seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of George McWhirter, Writer, Teacher & Vancouver’s First Poet Laureate

George McWhirter, Irish-Canadian writer, translator, editor, teacher and Vancouver‘s first Poet Laureate, is born in Belfast, Northern Ireland, on September 26, 1939.

The son of a shipyard worker, McWhirter is raised in a large extended family on the Shankill Road in Belfast. He and his extended family spend the war years and then weekends and the summers at their seaside bungalow in Carnalea, now a suburb of Bangor, County Down. In 1957 he begins a “combined scholarship” studying English and Spanish at Queen’s University Belfast, and education at Stranmillis University College, Belfast. His tutor at Queen’s is the poet Laurence Lerner, and he is a classmate with the future literary critic Robert Dunbar and the poets Seamus Heaney and Seamus Deane.

After graduating, McWhirter teaches in Kilkeel and Bangor, County Down, and in Barcelona, Spain, before moving to Port Alberni, British Columbia, Canada. After receiving his M.A. from the University of British Columbia (UBC), where he studies under Michael Bullock and J. Michael Yates, he stays on to become a full professor in 1982 and head of the Creative Writing Department from 1983 to 1993. He retires as a Professor Emeritus in 2005.

McWhirter is associated with PRISM International magazine from 1968 to 2005. He is the author and editor of numerous books and the recipient of many awards. His first book of poetry, Catalan Poems, is a joint winner of the first Commonwealth Poetry Prize with Chinua Achebe‘s Beware, Soul Brother. He is made a life member of the League of Canadian Poets in 2005 and is also a member of the Writers’ Union of Canada and PEN International. In March 2007, he is named Vancouver’s inaugural Poet Laureate for a two-year term.

McWhirter currently writes full-time and lives in Vancouver with his wife. They have two children and three grandchildren.


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Birth of George Campbell, Artist & Writer

George Campbell, Irish artist and writer, is born on July 29, 1917, in Arklow, County Wicklow. Although he grows up in Belfast, Northern Ireland, he spends much of his adult life living and painting in Spain and Dublin.

Campbell is the son of Matthew Arthur Campbell (1866-1925), caterer, and Gretta Campbell (née Bowen) (1880-1981). He attends boarding school at Masonic Orphan Boys’ School at Clonskeagh, Dublin, before moving to Belfast to live with his widowed mother and family.

Campbell is working in an aircraft factory at the time of the Belfast Blitz, and begins to paint, taking the bomb-damage as his subject. He is one of the founders of the Irish Exhibition of Living Art in 1943. In the same year, along with his brother Arthur (1909-94), he publishes a sixteen page book entitled Ulster in Black and White, that includes drawings from the two brothers and their close contemporaries Maurice Wilks and Patricia Webb. Owing to the success of the original publication, the brothers then publish Now in Ulster (1944), an anthology of short stories, essays and poetry by young Belfast writers.

Campbell holds a joint exhibition at the William Mol Gallery, Belfast, with his brother Arthur in 1944. In the same year he also shows with Gerard Dillon at the Portadown gallery of John Lamb. In 1946 he shows with the Victor Waddington Gallery in Dublin, where he is to return on a number of occasions. The Council for the Encouragement of Art and Music hosts a solo exhibition in 1949 where he is to show twice more, in 1952 and 1960. He wins £500 at the first Council for the Encouragement of Music and the Arts (CEMA) Open Painting Competition at the Ulster Museum in 1962. Campbell also shows in one-man exhibitions with the Arts Council of Northern Ireland in 1966 and 1972.

After the war Campbell becomes increasingly interested in Spain. In 1946 he comes to know Spaniards who had settled in Dublin, and when in London paints visiting Spanish dancers in their traditional costume. He first visits Spain in 1951, encouraged by his friendship with Gerard Dillon and “an interest in bohemian characters.” He lives there for six months almost every year throughout much of the following twenty-five years.

Campbell makes stained glass windows for the Cathedral of Our Lady Assumed into Heaven and St Nicholas in Galway. He also plays flamenco guitar. A member of the Royal Hibernian Academy, he wins the Douglas Hyde Gold Medal in 1966 and the Oireachtas Prize for Landscape in 1969. The Spanish government makes him a Knight Commander of Spain in 1978.

Campbell dies in Dublin on May 18, 1979, and is buried at St. Kevin’s Cemetery in Glendalough, County Wicklow. He is survived by his wife Margaret, his mother, and two brothers, Arthur and Stanley. After his death the Arts Council of Northern Ireland and An Chomhairle Ealáion join with the Instituto Cervantes to initiate the George Campbell Memorial Travel Award. In May 2017, Arklow Municipal District Council unveils two plaques at St. Patrick’s Terrace, Arklow, marking Campbell’s birthplace and the centennial of his birth.

Campbell’s work forms part of many private and public art collections, including Queen’s University Belfast, Ulster Museum, Irish Museum of Modern Art, Hugh Lane Gallery, The National Self-Portrait Collection of Ireland, and Municipal Museum of Antequera, Málaga.

(Pictured: “Three Nuns” by George Campbell)


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Birth of Sir Maziere Brady, 1st Baronet & Lord Chancellor of Ireland

Sir Maziere Brady, 1st Baronet, PC (Ire), Irish judge, notable for his exceptionally long, though not particularly distinguished tenure as Lord Chancellor of Ireland, is born on July 20, 1796.

Brady is born on Parliament Street, Dublin, the second son of Francis Tempest Brady of Booterstown, a manufacturer of gold and silver thread, and his wife Charlotte Hodgson, daughter of William Hodgson of Castledawson, County Londonderry. He is baptised at St. Werburgh’s Church, Dublin. He is the brother of Sir Nicholas Brady, Lord Mayor of Dublin, and uncle of the eminent ecclesiastical historian William Maziere Brady.

The Bradys are an old and distinguished Munster family who are particularly associated with the town of Bandon, County Cork. Probably the most celebrated of his ancestors is the poet and psalmist Nicholas Brady (1659–1726), who collaborated with Nahum Tate, the Poet Laureate, on New Version of the Psalms of David.

Other notable forebears include Hugh Brady, the first Protestant Bishop of Meath (d. 1584), his father-in-law Robert Weston who, like Maziere serves as Lord Chancellor of Ireland, and the judge and author Luke Gernon (d. 1672), who is now best remembered for his work A Discourse of Ireland (1620), which gives a detailed and (from the English colonial point of view) not unsympathetic picture of the state of Ireland in 1620.

Brady is educated at Trinity College Dublin, and takes his Bachelor of Arts degree in 1816. He enters the Middle Temple in 1816, is called to the Bar in 1819 and becomes King’s Counsel in 1835.

In politics Brady is a Liberal and supports Catholic emancipation. He sits on a commission of inquiry into Irish municipal corporations in 1833. He is appointed Solicitor-General for Ireland in 1837 and Attorney-General for Ireland the following year. In 1840 he is appointed Lord Chief Baron of the Irish Exchequer. In 1846 he is appointed Lord Chancellor of Ireland and serves in that office, with short intervals, for the next 20 years. He retires in 1866 and is made a baronet, of Hazelbrook in the County of Dublin, in 1869. His appointment ends the practice which grew after the Acts of Union 1800 of appointing only English lawyers as Lord Chancellor of Ireland. He sits on the Government Commission on Trinity College Dublin in 1851, and is nominated as Vice-Chancellor of Queen’s University Belfast in 1850. All through his life he shows a keen interest in education.

According to Elrington Ball, Brady’s Lord Chancellorship is notable for its length but for nothing else. Ball calls him “a good Chief Baron spoiled to make a bad Chancellor.” By general agreement he had been an excellent Chief Baron of the Exchequer, having a reputation for being fair-minded, courteous and approachable, but in Ball’s view the more onerous (and partly political) office of Lord Chancellor is beyond his capacity. Unlike some judges whose training had been in the common law, he never quite masters the separate code of equity. Delaney takes a somewhat more favourable view of Brady as Lord Chancellor, arguing that while his judgements do not show any great depth of learning they do show an ability to identify the central issue of any case and to apply the correct legal principle to it.

An anonymous pamphlet from 1850, which is highly critical of the Irish judiciary in general, describes Brady as being unable to keep order in his Court, and easily intimidated by counsel, especially by that formidable trio of future judges, Jonathan Christian, Francis Alexander FitzGerald, and Abraham Brewster. The author paints an unflattering picture of Brady as sitting “baffled and bewildered” in a Court where he is “a judge but not an authority.” On the other hand, Jonathan Christian, who had often clashed with Brady in Court, later praises him as “no ordinary man” despite his shortcomings as a judge. He describes him as “independent-minded, patriotic, natural and unaffected.”

Brady is a founder member of the Stephen’s Green Club and a member of the Royal Dublin Society and the Royal Irish Academy. In addition to the arts he shows a keen interest in science, especially after his retirement. Like most judges of the time he has both a town house in central Dublin and a place some distance from the city centre. His country house is Hazelbrook, Terenure, Dublin. He changes his town house several times, settling finally in Pembroke Street.

Brady marries firstly Elizabeth Anne Buchanan, daughter of Bever Buchanan, apothecary of Dublin, and his wife Eleanor Hodgson, in 1823 and they have five children. Elizabeth dies in 1858. In 1860, Brady marries Mary Hatchell, daughter of John Hatchell, Attorney-General for Ireland and Elizabeth Waddy, who survives him. He dies at his house in Pembroke Street on April 13, 1871. He is buried in Mount Jerome Cemetery.


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Birth of Sir Oliver Napier, First Leader of Northern Ireland’s Alliance Party

Sir Oliver Napier, the first leader of the Alliance Party of Northern Ireland, is born in Belfast on July 11, 1935. In 1974 he serves as the first and only Legal Minister and head of the Office of Legal Reform in the Northern Ireland power-sharing executive set up by the Sunningdale Agreement.

Napier is educated at St. Malachy’s College, Belfast and Queen’s University Belfast before starting work as a solicitor.

Napier joins the Ulster Liberal Party, rising to become Vice President by 1969. That year, he leads a group of four party members who join the New Ulster Movement, accepting the post of joint Chairman of its political committee. The Liberal Party promptly expels him, but, working with Bob Cooper, he uses his position to establish a new political party, the Alliance Party of Northern Ireland, which seeks to become a political force that can command support from across the divided communities of the province, but remain pro-union. This aims to offer an alternative to what he describes as the sectarianism of the Ulster Unionist Party. Despite his faith he is a supporter of the Union.

Napier serves as the party’s joint leader from 1970 until 1972, then as its sole leader from 1973 to 1984. Under his leadership Alliance participates in successive assemblies that seek to solve the debate on the province’s position, including the Northern Ireland Assembly, 1973 in which he is a minister in the power-sharing Executive. In 1979 he comes closer to winning a seat in the Westminster Parliament than any other Alliance candidate up to that point when he is less than a thousand votes behind Peter Robinson‘s winning total in Belfast East in a tight three-way race. This record is beaten in 2010, when Naomi Long ousts Robinson from the same seat. When Napier steps down as leader in 1984 he receives many plaudits for his work. The following year he is knighted and in 1989 he stands down from Belfast City Council, seemingly to retire.

However, in 1995 Napier returns to the political fray when he contests the North Down by-election for the Alliance, standing again in the 1997 United Kingdom general election. In 1996 he is elected to the Northern Ireland Forum for North Down. Prior to his death he is the last prominent member of the Ulster Liberal Party.

Napier serves on the Board of Governors of Lagan College, the first integrated school in Northern Ireland.

Napier dies at the age of 75 on July 2, 2011. He is survived by his wife, Briege, whom he marries in 1961, three sons and five daughters, and 23 grandchildren. A son predeceases him.


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Birth of Brian Hutton, Lord Chief Justice of Northern Ireland

James Brian Edward Hutton, Baron Hutton, PC, a British Lord Chief Justice of Northern Ireland and Lord of Appeal in Ordinary, is born in Belfast, Northern Ireland, on June 29, 1932.

Hutton is the son of a railways executive. He wins a scholarship to Shrewsbury School and Balliol College, Oxford (BA jurisprudence, 1953) before returning to Belfast to study at Queen’s University Belfast and becoming a barrister, being called to the Bar of Northern Ireland in 1954. He begins working as junior counsel to the Attorney General for Northern Ireland in 1969.

Hutton becomes a Queen’s Counsel in 1970. From 1979 to 1989, as Sir Brian Hutton, he is a High Court judge. In 1989, he becomes Lord Chief Justice of Northern Ireland, becoming a member of the Privy Council of Northern Ireland, before moving to England to become a Lord of Appeal in Ordinary on January 6, 1997. He is consequently granted a life peerage as Baron Hutton, of Bresagh in the County of Down.

On March 30, 1994, as Lord Chief Justice of Northern Ireland, Hutton dismisses Private Lee Clegg‘s appeal against his controversial murder conviction. On March 21, 2002 he is one of four Law Lords to reject David Shayler‘s application to use a “public interest” defence as defined in section 1 of the Official Secrets Act 1989 at his trial.

Hutton represents the Ministry of Defence at the inquest into the killing of civil rights marchers on “Bloody Sunday.” Later, he publicly reprimands Major Hubert O’Neil, the coroner presiding over the inquest, when the coroner accuses the British Army of murder, as this contradicts the findings of the Widgery Tribunal.

Hutton also comes to public attention in 1999 during the extradition proceedings of former Chilean dictator General Augusto Pinochet. Pinochet had been arrested in London on torture allegations by request of a Spanish judge. Five Law Lords, the UK’s highest court, decide by a 3-2 majority that Pinochet is to be extradited to Spain. The verdict is then overturned by a panel of seven Law Lords, including Hutton, on the grounds that Lord Lennie Hoffmann, one of the five Law Lords, has links to human rights group Amnesty International which had campaigned for Pinochet’s extradition.

In 1978, Hutton defends the UK at the European Court of Human Rights in the case of Ireland v United Kingdom, when the court decides that the interrogation techniques used were “inhuman and degrading” and breached the European Convention on Human Rights, but do not amount to “torture.” The court also finds that the practice of internment in Northern Ireland had not breached the Convention. He sentences ten men to 1,001 years in prison on the word of “supergrass” informer Robert Quigley, who is granted immunity in 1984.

Hutton is appointed by Tony Blair‘s government to chair the inquiry on the circumstances surrounding the death of scientist David Kelly. The inquiry commences on August 11, 2003. Many observers are surprised when he delivers his report on January 28, 2004 and clears the British Government in large part. His criticism of the BBC is regarded by some as unduly harsh with one critic commenting that Hutton had given the “benefit of judgement to virtually everyone in the government and no-one in the BBC.” In response to the verdict, the front page of The Independent newspaper consists of one word, “Whitewash?”

Peter Oborne writes in The Spectator in January 2004: “Legal opinion in Northern Ireland, where Lord Hutton practised for most of his career, emphasises the caution of his judgments. He is said to have been habitually chary of making precedents. But few people seriously doubt Hutton’s fairness or independence. Though [he is] a dour Presbyterian, there were spectacular acquittals of some very grisly IRA terrorist suspects when he was a judge in the Diplock era.”

Hutton retires as a Law Lord on January 11, 2004. He remains a member of the House of Lords until retiring under the House of Lords Reform Act 2014 on April 23, 2018.

Hutton dies at the age of 88 on July 14, 2020.


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Birth of Composer Siobhán Cleary

Siobhán Cleary, composer, is born in Dublin on May 10, 1970. Her most successful compositions are her orchestral works Alchemy and Cokaygne and her choral piece Theophilus Thistle and the Myth of Miss Muffett. Her opera Vampirella is first performed in Dublin in March 2017. She is a member of Aosdána.

Cleary starts to compose from an early age, often writing pieces while she is supposed to be practising at the piano. When she begins to study music at Maynooth University, she is initially inspired by Luciano Berio‘s Sinfonia, and soon afterwards by the works of the Irish composer Gerald Barry, the Frenchman Olivier Messiaen and the Hungarian György Ligeti. She continues her studies at Queen’s University Belfast and Trinity College, Dublin. In addition, she follows courses in composition with the Italian composer Franco Donatoni and the Dutchman Louis Andriessen and receives private tuition from the American Tom Johnson and the South African Kevin Volans. She also studies film scoring with the Italian composer Ennio Morricone and the American Don Brandon Ray.

Inspired by the alchemists’ Opus Alchymicum which describes how cheaper metals are transmuted into gold, Cleary’s orchestral work Alchemy (2001) is, like the stages in the Opus, presented in four parts: it evolves from the slow nigrendo, the moderate albedo, the strong citronatus, and the burning rubedo. The work is performed by the RTÉ National Symphony Orchestra in January 2002.

Cleary’s tone poem Cokaygne (2009), which, like Alchemy, is commissioned by RTÉ for the National Symphony Orchestra, is based on a poem and old sources which evoke a land of extreme luxury and contentment. The elaborately orchestrated piece is performed by the RTÉ National Symphony Orchestra in November 2009, Vladimir Altschuler conducting. It is performed by the RTÉ National Symphony Orchestra once again in June 2016, this time under the baton of Alan Buribayev.

Cleary’s choral work Theophilus Thistle and the Myth of Miss Muffett (2010), commissioned by the Cork International Choral Festival, is first performed in April 2011 by Chamber Choir Ireland directed by Paul Hillier. The work is based on a series of tongue twisters and other strange combinations of words popular in various European languages and dialects, moving from Italy, through Germany and Spain, finishing in Ireland. In 2013, it is performed twice by Chamber Choir Ireland in Dublin and Cork in connection with Ireland’s presidency of the European Union. The journalist and music critic Terry Blain comments on the choir’s “dazzingly virtuosic performance” in Belfast in 2013, qualifying the piece as “a tour de force of 21st century vocal chicanery, a clever and richly entertaining composition.” Theophilus Thistle is also performed the same year in the United States as part of the “Imagine Ireland” festival.

The chamber opera Vampirella with a libretto by Katy Hayes is first performed by students from the Royal Irish Academy of Music and the Lir National Academy of Dramatic Art at Dublin’s Smock Alley Theatre in March 2017. Based on a short story by Angela Carter telling how a young English soldier is seduced by a vampire countess, it is directed by Conor Hanratty and conducted by Andrew Synnott. Michael Dervan of The Irish Times finds the electronic sounds in the score particularly effective, commenting, “Perhaps this is a case of a genuinely electronic opera trying to break out of a more conventional mold.”

In 1996, Cleary receives a young artists award from Pépinières européennes pour jeunes artistes, followed in 1997 by the first prize in the Arklow Music Festival Composers’ Competition. In 2008, she is invited to become a member of Aosdána, an Irish association of creative artists.


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Birth of Mathematician William McFadden Orr

William McFadden Orr, mathematician, is born May 2, 1866, at Ballystockart, Comber, County Down, in what is now Northern Ireland.

Orr is the eldest son of Fletcher Blakely Orr of Ballystockart, a unitarian farmer and millowner, and Elizabeth Orr, daughter of David Lowry, farmer, of Ballymacashin, County Down. He attends a local national school, spends two years at an intermediate school in Newtownards, and then attends Methodist College Belfast (MCB). He wins a Royal University of Ireland (RIU) scholarship in mathematics in 1883 and graduates in 1885 from Queen’s College Belfast, a constituent college of the RUI. He then matriculates at St. John’s College, Cambridge, where he is Senior Wrangler in 1888 and comes in first in part two of the Mathematical Tripos in 1889. Two years later he is elected into a fellowship at St. John’s, and the same year is appointed professor of applied mathematics at the Royal College of Science for Ireland in Dublin. When the Royal College is merged with University College Dublin (UCD) in October 1926, he becomes professor of pure and applied mathematics, a position he holds until his retirement in 1933.

Orr’s 1909 publication Notes on Thermodynamics for Students is seen as epitomising his style of teaching, with its emphasis on logical rigour and clear statement of underlying assumptions. Known for his generosity to staff and students who encounter difficulties, he is nonetheless a strict disciplinarian who abhors idleness and valued stoicism. He is elected Fellow of the Royal Society (FRS) in 1909 and is awarded an honorary degree of D.Sc. from Queen’s University Belfast (QUB) in 1919.

In 1892, Orr marries Elizabeth Campbell of Melbourne, Australia, whose father, Samuel Campbell, is from County Down. They live at 19 Pembroke Road, Dublin, and have three daughters. He dies at Douglas, Isle of Man on August 14, 1934, and is interred in Mount Jerome Cemetery, Dublin. He is survived by his two daughters.

(From: “Orr, William McFadden” contributed by Paul Rouse, Dictionary of Irish Biography, http://www.dib.ie)


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Death of Rosamond Praeger, Artist & Sculptor

Sophia Rosamond Praeger, Irish artist, sculptor, illustrator, poet and writer, dies at Rock Cottage, County Down, Northern Ireland, on April 17, 1954.

Praeger is born on April 15, 1867 in Holywood, County Down. She is the daughter of Willem Emilius Praeger, a Dutch linen merchant who had settled in Ireland in 1860, and Marie Patterson. She has five brothers, of who Robert goes on to become a distinguished naturalist. Within months of her birth the family moves to Woodburn House, Croft Road, Holywood, where they have as a neighbour Rev. Charles McElester, a Non-subscribing Presbyterian minister who runs a day school in his church. She both attends this school, and later teaches there. She receives her secondary education at Sullivan Upper School, Holywood, the Belfast School of Art, and the Slade School of Fine Art, London. Before returning to Ireland to open a studio in Belfast and then in Holywood, she studies art in Paris.

Praeger writes and illustrates children’s books, but achieves fame with her sculpture The Philosopher which is exhibited at the Royal Academy of Arts in London, bought by an American collector, and is now on display in the Colorado Springs Museum and Art Gallery. She mostly works in plaster, but also uses stone, marble, terracotta and bronze, and her work includes relief panels, memorial plaques and stones. She exhibits in London and Paris, at the Royal Hibernian Academy, as well as at the Irish Decorative Art Association Exhibitions. She is a member of the Guild of Irish Art Workers.

Among Praeger’s other works are The Wai, Johnny the Jig, These Little Ones, St. Brigid of Kildare and The Fairy Fountain. For the Causeway School near Bushmills, County Antrim, she carves Fionnula the Daughter of Lir in stone. She models a heraldic figure for the Northern Bank in Donegall Square West, Belfast, and bronze plaques for the front door of the Carnegie library, Falls Road, Belfast, as well as the angels on Andrews Memorial Hall in Comber, County Down, and some work in St. Anne’s Cathedral, Belfast. She illustrates three books for her brother, Robert Praeger. She is President of the Royal Ulster Academy, an honorary Fellow of the Royal Hibernian Academy, and she receives an honorary doctorate from Queen’s University, Belfast. In 1939 she is awarded the MBE.

Praeger maintains her studio in Hibernian Street, Holywood, up until 1952, at the age of 85. She dies at Rock Cottage, County Down, on April 17, 1954. She is buried in the Priory Cemetery, Holywood. Her work in included in the collections of the Ulster Museum and the National Gallery of Ireland, and some private collections around the world

(From: “Sophia Rosamond Praeger (1867 – 1954): Sculptor” by Kate Newmann and Richard Froggatt, Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)


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Birth of Jeremiah Newman, Bishop of Limerick

Jeremiah Newman, Bishop of Limerick from 1974 to 1995 after having served as Professor and President of St. Patrick’s College, Maynooth, is born in Dromcolliher, County Limerick, on March 31, 1926.

Following a local primary education, Newman attends St. Munchin’s College, Limerick. He studies for the priesthood at St. Patrick’s College, Maynooth, and is ordained there on June 18, 1950.

Newman begins postgraduate studies in Philosophy at the Catholic University of Louvain and is awarded a Doctorate in Philosophy there in 1951. After that he takes up studies in Sociology at the University of Oxford for four years before taking up a teaching post at Queen’s University, Belfast.

In 1953 Newman is appointed Professor of Sociology at St. Patrick’s College, Maynooth, succeeding Peter McKevitt. It is an institution he remains within, and eventually leads with distinction, until he is appointed Bishop of Limerick in May 1974. He publishes two books about the college: Maynooth and Georgian Ireland (1979) followed by Maynooth and Victorian Ireland (1983).

Newman arrives in Limerick with a strong reputation for reform having served a number of years as President of Maynooth where he adapted and shaped the college to the new challenges of the 1970s. His academic background in sociology gives him an informed understanding of the changing dynamic in Irish life, especially rural life which he has been writing about since the early 1960s, especially the dangers of depopulation.

Newman often makes comment on national matters particularly about church-state relations which has been his special area of study for over 20 years. He takes what might be called a broadly ‘conservative’ approach which, as time goes on, jars with wider public opinion especially as Ireland faces a number of constitutional referenda in the 1980s. At least one modern author has quoted the epithet alleged to have been conferred on Newman by Conor Cruise O’Brien, The Mullah of Limerick, for articulating a neo-conservative position more commonly associated with the United States.

Newman’s later years are dogged by periodic bouts of ill-health and he dies in office on April 3, 1995 of hepatoma. He is buried in St. John’s Cathedral, Limerick. He is the subject of many obituaries not least because of his extensive public statements in his years as Bishop of Limerick. The Tablet suggests he was most “well known for his conservatism and taste for controversial remarks” before quoting the homily by Cardinal Cahal Daly that “he seemed to have a strange sense of inadequacy; and, for one who was so lovable, he seemed to have difficulties in believing that others respected and admired and indeed loved him.” The Irish Times obituary says he was a man “who kept fighting the battles of long ago.”

Newman is succeeded as Bishop of Limerick by Bishop Donal Murray.

Limerick City Library holds an extensive set of newspaper articles about Bishop Jeremiah Newman which have been made available online.


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Birth of Neil Shawcross, Post-Impressionist Artist

Neil Shawcross MBE, RHA, HRUA, Post-Impressionist artist, is born in Kearsley, Lancashire, England, on March 15, 1940. He has been a resident of Northern Ireland since 1962.

Shawcross studies at Bolton College of Art from 1955 to 1958, and Lancaster College of Art from 1958 to 1960, before moving to Belfast in 1962 to take up a part-time lecturer’s post at the Belfast College of Art, becoming full-time in 1968. He continues to lecture there until his retirement in 2004.

Primarily a portrait painter, his subjects include Nobel Prize winning poet Seamus Heaney, novelist Francis Stuart (for the Ulster Museum), former Lord Mayor of Belfast David Cook (for Belfast City Council), footballer Derek Dougan and fellow artists Colin Middleton and Terry Frost. He also paints the figure and still life, taking a self-consciously childlike approach to composition and colour. His work also include printmaking, and he has designed stained glass for the Ulster Museum and St. Colman’s Church, Lambeg, County Antrim.

Shawcross’s academic career includes a residency at Virginia Center for the Creative Arts in Amherst, Virginia in 1987, a residency at Vermont Studio Center in Johnson, Vermont in 1991, and a visiting assistant professorship at Pennsylvania State University in 1993.

Shawcross has exhibited nationally, with one-man shows in London, Manchester, Dublin and Belfast, and internationally in Hong Kong and the United States, and his work is found in many private and corporate collections.

Shawcross is elected an Associate of the Royal Ulster Academy of Art in 1975, and is made a full Academician in 1977. He wins the Academy’s Conor Award in 1975, its gold medal in 1978, 1982, 1987, 1994, 1997 and 2001, and its James Adam Prize in 1998. He is also a member of the Royal Hibernian Academy (RHA). He is awarded the Gallaher Portrait Prize in 1966.

Shawcross is conferred an honorary doctorate by Queen’s University Belfast in 2007. He is appointed Member of the Order of the British Empire (MBE) in the 2014 New Year Honours for services to arts in Northern Ireland.

In 2010, the Merrion Hotel, Dublin, hosts a private collection of the works of Shawcross. In 2015, he exhibits a collection of six foot tall book covers inspired by original Penguin paperbacks at the National Opera House in Wexford, County Wexford. In 2018, he donates to Belfast City Council a collection of 36 paintings dedicated to ‘Writers of Belfast’ in a show of appreciation to his adopted home city. A major retrospective of his works are exhibited at the F. E. McWilliam Gallery and Studio, Banbridge, County Down, in the same year.

Shawcross is a Patron of the charity YouthAction Northern Ireland. He lives in Hillsborough, County Down, Northern Ireland.