seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Home Rule, Easter Rising & War of Independence (1912-1922)


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Coalition Government’s Cabinet Meets in London

On July 23, 1920, the Lloyd George Coalition Government holds a Cabinet meeting in London, part of the post-war peacetime governance under a coalition mainly of Liberals and Conservatives, addressing issues of reconstruction, Ireland, and war reparations.

The Coalition Government, led by Prime Minister David Lloyd George, is in power from 1918 to 1922 following the end of World War I, continuing the wartime alliance that has included Liberals and Conservatives. By 1920, the Cabinet is navigating Spain’s post-war reconstruction, the political unrest in Ireland, social welfare issues, and economic stabilization following wartime disruption. This period also sees preparation for negotiations over Germany’s reparations and engagement with international diplomacy after the Treaty of Versailles.

During this period, in addition to Lloyd George, the peacetime Cabinet includes key ministers including Bonar Law (Chancellor of the Exchequer and Leader of the House of Commons), Austen Chamberlain (Chancellor of the Exchequer until January 1920; replaced by Sir Robert Horne on trade matters), Arthur Balfour (Secretary of State for Foreign Affairs), Winston Churchill (Secretary for War and Air) and George Curzon (Lord President of the Council and Leader of the House of Lords).

The Coalition Cabinet keeps detailed minutes and memoranda, which are recorded in the CAB 23 series as “Cabinet Conclusions,” starting from November 1919 into the interwar years. These records summarize discussions and decisions but are not verbatim transcriptions.

While the specific agenda for July 23 is not directly cited in the sources, relevant Cabinet business during July 1920 includes:

  1. Reconstruction and Post-War Economy: Addressing unemployment, social welfare of returning servicemen, and government budgetary priorities.
  2. Ireland and Home Rule Legislation: Oversight of the Government of Ireland Act 1920, which has received royal assent earlier in the year, establishing separate parliaments for Northern and Southern Ireland.
  3. International Diplomacy and Reparations: Review of ongoing negotiations concerning German reparations after World War I, potentially preparing for discussions later in London and Paris.

Regarding Ireland, the Cabinet is divided on how to proceed. Some Liberal ministers and Dublin Castle officials are in favour of offering dominion status to Ireland. Conservative ministers argue that the Government must crush the insurgency and proceed with the Government of Ireland Bill. Debate continues after the meeting, with Walter Long warning of “the gravest consequences in Ulster” if the Government changes course.

In summary, the Coalition Cabinet convenes on July 23, 1920, in the context of post-war governance, with ministers like Lloyd George, Bonar Law, Curzon, Balfour, and Churchill participating. While exact meeting details require consulting official CAB series records, the issues at hand involve post-World War I economic recovery, Irish affairs, and international obligations stemming from the Treaty of Versailles.

(Pictured: Prime Minister of the United Kingdom David Lloyd George)


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The Belfast Shipyard Expulsions

On July 21, 1920, the Belfast Shipyard Expulsions take place as thousands of Catholic workers and socialists in Belfast’s shipyards are attacked and driven from their jobs following Edward Carson’s speech on the Twelfth at Finaghy during the annual industrial holiday. This day marks the first day back at work after the holiday, and the violence erupts in the shipyards, particularly in the Harland & Wolff yards.

The disturbances are part of a wider Belfast pogrom in 1920, rooted in sectarian tensions between unionist and nationalist communities. The Twelfth of July celebrations in Finaghy have been a focal point for nationalist and socialist mobilisation, and Carson’s speech is seen by many Catholic workers as inflammatory, stoking fears of reprisals.

The targeted groups of the expulsions include Catholic workers, trade unionists, and socialist activists, many of whom are from the working class “plebeian” strata. Reports describe beatings, assaults, and intimidation in the shipyards, with workers being pushed out of their posts or forced to leave premises. The expulsions disrupt shipbuilding operations, as skilled labour is removed from the workforce overnight. The events reinforce sectarian divisions, with unionist groups and some employers using the violence to assert control over the workforce.

By July 1920, newspapers are the main source of news, with current affairs often appearing on later pages. Coverage in papers such as the Belfast News Letter, Belfast Telegraph, The Irish Times, and Freeman’s Journal describe the expulsions as part of a broader outbreak of violence, but without the front-page headlines typical of later conflicts. The absence of radio broadcasts means that news is spread through print, handbills, and word of mouth.

The July 21, 1920, expulsions are a turning point in the sectarian conflict in Belfast, marking a shift from political mobilisation to direct, violent confrontation in the industrial heart of the city. They reflect the deep entrenchment of sectarianism in the shipbuilding industry and foreshadow further violence in the years leading up to the Irish Civil War.


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Free State Troops Arrive in Waterford to Retake the City

On July 18, 1922, Free State commander General John T. Prout leads a pro‑Treaty force of about 700 troops, one 18‑pounder field gun, and four armoured cars from Kilkenny, County Kilkenny, toward Waterford, County Waterford. This is part of the Irish Free State offensive (June 28 – late August 1922), which aims to retake major towns held by anti‑Treaty Irish Republican Army (IRA) forces in the south and southwest of Ireland.

At the start of the Irish Civil War in June 1922, the Free State controls only Dublin. Anti‑Treaty forces, forming the so‑called Munster Republic, hold Cork, Limerick, and Waterford, along with much of the west. Waterford’s republican garrison has fortified the city, dismantled the drawbridge’s control equipment, and isolated the port by removing wireless and other communications.

On July 16, republican forces learn that Free State troops ae moving toward Waterford. They raise the drawbridge early and move vessels from the Kilkenny side to the Waterford side. On July 18, Prout’s column is spotted from Sallypark Hill, prompting republican machine gun and rifle fire. A Free State volunteer, Costeloe, is wounded and later dies.

From July 19, sniping continues across the River Suir. On July 19, the Free State brings the 18‑pounder artillery into position overlooking the city, bombarding republican positions. The republicans hold key buildings such as the Adelphia Hotel, Country Club, and Reginald’s Tower.

By July 21, Free State forces cross the River Suir downstream at Gyles Quay, enter the city, and drive out republican troops from their positions. The drawbridge on Redmond Bridge is lowered by hand, and republican reinforcements from Cork and Tipperary either withdraw or do not engage. The Free State takes Waterford on July 21, 1922, ending the republican hold on the city.

Two anti‑Treaty volunteers, Maurice McGrath and John “Bonny” Boyle, are killed. Two Free State soldiers, Sergeant James Howlett and Michael Costelloe, are killed. At least six civilians are killed, including Joseph Dwan, William Long, and a 10‑year‑old girl. Many civilians are wounded.

The fall of Waterford marks a key Free State victory in the conventional phase of the Irish Civil War, contributing to the re‑capture of major southern cities and paving the way for the later guerrilla phase.

(Pictured: John T. Prout at his wedding to Limerick native Mary Conba at St. John the Evangelist Church (O’Loughlin Memorial Church), Kilkenny, July 12, 1922)


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Death of Alexander Will, First Black & Tan to Die in the Irish War of Independence

Alexander Will, a Constable in the Royal Irish Constabulary (RIC) from Forfar, Scotland, is killed on July 11, 1920, during a sustained Irish Republican Army (IRA) night attack on Rathmore Barracks in Rathmore, County Kerry. He is 24 years old at the time of his death and is the first Temporary Constable (Black and Tan) to die in the Irish War of Independence.

Will is on duty when he is killed by a bomb during the attack. The IRA’s assault is unsuccessful, but it results in Will’s death and the serious injuries of two other RIC officers. His service number is 70974.

Posthumously, Will is awarded the Constabulary Medal for Gallantry for his bravery under fire. According to RIC forum records, the medal is presented on December 22, 1920.

Will serves in the Scottish Horse Regiment during World War I, where he is wounded just a week before the Armistice. After his death, his body is brought back to Scotland by steamer, and his funeral is attended by RIC officers. His family has roots in Kincardineshire, Scotland, with his father, William Will, and grandfather also named Alexander Will.

Will is remembered as one of the early RIC officers to die in the Irish War of Independence, and his death marked a significant moment in the conflict’s early years. His story is commemorated in police remembrance records and in centenary tributes.


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Birth of Seán McCaughey, Militant & Irish Republican Activist

Seán McCaughey (Irish: Seán Mac Eóchaidh), Irish militant and Republican activist, is born on June 8, 1915, in Aughnacloy, County Tyrone. He is an Irish Republican Army (IRA) leader in the 1930s and 1940s and a hunger striker.

In 1921, McCaughey’s family moves to the Ardoyne district in north Belfast. Hus father is a founding member of the Irish republican Dungannon Clubs and organizes the first branch of Sinn Féin in County Tyrone. As a teenager he joins the Gaelic League and Sinn Féin and also becomes a long time student and teacher of the Irish language in the Glens of Antrim. He joins the IRA in 1935 and in 1938 is promoted to Officer Commanding (O/C) of its Northern Command, headquartered near the town of Carrickmore, County Tyrone, which is the ancestral home of Joseph McGarrity and Patrick McCartan, both leaders of the Irish republican organization Clan na Gael. In December 1939, he is arrested and imprisoned at the Curragh Camp. After being released in 1940 he returns to the Northern Command of the IRA. He is held in high regard and is considered to be one of the best officers of the northern IRA. At the time of his arrest in Rathmines, Dublin, on September 2, 1941, he is acting Chief of Staff.

In September 1941, McCaughey is found guilty by a Dublin court of having detained and assaulted Stephen Hayes, IRA Chief of Staff, who was accused of being a spy for the Irish Free State government. Hayes escapes and later testifies against him at a Military Court. He is sentenced to death by firing squad. His sentence is commuted to a life sentence of penal servitude.

Imprisoned in Portlaoise Prison on July 24, 1941, McCaughey joins other IRA prisoners in the ongoing blanket protest. Refusing to wear a criminal’s prison clothes, he is kept in solitary confinement and spends nearly five years naked except for a blanket. This form of resistance by Irish republican prisoners is also used in the 1980s blanket protests in the Maze prison (also known as “Long Kesh”) and the HM Prison Armagh (women’s prison) in Northern Ireland. He and other Irish republican prisoners endure years of hardships. Sitting month after month, year after year in bleak solitary cells, they are taken out once a week for a bath, and for the rest of the week live the life of an animal trapped in a burrow. That they do not go mad is a remarkable comment on mans capacity for survival. During his almost five years in Portlaoise, he Is never permitted to have visitors.

McCaughey commences a hunger strike on April 19, 1946. After ten days, he stops taking water and dies on May 11, 1946, the twenty-third day of his protest. An inquest is held in the prison at which the prison doctor admits that during his over four and a half years of imprisonment that McCaughey had never been allowed out in the fresh air or sunlight and that “he would not treat his dog the way Seán McCaughey had been treated in Portlaoise.”

Sean McCaughey’s funeral cortege passes through large crowds in the streets of Dublin and proceeds north to Belfast where it is met by thousands of mourners at Holy Cross Church, Ardoyne. He Is buried in a family grave in Milltown Cemetery, which is under the care of the National Graves Association, Belfast.

McCaughey is the last person to die on hunger strike in the Irish state. There is a long history of hunger striking in Ireland – within the 20th century a total of 22 Irish republicans die on hunger strike with survivors suffering long-term health and psychological effects. Four men die during the 1920 Cork hunger strike. The largest hunger strike in Irish history is the 1923 Irish hunger strikes, during which five men die. Ten men die during the 1981 Irish hunger strike.

(Pictured: Seán McCaughey (right) and Charlie McGlade, O’Connell Street, Dublin, 1941)


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Death of James Somers, Irish Recipient of the Victoria Cross

Sergeant James Somers VC, an Irish recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces, dies in Turkey on May 7, 1918.

Somers is born in Belturbet, County Cavan, on June 12, 1894.

Somers is 21 years old, and a sergeant in the 1st Battalion, Royal Inniskilling Fusiliers, British Army during World War I when the following deed takes place for which he is awarded the Victoria Cross.

On July 1-2, 1915, in Gallipoli, Turkey, when, owing to hostile bombing, some of his troops had retired from a sap, Sergeant Somers remains alone there until a party brings up bombs. He then climbs over into the Turkish trench and bombs the Turks with great effect. Later on, he advances into the open under heavy fire and holds back the enemy by throwing bombs into their flank until a barricade has been established. During this period, he frequently runs to and from his trenches to obtain fresh supplies of bombs.

In a letter to his father, Somers writes:

“I beat the Turks out of our trench single-handed and had four awful hours at night. The Turks swarmed in from all roads, but I gave them a rough time of it, still holding the trench. It is certain sure we are beating the Turks all right. In the trench I came out of, it was shocking to see the dead. They lay, about three thousand Turks, in front of our trenches, and the smell was absolutely chronic. You know when the sun has been shining on those bodies for three or four days it makes a horrible smell; a person would not mind if it was possible to bury them. But no, you dare not put your nose outside the trench, and if you did, you would be a dead man.”

Somers had previously been severely wounded during the Retreat from Mons in August 1914.

Later in the war, Somers serves with the Royal Army Service Corps on the Western Front. He dies at the age of 24 on May 7, 1918, leaving behind his parents, wife and son. He is buried with full military honours in Modreeny Church of Ireland cemetery. His Union Jack-draped coffin is carried on a gun carriage, led by the Pipe Band of the Queen’s Own Cameron Highlanders. His headstone states simply: “He stood and defended. The Lord wrought a great wonder.”


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Birth of Gerard Dillon, Painter & Artist

Gerard Dillon, Irish painter and artist, is born in Belfast on April 20, 1916.

Dillon leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.

Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, he goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.

In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” depicts his concerns about the new war that has broken out. Despite a growing reputation, he returns to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, County Galway. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.

In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.

Dillon travels widely in Europe and teaches for brief periods in the London art schools.

In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singer sewing machine.

In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.

Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.

In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlights Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.

(Pictured: “Tory Island” by Gerard Dillon)


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Birth of Spike Milligan, Irish Writer & Comedian

Terence Alan “Spike” Milligan, Anglo-Irish comedian, writer, musician, poet, playwright and actor, is born on April 16, 1918, in Ahmednagar, India. He leads the comic troupe featured on the 1950s BBC radio hit The Goon Show. His anarchic sense of absurdity and unique comic genius make him a model for succeeding generations of comedians and paves the way for the Monty Python brand of alternative comedy.

Milligan is the son of an Irish father, Leo Alphonso Milligan, a regimental sergeant major in the British Indian Army, and English mother, Florence Mary Winifred (née Kettleband). He is raised in India and Burma (Myanmar). He is educated at the Convent of Jesus and Mary, Poona, and later at St. Paul’s High School, Rangoon. He moves to England with his family in 1933. He serves in the army during World War II and, when he is wounded in combat, begins a struggle with manic-depressive illness that lasts the rest of his life. Toward the end of the war, he meets Harry Secombe, and they work together entertaining the troops. After the war the pair, along with Peter Sellers and Michael Bentine, begin spending time at the Grafton Arms pub, where they develope their comedy routines. BBC radio begins broadcasting the group’s work in 1951, as Crazy People, and in 1952 it is renamed The Goon Show. As such it continues until early 1960 (though Bentine soon leaves the show) and becomes a cult classic.

Milligan later acts onstage and in small parts in movies—including Monty Python’s Life of Brian (1979)—and writes numerous books of poems, war memoirs, the play The Bedsitting Room (with John Antrobus; first performed 1962), and a number of television series. He also supports a multitude of causes, especially those involving the environment. Because his father is Irish and he is born in India—and despite his years of military service—the British government does not consider him a citizen. Rather than take an oath of allegiance, he takes Irish citizenship. Nonetheless, he is made an honorary Commander of the British Empire in 1992 and is given an honorary knighthood in 2000.

Milligan dies from kidney failure, at the age of 83, on February 27, 2002, at his home on Dumb Woman’s Lane near Rye, East Sussex. On the day of his funeral, March 8, 2002, his coffin is carried to St. Thomas Church in Winchelsea, East Sussex, and is draped in the flag of Ireland. He had once quipped that he wanted his headstone to bear the words: “I told you I was ill.” He is buried at St. Thomas’ churchyard but the Chichester diocese refuses to allow this epitaph. A compromise is reached with the Gaelic translation of “I told you I was ill,” Dúirt mé leat go mé breoite, and in English, “Love, light, peace.” The additional epitaph Grá mhór ort Shelagh can be read as “Great love for you Shelagh.”

According to a letter published in the Rye and Battle Observer in 2011, Milligan’s headstone is removed from St. Thomas’ churchyard in Winchelsea and moved to be alongside the grave of his wife, but is later returned.


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The Clogheen Ambush

The Clogheen Ambush takes place in the early morning of March 23, 1921, as six members of “C” Company, First Battalion, 1st Cork Brigade of the Irish Republican Army (IRA) are shot by a party of Black and Tans and Royal Irish Constabulary (RIC) at a farm at Ballycannon, Clogheen, just outside Cork, County Cork, during the Irish War of Independence. The IRA believes that they have been betrayed by Patrick ‘Cruxy’ Connor. Connor has returned to Cork after the Coolavokig Ambush, which had taken place on February 25. Once in Cork he is soon arrested by the RIC for the possession of a revolver. The IRA believes that Connors broke down under interrogation and betrayed them.

Cornelius O’Keefe farms 105 acres at Ballycannon, on the road leading from Clogheen to Tower. His house is a known ”safe house” where volunteers can shelter when it is unsafe for them to sleep at home. On the farm there are secure hiding places for the guns and explosives with which they carry out their missions.

At 4:00 a.m on the morning of Wednesday, March 23, O’Keefe is awakened by the arrival of a large force of police. They break down the farm door with blows from their rifle butts. The family is ordered back to the bedrooms and the house is thoroughly searched. The British then search the farmyard, where six volunteers are discovered asleep in a barn. 

A local schoolteacher whose house overlooks the two fields outside the barn is awakened by the sound of gunshots at about 4:30 a.m., while it is still quite dark. He watches the lights moving around the farmyard. He hears one voice scream out and another shout “run for it.” He can barely see a man breaking away and running across the field. A volley of shots ring out and the man falls. Another man with a light walks toward the body. After ten minutes there are more shots but this time he sees nobody fall. Later he sees another man fleeing and more shots ring out. As the light increases, he identifies the men with guns as police. Later he watches as the police bring down bodies in blankets and lay them outside the house in the boreen, which leads from the O’Keeffe farmyard to the public road. Around 6:00 a.m. the bodies are placed in lorries which then drive away.

Meanwhile Cornelius O’Keeffe, the farm owner, is brought across the field where he sees five bodies laid out in blankets. He watches as they are placed in the lorries. In his sworn deposition he states that a sixth man is then brought out blindfolded, still alive, and is also put in the lorry. O’Keefe is put in a third lorry, which follows the other two to Victoria Barracks. There the first two lorries speed off and he loses sight of them. He is imprisoned in a cell in the Barracks and is kept there until on April 17, when he is finally released without charge.

The six IRA men killed are:

  • Daniel Crowley, aged 23. occupation plasterer,  of 171 Blarney Street, Cork
  • William Deasy, aged 20, of Mount Desert , Blarney Road, Cork
  • Thomas Dennehy, aged 21, of 104 Blarney Street, Cork
  • Daniel Murphy, aged 24. occupation pig buyer, of Orrery Hill, off Blarney Street , Cork
  • Jeremiah O’Mullane, aged 23, of 237 Blarney Street, Cork
  • Michael O’Sullivan, aged 20 of 281 Blarney Street ,Cork

(From: “Ballycannon, Clogheen – IRA ambushed by the British – 23 Mar 1921,” posted on http://www.theauxiliaries.com | Pictured: The Clogheen Ambush Memoral in County Cork)


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Birth of John “Johnny” Carey, Professional Footballer

John Joseph “Johnny” Carey, professional footballer, manager and one of Manchester United F.C.’s great captains, is born in Dublin on February 23, 1919.

As a schoolboy, Carey plays football for Home Farm F.C. As a youth, he also plays Gaelic football and is selected to represent Dublin GAA at minor level before he signs for St. James’s Gate F.C. at the start of the 1936–1937 season.

After just two months of League of Ireland football, he is spotted by Billy Behan, a Dublin-based Manchester United scout. In November 1936, United signs him for a then League of Ireland record fee of £250. He makes his debut as an inside left for United on September 23, 1937, against Southampton F.C. During his first season with United, Carey, together with Harry Baird, Jack Rowley, Tommy Bamford, Tommy Breen and Stan Pearson, help United gain promotion to the First Division.

As a player Carey spends most of his career with Manchester United, where he is team captain from 1946 until he retires as a player in 1953. He also plays as a guest for several other clubs including Cardiff City F.C., Manchester City F.C., Everton F.C., Liverpool F.C. and Middlesbrough F.C.

Carey is also a dual internationalist, playing for and captaining both Ireland teams – the FAI XI and the IFA XI. In 1947 he also captains a Europe XI which plays a Great Britain XI at Hampden Park. In 1949 he is voted the Football Writers’ Association Footballer of the Year and in the same year captains the FAI XI that defeats England 2–0 at Goodison Park, becoming the first non-UK team to beat England at home.

Carey is also the first non-UK player and the first Irishman to captain a winning team in both an FA Cup Final and the First Division. Like his contemporary Con Martin, he is an extremely versatile footballer and plays in nine different positions throughout his career. He even plays in goal for United on one occasion.

One of Carey’s earliest experiences as a coach comes when he is still an active player. He takes charge of the Republic of Ireland national team at the 1948 Summer Olympics in London. Ireland loses 3–1 to the Netherlands in the opening round in a game played at Fratton Park. He retires as a player in 1953 and almost immediately accepts the position as manager of Blackburn Rovers. In 1958 he guides the Rovers into First Division. He then becomes manager at Everton but, despite leading them to fifth place in the 1960–61 season, their highest post-war position, he is sacked in the back of a taxi by director John Moores. As a result, the jibe, “Taxi for …!” has become a staple insult offered to any manager facing the threat of the sack. He next manages Leyton Orient and takes them into the First Division in 1962, their only season in the top division. However his greatest success as a manager comes with Nottingham Forest. In 1967, he guides them to the FA Cup semi-finals and to second place in the First Division behind his former club Manchester United. Between 1955 and 1967 Carey also serves as team manager of the Republic of Ireland national team. However he has very little power as the team itself is chosen by a selection committee. In October 1970, he returns to the manager’s role at Blackburn, after a spell as administrative manager. He is sacked on June 7, 1971.

By this time Carey has had enough of football management, and takes up a job in the treasurer’s office of Trafford Borough Council until his retirement in 1984. He continues to visit Old Trafford regularly, and during the 1970s acts as a scout for Manchester United.

Carey dies at Macclesfield District General Hospital in Macclesfield, Cheshire, England, on August 22, 1995. He is survived by his wife Margaret.