seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Padraic Colum, Poet & Novelist

padraic-columPadraic Colum, Irish-born American poet, novelist, biographer, playwright, and children’s author whose lyrics capture the traditions and folklore of rural Ireland, dies in Enfield, Connecticut on January 11, 1972. He is one of the leading figures of the Irish Literary Revival.

Colum was born on December 8, 1881 in Columcille, County Longford, the first of eight children born to Patrick and Susan Columb. In 1892, the family moves to Glasthule, near Dublin and he attends the local national school. He starts writing after he finishes school and meets a number of the leading Irish writers of the time, including W. B. Yeats, Lady Gregory and Æ. He also joins the Gaelic League and is a member of the first board of the Abbey Theatre. He becomes a regular user of the National Library of Ireland, where he meets James Joyce and the two become lifelong friends.

Influenced by the literary activity of the Celtic revival centered in Dublin at the turn of the century, Colum publishes the collection of poetry Wild Earth (1907). He co-founds The Irish Review in 1911, then three years later settles permanently in the United States. His varied literary output includes volumes of poetry including Dramatic Legends (1922) and Creatures (1927), plays such as Broken Soil (first performed 1903) and The Land (1905), novels, anthologies of folklore and children’s books. The reminiscence Our Friend James Joyce (1959) is written with his wife Mary (Maguire), a well-known literary critic.

The Colums spent the years from 1930 to 1933 living in Paris and Nice, where Padraic renews his friendship with James Joyce and becomes involved in the transcription of Finnegans Wake. After their time in France, the couple moves to New York City, where they do some teaching at Columbia University and City College of New York. He is a prolific author and publishes a total of 61 books, not counting his plays. While in New York, he writes the screenplay for the 1954 stop-motion animated film Hansel and Gretel: An Opera Fantasy. It is his only screenplay.

Mary dies in 1957 and Colum completes Our Friend James Joyce, which they had worked on together. It is published in 1958. He divides his later years between the United States and Ireland. In 1961 the Catholic Library Association awards him the Regina Medal.

Padraic Colum dies on January 11, 1972, at the age of 90, in Enfield, Connecticut. He is buried in St. Fintan’s Cemetery in Sutton, Dublin.


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Death of Samuel Beckett, Playwright & Poet

Samuel Barclay Beckett, avant-garde novelist, playwright, theatre director, and poet, dies in Paris, France on December 22, 1989.

Beckett is born on Good Friday, April 13, 1906, in Foxrock, Dublin. His father, William Frank Beckett, works in the construction business and his mother, Maria Jones Roe, is a nurse. Beckett attends Earlsfort House School in Dublin and then, at age 14, he goes to Portora Royal School, the same school attended by Oscar Wilde. He receives his Bachelor’s degree from Trinity College, Dublin in 1927. In his youth he periodically experiences severe depression keeping him in bed until mid-day. This experience later influences his writing.

In 1928, Beckett finds a welcome home in Paris where he meets and becomes a devoted student of James Joyce. In 1931, he embarks on a restless sojourn through Great Britain, France and Germany. He writes poems and stories and does odd jobs to support himself. On his journey, he comes across many individuals who inspire some of his most interesting characters.

In 1937, Beckett settles in Paris. Shortly thereafter, he is stabbed by a pimp after refusing his solicitations. While recovering in the hospital, he meets Suzanne Dechevaux-Dumesnuil, a piano student in Paris. The two become life-long companions and eventually marry. After meeting with his attacker, Beckett drops the charges, partly to avoid the publicity.

During World War II, Beckett’s Irish citizenship allows him to remain in Paris as a citizen of a neutral country. He fights in the resistance movement until 1942 when members of his group are arrested by the Gestapo. He and Suzanne flee to the unoccupied zone until the end of the war.

After the war, Beckett is awarded the Croix de Guerre for bravery during his time in the French resistance. He settles in Paris and begins his most prolific period as a writer. In five years, he writes Eleutheria, Waiting for Godot, Endgame, the novels Molloy, Malone Dies, The Unnamable, and Mercier et Camier, two books of short stories, and a book of criticism.

Beckett’s first publication, Molloy, enjoys modest sales, but more importantly praise from French critics. Soon, Waiting for Godot, achieves quick success at the small Theatre de Babylone putting Beckett in the international spotlight. The play runs for 400 performances and enjoys critical praise.

Beckett writes in both French and English, but his most well-known works, written between World War II and the 1960s, are written in French. Early on he realizes his writing has to be subjective and come from his own thoughts and experiences. His works are filled with allusions to other writers such as Dante Alighieri, René Descartes, and James Joyce. Beckett’s plays are not written along traditional lines with conventional plot and time and place references. Instead, he focuses on essential elements of the human condition in dark humorous ways. This style of writing has been called “Theater of the Absurd” by Martin Esslin, referring to poet Albert Camus’ concept of “the absurd.” The plays focus on human despair and the will to survive in a hopeless world that offers no help in understanding.

The 1960s are a period of change for Beckett. He finds great success with his plays across the world. Invitations come to attend rehearsals and performances which lead to a career as a theater director. In 1961, he secretly marries Suzanne Dechevaux-Dumesnuil who takes care of his business affairs. A commission from the BBC in 1956 leads to offers to write for radio and cinema through the 1960s.

Beckett continues to write throughout the 1970s and 1980s, mostly in a small house outside Paris. There he can give total dedication to his art of evading publicity. In 1969, he is awarded the Nobel Prize in Literature, though he declines accepting it personally to avoid making a speech at the ceremonies. However, he should not be considered a recluse. He often times meets with other artists, scholars and admirers to talk about his work.

By the late 1980s, Beckett is in failing health and is moved to a small nursing home. His wife Suzanne dies on July 17, 1989. His life is confined to a small room where he receives visitors and writes. Suffering from emphysema and possibly Parkinson’s disease, he dies on December 22, 1989.

 


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Founding of “The Freeman’s Journal”

the-freemans-journalThe Freeman’s Journal, the oldest nationalist newspaper in Dublin, is founded by Charles Lucas on September 10, 1763. It is identified with radical 18th-century Protestant patriot politicians Henry Grattan and Henry Flood. This changes from 1784 when it passes to Francis Higgins and takes a more pro-British and pro-administration view. In fact, Higgins is mentioned in the Secret Service Money Book as having betrayed Lord Edward FitzGerald. Higgins is paid £1,000 for information on FitzGerald’s capture.

In the 19th century The Freeman’s Journal becomes more nationalist in tone, particularly under the control and inspiration of Sir John Gray (1815–75).

The Journal, as it is widely known, is the leading newspaper in Ireland throughout the 19th century. Contemporary sources record it being read to the largely illiterate population by priests and local teachers gathering in homes. It is mentioned in contemporary literature as when James Joyce immortalises The Freeman’s Journal as the place of employment of Leopold Bloom in Ulysses. It is seen as symbolising Irish newspapers for most of its time. By the 1880s it becomes the primary media supporter of Charles Stewart Parnell and the Irish Parliamentary Party (IPP).

The Journal is challenged on all sides by rivals. On the nationalist side some prefer The Nation founded by Thomas Davis while others, including radical supporters of Parnell, read the United Irishman. The Anglo-Irish establishment in contrast reads the historically Irish unionist The Irish Times. With the split in the IPP over Parnell’s relationship with Katharine O’Shea, its readership splits too. While The Journal goes with the majority in 1893 in opposing Parnell, a minority moves to read the Daily Irish Independent. It is also challenged from the turn of the century by William O’Brien‘s The Irish People and the Cork Free Press. With Thomas Sexton becoming Chairman of the Board of Directors (1893–1911), The Journal languishes under his spartanic management.

The collapse of the IPP in 1918, and the electoral success of Sinn Féin, see a more radical nationalism appear that is out of step with the moderation of The Journal. It finds itself overshadowed by the more aggressively marketed Irish Independent, the successor to the Daily Irish Independent. Just prior to the outbreak of the Irish Civil War in March 1922, The Freeman’s Journal printing machinery is destroyed by Anti-Treaty IRA men under Rory O’Connor for its support of the Anglo-Irish Treaty. It does not resume publication until after the outbreak of civil war, when the Irish Free State re-asserts its authority over the country.

The Freeman’s Journal ceases publication in 1924, when it is merged with the Irish Independent. Until the 1990s, the Irish Independent includes the words ‘Incorporating the Freeman’s Journal’ in the masthead over its editorials.


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Birth of Forrest Reid, Novelist & Critic

forrest-reidForrest Reid, novelist, literary critic and translator, is born in Belfast on June 24, 1875. He is, along with Hugh Walpole and J. M. Barrie, a leading pre-war novelist of boyhood. He is still acclaimed as the greatest of Ulster novelists and is recognised with the award of the 1944 James Tait Black Memorial Prize for his novel Young Tom.

Reid is the youngest son of a Protestant family of twelve, six of whom survive. His mother, his father’s second wife, comes from an aristocratic Shropshire family. Although proud of this ancestry, he finds the strict Protestant ethics of his immediate family constricting. He is educated at the Royal Belfast Academical Institution, after which he is initially apprenticed into the Belfast tea-trade before going to Christ’s College, Cambridge, where he reads medieval and modern languages, and is influenced by the novelist E. M. Forster. His first book, The Kingdom of Twilight, is published in 1904. Following graduation in 1908, he returns to Belfast to pursue a writing career.

As well as his fiction, Reid also translates poems from the Greek Anthology. His study of the work of W. B. Yeats, W. B. Yeats: A Critical Study, has been acclaimed as one of the best critical studies of that poet. He also writes the definitive work on the English woodcut artists of the 1860s, Illustrators of the Sixties (1928). His collection of original illustrations from that time is housed in the Ashmolean Museum, Oxford.

Reid is a close friend of Walter de la Mare, whom he first meets in 1913, and about whose fiction he publishes a perceptive book in 1929. He is also an influence on novelist Stephen Gilbert, and has good connections to the Bloomsbury Group of writers. He is a founding member of the Imperial Art League (later the Artists League of Great Britain) and is also a close friend of Arthur Greeves, the artist known to be C. S. Lewis‘s best friend. Greeves paints several portraits of Reid, now all in the possession of the Royal Belfast Academical Institution.

Reid publishes articles in many magazines, including Uladh, The Westminster Review and the Ulster Review, and he reviews books for The Manchester Guardian. Apostate, an autobiography, is published in 1926, and its sequel, Private Road, is published in 1940. He is a founder member of the Irish Academy of Letters.

Forrest Reid dies on January 4, 1947 in Warrenpoint, County Down, Northern Ireland.

Though Reid’s books are not necessarily well known today, he has been labelled “the first Ulster novelist of European stature,” and comparisons have been drawn between his own coming of age novel of Protestant Belfast, Following Darkness (1912), and James Joyce‘s seminal novel of growing up in Catholic Dublin, A Portrait of the Artist as a Young Man (1914). Reid’s fiction, which often uses submerged narratives to explore male beauty and love, can be placed within the historical context of the emergence of a more explicit expression of homosexuality in English literature in the 20th century.

A ‘Forrest Reid Collection’ is held at the University of Exeter, consisting of first editions of all Reid’s works and books about him. Many of his original manuscripts are in the archives of the Belfast Central Library. In 2008, Queen’s University Belfast catalogues a large collection of Forrest Reid documentary material including many letters from E. M. Forster.

In 1952 Forster travels to Belfast to unveil a plaque commemorating Forrest Reid’s life at 13 Ormiston Crescent.


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Death of Artist Jack Butler Yeats

jack-butler-yeatsJohn “Jack” Butler Yeats, artist, Olympic medalist and brother of William Butler Yeats, dies in Dublin on March 28, 1957.

Butler’s early style is that of an illustrator. He only begins to work regularly in oils in 1906. His early pictures are simple lyrical depictions of landscapes and figures, predominantly from the west of Ireland, especially of his boyhood home of Sligo. His work contains elements of Romanticism.

Yeats is born in London on August 29, 1871. He is the youngest son of Irish portraitist John Butler Yeats. He grows up in Sligo with his maternal grandparents, before returning to his parents’ home in London in 1887. Early in his career he works as an illustrator for magazines like The Boy’s Own Paper and Judy, draws comic strips, including the Sherlock Holmes parody “Chubb-Lock Homes” for Comic Cuts, and writes articles for Punch under the pseudonym “W. Bird.” In 1894 he marries Mary Cottenham, also a native of England and two years his senior, and resides in Wicklow according to the Census of Ireland, 1911.

From around 1920, Yeats develops into an intensely Expressionist artist, moving from illustration to Symbolism. He is sympathetic to the Irish Republican cause, but not politically active. However, he believes that “a painter must be part of the land and of the life he paints,” and his own artistic development, as a Modernist and Expressionist, helps articulate a modern Dublin of the 20th century, partly by depicting specifically Irish subjects, but also by doing so in the light of universal themes such as the loneliness of the individual, and the universality of the plight of man. Samuel Beckett writes that “Yeats is with the great of our time… because he brings light, as only the great dare to bring light, to the issueless predicament of existence.” The Marxist art critic and author John Berger also pays tribute to Yeats from a very different perspective, praising the artist as a “great painter” with a “sense of the future, an awareness of the possibility of a world other than the one we know.”

Yeats’s favourite subjects include the Irish landscape, horses, circus and travelling players. His early paintings and drawings are distinguished by an energetic simplicity of line and colour, his later paintings by an extremely vigorous and experimental treatment of often thickly applied paint. He frequently abandons the brush altogether, applying paint in a variety of different ways, and is deeply interested in the expressive power of colour. Despite his position as the most important Irish artist of the 20th century, he takes no pupils and allows no one to watch him work, so he remains a unique figure. The artist closest to him in style is his friend, the Austrian painter, Oskar Kokoschka.

Besides painting, Yeats has a significant interest in theatre and in literature. He is a close friend of Samuel Beckett. He designs sets for the Abbey Theatre, and three of his own plays are also produced there. He writes novels in a stream of consciousness style that James Joyce acknowledges, and also many essays. His literary works include The Careless Flower, The Amaranthers, Ah Well, A Romance in Perpetuity, And To You Also, and The Charmed Life. His paintings usually bear poetic and evocative titles. He is elected a member of the Royal Hibernian Academy in 1916.

Yeats holds the distinction of being Ireland’s first medalist at the Olympic Games in the wake of creation of the Irish Free State. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim wins a silver medal in the arts and culture segment of the Games. In the competition records the painting is simply entitled Swimming.

Yeats dies in Dublin on March 28, 1957, and is buried in Mount Jerome Cemetery.


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Birth of James Joyce, Novelist, Short Story Writer & Poet

james-joyceJames Augustine Aloysius Joyce, Irish novelist, short story writer, and poet, is born in 41 Brighton Square, Rathgar, Dublin on February 2, 1882. He contributes to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century.

Joyce is one of the ten children of Mary Jane “May” Murray and John Stanislaus Joyce, a professional singer and later rate-collector from a bourgeois Catholic family. He attends Clongowes Wood College, a Jesuit boarding school, until 1891, when his father’s financial worries mean they can no longer afford to send him there. He is temporarily home-schooled and spends a short time at a Christian Brothers school, before starting at Belvedere College, a Jesuit day school run by his old Clongowes headmaster, Father John Conmee.

Much of Joyce’s childhood is influenced by his charismatic, but increasingly alcohol-dependent and difficult father, whose ongoing financial troubles led to regular domestic upheaval. However, John Joyce’s passions, eccentricities, as well as his gift as a singer are celebrated in his son’s work. The death of the Irish Home Rule movement leader Charles Stewart Parnell in 1891 is a watershed moment in Joyce’s life, and was the subject of an inflammatory argument during a Christmas dinner, in which John Joyce and his friend John Kelly passionately defend Parnell from the accusations of the pious Elizabeth Conway. Joyce recreates the scene in A Portrait of an Artist as a Young Man, portraying Kelly’s character, Mr. Casey, crying loudly with a “sob of pain,” “Poor Parnell! … My dead king!”

Joyce attends University College Dublin in 1899-1902, where he studies modern languages, with Latin and logic. In 1902 he goes to Paris with an intent of studying medicine but discovers, on arrival, that he does not have the necessary qualifications. He constantly struggles for money, relying on irregular work as a teacher, bank employee, cinema-owner and tweed-importer, and on patrons and supporters such as Harriet Shaw Weaver and Ezra Pound.

Joyce returns to Ireland in 1903 after his mother falls ill. She dies in August 1903. He refuses to take the sacraments or kneel at her deathbed, and the guilt he later feels is depicted in Ulysses when the ghost of Stephen’s mother returns to haunt him. On June 16, 1904, he meets Nora Barnacle, the woman with whom he spends the rest of his life. By autumn, he is convinced of the impossibility of remaining in Ireland and persuades Nora to travel with him. They arrive in Paris on October 9, 1904. He would not return to Ireland to live. He cultivates a sense of himself as an exile, living in Trieste, Zürich, Rome and Paris.

Joyce’s first publication in 1907 is the poetry collection Chamber Music. When he sends Pound a revised first chapter of Portrait of an Artist as a Young Man, along with the manuscript of his short story collection Dubliners, Pound arranges for Portrait to be published serially in the modernist magazine The Egoist between 1914 and 1915. His short story collection, Dubliners, had been delayed by years of arguments with printers over its contents, but is also published in 1914.

Joyce then begins work on Ulysses, an experimental account of a single day in Dublin. The novel is serialised between 1918 and 1920, but full publication is delayed due to problems with American obscenity laws. The work is finally published in book form by his friend Sylvia Beach in Paris in 1922. His play Exiles is first performed in German in 1919, and English in 1926. His last novel, Finnegans Wake (1939), is an innovative language experiment that contains over 40 languages and a huge variety of popular and arcane references.

On January 11, 1941, Joyce undergoes surgery in Zürich for a perforated duodenal ulcer. He falls into a coma the following day. He awakes at 2:00 AM on January 13, 1941, and asks a nurse to call his wife and son, before losing consciousness again. They are en-route when he dies 15 minutes later, less than a month short of his 59th birthday. He is buried in the Fluntern Cemetery, Zürich.


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Birth of Edna O’Brien, Novelist, Playwright & Poet

edna-o-brienEdna O’Brien, novelist, memoirist, playwright, poet and short story writer, is born in Tuamgraney, County Clare on December 15, 1930. Philip Roth describes her as “the most gifted woman now writing in English,” while the former President of Ireland Mary Robinson cites her as “one of the great creative writers of her generation.” Her works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole.

O’Brien is the youngest child of “a strict, religious family.” From 1941 to 1946 she is educated by the Sisters of Mercy, a circumstance that contributes to a “suffocating” childhood. “I rebelled against the coercive and stifling religion into which I was born and bred. It was very frightening and all pervasive. I’m glad it has gone.” She is fond of a nun as she deeply misses her mum and tries to identify the nun with her mother.

In 1950, O’Brien is awarded a licence as a pharmacist. In Ireland, she reads such writers as Leo Tolstoy, William Makepeace Thackeray, and F. Scott Fitzgerald. In 1954, she marries, against her parents’ wishes, the Irish writer Ernest Gébler and the couple moves to London. They have two sons but the marriage is dissolved in 1964. Gébler dies in 1998.

In London, O’Brien purchases Introducing James Joyce, with an introduction written by T. S. Eliot. When she learns that James Joyce‘s A Portrait of the Artist as a Young Man is autobiographical, it makes her realise where she might turn, should she decide to write herself. In London she starts work as a reader for Hutchinson, where on the basis of her reports she is commissioned, for £50, to write a novel. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II.

This novel is the first part of a trilogy of novels which includes The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books are banned and, in some cases burned, in her native country due to their frank portrayals of the sex lives of their characters. Her novel A Pagan Place (1970) is about her repressive childhood. Her parents are vehemently against all things related to literature and her mother strongly disapproves of her daughter’s career as a writer.

O’Brien is a panel member for the first edition of the BBC‘s Question Time in 1979. In 2017, she becomes the sole surviving member.

In 1980, she writes a play, Virginia, about Virginia Woolf, and it is staged originally in June 1980 at the Stratford Festival, Ontario, Canada and subsequently in the West End of London at the Theatre Royal Haymarket with Maggie Smith and directed by Robin Phillips. It is staged at The Public Theater in New York City in 1985.

Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run, marks a new phase in her writing career. Down by the River (1996) concerns an under-age rape victim who seeks an abortion in England, the “Miss X case.” In the Forest (2002) deals with the real-life case of Brendan O’Donnell, who abducts and murders a woman, her three-year-old son, and a priest, in rural Ireland.

O’Brien now lives in London. She receives the Irish PEN Award in 2001. Saints and Sinners wins the 2011 Frank O’Connor International Short Story Award, the world’s richest prize for a short story collection. Faber and Faber publishes her memoir, Country Girl, in 2012. In 2015, she is bestowed Saoi by the Aosdána.