The second leg plays in European arenas and outdoor stadiums from late May through early August, starting at the Stadio Flaminio in Rome on May 27. The final show of the European leg is at Páirc Uí Chaoimh in Cork, County Cork on August 8.
The third leg returns to North American arenas and stadiums beginning in New York’s Nassau Coliseum on September 10. The tour ends on December 20 back where it started in Tempe, Arizona, but this time at Sun Devil Stadium.
The Joshua Tree Tour sells out stadiums around the world, the first time the band had consistently played venues of that size. The Joshua Tree and its singles become huge hits and the band reaches a new height in their popularity. Tickets for shows are often very hard to get, especially on the first American leg when they only play in arenas.
The 79 North American shows on the tour sell 2,035,539 tickets and gross US$35 million. In total, the tour grosses US$40 million and draws 3 million attendees.
Butler is the seventh child of John Butler, gentleman farmer, and Ellen (née Forrestal). She attends the Sisters of Mercy school in New Ross, County Wexford, entering the Congregation of the Sacred Heart of Mary in Béziers, France in 1876. She takes the name Marie Joseph when she is sent to Porto, Portugal in 1879, professing in 1880. From 1880 to 1903 she teaches in Porto and Braga, becoming superior of the school in 1893.
In 1903 Butler is appointed head of the congregation’s school at Sag Harbor, Long Island, New York, with the responsibility to extend the influence of the order in there. Her cousin, James Butler, gives her a site in Tarrytown, New York in 1907 where she founds the first Marymount school that year, and then the first Marymount college in 1918. She acts as president of the college, with the institution being granted a charter from the University of the State of New York to award bachelor’s degrees in 1924. She is elected Mother General of her order in 1926 and serves until her death, being the first American superior elected to the international congregation of the Catholic Church. She introduces a unique educational system incorporating high religious and academic standards with the aim of preparing young women for a changing society. She becomes a citizen of the United States in 1927.
Under her influence, the order founds fourteen schools, including a novitiate in New York, three Marymount schools and three colleges, and 23 foundations internationally with Marymount schools in Rome, Paris, and Quebec, and a novitiate in Ferrybank, Waterford, County Waterford.
Butler dies on April 23, 1940 in Tarrytown and is buried there. In 1954 her spiritual writings are published as As an eagle: the spiritual writings of Mother Butler R.S.H.M. by J.K. Leahy. She is put forward as a candidate for canonisation in 1948.
Hugh O’Neill (Irish: Aodh Mór Ó Néill), the 3rd Baron Dungannon and 2nd Earl of Tyrone, dies in Rome on July 20, 1616. His career is played out against the background of the Tudor conquest of Ireland and he is best known for leading the resistance during the Nine Years’ War, the strongest threat to Tudor authority in Ireland since the revolt of Silken Thomas. The defeat of O’Neill and the conquest of his province of Ulster is the final step in the subjugation of Ireland by the English.
Although born into the powerful O’Neill dynasty of Ulster, O’Neill is fostered as a ward of the Crown in County Dublin after the assassination of his father, Matthew, in 1558. His wardship ends in 1567 and, after a visit to the court in London, he returns to Ireland in 1568 and assumes his grandfather’s title of Earl of Tyrone. By initially cooperating with the government of Queen Elizabeth I, he establishes his base of power, and in 1593 he replaces Turlough Luineach O’Neill as chieftain of the O’Neills. But his dominance in Ulster leads to a deterioration in his relations with the Crown, and skirmishes between his forces and the English in 1595 are followed by three years of fruitless negotiations between the two sides.
In 1598 O’Neill reopens hostilities. His victory over the English on August 14 in the Battle of the Yellow Ford on the River Blackwater, Ulster, the most serious defeat sustained by the English in the Irish wars, sparks a general revolt throughout the country. Pope Clement VIII lends moral support to his cause and, in September 1601, four thousand Spanish troops arrive at Kinsale, Munster, to assist the insurrection. But those reinforcements are quickly surrounded at Kinsale, and O’Neill suffers a staggering defeat in December 1601 while attempting to break the siege. He continues to resist until forced to surrender on March 30, 1603, six days after the death of Queen Elizabeth.
Elizabeth’s successor, King James I, allows O’Neill to keep most of his lands, but the chieftain soon finds that he cannot bear the loss of his former independence and prestige. In September 1607 he, with Rory O’Donnell, 1st Earl of Tyrconnell, and their followers, secretly embark on a ship bound for Spain. The vessel is blown off course and lands in Normandy. From there the refugees make their way via the Spanish Netherlands to Rome, where they are acclaimed by Pope Paul V. This “Flight of the Earls” signals the end of Gaelic Ulster and thereafter the province is rapidly Anglicized. Outlawed by the English, O’Neill lives in Rome the rest of his life. He dies there at the age of 66 on July 20, 1616. He is interred in the Spanish church of San Pietro in Montorio.
Ryan emigrates to the United States in 1947 to work for Time, where he reports on the postwar tests of atomic weapons carried out by the United States in the Pacific. He then reports for Time on the Arab-Israeli war in 1948. This is followed by work for other magazines, including Collier’s Weekly and Reader’s Digest.
Ryan marries Kathryn Morgan, a novelist, and becomes a naturalized citizen of the United States in 1951.
On a trip to Normandy in 1949 Ryan becomes interested in telling a more complete story of Operation Overlord than has been produced to date. He begins compiling information and conducting over 1,000 interviews as he gathers stories from both the Allies and the Germans, as well as the French civilians.
In 1956 Ryan begins to write down his World War II notes for The Longest Day: 6 June 1944 D-Day, which tells the story of the D-Day Invasion of Normandy, published three years later in 1959. It is an instant success and he assists in the writing of the screenplay for the 1962 film of the same name. Darryl F. Zanuck pays the author U.S.$175,000 for the screen rights to the book.
Ryan’s 1957 book One Minute to Ditch! is about the successful ocean ditching of a Pan AmericanBoeing 377 Stratocruiser. He had written an article about the ditching for Collier’s in their December 21, 1956, issue and then expanded it into the book.
Ryan’s next work is The Last Battle (1966), about the Battle of Berlin. The book contains detailed accounts from all perspectives: civilian, American, British, Russian and German. It deals with the fraught military and political situation in the spring of 1945, when the forces of the western allies and the Soviet Union contend for the chance to liberate Berlin and to carve up the remains of Germany.
This work was followed by A Bridge Too Far (1974), which tells the story of Operation Market Garden, the ill-fated assault by allied airborne forces on the Netherlands culminating in the Battle of Arnhem. It is made into a major 1977 film of the same name.
Ryan is awarded the French Legion of Honour and an honorary Doctor of Literature degree from Ohio University, where the Cornelius Ryan Collection is housed in the Alden Library. He is diagnosed with prostate cancer in 1970 and struggles to finish A Bridge Too Far during his illness. He dies in Manhattan on November 23, 1974, while on tour promoting the book, only two months after publication. He is buried in the Ridgebury Cemetery in northern Ridgefield, Connecticut.
Four years after his death, Ryan’s struggle with prostate cancer is detailed in A Private Battle, written by his widow, from notes he had secretly left behind for that purpose.
The meeting comes two days before Pope Francis is scheduled to meet with U.S. PresidentDonald Trump, where the potential for disagreement is high as Trump has clashed with the pontiff on migrants and expressed skepticism about man-made impact on the environment. The meeting with President Higgins, however, is much more congenial as both leaders are very much on the same page.
Higgins is given the traditional welcome for visiting heads of state to the Vatican. He is walked through the frescoed rooms of the Vatican’s Apostolic Palace by men dressed in white tie and is then introduced to Pope Francis for their meeting, which lasts fifteen minutes.
Higgins’ visit comes six months after outgoing Irish TaoiseachEnda Kenny had a papal audience after which he confirmed the Pope would be coming to Ireland in 2018. While their discussions take place behind closed doors, it is likely that Higgins once again extends the invitation for Pope Francis to visit the country. The Pope ultimately visits Ireland August 25-26 as part of the World Meeting of Families 2018.
At the end of a seemingly warm and friendly encounter, Higgins presents the Pope a “climate bell” designed by renowned citizen-artist Vivienne Roche and is meant to represent a call to action on protecting the planet. “This is a very important symbol” the president tells the Pope before briefly ringing the bell.
For his part, the Pope presents Higgins with his landmark encyclical on climate change, Laudato si’, and his two apostolic exhortations, Evangelii gaudium and Amoris laetitia. He also presents the President with a medallion designed to represent the saying from Isaiah 32:15 which states “the desert will become a fertile ground.”
The audience takes place inside the Vatican Library with the use of an interpreter. Higgins, who has spent some time living in Latin America, concludes the meeting in the Pope’s native language, saying “muchos gracias.”
Balfe’s musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.
In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.
While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.
Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.
Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835 at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.
In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843 at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.
From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.
In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.
In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.
Augustus Saint-Gaudens, sculptor of the statue for the Charles Stewart Parnell monument which is installed at the North end of Dublin‘s O’Connell Street in 1911, is born in Dublin on March 1, 1848. He is generally acknowledged to be the foremost American sculptor of the late 19th century, noted for his evocative memorial statues and for the subtle modeling of his low reliefs.
Saint-Gaudens is born to a French father and an Irish mother. His family moves to New York City when he is an infant and at age 13 he is apprenticed to a cameo cutter. He earns his living at this craft, while studying at night at Cooper Union (1861–65) and the National Academy of Design (1865–66) in New York. In 1867 he travels to Paris and is admitted to the École des Beaux-Arts. Along with Olin Levi Warner and Howard Roberts, he is one of the first Americans to study sculpture in Paris. Late in 1870 he sets out for Rome, where, still supporting himself by cameo cutting, he works for two years copying famous antique statues on commission. He also starts to create his first imaginative compositions during this period.
After 1875 Saint-Gaudens settles in New York, where he befriends and collaborates with a circle of men who form the nucleus of an American artistic renaissance. The group includes the architects Henry Hobson Richardson, Stanford White, and Charles Follen McKim and the painter John La Farge. The most important work of Saint-Gaudens’s early career is the monument to AdmiralDavid Farragut (1880, Madison Square Garden, New York), the base of which is designed by White.
From 1880 to 1897 Saint-Gaudens executes most of the well-known works that gain him his great reputation and many honours. Working with La Farge, in 1881 he creates two caryatids for a fireplace in Cornelius Vanderbilt’s residence. In 1887 he begins the Amor Caritas, which, with variations, preoccupies him from about 1880 to 1898, and also a statue of a standing Abraham Lincoln (Lincoln Park, Chicago). The memorial to Marian Hooper Adams (1891) in Rock Creek Cemetery, Washington, D.C., is considered by many to be his greatest work. In 1897 he completes a monument in Boston depicting Robert Gould Shaw, colonel of an African American regiment in the American Civil War. The statue is remarkable for its expression of movement. Shortly thereafter, he leaves for Paris, where, over the next three years, he prepares his final major public sculpture, the Sherman Monument (1903), which is eventually erected in Grand Army Plaza in New York.
Saint-Gaudens also makes many medallions, originally as a diversion from more serious tasks. These works show the influence of Renaissance medals as well as his early cameos. Among them are designs for U.S. coins and a considerable number of portraits. His autobiography, The Reminiscences of Augustus Saint-Gaudens, is published in 1913.
Mahony is born to Martin Mahony and Mary Reynolds. He is educated at the JesuitClongowes Wood College, in County Kildare, and later in the Abbey of Saint-Acheul, a similar school in Amiens, France and then at Rue de Sèvres, Paris, and later in Rome. He begins teaching at the Jesuit school of Clongowes as master of rhetoric, but is soon after expelled. He then goes to London and becomes a leading contributor to Fraser’s Magazine, under the signature of “Father Prout” (the original Father Prout, whom Mahony knew in his youth, born in 1757, was parish priest of Watergrasshill, County Cork). At one point he is director of this magazine.
Mahony is witty and learned in many languages. One form which his humour takes is the professed discovery of the originals in Latin, Greek, or mediaeval French of popular modern poems and songs. Many of these jeux d’esprit are collected as Reliques of Father Prout. He pretends that these poems had been found in Fr. Prout’s trunk after his death. He wittily describes himself as “an Irish potato seasoned with Attic salt.” Later he acts as foreign correspondent to various newspapers, and during the last eight years of his life his articles form a main attraction of The Globe.
In his native Cork Mahoney is best remembered for his poem “The Bells of Shandon” and his pen-name is synonymous with the city and the Church of St. Anne, Shandon.
Mahony spends the last two years of his life in a monastery and dies on May 18, 1866 in Paris reconciled to the Church.
The Reliques of Father Prout originally appear in two volumes in 1836 with illustrations by Maclise. They are reissued in Henry George Bohn‘s Bohn’s Libraries in 1860. Another volume, Final Reliques, is edited by Douglas Jerrold and published in 1876. The Works of Father Prout, edited by Charles Kent, is published in 1881. Facts and Figures from Italy (1847) is made from his Rome letters to London’s The Daily News.
Until his sixteenth year, Plunkett’s education is entrusted to his cousin Patrick Plunkett, Abbot of St. Mary’s, Dublin, and brother of Luke Plunkett, the first Earl of Fingall, who later becomes successively Bishop of Ardagh and of Meath. As an aspirant to the priesthood, he sets out for Rome in 1647.
Plunkett is admitted to the Pontifical Irish College in Rome and proves to be an able pupil. He is ordained a priest in 1654, and deputed by the Irish bishops to act as their representative in Rome. Meanwhile, the Cromwellian conquest of Ireland (1649–1653) has defeated the Roman Catholic cause in Ireland. As a result, it is impossible for Plunkett to return to Ireland for many years so he petitions to remain in Rome. At the Congregation of Propaganda Fide on July 9, 1669, he is appointed Archbishop of Armagh and is consecrated on November 30 at Ghent. He returns to Ireland on March 7, 1670, as the English Restoration of 1660 has begun on a basis of toleration.
Plunkett sets about reorganising the ravaged Roman Church and builds schools both for the young and for clergy. The Penal Laws have been relaxed in line with the Declaration of Breda in 1660 and he is able to establish a Jesuit College in Drogheda in 1670, which becomes the first Catholic-Protestant integrated school in Ireland.
On the enactment of the Test Act in 1673, to which Plunkett does not agree for doctrinal reasons, the college is closed and demolished. Plunkett goes into hiding, travelling only in disguise, and refuses a government edict to register at a seaport to await passage into exile.
In 1678 the so-called Popish Plot, concocted in England by clergyman Titus Oates, leads to further anti-Roman Catholic action. Archbishop Peter Talbot of Dublin is arrested, and Plunkett again goes into hiding. Despite being on the run and with a price on his head, Plunkett refuses to leave his flock.
Plunkett is arrested in Dublin in December 1679 and imprisoned in Dublin Castle. He is tried at Dundalk for conspiring against the state by allegedly plotting to bring 20,000 French soldiers into the country, and for levying a tax on his clergy to support 70,000 men for rebellion. The trial soon collapses as the prosecution witnesses are themselves wanted men and afraid to appear in court. Plunkett is moved to Newgate Prison in London in order to face trial at Westminster Hall. The first grand jury finds no true bill, but he is not released. The second trial is generally regarded as a serious miscarriage of justice as Plunkett is denied defending counsel.
Archbishop Plunkett is found guilty of high treason in June 1681 “for promoting the Roman faith,” and is condemned to death. Plunkett is hanged, drawn, and quartered at Tyburn on July 1, 1681, the last Roman Catholic martyr to die in England. His body is initially buried in two tin boxes in the courtyard of St. Giles in the Fields church. The remains are exhumed in 1683 and moved to the Benedictine monastery at Lamspringe, near Hildesheim in Germany. His head is brought to Rome, and from there to Armagh, and eventually to Drogheda where it has rested in St. Peter’s Church since June 29, 1921. Most of the body is brought to Downside Abbey, England, where the major part is located today, with some parts remaining at Lamspringe.
Sir Oliver Plunkett is canonised in Rome by Pope Paul VI on October 12, 1975, the first new Irish saint in almost seven hundred years, and the first of the Irish martyrs to be beatified. For the canonisation, the customary second miracle is waived.
An announcement of the death, issued by the church’s press office in both Belfast and Dublin, says Ó Fiaich had appeared unwell to doctors accompanying the group of 600 pilgrims from his seat at Armagh in Northern Ireland.
Ó Fiaich is admitted first to a hospital in Lourdes, then flown by helicopter to Toulouse. Philippe Giovanni, director of the Rangueil Hospital there, says the cardinal died of a brutal cardiac arrest soon after being admitted.
While calling for a unified Ireland and criticizing British policy in Northern Ireland, Ó Fiaich, whose name is pronounced O’Fee, also castigates the violence of the Irish Republican Army, the predominantly Catholic outlawed guerrilla army that seeks to end British rule in Northern Ireland and unite it with the Republic of Ireland.
Ó Fiaich is appointed spiritual leader of Ireland’s four million Catholics in in 1977. Two years later Pope John Paul II makes him one of the first cardinals of his papacy.
Tributes to Ó Fiaich poured in from some both sides of the Irish border. In Dublin, TaoiseachCharles Haughey says he is “devastated, … deeply grieved.” Britain’s top official in Northern Ireland, Secretary of StatePeter Brooke, also expresses sadness. “We did not always agree about everything, but he treated me with the greatest possible courtesy, friendliness and warmth.”
However hardline Protestant leader Ian Paisley of Northern Ireland’s Democratic Unionist Party says Ó Fiaich is “the mallet of Rome against the Protestants of Northern Ireland.” He claims Ó Fiaich had “made an outrageous statement that the majority of bigotry in Ulster stemmed from the Protestant section of the community” and added, “He did not seem to realize that the IRA, which is carrying out the most atrocious of outrages … were the people who needed to be indicted with bigotry.”
In Belfast, Ulster Television suspends scheduled programs for an hour and airs a religious program and a news program about the cardinal.
Ó Fiaich retains close ties to Armagh, which had been dubbed “bandit country” because of the IRA activity. From the time he becomes primate, he speaks publicly of his wishes for a united Ireland. He visits IRA guerrillas in jail, calls the British Army’s fatal shooting of an Irish civilian murder, and says the border dividing Ireland is “unnatural.”
Following his death, Ó Fiaich lies in state at St. Patrick’s Cathedral, Armagh, where thousands of people line up to pay their respects.
The third leg of The Joshua Tree Tour, a concert tour by the Irish rock band U2, opens in Uniondale, New York‘s Nassau Coliseum on September 10, 1987. The tour is in support of their album The Joshua Tree, the band’s fifth studio album, which is released on March 9, 1987. The tour is depicted by the video and live album Live from Paris and in the film and partial live album Rattle and Hum.
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