Irish poetSeán Mac Falls is born on November 18, 1957. Belonging to no group or movement and operating outside of literary fashions, his brand of symbolist poetry can, at first reading, appear difficult. His use of allusion, startling diction and subtle punning display submerged metaphor in his work. The overall effect is a fresh implementation of Imagism.
Mac Falls publishes a second book, entitled The Blue Falcon, in 2005. His latest book of verse is titled Garden Theology (2022).
At the age of fifty, a reflective time in his life, Mac Falls purchases an historic, 100-year-old farm house property on the Olympic Peninsula in Washington State, overlooking Vancouver Island on the Salish Sea, with a sweeping view across the Strait of Juan de Fuca to Mount Baker. He is seeking a “Gentle House” with the peace and solitude he seeks in which to write. In the ensuing years he desires to share this experience and, looking ahead, establish an artist residency.
In order to preserve and extend the space that proves so generative, Mac Falls’s gift to the writing community is a place for poets, playwrights, painters, filmmakers and songwriters to co-mingle and create and collaborate.
Mac Falls, in collaboration with the esteemed non-profit Tupelo Press, establishes Gentle House as a retreat and ongoing residency for artists with an original founding gift, the property, cottages and a substantial poetry library. During 2022-23, Gentle House will transition to a 501(c)(3) nonprofit literary arts organization. Gentle House continues to subsist on the generosity of Mac Falls’s founding gift, supplemented by a fundraising program that began in earnest in 2021, and is growing each year.
Carr spends the majority of her childhood in Pallas Lake, County Offaly, adjacent to the town of Tullamore. Her father, Hugh Carr, is a playwright and studies music under Frederick May, while her mother, Maura Eibhlín Breathnach, is the principal of the local school and writes poetry in Irish. It is said that “there were a lot of literary rivalries.” As a child, she and her siblings build a theater in their shed.
Born on April 1, 1743, in St. Bridget’s Parish, Dublin, Butler is the oldest son of Thomas and Eleanor Butler (née Parker). His father is an Irish aristocrat who serves in the British Army. He is the brother of Colonel Thomas Butler and Captain Edward Butler. All three brothers serve in the American Revolution and in the Northwest Indian War against the Northwestern Confederacy of Native American tribes in the Northwest Territories. His two other brothers, William and Percival, serve in the Revolution but do not see later military service.
By 1760, the family moves to the frontier at Carlisle, Pennsylvania, where Thomas and his sons manufacture long rifles and become friends with Daniel Morgan. The Butler gun shop still stands in Carlisle.
At the outset of the American Revolution, the Continental Congress names Butler a commissioner in 1775 to negotiate with the Indians. He visits representatives of the Delaware, Shawnee, and other tribes to secure their support, or at least neutrality, in the war with Britain.
At the conclusion of the Battle of Yorktown in October 1781, General George Washington confers on Butler the honor of receiving Cornwallis’ sword of surrender, an honor which he gives to his second in command, Ebenezer Denny. At the last moment, Baron von Steuben demands that he receive the sword. This almost precipitates a duel between Butler and Von Steuben.
At the victory dinner for his officers, George Washington raises his glass and toasts, “The Butlers and their five sons!”
Following Yorktown, Butler remains in the Continental Army and is transferred to the 3rd Pennsylvania Regiment following a consolidation of the Army on January 1, 1783. On September 30 of the same year, he is breveted as a brigadier general. He remains in active service with the Continental Army until it is finally disbanded on November 3, 1783.
In 1783 Butler and his brothers become original members of the Pennsylvania Society of the Cincinnati, a military society of officers who had served in the Continental Army.
Butler returns to Pennsylvania, and is a judge in Allegheny County. He also serves in the state legislature. He marries Maria Smith and they have four children, only one of whom lives to have children and continue the line. He also fathers a son, Captain Butler (or Tamanatha) with Shawnee chief Nonhelema. He and his Shawnee son fight in opposing armies in 1791.
In 1791, Butler is commissioned a major general in the levies (i.e. militiamen conscripted into Federal service) under Major General Arthur St. Clair to fight against the Western Confederacy of Native Americans in the Northwest Territories (modern day Ohio). He is killed in action on November 4, 1791 in St. Clair’s Defeat at what is now Fort Recovery, Ohio.
Reportedly Butler is first buried on the battlefield, which site is then lost until it is accidentally found years later. The remains are laid to rest with the remains of the other fallen at Fort Recovery.
Francis Llewellyn Harrison, better known as “Frank Harrison” or “Frank Ll. Harrison” and one of the leading musicologists of his time and a pioneering ethnomusicologist, is born in Dublin on September 29, 1905. Initially trained as an organist and composer, he turns to musicology in the early 1950s, first specialising in English and Irish music of the Middle Ages and increasingly turning to ethnomusicological subjects in the course of his career. His Music in Medieval Britain (1958) is still a standard work on the subject, and Time, Place and Music (1973) is a key textbook on ethnomusicology.
In 1930, Harrison emigrates to Canada to become organist at Westminster Presbyterian Church in New Glasgow, Nova Scotia. In 1933, he studies briefly with Marcel Dupré in France, but returns to Canada in 1934 to become organist at Knox Presbyterian Church in Ottawa. In 1935, he takes a position as organist and choirmaster at St. George’s Cathedral in Kingston, Ontario, as well as taking up the newly created post of “resident musician” at Queen’s University at Kingston. His duties include giving lectures, running a choir and an orchestra, and conducting concerts himself. His course in the history and appreciation of music is the first music course to be given for full credit at Queen’s. He resigns from St. George’s in 1941 to become assistant professor of music at Queen’s in 1942. During his years in Canada he still pursues the idea of remaining a performing musician and composer, winning three national composition competitions: for Winter’s Poem (1931), Baroque Suite (1943) and Night Hymns on Lake Nipigon (1945).
In 1951, Harrison takes the degrees of Master of Arts (M.A.) and Doctor of Music (DMus) at Jesus College, Oxford, and becomes lecturer (1952), senior lecturer (1956), and reader in the history of music (1962–1970) there. In 1965, he is elected Fellow the British Academy and Senior Research Fellow at Oxford. From 1970 to 1980, he is Professor of Ethnomusicology at the University of Amsterdam in the Netherlands, retiring to part-time teaching in 1976.
Harrison also holds Visiting Professorships in musicology at Yale University (1958–1959), Princeton University (spring 1961 and 1968–1969), and Dartmouth College (winter 1968 and spring 1972). He also briefly returns to Queen’s University at Kingston as Queen’s Quest Visiting Professor in the fall of 1980 and is Visiting Andrew W. Mellon Professor of Music at the University of Pittsburgh for the calendar year 1981.
Harrison’s honorary titles also include Doctor of Laws at Queen’s University, Kingston (1974), Corresponding Member of the American Musicological Society (1981), and Vice President and Chairman of the Plainsong and Medieval Music Society (1985). At Queen’s also, the new Harrison-LeCaine Hall (1974) is partly named in his honour.
In 1989, Harry White appreciates Harrison as “an Irish musicologist of international standing and of seminal influence, whose scholarly achievement, astonishingly, encompassed virtually the complete scope of the discipline which he espoused.” David F. L. Chadd writes of him “He was above all things an explorer, tirelessly curious and boyishly delighted in the pursuit of knowledge, experience and ideas, and totally heedless of artificially imposed constraints and boundaries.”
Since 2004, the Society for Musicology in Ireland (SMI) awards a bi-annual Irish Research Council Harrison Medal in his honour to distinguished international musicologists.
Micheal O’Siadhail, poet and linguist, is born in Dublin on January 12, 1947. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.
O’Siadhail is born into a middle-class Dublin family. His father, a chartered accountant, is born in County Monaghan and works most of his life in Dublin, and his mother is a Dubliner with roots in County Tipperary. Both of them are portrayed in his work in several poems such as “Kinsmen” and “Promise”. From the age of twelve, he is educated at the Jesuit boarding school Clongowes Wood College, an experience he is later to describe in a sequence of poems “Departure” (The Chosen Garden).
At Clongowes O’Siadhail is influenced by his English teacher, the writer Tom MacIntyre, who introduces him to contemporary poetry. At thirteen he first visits the Aran Islands. This pre-industrial society with its large-scale emigration has a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence “Fists of Stone” (The Chosen Garden).
In 1970 O’Siadhail marries Bríd Ní Chearbhaill, who is born in Gweedore, County Donegal. She is for most of her life a teacher and later head mistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson’s disease. She is a central figure in his oeuvre celebrated in the sequence “Rerooting” in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of her Parkinson’s Disease. She dies on June, 17, 2013.
During his years as an academic, O’Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.
O’Siadhail serves as a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and is editor of Poetry Ireland Review. He is the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and works with his friend the composer Seóirse Bodley, the painters Cecil King and Mick O’Dea and in 2008 gives a reading as part of Brian Friel‘s eightieth birthday celebration.
From the late 1930s, Cooke reports and comments on American affairs for BBC Radio and several major British newspapers. His weekly 15-minute program, Letter from America, broadcast from 1946 to 2004, is one of the longest-running series on radio. The texts of many broadcasts are collected in One Man’s America (1952) and Talk About America (1968). From 1956 to 1961 he hosts and narrates the weekly television “magazine” Omnibus, which wins numerous broadcasting awards.
Cooke’s interpretation of the American experience culminates in his BBC-produced television series America: A Personal History of the United States (1972–1973). In thirteen installments, filmed on location throughout the United States, he surveys some 500 years of American history in an eclectic and personal but highly coherent narrative. Alistair Cooke’s America (1973), the book based on the award-winning program, is a best-seller in the United States. From the 1970s to the early 1990s, as host of Masterpiece Theatre, he serves as an interpreter of British culture through the presentation of BBC dramatic television programming to American audiences.
Cooke’s other works include the critical biography Douglas Fairbanks: The Making of a Screen Actor (1940), Generation on Trial: The USA v. Alger Hiss (1950), based on his coverage of a celebrated Congressional investigation, The Vintage Mencken (1955), The Patient Has the Floor (1986), America Observed (1988), Memories of the Great and the Good (2000) and, with Robert Cameron, The Americans (1977).
On March 2, 2004, at the age of 95, following advice from his doctors, Cooke announces his retirement from Letter from America—after 58 years, the longest-running speech radio show in the world.
Alistair Cooke dies at midnight on March 30, 2004 at his home in New York City. He had been ill with heart disease, but dies of lung cancer, which had spread to his bones. He is cremated and his ashes are clandestinely scattered by his family in New York’s Central Park.
Life in New York is difficult during the Great Depression, so John and his two brothers are shipped back to Ireland in 1933. The two eldest are sent to their maternal grandmother’s house in Fintona, County Tyrone, but John is sent to his father’s ancestral home at Garvaghey, then maintained by two spinster aunts.
All during the 1960s, Montague continues to work on his long poem, The Rough Field, a task that coincides with the outbreak of the Northern Ireland civil rights movement. A Patriotic Suite appears in 1966, Hymn to the New Omagh Road and The Bread God in 1968, and A New Siege, dedicated to Bernadette Devlin which he reads outside Armagh Jail in 1970.
Montague settles in Cork in 1974 and publishes an anthology, theFaber Book of Irish Verse (1974) with a book of lyrics, A Slow Dance (1975). Recognition is now beginning to come, with the award of the Irish American Cultural Institute in 1976, the first Marten Toonder Award in 1977, and the Alice Hunt Bartlett Award for The Great Cloak in 1978.
Ireland is known for his progressive stance on education, immigration and relations between church and state, as well as his opposition to saloons and political corruption. He promotes the Americanization of Catholicism, especially in the furtherance of progressive social ideals. He is a leader of the modernizing element in the Roman Catholic Church during the Progressive Era. He creates or helps to create many religious and educational institutions in Minnesota. He is also remembered for his acrimonious relations with Eastern Catholics.
Ireland is appointed pastor at Saint Paul’s cathedral in 1867, a position which he holds until 1875. In 1875, he is made coadjutor bishop of St. Paul and in 1884 he becomes bishop ordinary. In 1888 he becomes archbishop with the elevation of his diocese and the erection of the ecclesiastical province of Saint Paul. Ireland retains this title for thirty years until his death in 1918. Before Ireland dies he burns all of his personal papers.
Ireland is personal friends with Presidents William McKinley and Theodore Roosevelt. At a time when most Irish Catholics are staunch Democrats, Ireland is known for being close to the Republican party. He opposes racial inequality and calls for “equal rights and equal privileges, political, civil, and social.” Ireland’s funeral is attended by eight archbishops, thirty bishops, twelve monsignors, seven hundred priests and two hundred seminarians.
George Berkeley, Irish philosopher whose primary achievement is the advancement of a theory he calls “immaterialism” (later referred to as “subjective idealism” by others), dies in Oxford, England, on January 14, 1753. His theory of immaterialism denies the existence of material substance and instead contends that familiar objects like tables and chairs are only ideas in the minds of perceivers and, as a result, cannot exist without being perceived. Berkeley is also known for his critique of abstraction, an important premise in his argument for immaterialism.
In this book, Berkeley’s views are represented by Philonous, while Hylas embodies the Irish thinker’s opponents, in particular John Locke. Berkeley argues against Sir Isaac Newton‘s doctrine of absolute space, time, and motion in De Motu (On Motion), published in 1721. His arguments are a precursor to the views of Ernst Mach and Albert Einstein. In 1732, he publishes Alciphron, a Christian apologetic against the free-thinkers, and in 1734, he publishes The Analyst, a critique of the foundations of calculus, which is influential in the development of mathematics.
His last major philosophical work, Siris (1744), begins by advocating the medicinal use of tar water and then continues to discuss a wide range of topics, including science, philosophy, and theology. Interest in Berkeley’s work increases after World War II because he tackles many of the issues of paramount interest to philosophy in the 20th century, such as the problems of perception, the difference between primary and secondary qualities, and the importance of language. It sold more copies than any of his other books during his lifetime.
In 1734, Berkeley is appointed Bishop of Cloyne in Ireland, a position he holds until his death. He remains at Cloyne until 1752, when he retires and goes to Oxford to live with his son and supervise his education. He dies soon afterward and is buried in Christ Church Cathedral, Oxford.
The Berkeley portion of the Yale University campus is named after George Berkeley.