seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Cork (County Cork)


by Leave a comment

Death of John Gregg, Church of Ireland Archbishop of Armagh

John Allen Fitzgerald Gregg, Church of Ireland Archbishop of Armagh, dies at his home in Dún Laoghaire, County Dublin, on May 2, 1961.

Gregg is born on July 4, 1873, at North Cerney, Gloucestershire, England, into a distinguished family, youngest and only son among four children of the Rev. John Robert Gregg, vicar of Deptford, Kent, and Sarah Caroline Frances Gregg (née French), sister of Thomas Valpy French, Bishop of Lahore, India (in Pakistan since 1947). His grandfather, John Gregg, is Bishop of Cork. He is educated at Bedford School, enters Christ’s College, Cambridge, on a foundation scholarship in 1891, and graduates BA in 1894, distinguishing himself in sport and scholarship and winning the Hulsean prize in 1896 for his thesis Decian persecution (1897), taking his MA in 1897, BD in 1909, and DD in 1929. From the University of Dublin he graduates BD ad eundem in 1911 and DD in 1913.

His uncle Robert Gregg, Archbishop of Armagh, welcomes his decision to enter the church, but not his proposal to settle in Ireland, warning him that he will “find it very rough.” Ordained deacon at St. Luke’s Church, Belfast in 1896, he is successively appointed curate at Ballymena, County Antrim in 1896, curate and residentiary preacher at Saint Fin Barre’s Cathedral in Cork, County Cork, in 1899, and rector of St Michael’s, Blackrock, Cork from 1906 to 1912. On his appointment as Archbishop King’s professor of divinity at Trinity College Dublin (TCD) in 1911, he moves to Dublin and becomes canon of St. Patrick’s Cathedral, Dublin, chaplain to the Lord Lieutenant of Ireland from 1912 to 1915, and examining chaplain to the Archbishop of Dublin from 1913 to 1915, before joining the episcopal bench as Bishop of Ossory, Ferns and Leighlin from 1915 to 1920.

Though Gregg is instinctively conservative, his awareness of contemporary trends make him responsive to demands for change: he supports the resolution for women to hold parochial office and presents a petition to the General Synod in 1914, signed by 1,400 women. Though the motion is lost, he perseveres undaunted, and a bill for the ecclesiastical enfranchisement of women is finally carried in 1920. A unionist, he is also one of three Anglican and seventeen Catholic bishops to sign the declaration against partition in 1917, which is organised by the Catholic Bishop of Derry, Charles McHugh.

From the 1920s the Irish church is dominated by Gregg, first as Archbishop of Dublin (1920–39) and later as Archbishop of Armagh and Primate of All Ireland (1939–59). He provides stability to the church during a turbulent period of political and social change and is outspoken in defence of its interests, pragmatically espousing policies that will lead to the greater integration of the Protestant community into the new Irish state, as in his acceptance of the teaching of compulsory Irish in national schools. Despite a declining Protestant community in the south of Ireland, he maintains the unity of the church, overcoming the political division of the country into two entities. He regrets constitutional change but pledges the loyalty of the church to the Irish Free State. While recognising that the Protestant ethos is different from that of the majority of Irishmen, he maintains that “whatever our religious or political outlook may be, here is our home, and we have a right to be here.” He is elected to the first Irish Free State senate, and is subsequently consulted by Éamon de Valera, who later describes him as “a most learned and kindly gentleman, and . . . a highly valued friend,” in framing the text of the 1937 constitution. In 1949, he adapts, albeit with sadness, the state prayers to fit the republican form of government, observing that “the republic is a fact” and that “in our prayers, above all, there must be reality.”

Gregg is an able administrator, and his courage and integrity in facing difficult situations and his scholarship and devotion to the church earn him respect in the councils of the wider Anglican communion. He is known as “the churchman’s bishop” for his emphasis on doctrinal orthodoxy, ecclesiastical discipline, and loyalty to the clergy. Though conservative in his approach to church unity, he seeks closer relations between the Christian churches and frequently visits the reformed churches of the Iberian Peninsula, where a portrait plaque is unveiled in 1950 in St. John’s Church, Vila Nova de Gaia, Portugal. A baptistry in St. Paul’s Cathedral, Lisbon, is dedicated to his memory. Well known in England as a writer and preacher, he is appointed select preacher at the University of Cambridge (1916, 1930, 1936) and the University of Oxford (1946, 1947) and supports the institution of annual theological lectures at Queen’s University Belfast (QUB). His publications include Epistle of St. Clement of Rome (1899) and The Primitive Faith and Roman Catholic Developments (1909) – a minor classic which is used as a textbook for ordinands of the Church of England. He writes the introduction and notes to the revised version of the Wisdom of Solomon for the Cambridge Bible for Schools (1909) and publishes sermons and articles in religious journals. Elected Member of the Royal Irish Academy (MRIA) in 1914, he is elected to honorary fellowship in 1934 by Christ’s College, Cambridge, is awarded an honorary Doctor of Divinity (DD) in 1949 by QUB, and is created Order of the Companions of Honour (CH) in 1957.

A commanding figure, tall, thin, with raven-black hair, piercing eyes, and fine features, Gregg has an air of sacerdotal austerity, lightened on occasion by his dry sense of humour. He maintains a well regulated daily timetable and keeps a diary, writing his most personal thoughts in Greek. He makes time for recreation, a daily walk of two miles, tennis, and (from 1929) sailing, and holidays in Ireland and on the Continent. He has a great love of English literature and church music. In 1959, he retires to the Woodhouse, Rostrevor, County Down. Though incapacitated by blindness, deafness, and lameness, he never complains, and according to his wife, his life of prayer is enriched. He dies on May 2, 1961, at his home and is buried in Enniskerry, County Wicklow, beside his first wife and son.

Gregg marries Anna Alicia Jennings on November 26, 1902. They have two sons and two daughters. Anna dies in 1945. On January 22, 1947, he marries secondly Leslie Alexandra, daughter of the Rev. T. J. McEndoo, dean of Armagh, who officiates at the marriage of his daughter and of his archbishop.

(From: “Gregg, John Allen Fitzgerald” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Birth of Beatrice Moss Elvery Campbell, Painter, Stained Glass Artist & Sculptor

Beatrice Moss Elvery Campbell, Lady Glenavy, painter, stained glass artist and sculptor, is born in Dublin on April 30, 1883.

Elvery is the second among seven children of William Elvery , merchant, and Theresa Elvery (née Moss), singer and music teacher, whose parents are English Quakers. Her father’s ancestors were silk merchants from Spain, called Alvarez. Her early childhood is spent in Carrickmines, County Dublin. In 1896 the family moves to Foxrock and she attends the Dublin Metropolitan School of Art. Her mother’s family is artistic – one aunt is the artist Phoebe Anna Traquair – and she and her sisters are talented artists and singers. Her younger sister, Dorothy Kay, becomes a noted portrait painter in South Africa. At the age of sixteen, she wins a three-week scholarship to study at the Royal College of Art in South Kensington, London. Back in Dublin, she models for William Orpen, then teaching in the school. They become friends, and she regrets never studying painting under him. She concentrates on sculpture under John Hughes and has great success, winning the Taylor scholarship three years in a row (1901–03). The first year she wins, the judges, seeking evidence that she had worked unaided, asks her to model a head from life in their presence.

Elvery’s first exhibit in the Royal Hibernian Academy (RHA) is a bronze statuette of a boy in 1902. Thereafter she is a lifelong exhibitor with the RHA, showing almost annually until her death. Friendship with the older Sarah Purser introduces her to Dublin’s artistic milieu and to the arts and crafts movement. In the movement’s 1904 exhibition she shows ten items, including terracotta statuettes, a holy water stoup, and a plaster cast of a lectern, which is cast in bronze in Paris that year and placed in her former parish church in Carrickmines. The movement’s historian, Paul Larmour, calls this lectern “a remarkable piece of organic Art Nouveau . . . There is nothing else like it in Ireland.”

In 1904, after a brief period studying in Paris with her sister and fellow students Estella Solomons and Frances “Cissie” Beckett, Elvery takes lessons in stained glass from Alfred E. Child, and is then persuaded by Purser to join her Tower of Glass (An Túr Gloine) studio. She remains six years, executing windows for St. Stephen’s Church, Mount Street, Dublin; St. Nicholas Church, Carrickfergus; and a war memorial at the Church of Ireland church, Carrickmines. Although her work is generally well received, she does not rate her skill in the medium highly – “I never got the right feeling for glass or the detached, austere quality necessary for ecclesiastical art” – and her window for a Gort convent leads to a critical review of Purser’s studio by W. B. Yeats. She does not, however, confine herself to glass but also designs for silversmiths and illustrated books for children. For Iosagán agus Sgealta Eile (1907), by Patrick Pearse, she provides a black-and-white frontispiece and four colour illustrations. For the Cuala Press, run by Lily and Elizabeth Yeats, she designs calendars, Christmas cards, and fifteen hand-coloured prints, which continue to be issued until after World War II.

Elvery’s social life in Dublin is busy. An active member of the United Arts Club, she is called by Lady Gregory “the beautiful Miss Elvery,” and Orpen’s portrait, showing her long-necked, graceful, and vivacious, bears out this description. Tiring of glass, and wishing to become a painter, she leaves in 1910 for the Slade School of Fine Art in London. There Henry Tonks is less complimentary than her Dublin teachers. He finds her work facile: “The speed, the slickness, the skill. It is horrible!” Orpen also comes to this view: “her only fault was that the transmission of her thoughts from her brain to paper or canvas, clay or stained glass, became so easy to her that all was said in a few hours. Nothing on earth could make her go on and try to improve on her first translation of her thought.”

Back in Dublin, Elvery takes a studio in Kildare Street and teaches for a time in the Metropolitan School of Art, before her parents arrange a marriage with Charles Henry Gordon Campbell, eldest son of the future Lord Chancellor of Ireland, James Campbell. They marry on August 1, 1912, and move to London where he is called to the English bar. It is not initially a love match but they are well-suited – he likes artistic, Bohemian circles and they become friends with D. H. and Frieda Lawrence, the painter Mark Gertler, the publisher John Middleton Murry, and his wife, the writer Katherine Mansfield, who describes Campbell as “a queer mixture for she is loving and affectionate, and yet she is malicious.”

Campbell’s husband becomes secretary of the Department of Industry and Commerce in the Irish Free State and in 1922 the family moves to Clonard, Terenure, Dublin. His government position means that within six months the house is burned down by anti-Treatyites, who are, however, almost comically accommodating – local men, they express distress at the job and allow her to save the children’s Christmas presents. In 1931 she becomes Lady Glenavy after her husband succeeds to his father’s title, an important member of Dublin’s social and artistic scene. She helps establish the Dublin Drama League and assists Shelah Richards in the production of two plays in 1936. Her friendships are wide and varied and her conversation imaginative and engaged. Dressed in beige – what her son calls “variations on a theme of porridge” – she entertains constantly. Her house has what she terms a “caravanserai” character and is constantly full of people.

Appointed an associate of the RHA in 1932, Campbell becomes a full member in 1934 and takes her turn at teaching. She also joins the more radical Society of Dublin Painters and holds in February 1935 a one-person show at their premises, 7 Stephen’s Green, but she never shows with the Irish Exhibition of Living Art, though her work is more avant-garde than that of most academicians. At its best in still lifes and figure compositions, her work has “a sense of drama and an enigmatic or near-surrealist appearance.” Brian Kennedy notes that she is the first Irish painter to go surrealist (though she never thinks of herself in this way) and although she is serious about her work – taking lessons at an advanced age from Patrick Hennessy  – she is also diffident. Her memoir does not trace her development as an artist and mentions only one work with approbation – The Intruder (exhibited at the RHA in 1932). Now in the National Gallery of Ireland, it depicts in bold, rich colours a female centaur beckoning a young man from a group of picnickers. It immediately attracts attention. Richard Orpen wants the academy to buy it, but they think it obscene.

About 1941 the Campbells move to a large Georgian house in Rathfarnham, and twenty years later they transfer to a smaller house in Sandycove. After her husband’s death in 1962, she publishes her memoirs, And Today We Will Only Gossip (1964). The title is well chosen as the book is not self-revelatory but full of characters she encountered. Monk Gibbon calls her a “unique mixture: of talent and diffidence; of gregariousness and contempt for the herd; of gentle consideration and a savage determination to wound. Only those who knew her well knew her at all; and even to them she remained something of a mystery” (The Irish Times, December 2, 1980).

Campbell dies in Dublin on May 21, 1970, and is survived by her two sons, the writer and humorist Patrick Campbell and the novelist Michael Campbell, and predeceased by her daughter, Bridget, an Irish international lacrosse player and talented scientist, who is killed by a bomb during the London blitz.

Campbell’s work is in inter alia the Ulster Museum, the National Gallery of Ireland, the Hugh Lane Gallery, and the Crawford Art Gallery in Cork, County Cork.

(From: “Campbell, Beatrice Moss” by Bridget Hourican and Pauric J. Dempsey, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “Bridgit – a picture of Miss Elvery (Beatrice Elvery),” oil on canvas by William Orpen, 1909)


by Leave a comment

Death of Denis Santry, Architect & Cartoonist

Denis Santry, Irish architect and cartoonist, dies in Durban, South Africa, on April 14, 1960. He is a pioneer of animated cartoons in South Africa and the architect of the several prominent structures in Singapore, including the Sultan Mosque and The Cenotaph.

Santry is born in Cork, County Cork, on May 14, 1879, to Denis Santry, Sr., a carpenter and joiner. He studies at the Cork Municipal School of Art from 1894 to 1896 after serving an apprenticeship as a cabinetmaker. In 1895, he also studies at the Crawford School of Art. In 1897, he is articled to architect James Finbarre McMullen. From 1897 to 1898, he studies at the Royal College of Art in London under a Lane scholarship. While he is at the college, he wins the Queen’s prize for freehand drawing. After graduating, he returns to McMullen’s office and works there for the next two years.

Santry comes to South Africa at the end of 1901 due to ill health. He settles in Cape Town and is employed at Tully & Waters, an architectural firm, from 1901 to 1902. He then spends a year working for architect William Patrick Henry Black. In 1903, his cartoons begin to appear in local newspapers and magazines, including the South African Review. He uses the pseudonym “Adam” in his cartoons. He continues to work as an architect until 1910 when he begins working as a cartoonist, as well as a metalworker, sculptor and filmmaker. He then moves to Johannesburg and is employed at the Sunday Times and The Rand Daily Mail as a cartoonist. During World War I, his cartoons are reproduced in several other countries. He becomes a pioneer of animated cartoons in South Africa. He is a member of the Royal Society of Arts and a council member of the South African Society of Artists.

Santry comes to Singapore in 1918 and joins the architectural firm Swan & Maclaren as a partner. While in Singapore, he serves as the architect of several prominent buildings and monuments, including the Sultan Mosque, The Cenotaph, the Maritime Building, the Hongkong and Shanghai Bank Building and the Telok Ayer Chinese Methodist Church. He serves as the first president of the St. Patrick’s Society Singapore, the first president of the Singapore Amateur Boxing Association, the chairman of the Singapore Art Club, a member of the board of control of the Victoria Theatre and Concert Hall, a member of the Censorship Appeal Board and the vice-president of the Straits Settlements Association. He is also a frequent contributor to the Straits Produce, a satirical magazine. He helps to found the Singapore Society of Architects and the Institute of Architects of Malaya and is the founder and the chairman of the Singapore Musical Society. He retires to England in March 1934.

Santry returns to South Africa in 1940. Following the end of World War II, he resumes his practice as a result of lost income caused by the Japanese occupation of Malaya. In 1950, he becomes a member of the Institute of South African Architects. He designs several private houses in Hillcrest, KwaZulu-Natal.

Santry marries Madeline Hegarty in 1904. From 1910 to 1918, he lives in Kleine Schuur on Rhodes Avenue in Johannesburg. The house is designed by prominent architect Herbert Baker. He dies in Durban, South Africa, on April 14, 1960.


by Leave a comment

Birth of Breeda Moynihan-Cronin, Former Labour Party Politician

Breeda Moynihan-Cronin (née Moynihan), former Labour Party politician who serves as a Teachta Dála (TD) for the Kerry South constituency from 1992 to 2007, is born in Cork, County Cork, on March 31, 1953.

Although born in Cork, Moynihan-Cronin is a native of Killarney, County Kerry. She is educated at St. Brigid’s Secondary School in Killarney, Dominican College Sion Hill in Dublin, and Skerry’s College, Cork. Her father, Michael Moynihan, is a TD for Kerry South from 1981 to 1987 and from 1989 to 1992. She works as a bank official before becoming involved in politics in 1991 when she is elected to Kerry County Council. She is first elected to Dáil Éireann at the 1992 Irish general election as a Labour Party TD for Kerry South, succeeding her father. She is re-elected at every election until 2007.

Moynihan-Cronin holds a number of front bench positions in the Labour Party, including, Spokesperson on Justice, Equality and Law Reform (1997–98), Social, Community and Family Affairs(1998–99), Tourism and Recreation (1999–2002), Social, Community and Family Affairs (2002–03), and Equality and Law Reform (2003–07). She is a former chairperson of the Labour Party.

On October 11, 2005, Moynihan-Cronin announces that she will not stand for re-election at the forthcoming general election due to ill-health. Her decision to retire presents considerable difficulties for the Labour Party to retain her seat, as the party performed poorly at the 2004 Kerry County Council election, failing to elect any councillors within the county. However, on October 28, 2006, she announces that she will stand in the forthcoming general election, having overcome her health difficulties. However, she fails to retain her seat.

In June 2011, Moynihan-Cronin returns to politics when she is co-opted onto Kerry County Council to represent the Killarney area, filling the seat left vacant when Marie Moloney is elected to the 24th Seanad. In 2013, she stands down from the council and is replaced by Sean Counihan.


by Leave a comment

Death of Katherine Wilmot, Irish Traveler & Diarist

Katherine Wilmot, Irish traveler and diarist, dies in Paris, France, on March 28, 1824. She makes a Grand Tour from 1801 to 1803 and documents her experiences through letters, including encounters with notable figures like Napoleon Bonaparte. She later travels to Russia to join her sister Martha Wilmot and lives there from 1805 to 1807. She later moves to France and dies in Paris in 1824. Her writings, letters, and diaries provide insight into the Napoleonic era, on Russian society and on travel in the 19th century. Her works also include her sister’s transcript of the memoirs of Princess Yekaterina Vorontsova-Dashkova.

Wilmot is born around 1773 in Drogheda, County Louth, to Edward and Martha Wilmot (née Moore). She is the eldest daughter of six daughters and three sons. Her father is the port surveyor in Drogheda, having previously served as captain in the 40th Regiment of Foot. He is transferred to a similar post in County Cork in 1775, where Wilmot is raised. The family settles in Glanmire, near the seat of the Earl Mount Cashell in Moore Park. The earl’s family uses the surname Moore.

Wilmot is friendly with Lady Mountcashell, formerly Margaret King, an early and eager pupil of Mary Wollstonecraft. She is invited to accompany the party of Stephen Moore, 2nd Earl Mount Cashell, and his wife on a grand tour of the continent. Her letters from the time survive, in France from November 1801 to October 1802, and in Italy until July 1803. The Mount Cashells entertain lavishly, especially during the first nine months in Paris, and through them she meets Napoleon Bonaparte, and becomes friends with the Austrian painter Angelica Kauffman. She also meets the French diplomat and politician Charles Maurice de Talleyrand-Périgord, and the Irish republican Robert Emmet fleetingly. She recounts her meeting in Rome with the English aristocrat Frederick Augustus Hervey, and her audience with Pope Pius VII. She returns to London from Italy in October 1803, via Germany and Denmark, after England and France resume hostilities.

Wilmot then goes to Russia to bring home her sister Martha, and ends up spending two years there. Martha is in the country as a favourite of Princess Dashkova, one of the key figures of the Russian Enlightenment and a close friend of Catherine the Great. Martha is living at the Princess’s estate in Troitskoe on the Oka River, about 100 km from Moscow. Wilmot arrives on August 4, 1805, having set out from Cork on June 5. Her writings from this time record the Russian aristocracy‘s opulence and attitudes to the servile classes (the serfs). The sisters come to know the customs of the Russian elite, as well as the festivals and religious rites of the country people. She leaves Moscow on July 4, 1807, a combination of passport problems, wars and storms at sea, resulting in delays and in her reaching Yarmouth on September 7, 1807, and returning to Ireland in October 1807.

Wilmot moves to France to live in a warmer, drier climate than Ireland. Her health declines when she moves to Paris, and she dies there on March 28, 1824. Her nephew by Martha, Wilmot Henry Bradford, lives to be “Father of the Army.”

Wilmot had taken Martha’s transcript of the memoirs of the Princess Dashkova when she left Russia. These are published by Martha in 1840, as she had burned the original manuscript before her departure from Russia in 1808.

Wilmot’s letters are published a century later, and have been described as a unique portrayal of the Napoleonic period. They describe the social scene, as well as the experience of traveling by coach and ship at that time. The family makes transcriptions of the letters. The collection belonging to Martha is donated to the library of the Royal Irish Academy by Elisabeth van Dedem Lecky, the historian and writer. Among these Russian letters are a number written by Eleanor Cavanagh, who describes the lives of servants. Wilmot’s diaries are published in 1920 by Thomas Sadleir, and later by H. Montgomery Hyde and Edith Vane-Tempest-Stewart, Marchioness of Londonderry.

  • The Grand Tours of Katherine Wilmot, France 1801-1803, and Russia 1805-07(Weidenfeld & Nicolson, 1992)
  • An Irish Peer on the Continent, 1801-03 (1920)
  • The Russian Journals of Martha and Catherine Wilmot (1934)
  • More letters from Martha Wilmot; Vienna 1819-29 (1935)


by Leave a comment

The Clogheen Ambush

The Clogheen Ambush takes place in the early morning of March 23, 1921, as six members of “C” Company, First Battalion, 1st Cork Brigade of the Irish Republican Army (IRA) are shot by a party of Black and Tans and Royal Irish Constabulary (RIC) at a farm at Ballycannon, Clogheen, just outside Cork, County Cork, during the Irish War of Independence. The IRA believes that they have been betrayed by Patrick ‘Cruxy’ Connor. Connor has returned to Cork after the Coolavokig Ambush, which had taken place on February 25. Once in Cork he is soon arrested by the RIC for the possession of a revolver. The IRA believes that Connors broke down under interrogation and betrayed them.

Cornelius O’Keefe farms 105 acres at Ballycannon, on the road leading from Clogheen to Tower. His house is a known ”safe house” where volunteers can shelter when it is unsafe for them to sleep at home. On the farm there are secure hiding places for the guns and explosives with which they carry out their missions.

At 4:00 a.m on the morning of Wednesday, March 23, O’Keefe is awakened by the arrival of a large force of police. They break down the farm door with blows from their rifle butts. The family is ordered back to the bedrooms and the house is thoroughly searched. The British then search the farmyard, where six volunteers are discovered asleep in a barn. 

A local schoolteacher whose house overlooks the two fields outside the barn is awakened by the sound of gunshots at about 4:30 a.m., while it is still quite dark. He watches the lights moving around the farmyard. He hears one voice scream out and another shout “run for it.” He can barely see a man breaking away and running across the field. A volley of shots ring out and the man falls. Another man with a light walks toward the body. After ten minutes there are more shots but this time he sees nobody fall. Later he sees another man fleeing and more shots ring out. As the light increases, he identifies the men with guns as police. Later he watches as the police bring down bodies in blankets and lay them outside the house in the boreen, which leads from the O’Keeffe farmyard to the public road. Around 6:00 a.m. the bodies are placed in lorries which then drive away.

Meanwhile Cornelius O’Keeffe, the farm owner, is brought across the field where he sees five bodies laid out in blankets. He watches as they are placed in the lorries. In his sworn deposition he states that a sixth man is then brought out blindfolded, still alive, and is also put in the lorry. O’Keefe is put in a third lorry, which follows the other two to Victoria Barracks. There the first two lorries speed off and he loses sight of them. He is imprisoned in a cell in the Barracks and is kept there until on April 17, when he is finally released without charge.

The six IRA men killed are:

  • Daniel Crowley, aged 23. occupation plasterer,  of 171 Blarney Street, Cork
  • William Deasy, aged 20, of Mount Desert , Blarney Road, Cork
  • Thomas Dennehy, aged 21, of 104 Blarney Street, Cork
  • Daniel Murphy, aged 24. occupation pig buyer, of Orrery Hill, off Blarney Street , Cork
  • Jeremiah O’Mullane, aged 23, of 237 Blarney Street, Cork
  • Michael O’Sullivan, aged 20 of 281 Blarney Street ,Cork

(From: “Ballycannon, Clogheen – IRA ambushed by the British – 23 Mar 1921,” posted on http://www.theauxiliaries.com | Pictured: The Clogheen Ambush Memoral in County Cork)


by Leave a comment

Birth of Father Willie Doyle

William Joseph Gabriel Doyle, SJ, MC, an Irish Catholic priest, is born in Dalkey, County Dublin, on March 3, 1873. He is killed in action while serving as a military chaplain to the Royal Dublin Fusiliers during the World War I. He is a candidate for sainthood in the Catholic Church.

Doyle is the youngest of seven children of Hugh and Christine Doyle (née Byrne). He is educated at Ratcliffe College, a Catholic boarding school in Leicester, England.

After reading St. Alphonsus‘ book Instructions and Consideration on the Religious State, he is inspired to enter the priesthood. In March 1891, he enters the Society of Jesus (Jesuits) in Ireland. He then enters St. Stanislaus College in Tullabeg, Rahan, County Offaly. Having completed his novitiate, for his regency he is assigned to teach. He teaches at Belvedere College, Dublin, and at Clongowes Wood College, County Kildare, between 1894 and 1898. He then studies philosophy at Collège Saint-Augustin in Enghien, Belgium, and Stonyhurst College, England. From 1904 to 1907, he studies theology at Milltown College and University College Dublin (UCD).

He was ordained a Catholic priest on July 28, 1907. He then undertakes his tertianship at Drongen Abbey, Drongen, Belgium. He takes his final vows on February 2, 1909. From 1909 until 1915 he serves on the Jesuit mission team, traveling around Ireland and Britain preaching parish missions and conducting retreats. In 1914 he is involved in the foundation of a Colettine Poor Clares monastery in Cork, County Cork. He is an early member of the Pioneer Total Abstinence Association and is considered a future leader of the organisation by its founder, Fr. James Cullen.

Doyle volunteers to serve in the Royal Army Chaplains’ Department of the British Army during World War I. He is appointed as a chaplain with the 16th (Irish) Division. He is assigned to the 8th Battalion, Royal Irish Fusiliers, and is posted with them to the Western Front. During the Battle of Loos he is caught in a German gas attack and for his conduct is mentioned in dispatches. A recommendation for a Military Cross is rejected as “he had not been long enough at the front.” He is presented with the “parchment of merit” of the 49th (Irish) Brigade instead. On August 16, 1917, he is killed in action at the Battle of Langemarck “while administering the last rites to his stricken countrymen.”

Doyle is awarded the Military Cross for his bravery during the assault on the village of Ginchy during the Battle of the Somme in 1916. He is also posthumously recommended for both the Victoria Cross and the Distinguished Service Order, but is awarded neither. It is possible that  anti-Catholicism played a role in the British Army’s decision not to grant him both awards.

General William Hickie, the commander-in-chief of the 16th (Irish) Division, describes Father Doyle as “one of the bravest men who fought or served out here.”

Doyle’s body is never recovered but he is commemorated at Tyne Cot Commonwealth War Graves Cemetery and Memorial to the Missing in the Ypres Salient on the Western Front.

Doyle is proposed for canonisation in 1938, but this is not followed through. His papers can be found in the Jesuit archives, Leeson Street, Dublin.

A stained glass window dedicated to Doyle’s memory is present in St. Finnian’s Church, Dromin, County Louth.

Despite his troubled relationship with the Catholic Church in Ireland, Irish author and playwright Brendan Behan is known to have always felt a great admiration for Doyle. He praises Doyle in his 1958 memoir Borstal Boy. Alfred O’Rahilly‘s biography of the fallen chaplain is known to have been one of Behan’s favorite books.

Irish folk singer Willie ‘Liam’ Clancy is named after Doyle due to his mother’s fondness for him, although they never meet.

In August 2022, the Father Willie Doyle Association is established to petition the Catholic Church to introduce a cause for canonisation for Doyle. In January 2022, the Supplex Libellus, the formal petition, is presented to Bishop Thomas Deenihan. Having consulted with the Irish Bishops’ Conference and the Dicastery for the Causes of Saints, Deenihan issues an edict on October 27, 2022, announcing the opening of a cause. The Opening Session takes place on November 20, 2022, at the Cathedral of Christ the King, Mullingar.


by Leave a comment

Beginning of the Siege of Duncannon

The siege of Duncannon begins on January 20, 1645, during the Irish Confederate Wars. An Irish Catholic Confederate army under Thomas Preston besieges and successfully takes the town of Duncannon in County Wexford from an English Parliamentarian garrison. The siege is the first conflict in Ireland in which mortars are utilized.

At the outbreak of the Irish Rebellion of 1641, most of south-eastern Ireland falls to the Catholic insurgents. Roughly 1,000 rebels blockade Duncannon, which is heavily fortified and contains an English garrison of about 300 men. Around 150 of the English troops are killed in forays against the Irish at nearby Redmond’s Hall, but without siege artillery, or expertise in siege warfare, the rebels are unable to take Duncannon.

Hostilities continue throughout 1642, as the Irish, now organised as the Irish Confederacy raid the town’s hinterland. As in much of Ireland, the conflict is bitter. In one incident, Laurence Esmonde, 1st Baron Esmonde, the Royalist commander, hangs 16 Irish prisoners who have been taken at nearby Ramsgrange. In response, the Irish execute 18 English prisoners whom they have been holding.

In 1643, because of his need for troops to fight in the English Civil War, Charles I signs a ceasefire with the Irish Confederates. As a result, hostilities between Duncannon and the Catholic-held surrounding area are suspended.

However, in 1644, the English garrison of Cork, under Murrough O’Brien, 1st Earl of Inchiquin, unhappy with the Royalist truce with the Irish Confederates, declares for the English Parliament, who are to remain hostile to Irish Catholic forces throughout the 1640s. Esmonde, under pressure from elements of his garrison, also changes to the side of Parliament and effectively re-declares war on the Catholic Confederates. His motives are unclear: though he is a Protestant convert, the Esmonde family are Anglo-Irish Roman Catholics, and he owes his entire advancement to the Crown.

Duncannon is a strategically important town for two reasons. Firstly, it has formidable defences. Secondly and more importantly, its guns overlook the sea route to Waterford and New Ross, two of the most important Catholic-held towns and also ports at which the Confederates receive military aid from Catholic Europe.

Needing to keep this channel open and also fearing the presence of an English garrison deep in their territory, the Confederates’ Supreme Council in Kilkenny despatches Thomas Preston, general of their Leinster Army, to take Duncannon in January 1645. Preston has at his disposal 1,300 men, four cannons and a mortar. The mortar, the first of its kind to be used in Ireland has been donated by Spain the previous year and is commanded by a French military engineer named Nicholas La Loue. La Loue had served with Preston in Flanders and is chief of engineering in the Leinster Army.

Duncannon possesses formidable defences. For one thing, it is located on a peninsula and can only be approached from the north, the other three sides jutting out into the sea. Just off the town are docked four Parliamentarian ships, which are supplying Duncannon with food and reinforcements. Secondly, it possesse two lines of fortifications, the outer line being a more modern low deep rampart protected by a dry ditch and the inner wall being a medieval curtain wall, complete with three towers. However, it has two grave weaknesses, first, it is overlooked by a hill to the north, from which an attacker can fire into the town and, secondly, the water supply is located outside the walls. 

Preston arrives at Duncannon on January 20 and proceeds to construct a ring of trenches which cut off Duncannon on its landward side. From the hill that overlooks the town to the north, his guns are able to fire on a squadron of four Parliamentarian ships that are docked off Duncannon and providing the town with supplies. The flagship, the Great Louis, is badly damaged, its mast wrecked by cannon fire, and it takes several more hits from the mortar as it tries to get away. The ship sinks in deep water, drowning its crew and 200 soldiers who are on board.

Having cut off Duncannon’s supply from the sea, Preston proceeds to dig saps closer to the walls, the ultimate aim being to bring his cannon close enough to the walls in order to blast a breach and open the way for an assault. His engineers also dig a mine underneath one of the town’s bastions. All the while, the town’s defenders are kept under a bombardment by the mortar and, as the Confederate troops get closer to the walls, by sharpshooters. On March 12, one such sniper kills the fort’s second in command, one Captain Lurcan, who is hit in the head by a bullet.

On March 16, by which time the Irish trenches are “within pistol shot of the walls,” Preston orders the mine to be exploded, opening a breach in Duncannon’s outer walls. The Irish infantry then assault the town, but are beaten off with some losses. The following day, Saint Patricks Day, Preston tries again and this time his troops succeed in taking the town’s outer, more modern walls but are stopped at Duncannon’s inner, medieval ramparts. They succeed in occupying one of the town’s towers for an hour before being beaten back. Geoffrey Baron, a Confederate politician, who keeps a diary of the siege, reports that 24 Irish soldiers are killed in the two assaults.

At this point, Preston summons Esmonde to surrender, before he has to “proceed to extremities.” This is a delicate threat, implying that if the town falls to an assault, its defenders will be put to the sword – as is customary in contemporary siege warfare. Esmonde is also advised to surrender by the Parliamentarian vice admiral, William Smith, who is anchored offshore with seven ships, but cannot break through to relieve the town. In a letter that reaches Esmonde on March 11, Smith warns him that “if the rebels take the fort by storming it, they will undoubtedly put you all to death…you should agree with thy adversary while thou art in the way.” Esmond has Smith’s letter publicly read to his troops after the assaults of March 16-17 to discourage those who favour holding out.

Alongside the risk of massacre, the English garrison is also very low on gunpowder and water. The town’s only source of fresh water, a well, is behind the Confederate siege lines.

In light of these facts, Esmonde formally surrenders Duncannon to Preston on March 18. The Confederates take possession of the town but its garrison is allowed to march away to Youghal, which is in Protestant hands. However, they have to leave behind the town’s 18 artillery pieces. Esmonde himself dies a feways after the end of the siege. Preston goes on to briefly besiege Youghal, but bad weather, a lack of supplies and squabbling with James Tuchet, 3rd Earl of Castlehaven, the Confederate Munster general, puts an end to his campaign for the winter. 

The siege is of importance in that it reopens the sea route into Waterford and eliminates a hostile English garrison in Confederate territory. Preston, who had for many years been the Spanish military governor of Leuven, is highly experienced in siege warfare and his conduct of the siege draws widespread praise. Not only does he take the town, but he does so at a relatively low cost. Sixty-seven Confederate soldiers die in the siege, of whom roughly 30 die of disease. Given that the campaign is conducted in mid-winter, in an age when disease routinely kills many more soldiers than combat, this represents a considerable logistical achievement on the part of the Irish general.

The Great Lewis, the Parliamentarian ship sunk during the siege, is rediscovered in 1999 and raised in 2004.

Duncannon is besieged again during the Cromwellian conquest of Ireland by the forces of the English Parliament, as part of the Siege of Waterford. It repels a siege by Oliver Cromwell in 1649 but surrenders after a lengthy blockade by Henry Ireton in 1650.


by Leave a comment

Death of Gerard Slevin, Heraldist & Dramatist

(John) Gerard Slevin, dramatist and Chief Herald of Ireland from 1954 to 1981, dies on January 18, 1997.

Slevin is born on November 1, 1919, in Cork, County Cork, the son of John Slevin, motor mechanic, of Wellington Road, Cork, and Bridget Slevin (née Kennelly). His father, who hails from County Laois tenant farmers, works with the Irish Omnibus Corporation. He is educated at North Monastery CBS and University College Cork (UCC), taking an MA summa cum laude in philosophy and English in 1941.

After lecturing at St. Patrick’s College, Dublin, from 1941 to 1944, Slevin enters the civil service. Despite no prior interest in heraldry, he is selected via competition to assist the newly installed Chief Herald, Dr. Edward MacLysaght, in the genealogical office, Bedford Tower, Dublin Castle. After serving as Deputy Chief Herald (1944–54), he succeeds MacLysaght as Chief Herald of Ireland, becoming the longest-serving occupant of the office (1954–81).

One of three national heralds named to a vexillogical committee to devise a common emblem for the Council of Europe, Slevin persuades his colleagues to eschew religious iconography, such as the Christian cross, as inappropriate. His own design of a circle of twelve golden stars on an azure field is selected by the committee in 1954, and formally accepted by the council in December 1955. With blue chosen as a colour common to the flags of many European countries, the twelve stars represent not individual states but such associations as the zodiac and a clock face, suggesting ideals of universality, harmony, and evolution through time. Adopted in 1985 for the flag of the European Community (latterly the European Union), his design attracts wide acclaim in heraldic circles, leading to his being awarded membership of the Académie Internationale d’Héraldique.

During Slevin’s tenure as Chief Herald, several hundred patents of arms are issued to Irish public bodies, including civic and municipal authorities, and to individuals of Irish descent worldwide. On behalf of the Irish government, he confirms the Irish connections of such notables as United States presidents Kennedy, Nixon, and Reagan, French president Charles de Gaulle, and Princess Grace of Monaco. His coat of arms for President Kennedy, combining the ancient arms of the Kennedy and Fitzgerald families, wins renown as a masterpiece of heraldic design. While possessing a keen sense of graphic impact, he is not a great draughtsman, and he employs the noted heraldic painter Myra Maguire to execute the designs that he creates. He oversees expansion of genealogical office services, instituting an advisory service and team of research assistants for the growing numbers – especially within emigrant communities abroad – seeking to trace Irish ancestry. He establishes a committee to catalogue churchyard memorial inscriptions as an archival resource, meant to redress the loss of state records in the 1922 Four Courts fire.

Slevin wins first prize in successive years in the 1950s for entries in the Oireachteas drama competition, both plays being subsequently produced at the Abbey Theatre. He writes a detective novel in Irish, and contributes numerous articles to learned journals, chiefly on medieval heraldry and Anglo-Irish families. Erudite and possessed of great presence, courtesy, and wit, he is an engaging speaker.

Resident in south County Dublin, Slevin is active in amateur dramatics, local history societies, and the ecumenical movement. His recreation is long country walks. He marries Millicent Nolan in 1950 and they have three sons. He dies on January 18, 1997.

(From: “Slevin, (John) Gerard” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie, October 2009 (last revised February 2025))


by Leave a comment

Birth of Gearóid Ó Cuinneagáin, Political Activist & Publisher

Gearóid Seán Caoimhín Ó Cuinneagáin, political activist and publisher, is born John Gerald Cunningham in Belfast on January 2, 1910.

Ó Cuinneagáin Is the third child of Sean Cunningham and his wife Caitlín. He is educated in Belfast, at St. Brigid’s school, Malone Road, and the St. Patrick’s Christian Brothers school on Donegall Street. His political views are permanently influenced by memories of the sectarian violence of 1920–22. In 1927, he enters the Irish civil service as a tax clerk, stationed first at Athlone and then at Castlebar. He is promoted to junior executive officer in the Department of Defence, but resigns in July 1932 after his superiors refuse to allow him six months unpaid leave to study the Irish language in the Donegal Gaeltacht. He turns down a promotion to the Department of Finance, a decision partly motivated by disillusion with Fianna Fáil. He subsequently works as an accountant and lives in the south Dublin suburbs. In 1934, he establishes his own publishing company, Nuachtáin Teoranta, which he boasts is the first company to be registered in the Irish language, and he also contributes to an Irish language socialist paper, An t-Éireannach, under the pen name “Bruinneal gan Smal.”

In 1940–41, Ó Cuinneagáin is active in the Friends of Germany, a pro-Nazi organisation which disintegrates after some of its leading members are interned. On September 26, 1940, he founds Craobh na h-Aiséirighe, a branch of the Gaelic League aimed at attracting dynamic young enthusiasts frustrated by the older activists who dominate established branches. It makes a point of using modern publicity methods to get its message across, a trait which is carried over into Ailtirí na hAiséirghe (Architects of Resurrection), a political movement made up of branch members, which Ó Cuinneagáin founds in 1942. This move leads to the expulsion of Craobh na h-Aiséirighe from the Gaelic League and the establishment of Glún na Buaidhe by branch members who disapprove of his political ambitions and wish to concentrate on the promotion of the Irish language.

Members of Ailtirí wear an informal uniform of a green shirt, tweed suit, and báinín jacket. In private Ó Cuinneagáin reveals that the organisation is modeled on the Hitler Youth. His own title of “ceannaire” (leader) equates with “Führer” and “duce.” Features of the movement copied from Nazism include an emphasis on propaganda based on a few simple concepts and phrases. The claim that party politics allow statesmen to evade individual responsibility, whereas a single leader is necessarily more responsive to public opinion; and the belief that all difficulties can be overcome through willpower.

Ó Cuinneagáin takes to extremes contemporary Catholic advocacy of a corporate state based on vocational principles as the solution to the problems of modernity. While venerating António de Oliveira Salazar‘s Portugal as a role model, he believes that Ireland can surpass it and create a Catholic social model that will redeem the whole world. He takes a quasi-racial view of Irishness and comes close to saying that the only true Irish Catholics are of Gaelic race. When Seán Ó’Faoláin comments acidly in The Bell on the paradox of “Celtophiles” who bear such Celtic names as Blackham and Cunningham, Ó Cuinneagáin protests that he can prove his pure Gaelic descent. The Ailtirí state forces all male citizens to undertake a year’s compulsory military service, which is also used as a means of Gaelicisation, and the resulting citizen army of 250,000 would mount a lightning invasion of Northern Ireland, modeled on the blitzkrieg, with a favourite slogan being “Six Counties, Six Divisions, Sixty Minutes.” In 1943, the Stormont government excludes Ó Cuinneagáin from Northern Ireland.

Ailtirí attracts considerable attention. Its leaders address numerous meetings around the country, attracting large crowds to demonstrations at Dublin and Cork. Ó Cuinneagáin, who is by no means unintelligent, is capable of shrewd observations on the restrictions imposed on most Irish-language bodies by government subsidies, and the impact of the snobbery shown toward the poor by their middle class co-religionists. Several of his lieutenants are academics or engineers. In the 1970s he praises modernist architecture as breaking with the hated Georgian past, and denounces conservationists who oppose plans to build an oil refinery in Dublin Bay. Bilingual pamphlets produced by the group sell thousands of copies. Ó Cuinneagáin is the author of several, including Ireland’s twentieth century destiny (1942), Aiséirí says . . .(1943), Partition: a positive policy (1945), and Aiséirí for the worker (1947). Hus attempts to launch a party paper are stifled until the end of the war. Some of the interest attracted by the group is derived from curiosity or amusement. It also functions to some extent as a front organisation for the banned Irish Republican Army (IRA), with Ó Cuinneagáin declaring that Jews and freemasons should be locked up instead of IRA men. Aiséirí members are involved in the bombing of the Gough memorial in Phoenix Park in July 1957, with the stolen head concealed for a time in the party’s offices.

The party runs four candidates, including Ó Cuinneagáin in Dublin North-West, in the 1943 Irish general election and seven in 1944, but all lose their deposits. Ó Cuinneagáin does not actually vote for himself. Throughout his life he demands Irish language ballot papers. When given English language ones he tears them up, claiming that they disenfranchise him and that this invalidates the election. In 1946, Ailtirí na h-Aiséirí elects eight members to local bodies in counties Louth and Cork. This helps to bring about the decline of the party, as the Cork activists rebell against the rigid Führerprinzip upheld by the electorally unsuccessful ceannaire and his Dublin acolytes. Most of the party’s local support is absorbed by Clann na Poblachta. Ó Cuinneagáin retains a small group of followers centred on his newspaper Aiséirighe.

Ó Cuinneagáin keeps himself in the public gaze by driving around the country in a van painted with slogans, and by regularly appearing in court for refusing to respond to official documents (rates demands, car insurance, court summonses) unless they are supplied in Irish. He enjoys some success in securing the provision of Irish language versions of such documents, and he contrasts the state’s niggardliness on this point with its professed commitment to the revival of Irish. In 1954, he founds an Irish language women’s artistic and social paper, Deirdre, which operates successfully for over a decade without government subsidy.

Ó Cuinneagáin continues to write sympathetically about IRA activities, at one point offering a £1,000 reward for the capture of the Prime Minister of Northern Ireland, Basil Brooke. He maintains surprisingly extensive international neo-fascist contacts. He regularly reprints in Aiséirighe material by the American antisemite and racial segregationist Gerald L. K. Smith. He cites praise for Aiséirighe from Der Stahlhelm, a far-right German veterans’ paper, and notes Oswald Mosley‘s support for Irish reunification. He denounces Hugh Trevor-Roper‘s Last days of Hitler as typical British slander of a fallen enemy. He compares the sacrificial ideology of the Hungarian Nazi collaborator Ferenc Szálasi to that of Patrick Pearse. He praises Juan Perón as a model whom Ireland should imitate and he follows the electoral fortunes of Italian neo-fascism with interest. He also maintains contacts with the radical right-wing fringes of Breton, Scottish, and Welsh nationalism. He declares that Ireland’s grievance is against England alone and bemoans the Dublin government’s failure to encourage the break-up of the United Kingdom.

Ó Cuinneagáin denounces the Soviet Union and United States alike as controlled by Zionists and freemasons. He points to illegitimacy and divorce rates in the United States as proof of the folly of those who regard “progressive” American education as superior to the sound Irish teaching methods embodied by the Christian Brothers, and bemoans the increasing flow of “immoral” American comics and paperback books into Ireland. While noting with pride that he has been described as “Ireland’s foremost Jew-baiter,” He claims that his frequent diatribes against Robert Briscoe and the state of Israel are merely anti-Zionist, and that he has nothing against Jews, whom he defines as ultra-Orthodox anti-Zionists. He hopes that a Europe united on national–Christian principles might fend off the influence of the super powers. He echoes Mosleyite calls for European unity and is an early and determined advocate of Irish membership of the European Community. However, he dissents from the Mosleyite view that such a union should be based on African empire. He is generally anti-imperialist, though somewhat more lenient toward Portuguese than British imperialism, and from 1956 the President of Egypt, Gamal Abdel Nasser, becomes one of his heroes. While supporting European unity as a defensive strategy, he also warns that unless Ireland adopts mass conscription the country might be conquered by a regiment of Russian paratroopers landing on Dollymount Strand. Throughout the 1950s and 1960s he regularly calls for the Irish Army to mount a military coup, hinting that it should install him as leader in the same way that the Portuguese army had installed Salazar.

Ó Cuinneagáin gives up contesting elections but regularly cites those who do not vote in elections as indicating the extent of political support for Ailtirí na hAiséirghe. He regularly laments that the safety valve of emigration had taken the steam out of radical politics. In his later years he notes the growth of anti-clericalism and the beginnings of a permissive society in Dublin. He attributes this to the church’s failure to implement its own social teaching and its encouragement of West British snobbery at the expense of the truly Catholic traditions of the Gael.

On April 4, 1945, Ó Cuinneagáin marries Sile Ní Chochláin. They have four sons and two daughters, some of whom become active in left-wing politics. He dies on June 13, 1991. He tends to be remembered as a figure of fun, but this view demands some qualification. He possesses genuine abilities and dedication. His fantasies are an extreme development of the official ideology of the state, and part of his appeal stems from his ability to point out the hypocrisy involved in paying it lip service while failing to push it to its logical conclusion. The blindness and cruelty involved in imposing his world view at a personal level has their counterparts in the institutions of official Ireland. Ailtirí na hAiséirghe may have been a marginal millennial cult, but in Europe during the 1940s such groups were often raised to power by circumstances. Had the World War II taken a different direction after 1940, he might be remembered not as a parody of Pearse but as an Irish Szálasi.

(From: “Ó Cuinneagáin, Gearóid Seán Caoimhín” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.e, October 2009)