, and Elizabeth Paston, the only daughter of William Paston. He is likely born at his father’s house in Southwark in 1459. His father is a carver and sword-bearer to Jack Cade, and is killed at the Second Battle of St. Albans on February 17, 1461. He is raised by his mother.

Robert Poynings is implicated in Jack Cade’s rebellion, and Edward is himself concerned in a Kentish rising against Richard III, which compels him to escape to Continental Europe. He attaches himself to Henry, Earl of Richmond, afterwards King Henry VII, with whom he returns to England in 1485.

Poynings is employed in the wars on the continent, and in 1493 he is made governor of Calais. In the following year he goes to Ireland as Lord Deputy under the viceroyalty of Prince Henry, afterwards King Henry VIII. He immediately sets about anglicizing the government of Ireland, which he thoroughly accomplishes, after inflicting punishment on the powerful Irish clans who support the imposture of Perkin Warbeck.

Poynings then summons the celebrated parliament of Drogheda, which meets in December 1494 and enacts the “Statutes of Drogheda,” famous in Irish history as “Poynings’s law,” which make the Irish legislature subordinate to, and completely dependent on, that of England, until its repeal in 1782.

After defeating Perkin Warbeck at Waterford and driving him out of Ireland, he returns to England in 1496, and is appointed warden of the Cinque Ports. He is employed both in military commands and in diplomatic missions abroad by Henry VII, and later by Henry VIII, his most important achievement being the successful negotiation of the “holy league” between England, Spain, the emperor, and the pope, in 1513. In 1520 Poynings is present at the Field of the Cloth of Gold, in the arrangement of which he has taken an active part. He is also present at Henry’s meeting with Emperor Charles V at Gravelines on July 10.

Poynings dies at Westenhanger in October 1521. By his wife, Elizabeth Scot, he leaves no surviving issue, and his estates pass through a collateral female line to the Earl of Northumberland. He has several illegitimate children, one of whom, Thomas Poynings, is created Baron Poynings in 1545, but dies in the same year without heirs.


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Death of Jazz Guitarist Louis Stewart

Louis Stewart, Irish jazz guitarist, dies in Harold’s Cross, Dublin on August 20, 2016.

Born on January 5, 1944 in Waterford, County Waterford, Stewart grows up in Dublin. He begins playing guitar when he is thirteen, influenced by guitarists Les Paul and Barney Kessel. He begins his professional career performing in Dublin showbands. In 1968, he wins an award as the most outstanding soloist at the Montreux Jazz Festival. Soon after, he spends three years with Benny Goodman.

Stewart records his debut album, Louis the First, in Dublin, and then records in London with Billy Higgins, Peter Ind, Sam Jones, Red Mitchell, and Spike Robinson. From the mid to late 1970s, he works with George Shearing, touring the United States, Brazil, and playing European festivals, and recording eight albums, including several for the MPS Records label in a virtuosic trio with Shearing and the Danish bassist Niels-Henning Ørsted Pedersen. He also appears on albums by Joe Williams and J. J. Johnson, and works with many other jazz musicians.

In 1981, ahead of Stewart’s debut in the United States as a leader, The New York Times states, “Mr. Stewart seems to have his musical roots in bebop. He leans toward material associated with Charlie Parker and he spins out single-note lines that flow with an unhurried grace, colored by sudden bright, lively chorded phrases. His up-tempo virtuosity is balanced by a laid-back approach to ballads, which catches the mood of the piece without sacrificing the rhythmic emphasis that keeps it moving.”

Stewart is prominently featured in Norman Mongan’s book, The History Of The Guitar In Jazz, in a chapter devoted to guitarists who are considered to be contemporary masters (along with players such as Jim Hall, Pat Martino, and George Benson). In a review of his live album Overdrive (Hep, 1993), AllMusic states, “Louis Stewart is one of the all-time greats, and it is obvious from the first notes he plays on any occasion.”

Stewart receives an honorary doctorate from Trinity College, Dublin, in 1998. In 2009, he becomes only the second jazz musician to be elected to Aosdána, an Irish affiliation of people engaged in literature, music, and visual arts that was established by the Irish Arts Council in 1981 to honour those whose work has made an outstanding contribution to the creative arts in Ireland.

In 2015, Stewart is diagnosed with cancer and dies on August 20, 2016 in Harold’s Cross, Dublin, at the age of 72.


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Death of James FitzMaurice

James FitzMaurice, a member of the 16th century ruling Geraldine dynasty in the province of Munster, dies on August 18, 1579. He rebels against the crown authority of Queen Elizabeth I of England in response to the onset of the Tudor conquest of Ireland. He leads the first of the Desmond Rebellions in 1569, spends a period in exile in continental Europe, but returns with an invasion force in 1579. He dies shortly after landing.

FitzMaurice is the son of Maurice Fitzjohn of Totane, a brother of John FitzGerald, de facto 12th Earl of Desmond, and Julia O’Mulryan of County Tipperary, cousin of Gerald FitzGerald, 14th Earl of Desmond. Totane had been granted the barony of Kerricurrihy in County Cork, but Gerald fell out with Totane and wars are fought between the families.

After the Desmond defeat at Battle of Affane in 1565, the 14th Earl and his brother, John of Desmond, are detained in England. During their absence, FitzMaurice becomes captain general of County Desmond with the warrant of the Earl. This means he has authority over the soldiers retained in the service of the Desmond Fitzgeralds. In July 1568, he enters Clanmaurice, the territory of the lord of Lixnaw, to distrain for rent and assert the Desmond authority. Having seized 200 head of cattle and wasted the country, he is confronted by Lixnaw on the way home and utterly defeated.

At the end of 1568, the absent Earl of Desmond grants Sir Warham St. Leger a lease of the barony of Kerricurrihy, which cast FitzMaurice’s inheritance into confusion. In 1569 the Lord Deputy of Ireland, Sir Henry Sidney, is informed by FitzMaurice that he has assembled the people of Desmond to tell them that the Lord Deputy was unable to procure the release of the captive earl, who would be executed or perpetually imprisoned, and that the people should proclaim a new earl or captain. With one voice, the people cry out for FitzMaurice to be captain. The earl’s wife, Eleanor Butler, writes to her husband in November that FitzMaurice is seeking to bring the earl into further disrepute and to usurp his inheritance, “by the example of his father.”

To reassert Geraldine authority, FitzMaurice then launches what becomes known as the first of the Desmond Rebellions. The southern part of Ireland erupts into a general rebellion, owing in part to attempts at establishing plantations. In June 1569, FitzMaurice and the Earl of Clancarty (MacCarthy Mor) invade Kerrycurrihy, spoil the inhabitants, take the castle-abbey of Tracton, hang the garrison, and refuse to depart without the surrender to them of the custody of Lady St. Leger and Lady Grenville, the wives of the principal English colonists. FitzMaurice then joins in league with the turbulent brothers of the Earl of Ormond, and enters a bond with the Earl of Thomond and John Burke, son of the Earl of Clanricard. He writes to the mayor and corporation of Cork in July ordering the abolition of the new heresy of Protestantism, at a time when he appears to have been taking instruction from Irish Jesuits.

By September 1569, Sidney has broken the back of the rebellion and leaves Sir Humphrey Gilbert behind to suppress FitzMaurice, who seeks refuge in the woods of Aherlow, and after Gilbert’s departure FitzMaurice raises a new force in February 1570 and by a surprise night attack, takes Kilmallock and after hanging the chief townsmen at the market cross, plunders its wealth and burns the town. In February 1571, Sir John Perrot lands at Waterford as Lord President of Munster and challenges FitzMaurice to a duel, which FitzMaurice declines with the remark, “For if I should kill Sir John Perrot the Queen of England can send another president into this province; but if he do kill me there is none other to succeed me or to command as I do.”

FitzMaurice attacks Perrot, but retires on mistaking a small cavalry company for the advance party of a larger force. After a second and successful siege by Perrot of the Geraldine stronghold of Castlemaine, FitzMaurice sues for pardon, which is granted in February 1573, after he prostrates himself in Kilmallock church with the president’s sword point next to his heart. He swears fealty to the crown, and gives up his son as hostage.

On the return to Ireland of the Earl of Desmond in 1573, FitzMaurice leaves for the continent, offering his reasons variously as a desire to gain pardon from the Queen through the French court, and the unkindness of the earl. In March 1575 he and his family, along with the Geraldine Seneschal of Imokilly, James Fitzedmund Fitzgerald, and the White Knight, Edmund FitzGibbon, sail on the La Arganys for Saint-Malo, Brittany where they are received by the governor. He has several interviews with Catherine de’ Medici in Paris, offering to help make Henry III of France king of Ireland, and is granted a pension of 5,000 crowns in 1576.

Early in the following year FitzMaurice leaves for the Spanish court, where he offers the crown to the brother of King Philip II, Don John. The king is cautious, however. FitzMaurice leaves his sons Maurice and Gerald with Cardinal Antoine Perrenot de Granvelle, and travels to Italy to meet Pope Gregory XIII.

At the papal court FitzMaurice meets adventurer Captain Thomas Stukley, and together they persuade the pope to underwrite the cost of 1,000 troops to invade Ireland, most of whom, according to Philip O’Sullivan Beare, are desperadoes the pope wishes to get out of Italy. Fitzmaurice and Stukley are to rendezvous in Lisbon and proceed to Ireland, however, Stukley decides to throw his troops and support to King Sebastian‘s expedition to Morocco, where he dies.

Following the diversion of Stukley to Morocco, FitzMaurice sets out with the nuncio Nicholas Sanders, and Matthew de Oviedo from Ferrol in Galicia, Spain on June 17, 1579 with a few troops on his vessel and three Spanish shallops. They capture two English vessels in the channel and arrive at Dingle on July 16, 1579, launching the Second Desmond Rebellion.

On July 18 they cast anchor in Ard na Caithne, where they garrison at Dún an Óir (Fort of Gold), and are joined on July 25 by two galleys with 100 troops. Four days later their ships are captured by the English fleet under the command of Sir William Wynter. Having exhorted the Earl of Desmond and the Earl of Kildare, as Geraldine leaders, to fight the heretics, FitzMaurice leaves the fort to await the arrival of Stukley who, unknown to him, had been killed at the Battle of Alcácer Quibir in the previous year, during a campaign by King Sebastian of Portugal.

FitzMaurice goes to make a vow at the monastery of the Holy Cross in County Tipperary but becomes caught in a skirmish with the forces of his cousin, Theobald Burke, during which he is shot with a ball in the hollow of the chest, but cuts his way through to Burke and his brother William, both of whom he kills with single strokes of his sword.

The battle is won, but close to the scene his injuries overcome him. He makes his will and orders his friends to cut off his head after death in order that his enemies might not mutilate his body. He begs his attendants to attest that he had not turned tail on the enemy. They assure him, and wish him to be quiet because hostile soldiers are closing in, but he insists, “My wounds are clear, my wounds are clear.” Upon his death, a kinsman orders the decapitation and then wraps the head in cloth. An attempt is made to conceal his trunk under a tree, but it is discovered by a hunter and brought to the town of Kilmallock. For weeks, the trunk is nailed to the gallows, until it is shattered by musket fire and collapses.


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Birth of Richard Lalor Shiel, Politician, Writer & Orator

Richard Lalor Sheil, Irish politician, writer and orator, is born at Drumdowney, Slieverue, County Kilkenny on August 17, 1791. The family is temporarily domiciled at Drumdowney while their new mansion at Bellevue, near Waterford, is under construction.

Shiel’s father is Edward Sheil, who acquires considerable wealth in Cadiz in southern Spain and owns an estate in County Tipperary. His mother is Catherine McCarthy of Springhouse, near Bansha, County Tipperary, a member of the old aristocratic family of Mac Cárthaigh Riabhach of Springhouse, who in their time were Princes of Carbery and Counts of Toulouse in France. He is taught French and Latin by the Abbé de Grimeau, a French refugee. He is then sent to a Catholic school in Kensington, London, presided over by a French nobleman, M. de Broglie. For a time he attends the lay college in St. Patrick’s College, Maynooth. In October 1804, he is removed to Stonyhurst College, Lancashire, and in November 1807 enters Trinity College, Dublin, where he specially distinguishes himself in the debates of the Historical Society.

After taking his degree in 1811 Sheil is admitted a student of Lincoln’s Inn, and is called to the Irish bar in 1814. He is one of the founders of the Catholic Association in 1823 and draws up the petition for inquiry into the mode of administering the laws in Ireland, which is presented in that year to both Houses of Parliament.

In 1825, Sheil accompanies Daniel O’Connell to London to protest against the suppression of the Catholic Association. The protest is unsuccessful, but, although nominally dissolved, the association continues its propaganda after the defeat of the Catholic Relief Bill in 1825. He is one of O’Connell’s leading supporters in the agitation persistently carried on until Catholic emancipation was granted in 1829.

In the same year Shiel is returned to Parliament for Milborne Port, and in 1831 for County Louth, holding that seat until 1832. He takes a prominent part in all the debates relating to Ireland, and although he is greater as a platform orator than as a debater, he gradually wins the somewhat reluctant admiration of the House. In August 1839, he becomes Vice-President of the Board of Trade in Lord Melbourne‘s ministry.

After the accession of Lord John Russell to power in 1846, Shiel is appointed Master of the Mint, and in 1850 he is appointed minister at the court of Tuscany. He dies in Florence on May 23, 1851. His remains are conveyed back to Ireland by a British ship-of-war, and interred at Long Orchard, near Templetuohy, County Tipperary.

George W. E. Russell says of Shiel, “Sheil was very small, and of mean presence; with a singularly fidgety manner, a shrill voice, and a delivery unintelligibly rapid. But in sheer beauty of elaborated diction not O’Connell nor any one else could surpass him.”

Shiel’s play, Adelaide, or the Emigrants, is performed at the Crow Street Theatre in Dublin, on February 19, 1814, with success, and, on May 23, 1816, it is performed at Covent Garden in London. The Apostate, produced at the latter theatre on May 3, 1817, establishes his reputation as a dramatist. His other principal plays are Bellamira (written in 1818), Evadne (1819), Huguenot (produced in 1822) and Montini (1820).

In 1822, Sheil begins, with William Henry Curran, to contribute to The New Monthly Magazine a series of papers entitled “Sketches of the Irish Bar.” Curran, in fact, does most of the writing. These pieces are edited by Marmion Wilme Savage in 1855 in two volumes, under the title of Sketches Legal and Political. Sheil’s Speeches are edited in 1845 by Thomas MacNevin.

In 1816, Shiel marries a Miss O’Halloran, niece of Sir William MacMahon, Master of the Rolls in Ireland. They have one son, who predeceases Sheil. His wife dies in January 1822. In July 1830, he marries Anastasia Lalor Power, a widow. He then adds the middle name Lalor.


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Birth of Blessed Edmund Ignatius Rice

Blessed Edmund Ignatius Rice, educator, philanthropist, and the founder of the Congregation of Christian Brothers, is born in Westcourt, Callan, County Kilkenny on June 1, 1762.

Rice is born into a Catholic family and is one of nine children. It comes as a surprise that a Catholic family can be prosperous in these days but they have a lease of a good-sized farm and are industrious people. In view of his future work in education it is fortunate that he receives a very good education himself, first at a local hedge school and then at a private secondary school in Kilkenny.

Rice is apprenticed to his uncle, Michael Rice, in Waterford at the age of 17. Waterford is then the second largest port in Ireland with an expanding trade with England, France and Spain and has very special trading links across the Atlantic with Newfoundland. His uncle is involved in providing food and services for the crews and passengers of the ships trading in and out of the port of Waterford. His uncle becomes a very prosperous businessman and his business expands even more after it is handed over to his nephew. His great wealth is later to be used in transforming the lives of countless young boys.

At the age of 25 Rice marries Mary Elliot and is left a widower two years later when she dies after falling from a horse. He is left with a handicapped daughter, Mary. He calls in his step-sister Joan Murphy to help him care for his daughter so he can develop the business he inherited from his uncle.

In 1802, having properly cared for his daughter, Rice begins a night school for the uneducated boys from the quays of Waterford. His deep desire is to found a religious order of men who will educate these poor boys so that they can live with dignity and high self-esteem. But his volunteer assistants cannot stick with it. Neither can the paid teachers he later employs. Just when his spirits are lowest, and he looks to be a failure to all his business colleagues, two men from his native Callan join him not only to educate these unruly boys but also to join him in his plan to found a religious order. To do such a thing is contrary to the law. Nevertheless Rice and his growing number of companions proceed. In 1808 seven of them take religious vows under Bishop Power of Waterford. They are called Presentation Brothers. This is the first congregation of men to be founded in Ireland and one of the few ever founded in a Church by a layman. Rice has in the meantime built a substantial school out of his own money, but it is already proving too small for the many boys who flock to him for an education.

Gradually an extraordinary transformation takes place in the “quay kids” of Waterford. Rice and his Brothers educate them, clothe and feed them. Other Bishops in Ireland supply him with men whom he prepares for religious life and teaching. In this way the Presentation Brothers spread throughout Ireland. However, the groups in separate dioceses are not under his control but that of the Bishop. This creates problems when Brothers need to be transferred. Rice seeks and ultimately obtains approval from Pope Pius VII for his Brothers to be made into a pontifical congregation with Rice as Superior General. He is then able to move Brothers to wherever they are most needed. From this time on they are called Christian Brothers. By 1825 there are 30 Christian Brothers working in 12 towns and cities and educating 5,500 boys, free of charge. Many of these boys are also being clothed and fed.

Rice’s life is steeped in a spirituality that is strong and practical. He is forever caring for the poor in the wretched circumstances of their lives, for he believes there is a great need “to give to the poor in handfuls.” Many people, both men and women, from many cultures, young and old are helped and given hope and purpose and a new footing in life. He and his Brothers even card for the inmates of the jails of Waterford. He is privileged to comfort and accompany many a condemned man to the gallows. The poor never forget his love for them and see him as “a man raised up by God.”

Rice endures many and severe trials and in 1829 it seems the Christian Brothers are going to be suppressed by the law of the land. They face extinction but this does not happen. An even worse trial comes to him personally when some of his own Brothers try to undermine his work. Fortunately they are unsuccessful. He gave his Brothers as their motto a text from the Book of Job that means so much to him in his life: “The Lord has given, and the Lord has taken away; blessed be the name of the Lord forever.”

In 1838, at the age of 76, Rice retires from leadership of the congregation and returns to Waterford. After living in a near-comatose state for more than two years, he dies at Mount Sion, Waterford on August 29, 1844, where his remains lie in a casket to this day.

Rice is declared to be Blessed Edmund Rice by Pope John Paul II in Rome on October 6, 1996. His Feast Day in the Catholic Church is 5 May.

(From: “Blessed Edmund Ignatius Rice,” Diocese of Waterford & Lismore, http://www.waterfordlismore.ie)


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Birth of Shakespearean Actress Harriet Smithson

Harriet Constance Smithson, Anglo-Irish Shakespearean actress of the 19th century and best known as the first wife and muse of Hector Berlioz, is born at Ennis, County Clare on March 18, 1800.

Her father, William Joseph Smithson, is an actor and theatrical manager from Gloucestershire, England, and her mother is an actress whose full name is unknown. She also has a brother, Joseph Smithson, and a sister, name also unknown. In October 1801, she is left in the care of Reverend James Barrett, a priest of the Church of Ireland, parish of Drumcliffe. Barrett becomes her guardian and raises her as though she were his own daughter. He instructs her “in the precepts of religion,” and keeps everything connected with the stage from her view. After his death on February 16, 1808, the Smithsons send Harriet to a boarding school in Waterford.

On May 27, 1814, Smithson makes her first stage appearance at the Theatre Royal, Dublin, as Albina Mandevill in Frederick Reynolds‘s The Will. Her performance is well received. In 1815, she takes her parents’ place in Montague Talbot’s company in Belfast after they return to Dublin. The season opens on January 1, 1816, where she extends her range in roles, performing in multiple comedies. She then travels to Newry, Limerick, Dublin, and Birmingham, where she joins Robert Elliston‘s company. She spends the next two months playing over forty roles in various genres.

Four years later, January 20, 1818, Smithson makes her first London appearance at Drury Lane as Letitia Hardy in The Belle’s Stratagem. Her first performance receives mixed reviews from critics, but she quickly gains some favour of critics and performers as she obtains more experience. She joins the permanent company at the Royal Coburg Theatre later that year. However, she rejoins Drury Lane Company in the autumn of 1820. On February 20, 1821, she takes the lead female role in Thérèse by John Howard Payne, when the cast actress falls ill. Overall, the London public remembers her as The Times put it, “a face and features well adapted to her profession; but [an actress] not likely to make a great impression on a London audience, or to figure among stars of the first magnitude.”

In 1827, Smithson makes her Paris début as Lydia Languish in The Rivals at the Théâtre de l’Impératrice. Though she receives negative reviews for this role, she is highly praised for her beauty and ability in the subsequent performance of She Stoops to Conquer. On September 11, 1827, she is given the small part of Ophelia next to Charles Kemble in Shakespeare’s Hamlet. She leaves a long lasting impression on the French through her interpretation of Ophelia’s madness, utilizing pantomime and natural presentation.

The tremendous success of Hamlet leads to the announcement of Romeo and Juliet, for September 15. Smithson is cast as Juliet, where she revolutionizes the women’s role in theatre by becoming as important as her male counterpart. Until this point, women’s lines in theatre are heavily cut and censored to reduce the role for the company’s “restricted talent.” Again, the production is widely well received. On September 18, Shakespeare’s Othello becomes the third Shakespeare tragedy to be performed by The English theatre. Her performance as Desdemona is less effective, but the production is popular enough to be repeated the following week. She is cast as Jane Shore in the renowned tragedy The Tragedy of Jane Shore, a role in which she moves her audience to tears. The production soon becomes the most performed play in the English season. At the end of her time in France, she had acted in several productions with famous actors such as William Charles Macready, Edmund Kean, and Charles Kemble.

As opportunities to continue her work in Paris dwindle, Smithson returns to London to perform Jane Shore again. The production opens at Covent Garden on May 11, 1829 under unfavorable circumstances. Some audience members, who had read her reviews before she went to Paris, feel reluctant to attend the show. However, just seven days after her next performance as Juliet, in Shakespeare’s Romeo and Juliet, the press gives her glowing reviews.

After Covent Garden closes for the summer in 1832, Smithson tours England to minor theatres performing almost exclusively in tragedies. In June 1832, she joins the Theatre Royal Haymarket, where she has limited success and receives criticism about her weight.

In 1830, Smithson goes back to Paris to set up an English theatre under her own management. She obtains permission to perform at the Theatre-Italien where she performs several unsuccessful plays. A year later, she breaks her leg and is forced to put her career on hold until her leg heals, leaving her in great debt. She gives her last performance, as Ophelia, on December 15, 1836, before her health deteriorates.

Toward the end of her life, Smithson suffers from paralysis, which leaves her barely able to move or speak. She dies on March 3, 1854, at her home on the rue Saint-Vincent, and is buried at the Cimetière Saint-Vincent. Berlioz has her body is later reinterred at the Montmartre Cemetery when Cimetière Saint-Vincent undergoes redevelopment.

(Pictured: Oil on canvas portrait of Harriet Smithson by Claude-Marie-Paul Dubufe, located at the Musee Magnin, Dijon, France)


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Birth of Val Doonican, Pop & Easy Listening Singer

Michael Valentine Doonican, singer of traditional pop, easy listening, and novelty songs, who is noted for his warm and relaxed style, is born in Waterford, County Waterford on February 3, 1927.

Doonican is the youngest of eight children of Agnes (née Kavanagh) and John Doonican. He is from a musical family and plays in his school band from the age of six. His father dies in 1941, so he has to leave De La Salle College Waterford to get factory jobs fabricating steel and making orange and grapefruit boxes. He begins to perform in his hometown, often with his friend Bruce Clarke, and they have their first professional engagement as a duo in 1947. He appears in a summer season at Courtown, County Wexford. He is soon featured on Irish radio, sometimes with Clarke, and appears in Waterford’s first-ever television broadcast.

In 1951 Doonican moves to England to join the Four Ramblers, who tour and perform on BBC Radio shows broadcast from factories, and on the Riders of the Range serials. He also begins performing at United States Air Force bases. The Ramblers support Anthony Newley on tour and, recognising Doonican’s talent and potential as a solo act, persuades him to leave the singing group and go solo. He is auditioned for radio as a solo act, and appears on the radio show Variety Bandbox. Soon he has his own radio show and is performing in concerts and cabaret. In the late 1950s, he becomes one of the artists managed by Eve Taylor, the self-described “Queen Bee of Show Business,” who remains his manager until her death.

After seeing Doonican in cabaret in London in 1963, impresario Val Parnell books him to appear on Sunday Night at the Palladium. As a result of his performance, Bill Cotton, then Assistant Head of Light Entertainment at BBC Television, offers Doonican his own regular show. The TV shows are produced by Yvonne Littlewood and run for over 20 years. The shows feature his relaxed crooner style, sitting in a rocking chair wearing cardigans or jumpers, sometimes performing comedic Irish songs as well as easy listening and country material on which he accompanies himself on acoustic guitar. Being variety shows, his TV programmes give a number of other performers, such as Dave Allen, early exposure. Regular guests include Bernard Cribbins, Bob Todd, the Norman Maen Dancers, the Mike Sammes Singers, and the Kenny Woodman Orchestra. At its height The Val Doonican Show, which features both American and British acts, has 20 million viewers. In the United States, The Val Doonican Show airs on ABC on Saturday evenings from June 5 to August 14, 1971.

The Palladium performance also kick-starts Doonican’s recording career. Between 1964 and 1973 he is rarely out of the UK Singles Chart. The album Val Doonican Rocks, But Gently reaches Number 1 in the UK Albums Chart in December 1967 and knocks The BeatlesSgt. Pepper’s Lonely Hearts Club Band off the top of the chart. The 1966 single release “Elusive Butterfly” reaches a UK chart peak of #5 and #3 in Ireland. In all, he records over 50 albums. After a time with Philips Records in the 1970s he also records for RCA Records. He also sings the theme song to the film Ring of Bright Water.

Behind the scenes, Doonican is described as “a perfectionist who knew his limitations but always aimed to be ‘the best Val Doonican possible.'” He is sometimes compared to American singer Perry Como, though he claims his main influence is Bing Crosby. He appears on Royal Variety Performance three times. On December 31, 1976, he performs his hit song “What Would I Be” on BBC One‘s A Jubilee of Music, celebrating British pop music for Queen Elizabeth II‘s impending Silver Jubilee.

Doonican wins the BBC Television Personality of the Year award in 1966. He is the subject of This Is Your Life in 1970. Eamonn Andrews meets him at the 18th green of the South Herts Golf Club as Doonican plays a round of golf. He writes two volumes of autobiography, The Special Years (1980) and Walking Tall (1985).

Doonican officially retires in 1990 but is still performing in 2009. He has a second home in Spain and is a keen golfer and a talented watercolour painter. Another hobby he enjoys is cooking. In June 2011, he is recognised by the Mayor of Waterford bestowing on him “The Freedom of the City.”

Doonican dies at a nursing home in Buckinghamshire at the age of 88 on July 1, 2015.


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Death of Jim Larkin, Union Leader & Socialist Activist

James (Jim) Larkin, Irish trade union leader and socialist activist, dies in his sleep in Dublin on January 30, 1947. He is one of the founders of the Irish Labour Party, the Irish Transport and General Workers’ Union (ITGWU), the Workers’ Union of Ireland and the Irish Citizen Army (ICA).

Larkin is born to Irish parents in Liverpool, England, on January 21, 1876. He and his family later move to a small cottage in Burren, County Down. Growing up in poverty, he receives little formal education and begins working in a variety of jobs while still a child.

In 1905, Larkin is one of the few foremen to take part in a strike on the Liverpool docks. He is elected to the strike committee, and although he loses his foreman’s job as a result, his performance so impresses the National Union of Dock Labourers (NUDL) that he is appointed a temporary organiser.

Larkin moves to Belfast in 1907 to organise the city’s dock workers for the NUDL. He succeeds in unionising the workforce, and as employers refuse to meet the wage demands, he calls the dockers out on strike in June. Carters and coal men soon join in, the latter settling their dispute after a month.

In 1908, Larkin moves south and organises workers in Dublin, Cork, and Waterford, with considerable success. His involvement, against union instructions, in a dispute in Dublin results in his expulsion from the NUDL. The union later prosecutes him for diverting union funds to give strike pay to Cork workers engaged in an unofficial dispute. After trial and conviction for embezzlement in 1910, he is sentenced to prison for a year. This is widely regarded as unjust, and the Lord Lieutenant of Ireland, Lord Aberdeen, pardons him after he has served three months in prison.

After his expulsion from the NUDL, Larkin founds the Irish Transport and General Workers’ Union (ITGWU) at the end of December 1908. The organisation exists today as the Services Industrial Professional & Technical Union (SIPTU). In early 1909, Larkin moves to Dublin, which becomes the main base of the ITGWU and the focus of all his future union activity in Ireland.

In June 1911, Larkin establishes a newspaper, The Irish Worker and People’s Advocate, as a pro-labour alternative to the capitalist-owned press. In 1912, in partnership with James Connolly, Larkin helps form the Irish Labour Party.

In early 1913, Larkin achieves some successes in industrial disputes in Dublin. Two major employers, Guinness and the Dublin United Tramway Company, are the main targets of Larkin’s organising ambitions. The chairman of the Dublin United Tramway Company, industrialist and newspaper proprietor William Martin Murphy, is determined not to allow the ITGWU to unionise his workforce. On August 15, he dismisses 40 workers he suspects of ITGWU membership, followed by another 300 over the next week. On August 26, 1913 the tramway workers officially go on strike.

The resulting industrial dispute is the most severe in Ireland’s history. Employers in Dublin engage in a sympathetic lockout of their workers when the latter refuses to sign the pledge, employing blackleg labour from Britain and from elsewhere in Ireland. Guinness, the largest employer in Dublin, refuses the employers’ call to lock out its workers but it sacks 15 workers who struck in sympathy.

For seven months the lockout affects tens of thousands of Dublin workers and employers, with Larkin portrayed as the villain by Murphy’s three main newspapers, the Irish Independent, the Sunday Independent, and the Evening Herald, and by other bourgeois publications in Ireland. The lockout eventually concludes in early 1914 when calls by James Connolly and Larkin for a sympathetic strike in Britain are rejected by the British Trades Union Congress (TUC). Larkin’s attacks on the TUC leadership for this stance also lead to the cessation of financial aid to the ITGWU.

Some months after the lockout ends, Larkin leaves for the United States. He intends to recuperate from the strain of the lockout and raise funds for the union. Once there he becomes a member of the Socialist Party of America, and is involved in the Industrial Workers of the World union (the Wobblies). He becomes an enthusiastic supporter of the Soviet Union and is expelled from the Socialist Party of America in 1919 along with numerous other sympathisers of the Bolsheviks during the Red Scare of that year.

Upon his return to Ireland in April 1923, Larkin receives a hero’s welcome, and immediately sets about touring the country meeting trade union members and appealing for an end to the Irish Civil War. In September 1923, Larkin forms the Irish Worker League (IWL), which is soon afterwards recognised by the Communist International as the Irish section of the world communist movement.

James Larkin dies in his sleep on January 30, 1947 in the Meath Hospital in Dublin. Fr. Aloysius Travers, OFM, who had administered last rites to James Connolly in 1916, also administers extreme unction to Larkin. His funeral mass is celebrated by the Catholic Archbishop of Dublin, John Charles McQuaid, who had visited him in hospital before he died, and thousands line the streets of the city as the hearse passes through on the way to Glasnevin Cemetery.

Today a statue of “Big Jim” stands on O’Connell Street in Dublin, completed by Oisín Kelly and unveiled in 1979.


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Birth of Brendan Bowyer, Royal Showband Frontman

Brendan Bowyer, Irish singer best known for fronting the Royal Showband and The Big Eight and who had five number one hits in Ireland, is born in Waterford, County Waterford on October 12, 1938.

Bowyer is also renowned for having The Beatles open for the Royal Showband at a concert on April 2, 1962 at the Pavilion Theatre, Liverpool, England, some six months before the release of The Beatles debut single “Love Me Do” in October 1962. He is regarded as one of the first headlining Elvis impersonators. Elvis Presley himself is a big fan of Bowyer’s performances and often attends his concerts in the Stardust Resort and Casino in Las Vegas, Nevada during the 1970s.

Bowyer begins his career with the Royal Showband in 1957. His ability to tailor American rock and roll music to the tastes of Irish audiences, and his athletic, spirited on-stage performances make him a popular vocalist of the 1960s Irish showband era. On September 6, 1963, he and the Royal Showband become the first Irish artists to top the Irish Singles Chart, with the hit “Kiss Me Quick,” which stays at the number one position for seven weeks. They return to the top position later that year with “No More,” and repeat the feat in 1964 with “Bless You.”

Bowyer takes part in the 1965 Irish National Song Contest for a chance to represent Ireland at the Eurovision Song Contest in Naples with the song “Suddenly in Love,” but can only manage fifth place. The Royal Showband’s greatest success is to come in 1965 with “The Hucklebuck,” which spends a further seven weeks at the top of the Irish Singles Chart, and is a hit in Australia, but fails to appear in the UK Singles Chart. “Don’t Lose Your Hucklebuck Shoes” returns the band to the number one position later in 1965.

In the summer of 1971 Bowyer, along with singer Tom Dunphy, leave the Royal Showband and form the Big Eight Showband. The band spends the summers playing the ballroom circuit in Ireland but also spends six months of the year in Las Vegas. Within a short time, the band makes the decision to relocate to Las Vegas permanently. He is based in Las Vegas from then on, though he makes frequent trips back to Ireland. In 1977 he makes a brief return to the Irish charts with his tribute, “Thank You Elvis.”

Having enjoyed a semi-retirement phase, Bowyer returns to the spotlight, touring Ireland each year, some for months on end, with his daughter Aisling Bowyer, and a six piece band. They perform his showband era hits, dance numbers, nationalist songs, modern contemporary songs and concert hits.

A covers album, Follow On, is released in 2001, where Bowyer performs some of the most popular Irish songs, such as “Summer in Dublin,” “What’s Another Year,” “Past the Point of Rescue,” and “I Don’t Like Mondays.”

In 2005, Bowyer and Aisling headline the entertainment list for the Tall Ships Festival in Waterford, performing in the open air to an estimated crowd of 12,000. In 2015, Bowyer is the star of the “Ireland’s Showbands – Do You Come Here Often?” concert series.

Bowyer dies at the age of 81 in Las Vegas, Nevada on May 28, 2020.


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The Treaty of Windsor (1175)

The Treaty of Windsor, a territorial agreement made during the time of the Norman invasion of Ireland, is signed in Windsor, Berkshire on October 6, 1175 by King Henry II of England and the High King of Ireland, Rory O’Connor (Ruaidrí Ua Conchobair). The witnesses are Richard of Ilchester, Bishop of Winchester; Geoffrey Ridel, Bishop of Ely; Lorcán Ua Tuathail, Archbishop of Dublin; William de Mandeville, 3rd Earl of Essex; Justiciar Richard de Luci; Geoffrey de Purtico, Reginald de Courtenea (Courtenay) and three of Henry’s court chaplains.

Under the Treaty, O’Connor recognizes King Henry II as his overlord and agrees to collect tribute for him from all parts of Ireland. Henry agrees that O’Connor can be king of the areas not conquered by the Normans. But O’Connor cannot control the territories of which he is nominally king. Henry and his barons annex further land without consulting O’Connor.

Overall, the agreement leaves O’Connor with a kingdom consisting of Ireland outside the provincial kingdom of Leinster (as it was then), Dublin and a territory from Waterford Dungarvan, as long as he paid tribute to Henry II, and owed fealty to him. All of Ireland is also subject to the new religious provisions of the papal bull Laudabiliter and the Synod of Cashel (1172).

O’Connor is obliged to pay one treated cow hide for every ten cattle. The other “kings and people” of Ireland are to enjoy their lands and liberties so long as they remain faithful to the kings of England, and are obliged to pay their tribute in hides through O’Connor.

The Annals of Tigernach record that: “Cadla Ua Dubthaig came from England from the Son of the Empress, having with him the peace of Ireland, and the kingship thereof, both Foreigner and Gael, to Ruaidhrí Ó Conchobhair, and to every provincial king his province from the king of Ireland, and their tributes to Ruaidhrí.” The Annals also list the ongoing violence in Ireland at the time. The text reveals a misunderstanding of the scope of the treaty and the matters agreed by the two kings that soon prove fatal to the peace of Ireland. Henry sees O’Connor as his subordinate within the feudal system, paying him an annual rent on behalf of all his sub-kings. O’Connor sees himself as the restored High King of Ireland, subject only to a very affordable annual tribute to Henry.

The treaty breaks down very quickly, as O’Connor is unable to prevent Norman knights from carving out new territories on a freelance basis, starting with assaults on Munster and Ulaid in 1177. For his part Henry is by now too distant to suppress them and is preoccupied with events in France. In 1177 he replaces William FitzAldelm with his 10-year-old son Prince John and names him as Lord of Ireland.