seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Harp Lager


by Leave a comment

Guinness Registers Harp as Official Symbol

On April 5, 1862, Guinness formally registers the harp as its official symbol, long before Ireland even has its own government.

The first Guinness labels featuring the now-iconic harp are printed in August of that year according to Guinness’s Brewery in the Irish Economy 1759 – 1876 by Patrick Lynch and John Vaizey.

The harp, which serves as the emblem of Guinness, is based on a famous 14th-century Irish harp known as the “O’Neill harp” or “Brian Boru’s harp,” which is now preserved in the Library of Trinity College Dublin. The harp is also the official national emblem of the Republic of Ireland and can be found on the Republic’s coinage that was phased out when the Euro currency was introduced. The harp symbol is also featured on Irish flags during the 1916 Easter Rising.

However, there is a difference between the Irish government harp and the Guinness harp. As Guinness had trademarked the harp symbol in 1876, the Irish Free State Government of 1922 has to reverse the official government harp so that it can be differentiated from the trademarked Guinness harp. As such, the Guinness Harp always appears with its straight edge (the sound board) to the left, and the government harp is always shown with its straight edge to the right.

It is because of the harp trademark that the Guinness company names its first lager Harp in 1960.

The harp is one of three elements that make up the Guinness brand livery. The other two elements are the word “Guinness” and Arthur Guinness’s famous signature. There have been a number of changes to the design of the harp device over the years including a reduction in the number of strings shown. The current harp is introduced in 2005 when a new brand livery is launched.

The famous Downhill Harp, dating back to 1702, is purchased by Guinness in 1963 to ensure its continued preservation and is on display in the advertising gallery in Guinness Storehouse. The Downhill Harp is made in 1702 by Cormac O’Kelly of Ballinascreen and played in the 18th century by the harpist Donnchadh Ó hAmhsaigh, known in English as Denis Hampsey, Denis Hampson or Denis Hempson. Ó hAmhsaigh plays in the traditional style, plucking the strings with his long fingernails. At age 97, he is the oldest harpist at the Belfast Harp Festival in July 1792, although he is perhaps most famous for his concert for Prince Charles Edward Stuart, or ‘Bonnie Prince Charlie’, in 1745.

The harp bears the inscription:

In the time of Noah I was green,
Since his flood I had not been seen,
Until Seventeen hundred and two I was found By Cormac O’Kelly underground:
He raised me up to that degree
That Queen of Musick you may call me.

(From: “When Guinness trademarked symbol of the harp,” IrishCentral, http://www.irishcentral.com, April 5, 2022)


by Leave a comment

Irish Celtic Rock Band Horslips Disbands

horslips

Horslips, the Irish Celtic rock band regarded as the “founding fathers of Celtic rock,” disbands on October 12, 1980. The name originates from a spoonerism on The Four Horsemen of the Apocalypse which becomes “The Four Poxmen of The Horslypse.”

Barry Devlin, Eamon Carr and Charles O’Connor meet when they work at the Ark advertising company in Dublin. They are cajoled into pretending to be a band for a Harp Lager commercial but need a keyboard player. Devlin says he knows a Jim Lockhart who would fit the bill. The four enjoy the act so much that they decide to try being proper rock performers. They join guitarist Declan Sinnott, a colleague of Eamon Carr’s from Tara Telephone and, briefly, Gene Mulvaney to form Horslips (originally Horslypse) in 1970.

The band goes professional on St. Patrick’s Day 1972 having shed Mulvaney and released a single, “Johnny’s Wedding”, on their own record label, Oats. Declan Sinnott leaves soon after, primarily due to his annoyance at the group appearing in an advert for Mirinda orange drink. He is replaced by Gus Guest briefly, then Johnny Fean.

Following the release of six studio albums between 1972 and 1977, the ever-ambitious band tries to make it in the United States. In 1977 they produce Aliens, about the experience of the Irish in nineteenth-century America, which includes very little folk music. The Man Who Built America (1978), produced by Steve Katz of Blood, Sweat & Tears and The Blues Project fame, concerns Irish emigration to the United States and is commercially their most successful album. The heavier sound does bring some acceptance in America, but they lose their folk base and their freshness. Short Stories, Tall Tales (1979) is their last studio album and is panned by the record company and critics alike.

At a time when The Troubles are at its peak, Horslips plays gigs in both Northern Ireland and the Republic of Ireland without prejudice and are accepted everywhere. Their last recordings are from live performances at the Whitla Hall at Queen’s University Belfast in April and May 1980. A few months later, on October 12, 1980, they play their final gig in the Ulster Hall. They make no public announcement. They simply give an encore, The Rolling Stones‘ song “The Last Time,” and the final act is Charles O’Connor throwing his mangled fiddle into the audience. Ten years after they formed, they disband.

Although Horslips has limited commercial success when the band is playing in the 1970s, there is a revival of interest in their music in the late 1990s and they come to be regarded as one of the defining bands of the Celtic rock genre. There have since been small scale reunions including appearances on The Late Late Show and RTÉ‘s Other Voices. The band reforms for two Irish shows in the Odyssey Arena in Belfast and the 3Arena in Dublin at the end of 2009 and have continued to play shows since then.