Harrison’s brother, Henry, is a supporter of Charles Stewart Parnell and a Member of Parliament for Mid Tipperary. She herself becomes the first female city councillor for Dublin Corporation in 1912. She campaigns to have poor relief extended to the able-bodied unemployed and works to promote women’s rights. She is closely involved in Hugh Lane‘s efforts to establish a gallery of modern art in Dublin.
For some 30 years Harrison is part of social reform and women’s rights in Ireland. In 1912 she is the first woman to be elected to the Dublin City Council. Here she works closely with Alderman Alfie Byrne. She is also recognised for her prominent place in the suffrage victory procession and escorting Anna Haslam to vote in the Williams Street Courthouse, Dublin, in the 1918 United Kingdom general election.
Following Hugh Lane’s death on the RMS Lusitania in 1915, Harrison claims that they had been engaged to be married. Her 1914 portrait of Lane is one of her best-known works. She never marries.
Harrison dies on July 23, 1941, in Drumcondra, Dublin. She is buried in Mount Jerome Cemetery, the inscription on her gravestone reads “Artist and Friend of the Poor.”
Stoney is the younger son of George Stoney and Anne Blood, second daughter of Bindon Blood of Cranagher and Rockforest, County Clare. His brother is the physicistGeorge Johnstone Stoney, known for coining the term electron for the fundamental unit of electricity. He is also the uncle of another Irish physicist George Francis FitzGerald, the son of his sister Anne Frances. His nieces are Edith Anne Stoney, a pioneer medical physicist, and Florence Stoney, the first female radiologist in the United Kingdom. Both serve in hospitals near the front line during World War I.
Stoney is privately educated at home while his father’s properties lose value in the post-Napoleonic depression and are sold during the famine of 1845–49. He then attends Trinity College Dublin (TCD), where in 1850 he obtains his BA and a diploma in civil engineering with distinction. He marries Susannah Frances Walker on October 7, 1879; they have four children.
Bindon’s career in engineering commences when he works on surveys for the Aranjuez to Almansa railway in Spain from 1852 to 1853. Upon returning to Ireland in 1854, he is appointed as resident engineer under James Barton on the Boyne railway viaduct until its completion in 1855. This viaduct claims to have the longest span in the world and has the world’s longest girders at the time.
Bindon’s groundbreaking work building a metal bridge with a span of such dimensions using shock-absorbent wrought-iron latticed bars instead of a continuity of plate with Barton is possibly the first of its kind. It is the basis for his later two-volume publication The theory of strains in girders and similar structures, with observations on the strength and other properties of materials (1866), nicknamed “Stoney on strains” and reproduced in two further editions.
Bindon becomes an associate of the Institution of Civil Engineers (ICE) in January 1858 and a full member in November 1863.
In 1856, Bindon is appointed as assistant engineer to George Halpin, Jr. at the Ballast Board on Westmoreland Street and in 1859 he is appointed as Executive Engineer. He is ambitious and an engineering innovator who comes up with a cheap way to develop the Dublin Port – something appreciated by the board but they also do not want to upset Halpin. When Halpin retires, Stoney becomes the new inspector of works and in 1868, becomes the first chief engineer of the newly constituted Dublin Port and Docks Board.
Bindon designs a large dredging plant and rebuilds nearly 7,000 feet of quay walls along both north and south banks of the River Liffey, replacing the tidal berths by deep water berths. Additionally, the northern quays are lengthened eastward and the formation of Alexandra Basin begins in 1871 and is partially completed by 1885. In addition to harbour works, he is in charge of the design and construction of two major bridges that cross the River Liffey. In 1872–1875 he largely rebuilds Essex Bridge, designed in the 1750s by George Semple to his own flamboyant design. It is renamed Grattan Bridge after Henry Grattan. In 1877–80 he redesigns the 1790s Carlisle Bridge of James Gandon, renamed O’Connell Bridge after Daniel O’Connell, to provide a crossing linking Sackville (later O’Connell) Street with the converging streets to the south. He builds a new iron swing bridge in 1877–1879, just west of The Custom House named Beresford Bridge.
Stoney invents a diving bell, and means to use precast concrete. Toward the end of his career, he erects the North Bull Lighthouse (1877–80) to replace the inadequate light on the Bull Wall marking the northern side of the Dublin port channel entrance opposite Poolbeg Lighthouse before finally retiring in 1898.
Synge is born on June 1, 1890, in south Dublin, to Edward Synge and Ellen Frances Price. He is familiarly known as “Hutchie.” He is the nephew of playwrightJohn Millington Synge and the older brother of distinguished mathematician and theoretical physicist John Lighton Synge who edits the collected works of Sir William Rowan Hamilton at Synge’s urging. He and brother John are great-great-great-grandsons of Irish bishopHugh Hamilton. He is also the uncle of the mathematician Cathleen Synge Morawetz. Throughout his life he is very physically active, pursuing walking, cycling, swimming and sailing. In his later life, he takes up painting and is quite good at it.
In 1908, Synge enters Trinity College Dublin (TCD) to study Mathematics and Old Irish. For three years he is a brilliant student and wins several prizes and a Foundation Scholarship in mathematics in 1910. At the end of his third year, he comes into an inheritance from his uncle John Millington Synge, and in 1913 he drops out of university.
Starting in 1928, with encouragement from Albert Einstein, Synge launches on a period of intense productivity during which he lays the foundation for new kinds of microscopes and telescopes. Nobody, including his famous brother John, appreciates his achievements at the time. His work is overlooked for decades, but is now better-known thanks to the book The Life and Works of Edward Hutchinson Synge published by Living Edition in 2012.
On April 22, 1928, Synge writes to Einstein about an idea he has for a new microscopic imaging method in which an optical field scattered from a tiny gold particle can be used as a radically new light source. Einstein replies that although Synge’s method appears essentially unworkable, the basic ideas seem correct and he should publish his research.
There follows a remarkable period from 1928 to 1932 in which Synge produces all of his key works which he publishes in the Dublin Philosophical Magazine and Journal of Science. Remarkably, he does all of this work alone, without a laboratory, and while living at his home in Dundrum in the suburbs of Dublin. By 1932 he has laid out the theory of the near-field microscope and his description is incredibly accurate.
The idea is ahead of its time. In 1956, a similar theory is developed by John A. O’Keefe and in 1972, Eric Ash gives the first experimental demonstration of the technique using electromagnetic radiation. It is not until Synge’s original papers re-emerge in the 1980s that his priority is finally recognised.
Synge proposes a design for very large astronomical telescopes, based on multiple mirrors, an idea realised much later in Tucson, Arizona, and elsewhere. He also invents a new kind of remote sensing technique using searchlights. Today this is known as Lidar and uses pulsed lasers.
According to the people who know him best, Synge suffers from what today would be called Asperger syndrome. Becoming increasingly socially isolated, he drops out of university in 1913 and works alone without any support from the academic community until all work stops in 1932. In 1936, he has a mental breakdown and is committed to a Dublin nursing home where he remains until his death on May 26, 1957. He is buried with his parents in Dublin’s Mount Jerome Cemetery, with only a few relatives attending. It is much later that his niece, Cathleen Synge Morawetz, arranges to have “Scientist and Inventor” inscribed on the gravestone.
According to Sam Smyth in the Irish Independent, Mac Mathúna is “on a mission to collect songs and stories, music, poetry and dance before they were buried under the coming tsunami of pop music.”
Mac Mathúna presents the radio programme, Mo Cheol Thú, for 35 years. Upon his retirement in 2005, the managing director of RTÉ Radio, Adrian Moynes, describes him as “inseparable from RTÉ Radio.” Upon his death in 2009, the Irish Independent describes him as “a national treasure.”
After college Mac Mathúna works as a teacher and later at the Placenames Commission. In 1954, he joins Radio Éireann where his job is to record Irish traditional musicians playing in their own locales. This entails visiting such places as Sliabh Luachra, County Clare and County Sligo, and the resulting recordings feature in his radio programmes: Ceolta Tire, A Job of Journeywork and Humours of Donnybrook.
Mac Mathúna’s long-running Sunday morning radio series, Mo Cheol Thú (You are my music), begins in 1970 and continues until November 2005, when he retires from broadcasting. Each 45-minute programme offers a miscellany of archive music, poetry and folklore, mainly of Irish origin. It is one of radio’s longest running programmes. The last episode is broadcast on November 27, 2005, at 8:10 a.m.
Mac Mathúna wins two Jacob’s Awards, in 1969 and 1990, for his RTÉ Radio programmes promoting Irish traditional music. He receives the Freedom of Limerick city in June 2004. He is also awarded honorary doctorates by NUI Galway and the University of Limerick. In 2007, he receives the Musicians Award at the 10th annual TG4 Traditional Music Awards.
Joe Kennedy in the Sunday Independent in 2007 compares Mac Mathúna to “an amiable rock, rolling gently along, still picking up some moss and morsels of music that he may have missed.”
Mac Mathúna‘s wife, Dolly MacMahon (using the English version of her surname), is a singer of traditional songs. She comes from Galway and meets her husband in 1955. He has two sons named Padraic and Ciarán, one daughter named Déirdre, and four grandchildren at the time of his death: Eoin, Colm, Conor and Liam.
Musicians performing at the ceremony include Peadar Ó Riada, Cór Cúil Aodha and members of The Chieftains and Planxty. The corpse is then taken to Mount Jerome Crematorium. Journalist Kevin Myers says Mac Mathúna’s legacy will be the “rebirth of Irish music,” adding, “Well, if Ciarán Mac Mathúna can die, I suppose anyone can. Actually, I had always thought that he was immortal. He certainly appeared to have all the ingredients.”
Swanzy lives at 31 Railway Street and attends Morning Service at the Cathedral. At 1:06 p.m. as he is walking past the entrance to the Northern Bank (now Shannon’s Jewelers), he is shot by the IRA and dies at the scene.
In February 1921, a memorial is erected in the north wall of the Cathedral by his mother and sister. The brass tablet mounted in Irish Oak bears the following inscription:
“In proud and loving memory of Oswald Ross Swanzy DI Royal Irish Constabulary who gave his life in Lisburn on Sunday, August 22, 1920, and his gallant comrades who, like him, have been killed in the unfaltering discharge of their duty and in the service of their country. Be thou faithful unto death and I will give you a crown of life.”
In his book, Police Casualties in Ireland 1919 to 1922, Royal Ulster Constabulary (RUC) Inspector Richard Abbott says the decision to kill Swanzy is taken by Michael Collins himself who believes the officer had been the leader of the party of unidentified men who killed Tomás Mac Curtain, the Lord Mayor of Cork and Commandant of Cork Number One Brigade of the IRA.
With the help of RIC Sergeant Matt McCarthy, who had provided Collins with information in the past, Swanzy is traced to Lisburn. The Intelligence Officer of B Company of the IRA’s First Cork Battalion, Sean Culhane, is then sent to Belfast to link up with local IRA activists. On the day of the attack, Culhane and a number of Belfast IRA men leave the city in a taxi and make their way to Lisburn.
Culhane and Roger McCorley, a Belfast member of the IRA, walk up to Swanzy and shoot him at close range. They, along with their accomplices, then run in pairs along Castle Street with another man in the middle of the road. They continue to fire as they make their way to the taxi which is waiting outside the Technical College.
The vehicle starts to move off before McCorley reaches it and he is forced to throw himself into the car. As he does so he lands in a heap on the back floor of the car and accidentally fires a round from his revolver inside the taxi.
A member of the public notes the taxi’s number as it leaves Lisburn and the driver is arrested later that afternoon. He tells police he works for the Belfast Motor Cab and Engineering Co. at Upper Library Street. At 11:45 a.m., he says he had been sent to the Great Northern Railway Station in Great Victoria Street to collect a fare who wanted to “take a run along the County Down coast.” The taxi driver is later tried for the killing of Swanzy but is found not guilty.
The IRA killing of Detective Inspector Swanzy leads to bitter sectarian rioting in Lisburn. A number of Catholics are murdered and others assaulted and terrorised as their homes and businesses are burned by mobs on the rampage. Journals kept at the time recall how groups of people wait at Lambeg to attack Catholics fleeing the town on the main Belfast Road. This forces many to leave Lisburn by way of the mountain route into the city as columns of smoke rise into the air above the town.
Workers at local mills are also called upon to sign the following declaration: “I…. …hereby declare I am not a Sinn Féiner nor have any sympathy with Sinn Féin and do declare I am loyal to king and country.” Violence also sweeps across Belfast in the wake of the Market Square attack.
A total of 22 people are killed in one week and on August 24 the authorities swear in a number of special constables to try to regain control of the situation. This is the first time since the start of the IRA campaign in 1919 that Special Constables have to be used.
(From: “Assassination of Detective Inspector Oswald Ross Swanzy,” Lisburn.com)
Bushe is born at Kilmurry House, near Thomastown, County Kilkenny, the only son of the Reverend Thomas Bushe, rector of Mitchelstown, and his wife Katherine Doyle, daughter of Charles Doyle of Bramblestown, near Gowran. Kilmurry House had been built by the Bushe family in the 1690s. His father is forced to sell it to pay his debts, but he is able to repurchase it in 1814. He goes to the celebrated Quaker academy, Shackleton’s School in Ballitore, County Kildare, then graduates from Trinity College Dublin (TCD), where his eloquence makes him a star of the College Historical Society. He is called to the Bar in 1790.
Bushe is a member of the Irish Parliament for Callan from 1796 to 1799, and for Donegal Borough from 1799 to 1800. He is Escheator of Leinster in 1799. By this time the office is a sinecure. He is vehemently opposed to the Acts of Union 1800, referring emotionally to Britain’s subjection of Ireland as “six hundred years of uniform oppression and injustice,” a phrase which quickly became a proverb. Although he refuses an offer of a place on the Bench as a bribe for supporting the Union, cynics note that his staunch opposition to the Union does not prevent him accepting high office under the British Crown afterwards. He is appointed Solicitor-General for Ireland in 1805 and holds the office for 17 years until in 1822 he is appointed Lord Chief Justice of the King’s Bench for Ireland, although only after William Saurin, the equally long-serving Attorney-General, refuses the position. He retire in 1841.
As an advocate “silver-tongued Bushe” is legendary for his eloquence, and as a politician, he is admired by his English contemporaries like Sir Robert Peel and Lord Brougham. As a judge, according to F. Elrington Ball, he does not live up to expectations, although, if not an outstanding judge, he is an impressive and dignified one. As a statesman he is often accused of double-dealing: having opposed the Acts of Union, he has few scruples about accepting office under the new regime; and while himself supporting Catholic Emancipation, he prosecutes members of the Catholic Association for sedition, merely for advocating the same cause.
Betty Ann Norton, Irish drama teacher and founder of the Betty Ann Norton Theatre School and actor agency, is born on July 5, 1936.
Norton grows up in Dublin near the South Circular Road. Her mother, Frances, plays the violin and her father, Eugene, is a baritone singer. Frances is a full-time homemaker while Eugene works as manager of the Bacon Shops on Grafton Street. One of two children, her younger brother, Jim Norton, also becomes a successful actor. She attends school at St. Louis High School, Rathmines.
Norton attends the Ena Mary Burke School of Drama and Elocution on Kildare Street, Dublin, where Hollywood starMaureen O’Hara had also trained. Her acting school offers an annual Ena Mary Burke scholarship in Burke’s honour.
Norton originally plans to become an actor, but her family does not approve and her mother encourages her to become a teacher. In 1959, she establishes the Betty Ann Norton Theatre School on Harcourt Street in Dublin. Her husband, Michael, is co-director of the school. According to Norton, changes to traffic by the new Luas tram system causes the business to change premises to her childhood school, St. Louis High School in Rathmines in 2006.
Norton meets her husband, Michael J. Cunneen, on the Aran Islands in 1965 and they marry in 1967. They lived in Dún Laoghaire. Michael dies in the Blackrock Clinic on May 12, 2017.
Thrift was born in Halifax, West Yorkshire, England, on February 28, 1870, one of at least two sons and two daughters of Henry George Thrift, civil servant, and Sarah Anne Thrift (née Smith). The family moves in his childhood to Dublin, where his father is an officer in the Inland Revenue.
He is educated at The High School, Dublin, and enters Trinity College Dublin in 1889 with a second sizarship in mathematics, and commences a highly distinguished university career, scoring firsts in several examinations and winning numerous prizes. Elected fellow in mathematics and experimental science, and in mental and moral philosophy in 1896, he becomes Erasmus Smith’s Professor of Natural and Experimental Philosophy at TCD from 1901 to 1929. He is awarded a Doctor of Science (DSc) in 1936. He is appointed Provost of Trinity College Dublin in 1937, serving until his death in 1942.
While rarely speaking on controversial issues, Thrift opposes the 1925 legislation banning divorce, which he describes as an infringement of individual and minority rights, and a betrayal of commitments made by Arthur Griffith during the Anglo-Irish Treaty debates. His capable service on various Dáil committees is recognised by his election as Leas-Ceann Comhairle (deputy speaker). A long-serving council member of the Royal Dublin Society (RDS) (1902–42), he is a commissioner of charitable donations and bequests, and financial adviser to the General Synod of the Church of Ireland. He sits on the governing boards of the Erasmus Smith schools and of the Incorporated Society for Promoting Protestant Schools in Ireland.
Thrift’s portrait is painted by Leo Whelan. He marries Etta Robinson, a daughter of C. H. Robinson, a medical doctor, and they have three sons and three daughters. He dies at the provost’s house, Trinity College Dublin, on April 23, 1942. He is buried at Mount Jerome Cemetery, Harold’s Cross, County Dublin.
Bushnell is one of four children of John Kavanagh and Evelyn (née Ledwidge). Her father is a motor mechanic with a business on Arnott Street, Portobello, with the family living in Milltown. She dances on the stage of the Theatre Royal as a child and is a junior Irish champion dancer. She attends the St. Louis convent school in Rathmines, where she performs in plays and musicals and sings in the school choir. The nuns disapprove of her musical influences and try to dissuade her interest in jazz and “the music of the night.” Due to the family’s financial circumstances, she leaves school at the age of 16 and takes a job as a typist. She marries Tony Bushnell in April 1961. He is a salesman who shares her interest in music. The couple moves to Templeogue, and have a daughter, Suzanne, and a son, Paul. Paul is now a session musician based in Los Angeles, and Suzanne sings with a female vocal harmony group, Fallen Angels.
Bushnell continues to perform in amateur musicals, and from the early 1960s she sings with an Irish céilí band. With help from her husband’s musical family, she sings in Dublin jazz clubs from 1967, emerging as a well-respected jazz and blues vocalist and cabaret performer. She competes in the national song contest in 1968 singing Ballad to a Boy and becomes a resident singer in the RTÉ Light Orchestra. By the late 1960s, she is one of the busiest singers in Ireland, singing jingles for radio and TV commercials, and featuring on showband records as a backing singer. She is a regular guest on RTÉ television variety shows from 1970, including hosting Girls, girls, girls.
From 1972 to 1974, Bushnell is part of a group called Family Pride, which is a group of session musicians who record together regularly. They compete in the 1973 national song contest, playing in Dublin venues and on radio shows. The group has two top ten Irish hits. Their 1973 album, Family Pride, is not a chart success, however. She represents Ireland at a number of international contests and festivals as a solo artist, releasing a few singles and an unsuccessful album with CBS Records, Are You Ready (1977). She is a backing singer for two of Ireland’s entries to the Eurovision Song Contest in 1974 and 1980. She is a regular in stage musicals from the mid to late 1970s, in productions such as the tribute shows to Jacques Brel (1974) and Bing Crosby (1978), sometimes performing alongside her brother John Kavanagh. From the late 1970s she appears in pantomimes with Maureen Potter.
In 1984 Bushnell stars in a musical based on the life of Édith Piaf, No Regrets, written specially for her by Leland Bardwell. She is lauded for capturing Piaf’s stage presence and husky voice. The show suffers when it has to move from the Gaiety Theatre to the National Stadium. She reworks it into a successful one-woman show called The Little Sparrow and also devises a one-woman tribute to Judy Garland. Her cabaret act in the late 1980s is highly successful, featuring big numbers by Brel, Garland, and Piaf. Due to her talent at singing blues and jazz, she is awarded the freedom of New Orleans by its mayor in 1986.
Bushnell struggles with depression brought on initially by an underactive thyroid and later exacerbated by her father’s death and her husband’s unemployment in the late 1980s. Disheartened by the lack of recognition in Ireland and her family’s financial difficulties, she considers emigrating or returning to her career as a typist. To aid with her depression, she takes up painting in 1992, holding a number of exhibitions in Dublin. She continues to sing regularly until her death, often at events for charity. She is awarded the Cheshire Foundation award in 1994 for her charitable work. She also appears in the film Agnes Browne.
Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.
Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.
Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.
By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.
Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.
Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.
Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.
In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).
Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.
(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 