seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Christopher Nolan, Irish Poet & Author

Christopher Nolan, Irish poet and author, dies of asphyxiation in Dublin on February 20, 2009.

Nolan is born to parents Joseph and Bernadette Nolan in Mullingar, County Westmeath on September 6, 1965. Due to asphyxiation at birth, he is born with permanent impairment of his nerve-signaling system, a condition now labelled dystonia. Because of these complications, he is born with cerebral palsy and can only move his head and eyes. Due to the severity of the cerebral palsy, he uses a wheelchair. In an interview, his father, Joseph, explains how, at the age of 10, he is placed on medication that “relaxed him so he could use a pointer attached to his head to type.” To write, he uses a special computer and keyboard. In order to help him type, his mother holds his head in her cupped hands while he painstakingly picks out each word, letter by letter, with a pointer attached to his forehead.

Nolan communicates with others by moving his eyes, using a signal system. When he is young, his father tells him stories and reads passages from James Joyce, Samuel Beckett and D. H. Lawrence to keep his mind stimulated. His mother strings up letters of the alphabet in the kitchen, where she keeps up a stream of conversation. His sister, Yvonne, sings songs and acts out skits. His mother states that “he wrote extensively since the age of 11 and went on to write many poems, short stories and two plays, many of which were published.” Many of the writings are compiled for his first publication, the chapbook Dam-Burst of Dreams.

Upon becoming a teenager, Nolan receives his education from the Central Remedial Clinic School, Mount Temple Comprehensive School and at Trinity College, Dublin. His first book is published at the age of fifteen. He is also awarded an Honorary Doctorate of Letters in the UK, the medal of excellence from the United Nations Society of Writers, and a Person of the Year award in Ireland. He writes an account of his childhood, Under the Eye of the Clock, published by St. Martin’s Press, which wins him the UK’s Whitbread Book of the Year Award in 1987 at the age of 21. He soon drops out of Trinity College to write a novel entitled The Banyan Tree (1999).

Nolan spends more than a decade writing The Banyan Tree. According to The New York Times, the book is a multigenerational story of a dairy-farming family in Nolan’s native county of Westmeath. The story is seen through the eyes of the aging mother. It is inspired, he tells Publishers Weekly, by the image of “an old woman holding up her skirts as she made ready to jump a rut in a field.” A review of the book is done in The New York Times by Meghan O’Rourke. She reviews the book and relates it to James Joyce’s A Portrait of the Artist as a Young Man; in the story the protagonist leaves his mother in Ireland while he moves on to travel the world. Nolan, however, gives the reader a version of the mother’s story. “And so, in the end, one suspects that he wants Minnie’s good-natured, commonplace ways to stand as their own achievement, reminding us that life continues in the places left behind.”

At the age of 43, while working on a new novel, Nolan dies in Beaumont Hospital in Dublin at 2:30 a.m. on February 20, 2009. His death is the result of a piece of salmon becoming trapped in his airway. Nothing from the novel he was working on has been released since his death.

Upon hearing the news of Nolan’s death, President of Ireland Mary McAleese says, “Christopher Nolan was a gifted writer who attained deserved success and acclaim throughout the world for his work, his achievements all the more remarkable given his daily battle with cerebral palsy.”


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Death of Dennis O’Driscoll, Poet, Essayist, Critic and Editor

Dennis O’Driscoll, Irish poet, essayist, critic and editor, dies suddenly on December 24, 2012, in Naas, County Kildare. Regarded as one of the best European poets of his time, Eileen Battersby considers him “the lyric equivalent of William Trevor” and a better poet “by far” than Raymond Carver. Gerard Smyth regards him as “one of poetry’s true champions and certainly its most prodigious archivist.” His book on Seamus Heaney is regarded as the definitive biography of the Nobel laureate.

Born on January 1, 1954 in Thurles, County Tipperary, O’Driscoll is the child of James O’Driscoll and Catherine Lahart, a salesman/horticulturist and a homemaker. He is educated by the Congregation of Christian Brothers. After completing his secondary education in 1970 at the age of sixteen, he is offered a job at Ireland’s Office of the Revenue Commissioners, the internal revenue and customs service. Specializing in “death duties, stamp duties, and customs,” he is employed for over thirty years full-time. He lives in Naas, County Kildare, until his sudden death.

In the 1970s and 80s, O’Driscoll holds many part-time jobs and positions in association with his writing. He takes a position as part-time editor of Tax Briefing, a technical journal produced in Ireland, as well as reviewing poetry for Hibernia, and The Crane Bag. He also serves on the council of the Irish United Nations Association from 1975–80. After this, he marries Julie O’Callaghan, a poet and writer, in September 1985. He stays in the revenue business for as long as he does due to the advice of a colleague, who teels him, “If you ever leave your job, you will stop writing.” Thus, revenue becomes a sort of fall back option for him; a career that pays regularly and provides a pension. Whereas poetry is his art. Even so, in his memoir entitled, Sing for the Taxman, he states, “I have always regarded myself as a civil servant rather than a ‘poet’ or ‘artist’ – words I would find embarrassing and presumptuous to ascribe to myself.”

After thirty-eight years in Revenue, in early 2008, O’Driscoll is asked to write a poem marking the opening of the Revenue Museum in Dublin Castle, marking the first time his job and his art intermingle. This poem, At The Revenue Museum, which is originally brought to life to be printed in a program for the opening ceremony, now hangs as an exhibit in the museum itself.

Prior to the publication of his own poems, O’Driscoll publishes widely in journals and other print publications as both an essayist and poetry reviewer, for which he is very widely known. He writes nine books of poetry, three chapbooks, and two collections of essays and reviews. The majority of his works are characterised by the use of economic language and the recurring motifs of mortality and the fragility of everyday life. In 1987, he temporarily becomes a writer-in-residence at the National University of Ireland. He also serves for a short time as editor of Poetry Ireland Review.

O’Driscoll dies suddenly at the age of 58 on December 24, 2012. He is rushed to hospital after becoming ill but quickly succumbs to his fate. The arts world is shocked by his sudden demise. His wife and siblings – brothers Proinsias, Seamus, Declan, and sisters, Marie and Eithne – survive him.

President Michael D. Higgins notes that O’Driscoll is “held in the highest regard not only by all those associated with Irish and European poetry.” Joe Duffy, with whom O’Driscoll had appeared on air on the very week of his death, calls him a “generous, caring and witty man.” Fellow writer Belinda McKeon says he was “a scholar, a gentleman, a character, a friend.” English poet and critic David Morley describes him as a “fine poet and great critic.” Irish PEN mourns his death.


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Birth of Irish poet Seán Mac Falls

Irish poet Seán Mac Falls is born on November 18, 1957. Belonging to no group or movement and operating outside of literary fashions, his brand of symbolist poetry can, at first reading, appear difficult. His use of allusion, startling diction and subtle punning display submerged metaphor in his work. The overall effect is a fresh implementation of Imagism.

Mac Falls has written seven books of poetry and several chapbooks. His first collection of poems, 20 Poems (2001), wins praise from Yale University critic Harold Bloom and Oxford University don John Carey, who compares the poet to W. B. Yeats. Several of the poems are Pushcart Prize nominations and are reprinted in eminent magazines in the United States and United Kingdom, including Poet Lore, The Lyric, Agenda, The London Magazine and Stand Magazine.

Mac Falls publishes a second book, entitled The Blue Falcon, in 2005. His latest book of verse is titled Garden Theology (2022).

At the age of fifty, a reflective time in his life, Mac Falls purchases an historic, 100-year-old farm house property on the Olympic Peninsula in Washington State, overlooking Vancouver Island on the Salish Sea, with a sweeping view across the Strait of Juan de Fuca to Mount Baker. He is seeking a “Gentle House” with the peace and solitude he seeks in which to write. In the ensuing years he desires to share this experience and, looking ahead, establish an artist residency.

In order to preserve and extend the space that proves so generative, Mac Falls’s gift to the writing community is a place for poets, playwrights, painters, filmmakers and songwriters to co-mingle and create and collaborate.

Mac Falls, in collaboration with the esteemed non-profit Tupelo Press, establishes Gentle House as a retreat and ongoing residency for artists with an original founding gift, the property, cottages and a substantial poetry library. During 2022-23, Gentle House will transition to a 501(c)(3) nonprofit literary arts organization. Gentle House continues to subsist on the generosity of Mac Falls’s founding gift, supplemented by a fundraising program that began in earnest in 2021, and is growing each year.


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Formation of the Kildare Place Society

The Kildare Place Society, known officially as the Society for the Promotion of the Education of the Poor of Ireland, is formed on December 2, 1811, to maintain non-denominational schools and to promote the education of the poor. It is the most successful of all the voluntary educational agencies founded in the years prior to the establishment of the National Board of Education in 1831.

Set up in 1811 explicitly to cater to the demand for education among the Catholic poor, the Kildare Place Society aims to provide a Bible-based but non-denominational education that is acceptable to Catholics. In 1816 the society petitions the Parliament of the United Kingdom and is awarded 10,000 pounds, an amount that is greatly increased over the following decade. This money allows the society to spread across the country and to establish the rudiments of a national system of primary education. The society aims to modernize the teaching profession with a training college and an inspectorate, decent schoolhouses, and regular salaries for teachers. It also produces reading material aimed at a popular audience, which competes very favorably with the much-derided chapbooks that are the staple of popular reading material at the time.

Despite the commitment of the founders, many of whom are members of the Society of Friends, to respect denominational differences, and despite the allocation of seats for Catholics on the board of trustees, the society is increasingly drawn into quarrels over the use of the Protestant Bible for educational purposes during the second decade of the 19th century.

Particularly significant is the influence of the evangelical members of the board, especially Chief Justice Thomas Lefroy, who insists on the compulsory use of the Bible “without note or comment” in the Kildare Place schools. This measure is openly and stridently criticized by the Reverend John MacHale in the famous Hierophilus Letters of 1820 and is the immediate cause of the resignations of Daniel O’Connell and Valentine Lawless, 2nd Baron Cloncurry from the society’s board in 1821. This gesture is followed in short order by directives to Catholic parents to withdraw their children from the schools.

The substance of O’Connell’s and MacHale’s attacks on the Kildare Place Society is that its policies are in line with the more overtly proselytizing societies associated with the “Second Reformation” and are therefore unsuitable for Catholic children. The society does not survive the challenge. As a result of the ideological conflict over education, the government inaugurates a series of inquiries to determine what kind of educational system would be acceptable to the different denominations in Ireland, and the outcome is the establishment of the National Board of Education in 1831. Although the Kildare Place Society continues its work into the 1830s, its school system suffers an inevitable decline with the spread of the new national system.

(Pictured: The main offices of the Kildare Place Society in Kildare Place, Dublin)