In 1904, King Edward VII and Queen Alexandra travel to Ireland for a semi-official eight-day visit, arriving in Kingstown (now Dún Laoghaire) on April 26. They are accompanied by their daughter, Princess Victoria.
They travel by rail to Naas via the Great Southern and Western Railway Company. They are seated in a luxuriously upholstered carriage, the engine decorated with flags and streamers. The visit triggers a frenzy of preparation among the elite and merchants of Naas. Leading citizens from diverse backgrounds, including Protestants, Catholics, Loyalists, and Home Rulers, come together to welcome the royal visitors. The town is adorned with bunting, banners, and arches bearing royal and loyalist symbols, creating an extravagant showpiece of imperial loyalty.
During their visit to Naas, the King and Queen attend the Punchestown Races, adding a touch of glamour to the occasion.
They stay in the Dublin area for a few days, attending several events and ceremonies. After finishing in Dublin, the royals board their royal train for a three-day visit to Kilkenny.
For the arrival of the King and Queen in Kilkenny, significant efforts are undertaken to ensure the city is elegantly presented. In the weeks and months prior to the visit, local businessmen convene meetings in how best to organise the occasion.
The city is heavily festooned with bunting and streamers, and the route from the railway station to Kilkenny Castle is decorated with tiny fairy lights of every colour. During the visit, Princess Victoria plants three trees on the grounds of the Castle.
The visit is well-received in Kilkenny, although sometimes expressed in primitive fashion: an old man remarks, “Sure, the King’s a man after all,” his wife correcting him, “But he’s a great man, and the lovely lady’s an angel.” Although well-supported, black flags protesting the visit are hung from some buildings along the route. (It is more than 110 years before another royal visit is made to Kilkenny when Prince Charles and Princess Camilla visit the city on May 11, 2017.)
Clean-up operations are underway around Ireland on Wednesday, December 30, 2015, in the wake of Storm Frank, which causes widespread flooding following its landfall in western areas on Tuesday, December 29. Thousands of households and businesses are left without electricity in many areas of the country.
A Met Éireann status orange wind warning is lifted at 2:00 p.m. on Wednesday although the forecasts caution that severe winds of 65-80 km/h and gusts of up 130 km/h are still expected. While the heaviest rainfall from the storm falls overnight, many rivers and lakes have yet to peak meaning further flooding is possible.
According to an ESB Networks spokesman, 7,500 homes are without power in the afternoon, down from the overnight total of 13,000. He says repair crews are working to restore power to those cut off. The biggest single outage overnight is around Bandon and Fermoy in County Cork where 4,000 homes are without power, although it has been restored to almost all homes by the afternoon of December 30.
At 2:00 p.m. on Wednesday, the worst affected areas are County Wicklow with 1,200 houses without power, Macroom in County Cork where 600 are without power and Athlone where 500 homes are cut off. Around 500 homes in Naas, County Kildare, are without power as are 350 houses in Skerries in north County Dublin. It is hoped that power will be restored to all customers by the evening.
County Cork appears to be the worst affected by the storm where 60 mms (almost three inches) of rain falls since the morning of December 29. The threat of further flooding in Cork remains as the ESB increases the flow of water through the Inniscarra Dam to 250 cumecs (cubic metres per second) between 9:00 a.m. and midday which leads to increased flooding downstream. This is higher than the level of flow (180 cumecs) the previous and between December 6 and 12 along the River Lee following Storm Desmond.
Cork County manager Tim Lucey says there has been “extensive flooding” across a range of areas, but that Midleton and Bandon are worst hit with some 90 properties affected in each of the towns. He tells RTÉ Radio that one positive is the fact flood defences in Mallow and Fermoy have done their job. He notes that some five feet of water has built up behind a flood barrier in Mallow and this indicates the damage that could have been done to the town.
South Galway bears the brunt of flooding in the west, with river gauges expected to rise further over the coming days. Overnight rainfall is not as heavy as anticipated in the west, but several properties succumb to the waters. Up to 30 families in the south Galway area are forced to stay with relatives, with several being accommodated in hotels by Galway County Council, as floodwaters cut off access routes to their homes.
In Mayo, the area around the Neale remains underwater and a number of minor roads and thousands of acres of farmland are also affected. With rain continuing to fall across the west, conditions are expected to remain critical over the next few days.
The N11 between Rosslare and Dublin, the N25 from Cork to Waterford, the N71 between Cork and Killarney and the N4 between Dublin and Sligo all have diversions in place. The N25 is closed overnight between Killeagh and Castlemartyr in County Cork due to flooding. The N71 Cork/Bandon Road is also closed overnight at the viaduct due to flooding. There is severe flooding on the N40 South Ring Rd. at J6 Kinsale, particularly on the westbound off-ramp. The N11 Dublin/Wexford Road is impassable through Enniscorthy and also at Kyle’s Cross near Oylegate. The N4 is closed eastbound at Ballynafid in County Westmeath due to flooding. There are also several road closures in Kerry, Waterford and Tipperary.
Midleton is also hit by severe flooding as water levels in the Owenacurra River rise dramatically with up to 30 families having to be evacuated from their homes. Macroom in mid-Cork is also flooded for the first time during the year. Bandon is put on red alert by Cork County Council’s early warning system. Traders and residents are told to take all measures necessary to protect their property and stock. Locals stay up all night preparing the town for the latest round of flooding. Nevertheless, some 20 businesses in Bandon are flooded for the second time in a month after waters start to come up shores and gutters in the town as water levels in the River Bandon rise overnight.
The River Slaney burst its banks in Enniscorthy, County Wexford, causing widespread flooding in the town. Several cars have to be abandoned. High tide in Enniscorthy occurs around 10:30 a.m. on December 30.
The ESB says the flow of water through Parteen Weir, which regulates water flow through Ardnacrusha power plant, will remain at 440 (cubic metres per second) on December 30 and that the situation will be reviewed again the following day. “The levels in Lough Derg may reach 2009 levels in the coming days and, as a result, the flow through Parteen Weir may increase to 2009 levels (up to 500 cumecs) in the coming days,” it says.
Clare County Council says water levels on the lower River Shannon at Springfield, Clonlara, have increased by 5-10cm in the last 24 hours and are some 20cm below a peak level recorded on December 13th. It says the Mulkear River in County Limerick, which enters the River Shannon south of Annacotty, is currently in flood and is contributing to increased water levels at Springfield. Council staff are assisted by the Fire Service and Defence Forces at Springfield in their pumping operations and transporting residents of some 12 homes isolated by floodwaters.
Fianna Fáil urges TaoiseachEnda Kenny to call an emergency Cabinet meeting to address the fallout from the storm. The party’s environment spokesman, Barry Cowen, says many communities felt neglected as further significant damage was inflicted on homes and businesses by the rainfall and winds brought by Storm Frank. “The scenes that we are witnessing in communities impacted by the latest storm are truly heart-breaking,” he says. “People feel neglected by the Government. It’s astonishing that the Taoiseach has decided not to interrupt his Christmas holidays in light of the devastation caused by Storm Frank.”
The Government’s National Coordination Group on Severe Weather meets in Dublin on December 30. Sinn FéinMEPLiadh Ní Riada says the Government has displayed “ineptitude in preparing flood defences” and that “more hollow promises” from the Coalition are no substitute for action. “The risk of flooding is increasing and will continue to increase. People across this island need to know that our political leaders have a plan to prevent this happening in the future,” she says.
(From: “Storm Frank causes floods, closes roads and cuts power to thousands” by Ronan McGreevy, Th Irish Times, http://www.irishtimes.com, December 30, 2015 | Pictured: Water flows through buildings and down the street in Graignamanagh, Co Kilkenny on Tuesday night by Paul B via Twitter)
An Act for the better securing the dependency of the Kingdom of Ireland on the Crown of Great Britain (long title) is an Act passed by the Parliament of Great Britain which declares that it has the right to pass laws for the Kingdom of Ireland, and that the British House of Lords has appellate jurisdiction for Irish court cases. It becomes known as the Declaratory Act, and opponents in the Irish Patriot Party refer to it as the Sixth of George I, from the regnal year it is passed. Legal and political historians have also called it the Dependency of Ireland on Great Britain Act 1719 or the Irish Parliament Act, 1719. Prompted by a routine Irish lawsuit, it is aimed at resolving the long-running dispute between the British and the Irish House of Lords as to which is the final court of appeal from the Irish Courts. Along with Poynings’ Law, the Declaratory Act becomes a symbol of the subservience of the Parliament of Ireland, and its repeal is long an aim of Irish statesmen, which is finally achieved for Anglican Irish as part of the Constitution of 1782.
In 1709, the Irish Court of Exchequer hears a lawsuit between Maurice Annesley and his cousin Hester Sherlock over which of them have the right to possession of certain lands at Naas, County Kildare. The court finds in Annesley’s favour. Mrs. Sherlock appeals to the Irish House of Lords which upholds her appeal. Annesley then invokes the long-disputed jurisdiction of the British House of Lords to hear appeals from the Irish courts, and that house pronounces in his favour. The Court of Exchequer duly complies with the decree of the British House, but Mrs. Sherlock appeals again to the Irish house, which orders the Barons of the Exchequer to comply with its own decree and, when they refuse, imprison them for contempt of Court. The political uproar is out of all proportion to the importance of the lawsuit itself.
The bill has its second reading in the Commons on March 4, 1719, where it is chiefly opposed on the grounds that it appears to have no purpose beyond increasing the power of the House of Lords. Other objections include an argument that the preamble and the enacting section of the bill are contradictory, and that Ireland has historically had an independent judiciary. It is supported by Joseph Jekyll and Philip Yorke, and carries 140 votes to 83. It is then passed on March 26, 1719.
Section I of the Act notes that the Irish House of Lords had recently “assumed to themselves a Power and Jurisdiction to examine, correct and amend” judgements of the Irish courts, which it holds to be illegal. As such, it declares that the Kingdom of Ireland is subordinate to and dependent upon the British crown, and that the King, with the advice and consent of the Parliament of Great Britain, has “full power and authority to make laws and statutes of sufficient validity to bind the Kingdom and people of Ireland.” Section II declares that the House of Lords of Ireland has no jurisdiction to judge, affirm or reverse any judgement, sentence or decree made in any court within the Kingdom of Ireland, and that all proceedings before the House upon any such matter are declared to be null and void to all intents and purposes whatsoever.
The Irish House of Lords is understandably infuriated by the curtailment of its powers, and the Barons of the Exchequer, though they are soon released from custody, are subject to intense vilification. While many people think that the Irish House of Lords had brought about the crisis by its own high-handed behaviour, the “Sixth of George I” remains a source of grievance for decades.
Wolfe is the eighth of nine sons born to John Wolfe (1700–60) and his wife Mary (d. 1763), the only child and heiress of William Philpot, a successful merchant at Dublin. One of his brothers, Peter, is the High Sheriff of Kildare, and his first cousin Theobald is the father of the poet Charles Wolfe.
Wolfe is educated at Trinity College Dublin, where he is elected a Scholar, and at the Middle Temple in London. He is called to the Irish Bar in 1766. In 1769, he marries Anne Ruxton (1745–1804) and, after building up a successful practice, takes silk in 1778. He and Anne have four children, John, Arthur, Mariana and Elizabeth.
Appointed Attorney-General for Ireland in 1789, Wolfe is known for his strict adherence to the forms of law, and his opposition to the arbitrary measures taken by the authorities, despite his own position in the Protestant Ascendancy. He unsuccessfully prosecutes William Drennan in 1792. In 1795, Lord Fitzwilliam, the new Lord Lieutenant of Ireland, intends to remove him from his place as Attorney-General to make way for George Ponsonby. In compensation, Wolfe’s wife is created Baroness Kilwarden on September 30, 1795. However, the recall of Fitzwilliam enables Wolfe to retain his office.
After the Irish Rebellion of 1798, Wolfe becomes notable for twice issuing writs of habeas corpus on behalf of Wolfe Tone, then held in military custody, but these are ignored by the army and forestalled by Tone’s suicide in prison. In 1795 he had also warned Tone and some of his associates to leave Ireland to avoid prosecution. Tone’s godfather, Theobald Wolfe of Blackhall (the father of Charles Wolfe), is Wolfe’s first cousin, and Tone may have been Theobald’s natural son. These attempts to help a political opponent are unique at the time.
In 1802 Wolfe presides over the case against Town Major Henry Charles Sirr in which the habitual abuses of power used to suppress rebellion are exposed in court.
In the same year Wolfe orders that the well-known Catholic priest Father William Gahan be imprisoned for contempt of court. In a case over the disputed will of Gahan’s friend John Butler, 12th Baron Dunboyne, the priest refuses to answer certain questions on the ground that to do so would violate the seal of the confessional, despite a ruling that the common law does not recognize the seal of the confessional as a ground for refusing to give evidence. The judge apparently feels some sympathy for Gahan’s predicament, as he is released from prison after only a few days.
During the Irish rebellion of 1803, Wolfe, who had never been forgiven by the United Irishmen for the execution of William Orr, is clearly in great danger. On the night of July 23, 1803, the approach of the Kildare rebels induces him to leave his residence, Newlands House, in the suburbs of Dublin, with his daughter Elizabeth and his nephew, Rev. Richard Wolfe. Believing that he will be safer among the crowd, he orders his driver to proceed by way of Thomas Street in the city centre. However, the street is occupied by Robert Emmet‘s rebels. Unwisely, when challenged, he gives his name and office, and he is rapidly dragged from his carriage and stabbed repeatedly with pikes. His nephew is murdered in a similar fashion, while Elizabeth is allowed to escape to Dublin Castle, where she raises the alarm. When the rebels are suppressed, Wolfe is found to be still alive and is carried to a watch-house, where he dies shortly thereafter. His last words, spoken in reply to a soldier who called for the death of his murderers, are “Murder must be punished; but let no man suffer for my death, but on a fair trial, and by the laws of his country.”
Wolfe is succeeded by his eldest son John Wolfe, 2nd Viscount Kilwarden. Neither John nor his younger brother Arthur, who dies in 1805, have male issue, and on John’s death in 1830 the title becomes extinct.
(Pictured: Portrait of Lord Chief Justice of Ireland, Arthur Wolfe (later Viscount Kilwarden) by Hugh Douglas Hamilton, between 1797 and 1800, Gallery of the Masters)
Born on January 1, 1954 in Thurles, County Tipperary, O’Driscoll is the child of James O’Driscoll and Catherine Lahart, a salesman/horticulturist and a homemaker. He is educated by the Congregation of Christian Brothers. After completing his secondary education in 1970 at the age of sixteen, he is offered a job at Ireland’s Office of the Revenue Commissioners, the internal revenue and customs service. Specializing in “death duties, stamp duties, and customs,” he is employed for over thirty years full-time. He lives in Naas, County Kildare, until his sudden death.
In the 1970s and 80s, O’Driscoll holds many part-time jobs and positions in association with his writing. He takes a position as part-time editor of Tax Briefing, a technical journal produced in Ireland, as well as reviewing poetry for Hibernia, and The Crane Bag. He also serves on the council of the Irish United Nations Association from 1975–80. After this, he marries Julie O’Callaghan, a poet and writer, in September 1985. He stays in the revenue business for as long as he does due to the advice of a colleague, who teels him, “If you ever leave your job, you will stop writing.” Thus, revenue becomes a sort of fall back option for him; a career that pays regularly and provides a pension. Whereas poetry is his art. Even so, in his memoir entitled, Sing for the Taxman, he states, “I have always regarded myself as a civil servant rather than a ‘poet’ or ‘artist’ – words I would find embarrassing and presumptuous to ascribe to myself.”
After thirty-eight years in Revenue, in early 2008, O’Driscoll is asked to write a poem marking the opening of the Revenue Museum in Dublin Castle, marking the first time his job and his art intermingle. This poem, At The Revenue Museum, which is originally brought to life to be printed in a program for the opening ceremony, now hangs as an exhibit in the museum itself.
Prior to the publication of his own poems, O’Driscoll publishes widely in journals and other print publications as both an essayist and poetry reviewer, for which he is very widely known. He writes nine books of poetry, three chapbooks, and two collections of essays and reviews. The majority of his works are characterised by the use of economic language and the recurring motifs of mortality and the fragility of everyday life. In 1987, he temporarily becomes a writer-in-residence at the National University of Ireland. He also serves for a short time as editor of Poetry Ireland Review.
O’Driscoll dies suddenly at the age of 58 on December 24, 2012. He is rushed to hospital after becoming ill but quickly succumbs to his fate. The arts world is shocked by his sudden demise. His wife and siblings – brothers Proinsias, Seamus, Declan, and sisters, Marie and Eithne – survive him.
PresidentMichael D. Higgins notes that O’Driscoll is “held in the highest regard not only by all those associated with Irish and European poetry.” Joe Duffy, with whom O’Driscoll had appeared on air on the very week of his death, calls him a “generous, caring and witty man.” Fellow writer Belinda McKeon says he was “a scholar, a gentleman, a character, a friend.” English poet and critic David Morley describes him as a “fine poet and great critic.” Irish PEN mourns his death.
O’Kelly is born James Kelly in Mobhill, Loughrea, County Galway, youngest of seven (or possibly eight) children of Michael Kelly, corn merchant, and his wife, Catherine Fitzgerald. His date of birth is uncertain. Some commentators believe he is the James Kelly whose birth was registered on November 16, 1875, but relatives claim this was a sibling and namesake who died prematurely. His death certificate implies he was born in 1878, and family members maintained he was born in 1880.
Loughrea is at the centre of the bitterly-fought plan of campaign agitation on the Clanricarde estate from the late 1880s. Many tenants in the town and surrounding rural districts are evicted for non-payment of rent, and Lord Clanricarde resists reinstatement until the estate is purchased by special legislation shortly before World War I. According to one source, the O’Kellys are themselves evicted during the Plan of Campaign, though they seem to retain a degree of financial stability. A widespread perception that nationalist politicians had exploited the evicted tenants contributes to the relative strength of Parnellism in the area, and the early appearance of Sinn Féin. This background inspires such works as O’Kelly’s 1917 play, The Parnellite.
While growing up in Loughrea, O’Kelly is profoundly influenced by contact with older relatives and country folk from whom he learns some Irish and the folklore/storytelling tradition that shapes many of his stories. The example of his mother and friendship with the local Carmelite fathers, whom he serves as an altar boy, gives him a strong commitment to Catholicism. This coexists in his work with an Ibsenite-Parnellite insistence on individual defiance of conformity, and a gentle exaltation of the sensitive dreamer isolated from the life around him. The mixture is sometimes uneasy. His observations on domestic violence, the sexual exploitation of servant girls by hypocritically pious employers, and prejudice against children born outside marriage or raised in the workhouse are unobtrusive but biting. His play, The Bribe (1913), gives a devastating depiction of the social and economic pressures which induce a small-town shopkeeper and poor law guardian to accept a bribe to appoint an underqualified dispensary doctor, with disastrous results. The corrupt and snobbish doctor is called Power O’Connor, an unsubtle hit at the nationalist MP, T. P. O’Connor. This element of social observation distinguishes him from the more symbolist city-born Daniel Corkery, to whom he is often compared. Much of his writing is recognisably set in Loughrea.
O’Kelly begins working as a journalist on local papers, including the Midland Tribune, the Tuam News, and the Connacht Leader. He becomes editor of The Southern Star, based in Skibbereen, County Cork, in 1903, and is said to be the youngest newspaper editor in Ireland at the time. He moves to Naas, County Kildare, in 1906, as editor of the Leinster Leader. Here he lives in a house by the canal, which provides the inspiration for his linked series of short stories, The Golden Barque, along with his father, a nephew, and his brother Michael. Already a contributor to The United Irishman published by Arthur Griffith, and later its successor, Sinn Féin, he is active in the Naas Sinn Féin club and makes regular weekend visits to Dublin, where Griffith introduces him to Dublin literary circles. Here his closest friends are James Stephens, whose influence is visible in the more whimsical and fantastic elements of O’Kelly’s work, and Seumas O’Sullivan, who recalls O’Kelly as a man of remarkable gentleness and integrity.
O’Kelly’s journalistic career is accompanied by his development as a writer, publishing stories in a variety of outlets, including the Irish Rosary and the Irish Packet. From 1908 he has several plays produced by the Theatre of Ireland, a nationalist-oriented rival to the Abbey Theatre. Lustre (1913), written jointly with Casimir Markievicz, later becomes the basis for a Soviet film.
Around 1911, O’Kelly suffers a severe attack of rheumatic fever, which leaves him with a chronic heart condition and a strong sense of mortality. He continues to write extensively and with increasing skill. He becomes editor of Dublin’s The Saturday Evening Post in 1912 and moves to Dublin, where he lives in Drumcondra. At this time he is an occasional contributor to The Manchester Guardian, turning down a permanent job on that paper. He leaves the Post in 1915 because of continuing ill-health and is offered the editorship of The Sunday Freeman but has to retire after two weeks. He then returns to Naas. At this time his play Driftwood, commissioned by Annie Horniman, is produced in Manchester and London.
When O’Kelly’s brother is interned after the Easter Rising, he resumes the editorship of the Leinster Leader until his brother’s release at Christmas 1916. He also contributes topical articles to the Sunday Independent. His literary reputation continues to increase with a short story collection, Waysiders (1917), and his best-regarded full-length novel, The Lady of Deerpark (1917), a melancholy story about the last heiress of a declining Catholic gentry family. Another novel, Wet Clay (1922), is published posthumously and is the story of the tense relationship between a “returned Yank” and his small-farmer cousins, which shows deeply unresolved ambivalence about the nature and prospects of Irish rural society after the Land War.
When Griffith and many other Sinn Féin activists are arrested and imprisoned in May 1918, O’Kelly returns to Dublin to edit the Sinn Féin paper Nationality. During the days after the Armistice of November 11, 1918, a crowd of soldiers and women whose husbands are serving in the British Army attack the paper’s premises, which are also the headquarters of Sinn Féin. As a result of these attacks O’Kelly suffers a cerebral haemorrhage which leads to his death on November 14, 1918.
O’Kelly’s funeral turns into a major political demonstration and his status as a nationalist martyr leads to the posthumous publication of many of his works. These include the novella, The Weaver’s Grave (1920), generally regarded as his masterpiece. It has been reprinted regularly and translated into several languages. A 1961 Radio Éireann adaptation by Micheal Ó hAodha wins the Prix Italia. The twenty-fifth and fiftieth anniversaries of his death see various commemorations in his honour and a short-lived Seumas O’Kelly Society is founded in 1968. O’Kelly never marries but is said to have cherished a hopeless passion for the actress and nationalist activist, Máire Níc Shiubhlaigh, for whom he writes the play The Shuiler’s Child (1909).
(From: “O’Kelly, Seumas” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Rolleston is the youngest child among three sons and a daughter of Charles Rolleston-Spunner, barrister and county court judge for Tipperary, and his wife Elizabeth, daughter of John Richards, judge and baron of the Court of Exchequer, Ireland. He attends St. Columba’s College, Rathfarnham, where he is head boy, and Trinity College Dublin (TCD), graduating with an MA in 1878. His literary ambitions first emerge at university, where he wins the vice-chancellor’s prize for English verse in 1876.
In 1879 Rolleston marries Edith Caroline, daughter of Rev. William de Burgh of Naas, County Kildare. She suffers from rheumatism, and this encourages the couple to live in Germany from 1879 to 1883. During this period he develops a fascination for German philosophy and literature and begins a correspondence with the American poet Walt Whitman, whose work he knows through Edward Dowden. In 1881 he offers to translate into German, with S. K. Knortz, Whitman’s Leaves of Grass. This is published as Grashalme in 1889. In that year he also publishes a biography of the German philosopher Gotthold Lessing, and in 1892 delivers the Taylorian Lectures at the University of Oxford on this subject.
In the meantime Rolleston has returned to Ireland and co-founds the Dublin University Review (DUR) with Charles Hubert Oldham in February 1885. In March 1885, under their stewardship the DUR is the first to publish W. B. Yeats. The poetry of Katharine Tynan and the first English translations of Ivan Turgenev also appear in the magazine. He has a fondness for clubs and at this time is associated with the Contemporary Club, where he becomes friendly with fellow member Douglas Hyde, and the Young Ireland Society, where he is vice-president and a disciple of John O’Leary. He writes the dedication to O’Leary in Poems and ballads of Young Ireland (1888) and is encouraged by the older man in his editing of The prose writing of Thomas Davis (1890). Under O’Leary’s influence he flirts with Fenianism, perhaps even joining the Irish Republican Brotherhood (IRB) for a time, and is strongly critical of the prominent involvement of Catholic clergy in the home rule movement.
After the demise of the DUR in December 1886 Rolleston moves to London, but remains involved in Irish literary activity. Although unenthusiastic in his assessment of The Wanderings of Oisín (1889), he is friendly with Yeats and they instigate the Rhymers’ Club (1890). He is a much better critic and organiser than poet, but contributes to The Book of the Rhymers’ Club (1892) and The Second Book of the Rhymers’ Club (1894). His work appears in a number of contemporary journals and anthologies and he has one collection published, Sea Spray (1909).
Rolleston is first secretary of the Irish Literary Society (1892) and attends the foundation of its sister organisation in Dublin, the National Literary Society. These societies are soon riven by a dispute for control between Yeats and Charles Gavan Duffy, centred on the political and literary agenda of the movement. Rolleston at least acquiesces in, if not actively contributes to, Yeats’s defeat. They remain on reasonable terms, but Yeats is resentful. Rolleston edits the famous anthology, Treasury of Irish Poetry (1900), with the Rev. Stopford Augustus Brooke, whose daughter, Maud, he had married in October 1897. They have four children. His first marriage also produces four children, and he is godfather to Robert Graves, whose father, Alfred Perceval Graves, is a friend.
In 1894 Rolleston returns to Dublin, becoming managing director and secretary of the Irish Industries Association (1894–7) and honorary secretary of the Arts and Crafts Society of Ireland (1898–1908). A central figure in the latter as an organiser, propagandist, and critic rather than a practitioner, lecturing regularly and editing the journal of the society, he seeks to integrate the arts and crafts revival with other contemporary developments, cooperating with the Congested Districts Board for Ireland to organise classes. He is a supporter of the co-operative movement of Horace Plunkett, and a member of the Recess Committee. On the foundation of the Department of Agriculture and Technical Instruction (DATI), he is employed by Plunkett and T. P. Gill as organiser of lectures (1900–05). In this capacity he manages the Irish historic collection at the St. Louis exhibition of 1904, and publicly supports Plunkett in his dispute with the DATI in 1908. Convinced that the development of Irish industry is central to national progress, he believes that the Irish Parliamentary Party (IPP) failed to offer a clear practical programme for Irish nationalism. By 1900, however, his own nationalism is tempered by a belief in the importance of the imperial connection, and he opposes the pro-Boer stance taken by many Irish nationalists. In later years he publishes pamphlets urging economic development as a means of quelling Irish demands for home rule.
Rolleston is a sporadic member of the Gaelic League, writing the lyrics for the ‘Deirdre cantata,’ which wins first prize at the first Feis Ceoil in Dublin in 1897. At one point he suggests the foundation of a separate Gaelic League for Protestants, and provokes controversy in 1896 by suggesting that scientific ideas cannot be represented in the Irish language. Later, he concedes that he is wrong. In 1909 he settles in London when offered the job of editor of the German language and literature section of The Times Literary Supplement, a position he holds until his death. He reinvolves himself in the Irish Literary Society and publishes a number of volumes based on Irish myth, including the influential Myths and Legends of the Celtic Race (1911), and Richard Wagner‘s Der Ring des Nibelungen. He is a founder of the India Society of London (1910). During the World War I he is librarian for the ministry of information and utilises his knowledge of Irish in the Obscure Languages section of the censor’s department.
Like many involved in cultural activities at this time Rolleston is satirised by George Moore in Hail and Farewell, but he remains very friendly with Moore, who dedicates the 1920 edition of Esther Waters to him. Rolleston dies suddenly on December 5, 1920 at his home in Hampstead, London. His widow donates many of his books to Cork Public Library.
(From: “Rolleston, Thomas William Hazen (T. W.)” contributed by William Murphy, Dictionary of Irish Biography, http://www.dib.ie)
McCreevy is educated locally at Naas by the Congregation of Christian Brothers, and later at the fee paying Franciscan Gormanston College. He studies Commerce at University College Dublin and goes on to become a chartered accountant. His family background is modest, his father and ancestors since the late 18th century are lock-keepers on the Grand Canal, a job carried on by his mother after the death of his father, when McCreevy is four years old.
McCreevy’s political career begins with when he wins a seat in the Kildare constituency at the 1977 Irish general election, which is a landslide for Charles Haughey‘s supporters in Fianna Fáil and he is re-elected at every subsequent election until he joins the European Commission. Between 1979 and 1985, he serves as an elected member of the Kildare County Council.
In the 1979 Fianna Fáil leadership election, McCreevy strongly supports the controversial Charles Haughey, who narrowly wins the post. However, in a time of severe budgetary difficulties for Ireland, he soon becomes disillusioned with the new Taoiseach and his fiscal policies. In October 1982, he launches a motion of no-confidence in the party leader, which evolves into a leadership challenge by Desmond O’Malley. In an open ballot and supported by only 21 of his 79 colleagues, the motion fails and McCreevy is temporarily expelled from the parliamentary party.
In later years O’Malley is expelled from Fianna Fáil itself and forms the Progressive Democrats (PDs), espousing conservative fiscal policies. Although considered ideologically close to the PDs, and a personal friend of its erstwhile leader, Mary Harney, McCreevy chooses to remain a member of Fianna Fáil, where he eventually serves in joint FF-PD Governments.
For his first 15 years as TD, while Haughey remains leader, McCreevy remains a backbencher. In 1992, Albert Reynolds becomes Taoiseach and McCreevy is appointed Minister for Social Welfare. In this role, he is principally remembered for a set of 12 cost-cutting measures, collectively termed the “dirty dozen”, which are arguably minor in their direct impact but provide a major political headache for his party in the 1992 Irish general election.
In 1993, McCreevy becomes Minister for Tourism, Transport and Communication, which he holds until the government falls in December 1994. In opposition under new Fianna Fáil leader Bertie Ahern, he is appointed Opposition Spokesperson for Finance. In this role he is viewed as actively pro-enterprise, anti-spending and a key advocate for tax cuts.
In 1997, Fianna Fáil returns to power and McCreevy becomes Minister for Finance. His period coincides with the era of the “Celtic Tiger,” which sees the rapid growth of the Irish economy due to social partnership between employers, government and unions, increased female participation in the labour force, decades of tuition-free secondary education, targeting of foreign direct investment, a low corporation tax rate, an English-speaking workforce only five time-zones from New York City, and membership of the European Union – which provides payments for infrastructural development, export access to the European Single Market and a Eurozone country. He is a consistent advocate of cutting taxes and spending.
In 2004, McCreevy is selected by the Government of Ireland to replace David Byrne as Ireland’s European Commissioner. He is appointed to the Internal Market and Services portfolio, by President of the European CommissionJosé Manuel Barroso. At his confirmation hearings in the European Parliament MEPs describe him as “fluent and relaxed.” He also informs them that he has campaigned for the ratification of every European Treaty since 1972.
In October 2007, McCreevy, commenting on the Northern Rock bank’s loss of investor confidence, claims that banking regulations in the UK, which forces banks to be open to scrutiny from outside investors, caused the panic. He says if access to the banks dealings had been restricted, then the trouble could have been avoided.
Irish constitutional law requires a referendum to alter the constitution for such a major change as the adoption of the Treaty of Lisbon. Interviewed beforehand, McCreevy says that he has not read the Treaty in full himself, though he understands and endorses it. The referendum is held on June 12, 2008 and the Irish electorate does not approve the Treaty. He is heavily criticised in the European Parliament and by the leader of the Socialist group in the European Parliament, Martin Schulz, who demands on June 17, 2008, that McCreevy be removed as a European Commissioner. Schulz slightly misquotes McCreevy, whom he stated had contributed to Ireland’s rejection of the Treaty of Lisbon with remarks during the referendum campaign that no “sane person” would read the document.
Following McCreevy’s departure from the commission, he is forced to resign from the board of a new banking firm, NBNK Investments, after an EU ethics committee finds a conflict of interest with his work as a European Commissioner in charge of financial regulation.
Seven Republican fighters, all from County Kildare, are executed in the Glasshouse in the Curragh Camp on December 19, 1922. The Glasshouse is a small stone and brick military prison where the military usually houses their own prisoners. It consists of two floors enclosed within a twelve foot high walled enclosure with cells for 64 prisoners. During the Irish Civil War, and afterwards, it is used as a punishment block for Republican prisoners.
The seven, Patrick Bagnall, Patrick Mangan, Joseph Johnston, Bryan Moore, Patrick Nolan, Stephen White and James O’ Connor, are all veteran Irish Republican Army (IRA) men and belong to a column of ten which operates against railways, goods trains and some shops in the vicinity of Kildare. Five of them are involved in the derailment of engines at Cherryville on December 11 when they make a serious attempt to dislocate the whole railway service on the Great Southern and Western Railway. Two engines are taken out of a shed at Kildare and sent down the line by Cherryville. One engine runs out of steam and does no harm, while the other overturns and blocks the line for a considerable time.
The column is also responsible for an ambush on National troops at the Curragh Siding on November 23 when a large party of troops are returning to Dublin after escorting prisoners to the Curragh Camp. On their return journey the troops are fired on at the Curragh Siding and two are wounded. In the confusion a policeman is accidentally shot by a National soldier.
The seven, along with Commandant Thomas Behan, are found in a dug-out at Mooresbridge, on the edge of the Curragh, on the night of December 13. They are under the command of Commandant Bryan Moore, a veteran IRA officer, and comprise a section of the 6th Battalion Column. They are armed with rifles bought from a soldier stationed in Naas Barracks.
When they surrender, Behan is struck with a rifle butt, breaking his arm. When the captives are ordered into the back of a truck he cannot climb aboard because of his arm. He is struck again on the head with a rifle butt and dies at the scene.
The remaining seven men are charged before a Military Committee with being in possession, without proper authority, of ten rifles, 200 rounds of ammunition, four bomb detonators and one exploder. They are found guilty and sentenced to death. Father Donnelly, chaplain to the troops, administers to the seven volunteers before their executions. They are executed one by one by firing squad on the morning of December 19 and are buried in the yard adjacent to the Glasshouse.
The party is small throughout its existence. According to the ISRP historian David Lynch, the party never has more than 80 members. Upon its founding one journalist comments that the party has more syllables than members. Nevertheless, the ISRP is regarded by many Irish historians as a party of seminal importance in the early history of Irish socialism and republicanism. It is often described as the first socialist and republican party in Ireland, and the first organisation to espouse the ideology of socialist republicanism on the island. During its lifespan it only has one really active branch, the Dublin branch. There are several attempts to create branches in Cork, Belfast, Limerick, Naas, and even in northern England but they never come to much. The party establishes links with feminist and revolutionary Maud Gonne who approves of the party.
The party produces the first regular socialist paper in Ireland, the Workers’ Republic, runs candidates in local elections, represents Ireland at the Second International, and agitates over issues such as the Boer War and the commemorations of the Irish Rebellion of 1798. Politically the ISRP is before its time, putting the call for an independent “Republic” at the centre of its propaganda before Sinn Féin or other political organizations.
A public meeting held by the party is described in Irish socialist playwrightSean O’Casey‘s autobiography Drums under the Window.
Connolly, who is the full-time paid organiser for the party, subsequently leaves Ireland for the United States in 1903 following internal conflict. In fact, it seems that a combination of the petty infighting and his own poverty that causes Connolly to abandon Ireland (he returns in 1910). Connolly clashes with the party’s other leading light, E. W. Stewart, over trade union and electoral strategy. A small number of members around Stewart establish an anti-Connolly micro organisation called the Irish Socialist Labour Party. In 1904, this merges with the remains of the ISRP to form the Socialist Party of Ireland.
Seven 
seamus dubhghaill 