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Tag Archives: Poetry Ireland Review


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Death of Dennis O’Driscoll, Poet, Essayist, Critic and Editor

Dennis O’Driscoll, Irish poet, essayist, critic and editor, dies suddenly on December 24, 2012, in Naas, County Kildare. Regarded as one of the best European poets of his time, Eileen Battersby considers him “the lyric equivalent of William Trevor” and a better poet “by far” than Raymond Carver. Gerard Smyth regards him as “one of poetry’s true champions and certainly its most prodigious archivist.” His book on Seamus Heaney is regarded as the definitive biography of the Nobel laureate.

Born on January 1, 1954 in Thurles, County Tipperary, O’Driscoll is the child of James O’Driscoll and Catherine Lahart, a salesman/horticulturist and a homemaker. He is educated by the Congregation of Christian Brothers. After completing his secondary education in 1970 at the age of sixteen, he is offered a job at Ireland’s Office of the Revenue Commissioners, the internal revenue and customs service. Specializing in “death duties, stamp duties, and customs,” he is employed for over thirty years full-time. He lives in Naas, County Kildare, until his sudden death.

In the 1970s and 80s, O’Driscoll holds many part-time jobs and positions in association with his writing. He takes a position as part-time editor of Tax Briefing, a technical journal produced in Ireland, as well as reviewing poetry for Hibernia, and The Crane Bag. He also serves on the council of the Irish United Nations Association from 1975–80. After this, he marries Julie O’Callaghan, a poet and writer, in September 1985. He stays in the revenue business for as long as he does due to the advice of a colleague, who teels him, “If you ever leave your job, you will stop writing.” Thus, revenue becomes a sort of fall back option for him; a career that pays regularly and provides a pension. Whereas poetry is his art. Even so, in his memoir entitled, Sing for the Taxman, he states, “I have always regarded myself as a civil servant rather than a ‘poet’ or ‘artist’ – words I would find embarrassing and presumptuous to ascribe to myself.”

After thirty-eight years in Revenue, in early 2008, O’Driscoll is asked to write a poem marking the opening of the Revenue Museum in Dublin Castle, marking the first time his job and his art intermingle. This poem, At The Revenue Museum, which is originally brought to life to be printed in a program for the opening ceremony, now hangs as an exhibit in the museum itself.

Prior to the publication of his own poems, O’Driscoll publishes widely in journals and other print publications as both an essayist and poetry reviewer, for which he is very widely known. He writes nine books of poetry, three chapbooks, and two collections of essays and reviews. The majority of his works are characterised by the use of economic language and the recurring motifs of mortality and the fragility of everyday life. In 1987, he temporarily becomes a writer-in-residence at the National University of Ireland. He also serves for a short time as editor of Poetry Ireland Review.

O’Driscoll dies suddenly at the age of 58 on December 24, 2012. He is rushed to hospital after becoming ill but quickly succumbs to his fate. The arts world is shocked by his sudden demise. His wife and siblings – brothers Proinsias, Seamus, Declan, and sisters, Marie and Eithne – survive him.

President Michael D. Higgins notes that O’Driscoll is “held in the highest regard not only by all those associated with Irish and European poetry.” Joe Duffy, with whom O’Driscoll had appeared on air on the very week of his death, calls him a “generous, caring and witty man.” Fellow writer Belinda McKeon says he was “a scholar, a gentleman, a character, a friend.” English poet and critic David Morley describes him as a “fine poet and great critic.” Irish PEN mourns his death.


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Birth of Poet & Linguist Michael O’Siadhail

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Micheal O’Siadhail, poet and linguist, is born in Dublin on January 12, 1947. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.

O’Siadhail is born into a middle-class Dublin family. His father, a chartered accountant, is born in County Monaghan and works most of his life in Dublin, and his mother is a Dubliner with roots in County Tipperary. Both of them are portrayed in his work in several poems such as “Kinsmen” and “Promise”. From the age of twelve, he is educated at the Jesuit boarding school Clongowes Wood College, an experience he is later to describe in a sequence of poems “Departure” (The Chosen Garden).

At Clongowes O’Siadhail is influenced by his English teacher, the writer Tom MacIntyre, who introduces him to contemporary poetry. At thirteen he first visits the Aran Islands. This pre-industrial society with its large-scale emigration has a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence “Fists of Stone” (The Chosen Garden).

O’Siadhail studies at Trinity College Dublin (1964–68) where his teachers include David H. Greene and Máirtín Ó Cadhain. He is elected a Scholar of the College and takes a First-Class Honours Degree. His circle at Trinity includes David McConnell (later professor of genetics), Mary Robinson and David F. Ford (later Regius Professor of Divinity at the University of Cambridge). He subsequently embarks on a government exchange scholarship studying folklore and the Icelandic language at the University of Oslo. He retains lifelong contacts with Norwegian friends and sees Scandinavian literature as a major influence.

In 1970 O’Siadhail marries Bríd Ní Chearbhaill, who is born in Gweedore, County Donegal. She is for most of her life a teacher and later head mistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson’s disease. She is a central figure in his oeuvre celebrated in the sequence “Rerooting” in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of her Parkinson’s Disease. She dies on June 17, 2013.

For seventeen years, O’Siadhail earns his living as an academic; firstly, as a lecturer at Trinity College (1969–73) where he is awarded a Master of Letters degree in 1971 and then as a research professor at the Dublin Institute for Advanced Studies. During these years he gives named lectures in Dublin and at Harvard University and Yale University and is a visiting professor at the University of Iceland in 1982. In 1987 he resigns his professorship to devote himself to writing poetry which he describes as “a quantum leap.”

During his years as an academic, O’Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.

O’Siadhail serves as a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and is editor of Poetry Ireland Review. He is the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and works with his friend the composer Seóirse Bodley, the painters Cecil King and Mick O’Dea and in 2008 gives a reading as part of Brian Friel‘s eightieth birthday celebration.

O’Siadhail represents Ireland at the Poetry Society‘s European Poetry Festival in London in 1981 and at the Frankfurt Book Fair in 1997. He is writer-in-residence at the Yeats Summer School in 1991 and writer in residence at the University of British Columbia in 2002.

O’Siadhail is now married to Christina Weltz, who is a native of New York, and Assistant Professor of surgical oncology at Mount Sinai Hospital. They reside in New York.


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Birth of John Jordan, Poet & Writer

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John Jordan, Irish poet, short-story writer and broadcaster, is born in the Rotunda Hospital, Dublin on April 8, 1930.

Jordan is educated at Synge Street CBS, University College Dublin (UCD) and Pembroke College, Oxford. In his teens he acts on the stage of the Gate Theatre, Dublin, before winning a Scholarship in English and French to the University of Oxford from UCD. In the mid-1950s he returns to UCD as a lecturer in English and teaches there until the end of the 1960s. He also lectures on sabbatical leave at the Memorial University of Newfoundland and briefly at Princeton University in the United States. He is a founding member of Aosdána. He is a celebrated literary critic from the late 1950s until his death on June 6, 1988, in Cardiff, Wales, where he had been participating in the Merriman Summer School.

In 1962 Jordan re-founds and edits the literary magazine Poetry Ireland in hopes of contributing towards the recreation of Dublin as a literary centre. In this journal, he introduces a number of poets who are to become quite famous later, including Paul Durcan, Michael Hartnett and Seamus Heaney. This series of Poetry Ireland lasts until 1968–69.

In 1981 Jordan becomes the first editor of the new magazine published by the Poetry Ireland Society, called Poetry Ireland Review. He serves as a reviewer of novels for The Irish Times, writes a column for Hibernia, contributes to Envoy, A Review of Literature and Art and The Irish Press among others, and serves as a TV presenter and arts interviewer. He is a defender of Gaelic literature, translates Pádraic Ó Conaire, edits The Pleasures of Gaelic Literature (Mercier Press, 1977), and champions the later plays of Seán O’Casey. His translation of one of Aogán Ó Rathaille‘s essays is published in The Pleasures of Gaelic Poetry (London: Allen Lane, 1982).

Jordan’s Collected Poems (Dedalus Press) and Collected Stories (Poolbeg Press) are edited by his literary executor, Hugh McFadden, and published in Dublin in 1991. His Selected Prose, Crystal Clear, also edited by McFadden, is published by The Lilliput Press in Dublin in 2006. His Selected Poems, edited with an introduction by McFadden, is published in February 2008 by Dedalus Press. Uncollected stories appear in Penguin Book of Irish Short Stories, Cyphers, and The Irish Press, among other places.

Jordan’s literary papers and letters are held in the National Library of Ireland. In 1953 the young Irish artist Reginald Gray is commissioned by University College Dublin to design the decor and costumes for their production of “The Kings Threshold” by William Butler Yeats. The leading role is given to Jordan. During the preparations for the production, Gray starts a portrait of Jordan, which he never finishes. This work now hangs in the Dublin Writers Museum.

(Pictured: John Jordan, by Patrick Swift, c. 1950)