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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Dermot Ryan, Roman Catholic Archbishop of Dublin

Dermot Joseph Ryan, the Roman Catholic Archbishop of Dublin from 1972 until 1984, dies in Rome, Italy, on February 21, 1985.

Ryan is born on June 26, 1924, to Andrew Ryan, a medical doctor, and Therese (née McKenna), in Clondalkin, Dublin. In 1932 he goes to Belvedere College, Dublin. In 1942 he enters Holy Cross College, Drumcondra, and graduates with a first in Hebrew and Aramaic at University College Dublin in 1945. He spends a year at St. Patrick’s College, Maynooth before attending the Pontifical Irish College in Rome gaining his BD in 1948 at the Pontifical Lateran University, Rome. He returns to Clonliffe to complete his formation, and where he is ordained a priest on May 28, 1950. He returns to Rome to study at the Pontifical Gregorian University, gaining a Licentiate in Sacred Theology in 1952. In 1954 he is awarded an MA in Semitic Languages from the National University of Ireland (NUI), followed by a licentiate in sacred scripture at the Pontifical Biblical Institute.

Ryan is Professor of Oriental Languages at University College Dublin before his appointment by Pope Paul VI as Archbishop of Dublin and Primate of Ireland on December 29, 1971. Maintaining his connection and interest in oriental studies, he serves as chairman of the trustees of the Chester Beatty Library from 1978 to 1984.

Ryan is ordained a bishop by Pope Paul VI in Rome, assisted by Cardinals Bernardus Johannes Alfrink and William Conway (Archbishop of Armagh and Primate of All Ireland), on February 13, 1972. At the time of his appointment, he is seen as a liberal and a reformer in the Church.

During his term, Ryan consolidates much of the expansion of the Archdiocese which had taken place during the term of his predecessor. He also oversees the fuller implementation of the reforms of Vatican II. He is particularly interested in liturgical reform.

Seen as a Liberal, following the episcopacy of John Charles McQuaid, in November 1972, Ryan becomes the first Roman Catholic archbishop to attend a Church of Ireland service in Christ Church Cathedral, Dublin, and holds an interdenominational service in St. Mary’s Pro-Cathedral. He also supports “Ballymascanlon talks,” an inter-church initiative to try to bring communities together and bring peace to Northern Ireland.

Ryan also takes a traditional stand on social issues, including poverty, family life and opposition to abortion. He strongly promotes the Eighth Amendment of the Constitution of Ireland in 1983, granting the equal right to life to mother and unborn.

As Archbishop, Ryan gives the people of Dublin a public park on a site earmarked by his predecessors for a proposed cathedral. It is named “Archbishop Ryan Park” in his honour. The land, at Merrion Square, is a gift from the archbishop to the city of Dublin.

Ryan also serves as Pro-Prefect of Congregation for the Evangelization of Peoples from April 8, 1984, until his death in Rome on February 21, 1985, following a heart attack at the age of sixty.

Ryan is named in the Murphy Report, released in 2009, on sexual abuse of children in Dublin. His actions in respect of complaints against priest Fr. McNamee are described in the report as “an example of how, throughout the 1970s, the church authorities were more concerned with the scandal that would be created by revealing Fr. McNamee’s abuse rather than any concern for the abused.” He also does not act on complaints against other priests who are also subsequently confirmed to be abusers.

In January 2010, after Ryan has been criticised in the Murphy Report the previous year, Dublin City Council seeks public views on renaming “Archbishop Ryan Park.” Later that same year it is renamed “Merrion Square Park” by the City Council.


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Birth of Clare Marsh, Still Life & Portrait Artist

Clare Marsh, still life and portrait artist, is born Emily Cecil Clare Marsh on January 13, 1875, at New Court, Bray, County Wicklow, the house of her maternal grandfather, Andrew McCullagh, a wine merchant.

Marsh’s parents are Arthur and Rachel Marsh (née McCullagh). She has four siblings. Her family is descended from the Anglo-Irish aristocracy, specifically from Francis Marsh of Edgeworth, Gloucestershire, with his wife the great-aunt of James II‘s first wife. The family later moves to Raheen, Clondalkin, and later to Cappaghmore, Clondalkin. There is little information about her early life although she is involved in the suffrage movement.

Marsh meets Mary Swanzy at Mary Manning‘s art classes, with Swanzy remembering Marsh as being from “a background of impecuniosity, which did not apparently worry them in spite of a more affluent upbringing.” She is influenced artistically by her aunt and John Butler Yeats, with whom she becomes close friends. In the summer of 1898, Yeats paints Marsh’s portrait at Manning’s studio. She is more drawn to the work of Yeats than of his son, Jack, and models her portraits on that of the older Yeats. He mentors her, encouraging her to see other artists’ work as much as possible and saying “to produce a picture will force you to think.” He urges her to paint more industriously. She exhibits with the Royal Hibernian Academy (RHA) for the first time in 1900 with East wind effect and Roses. Yeats later claims that Marsh helped him with “line drawing or sketching, by putting him on the track of bulk drawing.”

Alongside Manning’s classes, Marsh takes night classes in sculpture with John Hughes and Oliver Sheppard at the Metropolitan School of Art. Aside from a trip to Paris in 1910 or 1911, she is taught exclusively in Dublin throughout her 20s. She takes a course at Norman Garstin‘s studio in Penzance, and stays in North Wales in 1914, painting two Trearddur Bay scenes. She paints still life and portraits, including one of Lily Yeats. It appears that her portraits of children and dogs are popular based on her submitted works to the RHA, exhibiting without a break from 1900 to 1921. The Hugh Lane Gallery holds her portrait of Lord Ashbourne, which demonstrates her painting style of loose brush strokes with an air of informality. Yeats suggests that she spend some time in the United States, where he is living at the time. She spends two months in New York City, staying with cousins at White Plains and then moves into a room neighbouring that of Yeats in Petitpas. Her uncle strongly disproves of this living arrangement, so she leaves and returns to Ireland in January 1912, which upsets Yeats greatly.

Upon her return from New York, Marsh starts holding classes at her studio at South Anne Street which Swanzy recalls are “well liked and always full,” with Susan Yeats becoming a pupil. She becomes the Professor of Fine Arts at Alexandra College in 1916. In the same year, she paints the fires and destruction of the 1916 Easter Rising. She paints a portrait of Jack Butler Yeats in 1918, which is now held by the Highlanes Gallery. John Butler Yeats later sympathises with her in a letter that she and other women are not elected members of the RHA. Knowing that Yeats is in financial difficulty, she sells some of his drawings and sends the money to him. It appears that over time, she works more with colour, as demonstrated in her portrait of Susan Yeats. Her final paintings are night studies, some of which show a possible influence from Swanzy with whom she shares a studio in the autumn of 1920. She is also believed to be one of the founding members of the Society of Dublin Painters.

Marsh dies on May 5, 1923. A posthumous exhibition of her work is held in October 1923. Due to her early death, she largely falls into obscurity until one of her works is included in the 1987 “Irish Women Artists from the Eighteenth Century to the Present Day” exhibition and publication from the National Gallery of Ireland. The National Gallery of Ireland holds a selection of sketches and paintings by Marsh, and a sketch of her by Swanzy. She is included in an exhibition of art by women artists at the Highlanes Gallery in 2012.

(Pictured: “Self-Portrait” by Clare Marsh, oil on canvas, circa 1900, National Gallery of Ireland)


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Birth of Christopher Augustine Reynolds, Archbishop of Adelaide

Christopher Augustine Reynolds, the first Catholic Archbishop of Adelaide, South Australia, is born in Dublin on August 11, 1834.

Reynolds is the son of Patrick Reynolds and his wife Elizabeth, née Bourke. Educated by the Carmelites at Clondalkin, Dublin, he later comes under the influence of the Benedictines when he volunteers for the Northern Territory mission of Bishop Rosendo Salvado Rotea, and is sent to Subiaco near Rome to train for the priesthood. He leaves after three years and goes to the Swan River Colony with Bishop Joseph Serra to continue his training at New Norcia, arriving at Fremantle in May 1855. Probably because of poor health, he leaves the Benedictines and in January 1857 goes to South Australia. He completes his training under the Jesuits at Sevenhill and is ordained in April 1860 by Bishop Patrick Geoghegan. He is parish priest at Wallaroo (where he builds the church at Kadina), Morphett Vale and Gawler. When Bishop Laurence Sheil dies in March 1872, he is appointed administrator of the diocese of Adelaide. On November 2, 1873 in Adelaide he is consecrated bishop by Archbishop John Bede Polding.

Reynolds has a large diocese and in 1872-80 travels over 52,000 miles in South Australia. The opening up of new agricultural districts, an increase in Irish migrants and diocesan debts had produced a grave shortage of clergy. But his most urgent problem is conflicts between and within the clergy and laity over education, especially the role to be played by the Sisters of St. Joseph of the Sacred Heart. He supports the Sisters, reopens schools closed by Archbishop Sheil and, though opposed by the Bishop of the Diocese of Bathurst Matthew Quinn, helps the Superior, Mother Mary MacKillop, secure Rome’s approval for autonomy for her Sisterhood.

Reynolds is not a good administrator and his strenuous efforts to extend Catholic education after the Education Act of 1875 incurs alarming debts. In 1880-81 he visits Rome. On his return, increasingly concerned with finances, disturbed at the prospect of losing St. Joseph nuns and, to some extent misled by jealousy and intrigue, he dramatically reverses his policy towards the Sisterhood and on November 14, 1883 relieves Mother Mary of her duties as Mother Superior. Though the Plenary Council of the Bishops of Australasia, held in Sydney in 1885, support him, in 1888 Pope Leo XIII decrees a central government for the Sisterhood, to be located in Sydney. The council requests that Adelaide be raised to an archiepiscopal and metropolitan see and on September 11, 1887 Reynolds is invested archbishop by Cardinal Francis Moran.

Reynolds’s health is never robust and after a two-year illness he dies on June 12, 1893 in Adelaide, where he is buried. Although he is austere and hard-working, he leaves his successor church debts of over £56,000. A particularly fine preacher, he is widely respected for his missionary zeal and for an ecumenical spirit unusual for his time.

(From: Australian Dictionary of Biography, http://www.adb.anu.edu.au, Ian J. Bickerton)


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Birth of Katharine Tynan, Novelist & Poet

katharine-tynan

Katharine Tynan, Irish writer, known mainly for her novels and poetry, is born into a large farming family in Clondalkin, County Dublin, on January 23, 1859.

Tynan is educated at St. Catherine’s, a convent school in Drogheda. Her poetry is first published in 1878. She meets and becomes friendly with the poet Gerard Manley Hopkins in 1886. She goes on to play a major part in Dublin literary circles. In 1898 she marries English writer and barrister Henry Albert Hinkson, and they move to England. After her marriage she usually writes under the name Katharine Tynan Hinkson, or variations thereof. Later she lives at Claremorris, County Mayo, when her husband is a magistrate from 1914 until 1919. Of their three children, Pamela Hinkson (1900–1982) was also known as a writer.

For a while, Tynan is a close associate of William Butler Yeats (who may have proposed marriage and been rejected, around 1885), and later a correspondent of Francis Ledwidge. Involved in the Irish Literary Revival, Tynan expresses concern for feminist causes, the poor, and the effects of World War I in her work. She also meditates on her Catholic faith. A prolific writer, she wrote more than one hundred novels, twelve collections of short stories, reminiscences, plays, and more than a dozen books of poetry.

Katharine Tynan Hinkson dies on April 2, 1931, in Wimbledon, London, at the age of 72.