On July 1-2, 1915, in Gallipoli, Turkey, when, owing to hostile bombing, some of his troops had retired from a sap, Sergeant Somers remains alone there until a party brings up bombs. He then climbs over into the Turkish trench and bombs the Turks with great effect. Later on, he advances into the open under heavy fire and holds back the enemy by throwing bombs into their flank until a barricade has been established. During this period, he frequently runs to and from his trenches to obtain fresh supplies of bombs.
In a letter to his father, Somers writes:
“I beat the Turks out of our trench single-handed and had four awful hours at night. The Turks swarmed in from all roads, but I gave them a rough time of it, still holding the trench. It is certain sure we are beating the Turks all right. In the trench I came out of, it was shocking to see the dead. They lay, about three thousand Turks, in front of our trenches, and the smell was absolutely chronic. You know when the sun has been shining on those bodies for three or four days it makes a horrible smell; a person would not mind if it was possible to bury them. But no, you dare not put your nose outside the trench, and if you did, you would be a dead man.”
Somers had previously been severely wounded during the Retreat from Mons in August 1914.
Dillon leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.
Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, he goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.
In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” depicts his concerns about the new war that has broken out. Despite a growing reputation, he returns to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, County Galway. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.
Dillon travels widely in Europe and teaches for brief periods in the London art schools.
In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singersewing machine.
In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.
Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.
In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlights Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.
Milligan is the son of an Irish father, Leo Alphonso Milligan, a regimental sergeant major in the British Indian Army, and English mother, Florence Mary Winifred (née Kettleband). He is raised in India and Burma (Myanmar). He is educated at the Convent of Jesus and Mary, Poona, and later at St. Paul’s High School, Rangoon. He moves to England with his family in 1933. He serves in the army during World War II and, when he is wounded in combat, begins a struggle with manic-depressive illness that lasts the rest of his life. Toward the end of the war, he meets Harry Secombe, and they work together entertaining the troops. After the war the pair, along with Peter Sellers and Michael Bentine, begin spending time at the Grafton Arms pub, where they develope their comedy routines. BBC radio begins broadcasting the group’s work in 1951, as Crazy People, and in 1952 it is renamed The Goon Show. As such it continues until early 1960 (though Bentine soon leaves the show) and becomes a cult classic.
Milligan later acts onstage and in small parts in movies—including Monty Python’s Life of Brian (1979)—and writes numerous books of poems, war memoirs, the play The Bedsitting Room (with John Antrobus; first performed 1962), and a number of television series. He also supports a multitude of causes, especially those involving the environment. Because his father is Irish and he is born in India—and despite his years of military service—the British government does not consider him a citizen. Rather than take an oath of allegiance, he takes Irish citizenship. Nonetheless, he is made an honorary Commander of the British Empire in 1992 and is given an honorary knighthood in 2000.
Milligan dies from kidney failure, at the age of 83, on February 27, 2002, at his home on Dumb Woman’s Lane near Rye, East Sussex. On the day of his funeral, March 8, 2002, his coffin is carried to St. Thomas Church in Winchelsea, East Sussex, and is draped in the flag of Ireland. He had once quipped that he wanted his headstone to bear the words: “I told you I was ill.” He is buried at St. Thomas’ churchyard but the Chichester diocese refuses to allow this epitaph. A compromise is reached with the Gaelic translation of “I told you I was ill,” Dúirt mé leat go mé breoite, and in English, “Love, light, peace.” The additional epitaph Grá mhór ort Shelagh can be read as “Great love for you Shelagh.”
According to a letter published in the Rye and Battle Observer in 2011, Milligan’s headstone is removed from St. Thomas’ churchyard in Winchelsea and moved to be alongside the grave of his wife, but is later returned.
The Clogheen Ambush takes place in the early morning of March 23, 1921, as six members of “C” Company, First Battalion, 1st Cork Brigade of the Irish Republican Army (IRA) are shot by a party of Black and Tans and Royal Irish Constabulary (RIC) at a farm at Ballycannon, Clogheen, just outside Cork, County Cork, during the Irish War of Independence. The IRA believes that they have been betrayed by Patrick ‘Cruxy’ Connor. Connor has returned to Cork after the Coolavokig Ambush, which had taken place on February 25. Once in Cork he is soon arrested by the RIC for the possession of a revolver. The IRA believes that Connors broke down under interrogation and betrayed them.
Cornelius O’Keefe farms 105 acres at Ballycannon, on the road leading from Clogheen to Tower. His house is a known ”safe house” where volunteers can shelter when it is unsafe for them to sleep at home. On the farm there are secure hiding places for the guns and explosives with which they carry out their missions.
At 4:00 a.m on the morning of Wednesday, March 23, O’Keefe is awakened by the arrival of a large force of police. They break down the farm door with blows from their rifle butts. The family is ordered back to the bedrooms and the house is thoroughly searched. The British then search the farmyard, where six volunteers are discovered asleep in a barn.
A local schoolteacher whose house overlooks the two fields outside the barn is awakened by the sound of gunshots at about 4:30 a.m., while it is still quite dark. He watches the lights moving around the farmyard. He hears one voice scream out and another shout “run for it.” He can barely see a man breaking away and running across the field. A volley of shots ring out and the man falls. Another man with a light walks toward the body. After ten minutes there are more shots but this time he sees nobody fall. Later he sees another man fleeing and more shots ring out. As the light increases, he identifies the men with guns as police. Later he watches as the police bring down bodies in blankets and lay them outside the house in the boreen, which leads from the O’Keeffe farmyard to the public road. Around 6:00 a.m. the bodies are placed in lorries which then drive away.
Meanwhile Cornelius O’Keeffe, the farm owner, is brought across the field where he sees five bodies laid out in blankets. He watches as they are placed in the lorries. In his sworn deposition he states that a sixth man is then brought out blindfolded, still alive, and is also put in the lorry. O’Keefe is put in a third lorry, which follows the other two to Victoria Barracks. There the first two lorries speed off and he loses sight of them. He is imprisoned in a cell in the Barracks and is kept there until on April 17, when he is finally released without charge.
The six IRA men killed are:
Daniel Crowley, aged 23. occupation plasterer, of 171 Blarney Street, Cork
William Deasy, aged 20, of Mount Desert , Blarney Road, Cork
Thomas Dennehy, aged 21, of 104 Blarney Street, Cork
Daniel Murphy, aged 24. occupation pig buyer, of Orrery Hill, off Blarney Street , Cork
Jeremiah O’Mullane, aged 23, of 237 Blarney Street, Cork
Michael O’Sullivan, aged 20 of 281 Blarney Street ,Cork
(From: “Ballycannon, Clogheen – IRA ambushed by the British – 23 Mar 1921,” posted on http://www.theauxiliaries.com | Pictured: The Clogheen Ambush Memoral in County Cork)
Carey is also the first non-UK player and the first Irishman to captain a winning team in both an FA Cup Final and the First Division. Like his contemporary Con Martin, he is an extremely versatile footballer and plays in nine different positions throughout his career. He even plays in goal for United on one occasion.
One of Carey’s earliest experiences as a coach comes when he is still an active player. He takes charge of the Republic of Ireland national team at the 1948 Summer Olympics in London. Ireland loses 3–1 to the Netherlands in the opening round in a game played at Fratton Park. He retires as a player in 1953 and almost immediately accepts the position as manager of Blackburn Rovers. In 1958 he guides the Rovers into First Division. He then becomes manager at Everton but, despite leading them to fifth place in the 1960–61 season, their highest post-war position, he is sacked in the back of a taxi by director John Moores. As a result, the jibe, “Taxi for …!” has become a staple insult offered to any manager facing the threat of the sack. He next manages Leyton Orient and takes them into the First Division in 1962, their only season in the top division. However his greatest success as a manager comes with Nottingham Forest. In 1967, he guides them to the FA Cup semi-finals and to second place in the First Division behind his former club Manchester United. Between 1955 and 1967 Carey also serves as team manager of the Republic of Ireland national team. However he has very little power as the team itself is chosen by a selection committee. In October 1970, he returns to the manager’s role at Blackburn, after a spell as administrative manager. He is sacked on June 7, 1971.
By this time Carey has had enough of football management, and takes up a job in the treasurer’s office of Trafford Borough Council until his retirement in 1984. He continues to visit Old Trafford regularly, and during the 1970s acts as a scout for Manchester United.
This is a challenging time for the Catholic Church in Ireland, then led by Cardinal William Conway, as it adjusts to both the internal changes generated by the Second Vatican Council and the wider social changes. He is ill-suited to coping with these changes and in particular the violence in Northern Ireland. It is widely assumed that he sees to it that the more overtly nationalistTomás Ó Fiaich is appointed to Armagh in 1977 after the death of Cardinal Conway. The journalist and authorEd Moloney in his book on the Irish Republican Army (IRA) asserts that Alibrandi’s “sympathy for the IRA was a constant source of friction with the government in London.”
Alibrani plays a major role in the 1971 decision by the Vatican to accept the resignation of John Charles McQuaid as Archbishop of Dublin. This comes as a shock to McQuaid, who expected that he would be allowed to remain for some time after the normal retirement age of 75.
In many of the episcopal appointments made while Alibrandi is nuncio, he favours doctrinally “sound,” right-of-centre priests and in the case of the Archdiocese of Dublin picks two priests, Kevin McNamara and Desmond Connell, who are notably ill-suited. In a profile of the Archbishop at the time of his retirement, T. P. O’Mahony observes in The Tablet, “although he rarely gave interviews, and never overtly intervened in policy-making or in public controversies, it is beyond dispute that Archbishop Alibrandi wielded considerable influence behind the scenes.”
The respected academic and church historian Dermot Keogh assessing this period argues that “there was a general view that the best candidates had not been appointed…that a number were not up to the job, that most of the appointees shared a defensive attitude to matters of church and state.”
Alibrandi has “a very testy relationship with three Taoisigh – Jack Lynch, Liam Cosgrave and Garret FitzGerald.” After reaching the retirement age of 75, he returns to his home town in Sicily where he dies on July 3, 2003. His funeral Mass was celebrated on Saturday in Castiglione di Sicilia by Archbishop Paolo Romeo, Apostolic Nuncio to Italy. A memorial Mass for Archbishop Alibrandi will be celebrated by Archbishop Giuseppe Lazzarotto, Apostolic Nuncio to Ireland, on Friday, 11 July at 19.30 in the Church of Our Lady Help of Christians, Navan Road, Dublin.
It is reported in September 2012 during the second Dr. Garret FitzGerald Memorial Lecture at University College Cork (UCC) by Seán Donlon, former secretary general at the Department of Foreign Affairs, that “It came to our [Department of Foreign Affairs] attention that a substantial amount in three bank accounts in Dublin [held by the archbishop] were way in excess of what was needed to run the nunciature. The source [of the money] appeared to be South America.” Donlon goes on to say, “Because of its size, we thought it appropriate to ask if the funds belonged to the Holy See.” When contacted for an answer, Alibrandi “quickly answered ‘no’ and that they belonged to ‘family’. When it was pointed out to him that the money was then liable under Irish taxation law to DIRT, he said he would retire shortly and the accounts would be closed.”
In 1934, aged 16, McAlinden is playing for Glentoran Reserves, when after a game against their reserves, he is offered a professional contract by Belfast Celtic. Together with Jackie Vernon, Tommy Breen, Billy McMillan and Charlie Tully, he subsequently becomes a prominent member of the Celtic team managed by Elisha Scott. This team dominates the Irish League in the era before and during World War II. Among his most notable contributions is scoring in the 2–1 win against Bangor in the 1938 Irish Cup final.
In December 1938, McAlinden signs for Portsmouth for a fee of £7.500. He makes his debut for the club against Chelsea and goes on to become a regular in the side. Within six months of his arrival at the club, he helps them win the 1939 FA Cup final, beating Wolverhampton Wanderers 4–1. After the outbreak of World War II, he plays three times for Portsmouth in wartime regional leagues, but his first spell with the club ends when he then returns to Belfast Celtic in 1939. He returns to Portsmouth for a second stint in 1946. In September 1947, he leaves Portsmouth once again and joins Stoke City for a fee of £7,000.
Following the end of his second stint with Belfast Celtic and before he rejoins Portsmouth, McAlinden signs for Shamrock Rovers in September 1945. He makes his debut against Shelbourne at Glenmalure Park on September 16. While playing for Rovers his teammates include Paddy Coad, Peter Farrell and Tommy Eglington. During his one season with Rovers, he helps the club reach the 1946 FAI Cup final. However Rovers lose 3–1 to Drumcondra.
McAlinden joins Stoke City in September 1947 for a then club record fee of £7,000. He becomes regular inside forward under manager Bob McGrory in 1947–48, playing in 33 matches scoring just twice against Aston Villa and Huddersfield Town. His lack of goals sees him fall out of favour at the Victoria Ground and he is sold to Third Division South side Southend United in October 1948.
In 1948, Southend United signs McAlinden from Stoke City for a fee of £8,000. He continues to play for United until 1954 and during his time with the club he serves as club captain. He also becomes something of a cult hero among the club’s fans and is remembered as being possibly the best player ever to play for the club. In 1950, he is caught up in controversy after it is alleged that he received illegal payments during his second spell with Portsmouth. As a result, he is suspended for the first two months of the 1950–51 season. In April 1954, he makes his last home appearance for United in a 4–1 win over Queens Park Rangers.
When McAlinden begins his international career in 1937 there are in effect, two Ireland teams, chosen by two rival associations. Both associations, the Northern Ireland–based Irish Football Association (IFA) and the Irish Free State–based Football Association of Ireland (FAI), claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era, including McAlinden play for both teams.
Between 1937 and 1948, McAlinden makes five appearances for the IFA XI, making his international debut in a 1–1 draw with Scotland at Pittodrie Stadium on November 10, 1937. His IFA XI appearances also include the 8–4 defeat against a Combined Services XI at Windsor Park on September 9, 1944. This team is basically a Great Britain XI and features, among others, Matt Busby, Stanley Matthews, Tommy Lawton and Stan Mortensen. He also plays against England in 7–2 defeat at Windsor Park on September 9, 1946. He makes his last appearance for the IFA XI on October 10, 1948, in a 6–2 defeat to England at Windsor Park. He makes his first three appearances for the IFA XI while with Belfast Celtic, his fourth while at Portsmouth and his fifth while at Southend United.
In 1946, while with Portsmouth, McAlinden also makes two appearances for the FAI XI. He is one of several players born in Northern Ireland who benefits from the FAI’s attempts to establish their all-Ireland influence. In June 1946, when the FAI organises an Iberian tour, he, together with Jackie Vernon, Billy McMillan and Paddy Sloan, is one of four Northern Irish players called up. He subsequently plays in both the 3–1 defeat to Portugal on June 16 and then helps Ireland gain a surprise 1–0 victory against Spain on June 23, 1946.
In 1955, McAlinden becomes player/manager of Glenavon. He continues playing for an additional year before finally retiring as a player to concentrate on management. During a thirteen-year stint with Glenavon, he guides them two Irish League titles, three Irish Cup victories and one Gold Cup. After leaving Glenavon, works as a full-time scout for Coventry City before taking charge at Lisburn Distillery in 1969. He subsequently guides a Distillery team that includes a young Martin O’Neill to a win in the 1971 Irish Cup. Later in his first season with Drogheda United, he guides them to the 1976 FAI Cup final, only to lose 1–0 to Bohemian.
McAlinden dies at the age of 75 on November 15, 1993.
Dwyer runs a off-licence/grocery shop in Rathmines and is a member of the Rathmines Urban Council. He marries Marie Molloy in 1914, they have no children. He is a member of the Peace Committee of ten men which sit in May 1922 and bring about the agreement between Michael Collins and Éamon de Valera.
On December 20, 1922, Dwyer is shot dead in his shop at 5 Rathmines Road, Dublin, by anti-Treaty IRA Volunteer Robert Bonfield. At about 4:50 p.m., Dwyer is talking to a customer when a young man enters the shop. Addressing Dwyer, the young man asks “Are you Mr. O’Dwyer?” Dwyer replies yes and the young man says that he has a note for him. The young man reaches into the pocket of his overcoat a draws a revolver. He fires twice at Dwyer at point-blank range and he dies instantly. The customer and a shop assistant give chase but are unable to catch the assassin. Two republicans, Frank Lawlor and the actual assassin, Robert Bonfield, are later killed by Free State forces in revenge for the shooting of Dwyer.
Swanzy lives at 31 Railway Street and attends Morning Service at the Cathedral. At 1:06 p.m. as he is walking past the entrance to the Northern Bank (now Shannon’s Jewelers), he is shot by the IRA and dies at the scene.
In February 1921, a memorial is erected in the north wall of the Cathedral by his mother and sister. The brass tablet mounted in Irish Oak bears the following inscription:
“In proud and loving memory of Oswald Ross Swanzy DI Royal Irish Constabulary who gave his life in Lisburn on Sunday, August 22, 1920, and his gallant comrades who, like him, have been killed in the unfaltering discharge of their duty and in the service of their country. Be thou faithful unto death and I will give you a crown of life.”
In his book, Police Casualties in Ireland 1919 to 1922, Royal Ulster Constabulary (RUC) Inspector Richard Abbott says the decision to kill Swanzy is taken by Michael Collins himself who believes the officer had been the leader of the party of unidentified men who killed Tomás Mac Curtain, the Lord Mayor of Cork and Commandant of Cork Number One Brigade of the IRA.
With the help of RIC Sergeant Matt McCarthy, who had provided Collins with information in the past, Swanzy is traced to Lisburn. The Intelligence Officer of B Company of the IRA’s First Cork Battalion, Sean Culhane, is then sent to Belfast to link up with local IRA activists. On the day of the attack, Culhane and a number of Belfast IRA men leave the city in a taxi and make their way to Lisburn.
Culhane and Roger McCorley, a Belfast member of the IRA, walk up to Swanzy and shoot him at close range. They, along with their accomplices, then run in pairs along Castle Street with another man in the middle of the road. They continue to fire as they make their way to the taxi which is waiting outside the Technical College.
The vehicle starts to move off before McCorley reaches it and he is forced to throw himself into the car. As he does so he lands in a heap on the back floor of the car and accidentally fires a round from his revolver inside the taxi.
A member of the public notes the taxi’s number as it leaves Lisburn and the driver is arrested later that afternoon. He tells police he works for the Belfast Motor Cab and Engineering Co. at Upper Library Street. At 11:45 a.m., he says he had been sent to the Great Northern Railway Station in Great Victoria Street to collect a fare who wanted to “take a run along the County Down coast.” The taxi driver is later tried for the killing of Swanzy but is found not guilty.
The IRA killing of Detective Inspector Swanzy leads to bitter sectarian rioting in Lisburn. A number of Catholics are murdered and others assaulted and terrorised as their homes and businesses are burned by mobs on the rampage. Journals kept at the time recall how groups of people wait at Lambeg to attack Catholics fleeing the town on the main Belfast Road. This forces many to leave Lisburn by way of the mountain route into the city as columns of smoke rise into the air above the town.
Workers at local mills are also called upon to sign the following declaration: “I…. …hereby declare I am not a Sinn Féiner nor have any sympathy with Sinn Féin and do declare I am loyal to king and country.” Violence also sweeps across Belfast in the wake of the Market Square attack.
A total of 22 people are killed in one week and on August 24 the authorities swear in a number of special constables to try to regain control of the situation. This is the first time since the start of the IRA campaign in 1919 that Special Constables have to be used.
(From: “Assassination of Detective Inspector Oswald Ross Swanzy,” Lisburn.com)
Murdoch is the daughter of Irene Alice (née Richardson) and Wills John Hughes Murdoch. Her father, a civil servant, comes from a mainly Presbyterian sheep farming family from Hillhall, County Down. In 1915, he enlists as a soldier in King Edward’s Horse and serves in France during World War I before being commissioned as a second lieutenant. Her mother trains as a singer before Iris is born and is from a middle-class Church of Ireland family in Dublin. Her parents first meet in Dublin when her father is on leave and are married in 1918. Iris is the couple’s only child. When she is a few weeks old the family moves to London, where her father had joined the Ministry of Health as a second-class clerk. She is a second cousin of the Irish mathematician Brian Murdoch.
From 1947 to 1948 Murdoch studies philosophy as a postgraduate at Newnham College, Cambridge. She meets Ludwig Wittgenstein at Cambridge but does not hear him lecture, as he had left his Trinity College professorship before she arrives. In 1948 she becomes a fellow of St. Anne’s College, Oxford, where she teaches philosophy until 1963. From 1963 to 1967 she teaches one day a week in the General Studies department at the Royal College of Art.
In 1956 Murdoch marries John Bayley, a literary critic, novelist, and from 1974 to 1992 Warton Professor of English at Oxford University, whom she had met in Oxford in 1954. The unusual romantic partnership lasts more than forty years until Murdoch’s death. Bayley thinks that sex is “inescapably ridiculous.” She in contrast has “multiple affairs with both men and women which, on discomposing occasions, Bayley witnesses for himself.”
Murdoch’s first novel, Under the Net, is published in 1954 and is selected in 1998 as one of Modern Library’s 100 best English-language novels of the 20th century. She had previously published essays on philosophy, and the first monograph about Jean-Paul Sartre published in English. She goes on to produce 25 more novels and additional works of philosophy, as well as poetry and drama.
Murdoch’s last novel, Jackson’s Dilemma, is published in 1995. She is diagnosed with Alzheimer’s disease in 1997 and dies on February 8, 1999, in Oxford, England. There is a bench dedicated to her in the grounds of Lady Margaret Hall, Oxford, where she enjoyed walking.
seamus dubhghaill 