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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of T. P. O’Connor, Politician & Journalist

Thomas Power O’Connor, PC, Irish nationalist politician and journalist known as T. P. O’Connor and occasionally as Tay Pay (mimicking his own pronunciation of the initials T. P.), is born in Athlone, County Westmeath, on October 5, 1848. He serves as a Member of Parliament (MP) in the House of Commons of the United Kingdom of Great Britain and Ireland for nearly fifty years.

O’Connor is the eldest son of Thomas O’Connor, an Athlone shopkeeper, and his wife Teresa (née Power), the daughter of a non-commissioned officer in the Connaught Rangers. He is educated at The College of the Immaculate Conception in Athlone, and Queen’s College Galway, where he wins scholarships in history and modern languages and builds up a reputation as an orator, serving as auditor of the college’s Literary and Debating Society.

O’Connor enters journalism as a junior reporter on Saunders’ Newsletter, a Dublin journal, in 1867. In 1870, he moves to London and is appointed a sub-editor on The Daily Telegraph, principally on account of the utility of his mastery of French and German in reportage of the Franco-Prussian War. He later becomes London correspondent for the New York Herald. He compiles the society magazine Mainly About People (M.A.P.) from 1898 to 1911.

O’Connor is elected Member of Parliament for Galway Borough in the 1880 United Kingdom general election, as a representative of the Home Rule League, which is under the leadership of William Shaw, though virtually led by Charles Stewart Parnell, who wins the party’s leadership a short time later. At the next general election in 1885, he is returned both for Galway Borough and for the Liverpool Scotland constituencies, which has a large Irish population. He chooses to sit for Liverpool and represents that constituency in the House of Commons from 1885 until his death in 1929. He remains the only British MP from an Irish nationalist party ever to be elected to a constituency outside of the island of Ireland. He continues to be re-elected in Liverpool under this label unopposed in the 1918, 1922, 1923, 1924 and 1929 general elections, despite the declaration of a de facto Irish Republic in early 1919, and the establishment by the 1921 Anglo-Irish Treaty of a quasi-independent Irish Free State in late 1922.

From 1905, O’Connor belongs to the central leadership of the United Irish League. During much of his time in parliament, he writes a nightly sketch of proceedings there for The Pall Mall Gazette. He becomes “Father of the House,” with unbroken service of 49 years, 215 days. The Irish Nationalist Party ceases to exist effectively after the Sinn Féin landslide of 1918, and thereafter he effectively sits as an independent. On April 13, 1920, he warns the House of Commons that the death on hunger strike of Thomas Ashe will galvanise opinion in Ireland and unite all Irishmen in opposition to British rule.

O’Connor founds and is the first editor of several newspapers and journals: The Star, the Weekly Sun (1891), The Sun (1893), M.A.P. and T.P.’s Weekly (1902). In August 1906, he is instrumental in the passing by Parliament of the Musical Copyright Act 1906, also known as the T.P. O’Connor Bill, following many of the popular music writers at the time dying in poverty due to extensive piracy by gangs during the piracy crisis of sheet music in the early 20th century. The gangs often buy a copy of the music at full price, copy it, and resell it, often at half the price of the original. The film I’ll Be Your Sweetheart (1945), commissioned by the British Ministry of Information, is based on the events of the day.

O’Connor is appointed as the second president of the British Board of Film Censors (BBFC) in 1916 and appears in front of the Cinema Commission of Inquiry (1916), set up by the National Council of Public Morals where he outlines the BBFC’s position on protecting public morals by listing forty-three infractions, from the BBFC 1913–1915 reports, on why scenes in a film may be cut. He is appointed to the Privy Council by the first Labour government in 1924. He is also a Fellow of the Chartered Institute of Journalists, the world’s oldest journalists’ organisation. It continues to honour him by having a T.P. O’Connor charity fund.

In 1885, O’Connor marries Elizabeth Paschal, the daughter of a judge of the Supreme Court of Texas.

O’Connor dies in London on November 18, 1929, and is buried at St. Mary’s Catholic Cemetery, Kensal Green, in north-west London. He is the last Father of the House to die as a sitting MP until Sir Gerald Kaufman in 2017.


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Death of Charlotte Grace O’Brien, Philanthropist & Activist

Charlotte Grace O’Brien, author, philanthropist and an activist in nationalist causes and the protection of female emigrants, dies on June 3, 1909. She is known also as a plant collector.

Born on November 23, 1845 at Cahirmoyle, County Limerick, O’Brien is the younger daughter in a family of five sons and two daughters. Her father is William Smith O’Brien, the Irish nationalist and her mother is Lucy Caroline, eldest daughter of Joseph Gabbett, of High Park, County Limerick. On her father’s return in 1854 from the penal colony in Tasmania, she rejoins him in Brussels, and stays there until he comes back to Cahirmoyle in 1856. On her mother’s death in 1861, she moves with her father to Killiney, near Dublin, and is his constant companion until his death at Bangor, Gwynedd in 1864.

From 1864, O’Brien lives at Cahirmoyle with her brother Edward, caring for his motherless children until his remarriage in 1880. Having been hard of hearing since childhood, by 1879 she has become entirely deaf. She goes to live at Ardanoir near Foynes on the River Shannon, and spends time writing. She becomes a staunch supporter of Charles Stewart Parnell.

A bad harvest in Ireland in 1879, combined with Irish political turmoil, causes many Irish people to emigrate to the United States. In articles and letters to newspapers and reviews, O’Brien exposes the awful conditions that exist in the Queenstown (Cobh) lodging houses, on board the emigrant ships, and in the dock slums of New York City, where the Irish have to stay upon landing. A notable piece she writes is the Horrors of the Immigrant Ship which appears in The Pall Mall Gazette on May 6, 1881.

A visit to Queenstown, the port of embarkation, and a tour of the White Star Line‘s Germanic leads her to successfully lobby to get a Catholic priest aboard the emigrant ship to help ease the passage, at least spiritually. That achievement captures even more public attention by virtue of the fact that O’Brien herself is Protestant. Despite the limit of 1,000 passengers, she notes the steamer has carried as many as 1,775 at one time.

O’Brien presses the Board of Trade for greater vigilance, and in April 1882, founds a 105-bed boarding house at Queenstown for the reception and protection of girls on the point of emigrating. The O’Brien Emigrants Home at The Beach, Queenstown fails because it is boycotted by other boardinghouse keepers and local merchants, forcing her to order provisions from Cork.

O’Brien also daily visits three or four of the ships for which her lodgers are destined along with a medical officer. She makes passages herself to America, using the occasion to investigate shipboard conditions and lobby for the reform and enforcement of health and safety standards.

O’Brien finds little effort to provide food, drink or accommodation at the Castle Garden entry facility. She also finds that often the illiterate young women are being tricked into prostitution through spurious offers of employment. Additionally, she notes the high infant mortality rates in the tenements where the women live. She proposes to Archbishop John Ireland of Minnesota an information bureau at Castle Garden, a temporary shelter to provide accommodation for immigrants and a chapel. Archbishop Ireland agrees to raise the matter at the May 1883 meeting of the Irish Catholic Association which endorses the plan and votes to establish an information bureau at Castle Garden. Ireland also contacts Cardinal John McCloskey, Archbishop of New York, about providing a priest for immigrants arriving at Castle Garden.

The Mission opens on January 1, 1884 with Rev. John J. Riordan appointed as the first chaplain at Castle Garden. Immigrant girls needing accommodation are placed in local boarding houses until May 1 when a Home for Immigrant Girls is opened at 7 Broadway. In 1885, the James Watson House at 7 State Street is purchased from Isabella Wallace for the Mission of Our Lady of the Rosary for the Protection of Irish Immigrant Girls to serve as a way station for young immigrant women. Between 1884 and 1890, the Mission provides assistance to 25,000 Irish immigrant women.

In 1881–82, O’Brien embarks on a campaigning lecture tour in the United States. She encounters problems, however, particularly given her Protestant background and the need to enlist support from Catholic clergy. Poor health, and her profound deafness cause her to curtail her activities in America. When she returns to Ireland in 1883, she finds herself suspected of being a British agent whose Emigrant Boarding house and whose plans for an American home for Irish immigrant girls facilitate the government’s assisted emigrant scheme. Supposedly, this would be the scheme that helps landlords clear their estates of poor tenants. In fact, O’Brien opposes assisted emigration, but she continues to assist those who are sent to her.

O’Brien retires from active public work in 1886, moving to Ardanoir, Foynes, on the Shannon Estuary. She spends considerable time in Dublin, where she socialises with Douglas Hyde and the painter William Osbourne. She joins the Roman Catholic Church in 1887. She dies of heart failure on June 3, 1909 at Foynes, and is buried at Knockpatrick.


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Oscar Wilde’s “Salomé” Opens in Paris

Oscar Wilde languishes in jail as his play Salomé opens in Paris on February 11, 1896. Salomé is a one act play based on the biblical tale of Salomé, stepdaughter of the tetrarch Herod Antipas, who asks for the head of Jokanaan (John the Baptist) on a platter as a reward for dancing the Dance of the Seven Veils. The original 1891 version of the play is in French. Three years later an English translation, with illustrations by Aubrey Beardsley, is published.

Rehearsals for the play’s debut on the London stage, for inclusion in Sarah Bernhardt‘s London season, begin in 1892, but are halted when the Lord Chamberlain‘s licensor of plays bans Salomé on the basis that it is illegal to depict Biblical characters on the stage. The play eventually premiers on February 11, 1896, while Wilde is in prison, in Paris at the Théâtre de la Comédie-Parisienne in a staging by Lugné-Poe‘s theatre group, the Théâtre de l’Œuvre.

In The Pall Mall Gazette of June 29, 1892 Wilde explains why he had written Salomé in French:

“I have one instrument that I know I can command, and that is the English language. There was another instrument to which I had listened all my life, and I wanted once to touch this new instrument to see whether I could make any beautiful thing out of it. […] Of course, there are modes of expression that a Frenchman of letters would not have used, but they give a certain relief or colour to the play. A great deal of the curious effect that Maeterlinck produces comes from the fact that he, a Flamand by grace, writes in an alien language. The same thing is true of Rossetti, who, though he wrote in English, was essentially Latin in temperament.”

A performance of the play is arranged by the New Stage Club at the Bijou Theatre in Archer Street, London, on May 10 and 13, 1905, starring Millicent Murby as Salomé and directed by Florence Farr. In June 1906 the play is presented privately with A Florentine Tragedy by the Literary Theatre Society at King’s Hall, Covent Garden. The Lord Chamberlain’s ban is not lifted for almost forty years. The first public performance of Salomé in England is produced by Nancy Price at the Savoy Theatre on October 5, 1931. She takes the role of Herodias herself and casts her daughter, Joan Maude, as Salomé.

In 1992 the play is performed on Broadway at the Circle in the Square Theatre, under the direction of Robert Allan Ackerman. Sheryl Lee stars as the title role alongside Al Pacino. The play costars Suzanne Bertish, Esai Morales and Arnold Vosloo.

Al Pacino says in an interview that a new production of the play where he will star as King Herod is to open in London’s West End in 2016.

In 2018 a production by Lazarus Theatre is performed at Greenwich Theatre. Directed by Ricky Dukes, the performance portrays Salomé as male.


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Death of Captain William O’Shea

william-o-sheaCaptain William Henry O’Shea, Irish soldier and Member of Parliament (MP), dies in Hove on the south coast of England on April 22, 1905. He is best known for being the ex-husband of Katharine O’Shea, the long-time mistress of the Irish nationalist leader Charles Stewart Parnell.

Born in Dublin in 1840, O’Shea is a captain in the 18th Royal Hussars of the British Army.

Around 1880, O’Shea’s wife, Katharine O’Shea, enters into a relationship with the Irish nationalist leader Charles Stewart Parnell, with whom she has three children. O’Shea, who is already separated from his wife, is aware of the relationship.

In 1882 when the Liberal Government is secretly negotiating with Parnell for the terms of his release from Kilmainham Gaol where he is being held on suspicion of “treasonable practices”, the President of the Board of Trade Joseph Chamberlain chooses O’Shea as its intermediary, unaware of Parnell’s affair with Mrs. O’Shea or of the fact that the newly born first child of their liaison is dying. O’Shea spends six hours negotiating with Parnell in the prison, extracting the surprising concession that Parnell would tacitly support the Government after his release. It has been suggested that O’Shea won this concession, which reflected well on him, by threatening Parnell with public exposure of his affair with Mrs O’Shea.

In 1886, following insinuations of the Parnell affair and O’Shea’s complicity in it appearing in The Pall Mall Gazette, O’Shea abstains from voting on the Irish Home Rule bill and resigns his parliamentary seat the following day. However, he only files for divorce in 1890 after his wife’s aunt, from whom he is expecting a large inheritance, dies in 1889 leaving her estate in trust for his wife, thus allegedly violating the terms of O’Shea’s marriage contract. However, that will is overturned upon appeal, and the aunt’s legacy is shared among Katharine O’Shea’s siblings.

After the divorce the two surviving children of Parnell and Katharine O’Shea are given into Captain O’Shea’s custody.

O’Shea is MP for Clare from 1880 to 1885 and Galway Borough for a short period in 1886. Although supported by Parnell, he is never a member of the Irish Parliamentary Party.


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Birth of Charlotte Grace O’Brien

charlotte-grace-obrien

Charlotte Grace O’Brien, author, philanthropist, plant collector, and activist in nationalist causes and the protection of female emigrants, is born on November 23, 1845, at Cahirmoyle, County Limerick.

O’Brien is the younger daughter in a family of five sons and two daughters of William Smith O’Brien, Irish nationalist, and his wife Lucy Caroline, eldest daughter of Joseph Gabbett, of High Park, County Limerick. Upon her father’s return in 1854 from the penal colony in Tasmania, she rejoins him in Brussels and stays there until his removal to Cahirmoyle in 1856. Upon her mother’s death in 1861 she moves with her father to Killiney, near Dublin, and is his constant companion until his death at Bangor, Gwynedd in 1864.

From 1864 O’Brien lives at Cahirmoyle with her brother Edward, tending his motherless children, until his remarriage in 1880. She then goes to live at Foynes on the River Shannon and there devotes herself to literary pursuits. She has already published in 1878 her first novel, Light and Shade, a tale of the Fenian rising of 1867, the material for which had been gathered from Fenian leaders. A Tale of Venice, a drama, and Lyrics appear in 1880.

By 1881 her interests and pen are absorbed in Irish political affairs, in which she shares her father’s opinions. She contributes articles to the Nineteenth Century on The Irish Poor Man (December 1880) and Eighty Years (March 1881). In the spring of 1881, the attitude of the liberal government towards Ireland leads her to address many fiery letters to The Pall Mall Gazette, then edited by John Morley.

Another interest, however, soon absorbs O’Brien’s activities. The disastrous harvest in Ireland in 1879, combined with Irish political turmoil, leads to much emigration to the United States. At Queenstown, the port of embarkation, female emigrants suffer much from overcrowded lodgings and robbery. She not only induces the board of trade to exercise greater vigilance but also founds in 1881 a large boarding-house at Queenstown for the reception and protection of girls on the point of emigrating.

In order to improve the steamship accommodations for female emigrants, and to study their prospects in America, O’Brien makes several steerage passages to America. She also establishes in New York a similar institution to that in Queenstown for the protection of girls. Many experiences during this period find expression in her Lyrics (Dublin, 1886), a small volume of poems, which gives simple pictures of the emigrants and contains some stirring nationalist ballads.

On her retirement from active public work in 1886, O’Brien returns to Ardanoir, Foynes, on the bank of the Shannon, devoting her leisure to writing and to study of plant life. She contributes much on the flora of the Shannon district to the Irish Naturalist and joins the Roman communion in 1887.

Charlotte Grace O’Brien dies on June 3, 1909, at Foynes, and is buried at Knockpatrick. Selections from her Writings and Correspondence is published at Dublin in 1909. Her verses have dignity and grace, her polemical essays are vigorous and direct, and her essays on nature charm by their simple style.