seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of U.S. Union Army Colonel Patrick Kelly

colonel-patrick-kellyColonel Patrick Kelly of the Union Army‘s Irish Brigade (The Fighting Irish) dies on June 16, 1864 at the Siege of Petersburg during the American Civil War while leading the Irish Brigade forward against a Confederate position.

Kelly is born in Castlehacket, Tuam, County Galway and emigrates to the United States, landing in New York City. His wife Elizabeth is also from Tuam.

At the outset of the American Civil War, Kelly enlists in the Union Army and sees action as captain of Company E of the 69th New York Infantry at the First Battle of Bull Run. He briefly is a captain in the 16th U.S. Infantry. On September 14, 1861, he is named lieutenant colonel of the 88th New York Volunteer Infantry Regiment and fights in the Irish Brigade’s major battles in 1862. He commands the regiment at the Battle of Antietam. While stationed at Harpers Ferry, West Virginia following the Maryland campaign, he is promoted to colonel on October 20, 1862. He leads the regiment in the ill-fated attacks in front of Marye’s Heights in the Battle of Fredericksburg. He is acting commander of the Irish Brigade at the end of 1862.

After the 1863 Battle of Chancellorsville, Kelly is promoted to command the Irish Brigade following the resignation of Brigadier General Thomas Francis Meagher. He leads the heavily depleted brigade of fewer than 600 men in an attack at the Wheatfield during the Battle of Gettysburg. The brigade loses 198 of 532 troops engaged, approximately 37%.

Kelly resumes his role as colonel of his regiment as more senior officers return to the brigade. However, with the death of Colonel Richard Byrnes at the Battle of Cold Harbor in 1864, he again commands the brigade. At the age of 42, he dies during the Siege of Petersburg on June 16, 1864 when he is shot through the head while leading the Irish Brigade forward against Confederate earthworks. His body is recovered and sent back to New York for his funeral. He is buried in Calvary Cemetery in Woodside, Queens, New York.


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Death of John Bourke, U.S. Army Captain

File source: http://en.wikipedia.org/wiki/File:John_Bourke.jpgJohn Gregory Bourke, a captain in the United States Army and a prolific diarist and postbellum author, dies in Philadelphia, Pennsylvania on June 8, 1896. He writes several books about the American Old West, including ethnologies of its indigenous peoplesindigenous peoples.

Bourke is born in Philadelphia on June 23, 1846 to Irish immigrant parents, Edward Joseph and Anna (Morton) Bourke. His early education is extensive and includes Latin, Greek, and Gaelic. When the American Civil War begins, Bourke is fourteen. At sixteen he runs away from home. Claiming to be nineteen, he enlists in the 15th Regiment Pennsylvania Volunteer Cavalry, in which he serves until July 1865. He receives a Medal of Honor for “gallantry in action” at the Battle of Stones River, Tennessee, in December 1862. He later sees action at the Battle of Chickamauga.

Based on his service during the war, Bourke’s commander, Major General George Henry Thomas, nominates him for the United States Military Academy at West Point, New York. He is appointed cadet in the Academy on October 17, 1865. He graduates on June 15, 1869, and is assigned as a second lieutenant in the 3rd Cavalry Regiment. He serves with his regiment at Fort Craig, New Mexico Territory, from September 29, 1869 to February 19, 1870.

Bourke serves as an aide to General George Crook in the Apache Wars from 1872 to 1883. As Crook’s aide, he has the opportunity to witness every facet of life in the Old West — the battles, wildlife, the internal squabbling among the military, the Indian Agency, settlers, and Native Americans.

During his time as aide to General Crook during the Apache Wars, Bourke keeps journals of his observations that are later published as On the Border with Crook. This book is considered one of the best firsthand accounts of frontier army life, as Bourke gives equal time to both the soldier and the Native American. Within it, he describes the landscape, Army life on long campaigns, and his observations of the Native Americans. His passages recount General Crook’s meetings with Sitting Bull, Crazy Horse, and Geronimo as the General attempts to sign peace treaties and relocate tribes to reservations. He provides considerable detail of towns and their citizens in the Southwest, specifically the Arizona Territory.

In 1881 Bourke is a guest of the Zuni tribe, where he is allowed to attend the ceremony of a Newekwe priest. His report of this experience is published in 1888 as The use of human odure and human urine in rites of a religious or semi religious character among various nations.

Bourke marries Mary F. Horbach of Omaha, Nebraska, on July 25, 1883. They have three daughters together.

John Bourke dies in the Polyclinic Hospital in Philadelphia on June 8, 1896, and is buried at Arlington National Cemetery. His wife is buried beside him after her death.


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Birth of Composer Michael William Balfe

michael-william-balfeMichael William Balfe, Irish composer best remembered for his opera The Bohemian Girl, is born in Dublin on May 15, 1808.

Balfe’s musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.

In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.

While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.

Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.

Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835 at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.

In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843 at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.

From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.

In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.

Balfe retires in 1864 to Hertfordshire, where he rents a country estate. He dies at his home in Rowney Abbey, Ware, Hertfordshire, on October 20, 1870 and is buried at Kensal Green Cemetery in London, next to fellow Irish composer William Vincent Wallace. In 1882, a medallion portrait of him is unveiled in Westminster Abbey.

In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.

 


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“Typhoid Mary” Placed in Quarantine

typhoid-maryMary Mallon, better known as Typhoid Mary, the first person in the United States identified as an asymptomatic carrier of the pathogen associated with typhoid fever, is placed in quarantine on March 27, 1869, where she remains for the rest of her life.

Mallon is presumed to have infected 51 people, three of whom die, over the course of her career as a cook. She is twice forcibly isolated by public health authorities and dies after a total of nearly three decades in isolation.

Mallon is born on September 23, 1869, in Cookstown, County Tyrone in what is now Northern Ireland. She immigrates to the United States in 1883 at the age of fifteen and lives with her aunt and uncle.

From 1900 to 1907, Mallon works as a cook in the New York City area for seven families. In 1900, she works in Mamaroneck, New York, where, within two weeks of her employment, residents develop typhoid fever. In 1901, she moves to Manhattan, where members of the family for whom she works develop fevers and diarrhea, and the laundress dies. Mallon then goes to work for a lawyer but leaves after seven of the eight people in that household become ill.

In 1906, Mallon takes a position in Oyster Bay, Long Island, and within two weeks ten of the eleven family members are hospitalized with typhoid. She changes jobs again and similar occurrences happen in three more households. She works as a cook for the family of a wealthy New York banker, Charles Henry Warren. When the Warrens rent a house in Oyster Bay for the summer of 1906, Mallon goes along as well. From August 27 to September 3, six of the eleven people in the family come down with typhoid fever. The disease at that time is “unusual” in Oyster Bay, according to three medical doctors who practice there. Mallon is subsequently hired by other families and outbreaks follow her.

In late 1906, one family hires a typhoid researcher named George Soper to investigate. Soper publishes the results on June 15, 1907, in the Journal of the American Medical Association. He believes Mallon might be the source of the outbreak but she repeatedly turns him away.

The New York City Health Department sends physician Sara Josephine Baker to talk to Mallon. A few days later, Baker arrives at Mallon’s workplace with several police officers, who take her into custody.

Mallon attracts so much media attention that she is called “Typhoid Mary” in a 1908 issue of the Journal of the American Medical Association. Later, in a textbook that defines typhoid fever, she is again called “Typhoid Mary.”

The New York City Health Inspector determines her to be a carrier. Under sections 1169 and 1170 of the Greater New York Charter, Mallon is held in isolation for three years at a clinic located on North Brother Island.

Upon her release, Mallon is given a job as a laundress. In 1915, Mallon starts another major outbreak, this time at Sloane Hospital for Women in New York City. Twenty-five people are infected and two die. She again leaves, but the police are able to locate and arrest her when she brings food to a friend on Long Island. After arresting her, public health authorities return her to quarantine on North Brother Island on March 27, 1915.

Mallon spends the rest of her life in quarantine at the Riverside Hospital. Six years before her death, she is paralyzed by a stroke. She dies in North Brother Island, East River, New York, on November 11, 1938 of pneumonia. An autopsy finds evidence of live typhoid bacteria in her gallbladder. Mallon’s body is cremated and her ashes are buried at Saint Raymond’s Cemetery in the Bronx.


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Birth of General Philip Henry Sheridan

philip-sheridanIrish American General Philip Henry Sheridan, career United States Army officer and a Union general in the American Civil War, is born in Albany, New York on March 6, 1831.

Sheridan is the third child of six by John and Mary Meenagh Sheridan, immigrants from the parish of Killinkere, County Cavan. Fully grown, he reaches only 5 feet 5 inches in height, a stature that leads to the nickname “Little Phil.” Abraham Lincoln describes his appearance in a famous anecdote, “A brown, chunky little chap, with a long body, short legs, not enough neck to hang him, and such long arms that if his ankles itch he can scratch them without stooping.”

Sheridan’s career is noted for his rapid rise to major general and his close association with General-in-chief Ulysses S. Grant, who transfers Sheridan from command of an infantry division in the Western Theater to lead the Cavalry Corps of the Army of the Potomac in the East. In 1864, he defeats Confederate forces in the Shenandoah Valley and his destruction of the economic infrastructure of the Valley, called “The Burning” by residents, is one of the first uses of scorched earth tactics in the war. In 1865, his cavalry pursues General Robert E. Lee and is instrumental in forcing his surrender at Appomattox Court House.

In later years, Sheridan fights in the Indian Wars of the Great Plains. Comanche Chief Tosahwi reputedly tells Sheridan in 1869, “Me, Tosahwi; me good Injun,” to which Sheridan supposedly replies, “The only good Indians I ever saw were dead.” Sheridan denies he had ever made the statement. Biographer Roy Morris Jr. states that, nevertheless, popular history credits Sheridan with saying “The only good Indian is a dead Indian.” This variation “has been used by friends and enemies ever since to characterize and castigate his Indian-fighting career.” In Bury My Heart at Wounded Knee, Dee Brown attributes the quote to Sheridan but does not provide documentation to support his contention, so the quote may be more apocryphal than real.

Both as a soldier and private citizen, Sheridan is instrumental in the development and protection of Yellowstone National Park. The protection of the Yellowstone area is Sheridan’s personal crusade. He authorizes Lieutenant Gustavus Doane to escort the Washburn Expedition in 1870 and for Captain John W. Barlow to escort the Hayden Expedition in 1871. Barlow names Mount Sheridan, a peak overlooking Heart Lake in Yellowstone, for the general in 1871. As early as 1875, Sheridan promotes military control of the area to prevent the destruction of natural formations and wildlife.

In 1883, Sheridan is appointed general-in-chief of the U.S. Army, and in 1888 he is promoted to the rank of General of the Army during the term of President Grover Cleveland. Sheridan serves as the ninth president of the National Rifle Association.

Sheridan suffers a series of massive heart attacks two months after sending his memoirs to the publisher. After his first heart attack, the U.S. Congress quickly passes legislation to promote him to general and he receives the news from a congressional delegation with joy, despite his pain. His family moves him from the heat of Washington, D.C. and he dies of heart failure in his summer cottage in the Nonquitt section of Dartmouth, Massachusetts on August 5, 1888.

His body is returned to Washington and he is buried on a hillside facing the capital city near Arlington House in Arlington National Cemetery. The burial helps elevate Arlington to national prominence.


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Publication of the First Issue of “The United Irishman”

john-mitchelJohn Mitchel, Irish nationalist activist, author, and political journalist, publishes the first issue of The United Irishman on February 12, 1848.

Mitchel is one of the great propagandists of his day, although the causes he espouses often place him on the wrong side, he is loved and loathed in equal measure. He is one of the few Irishmen to have incurred the wrath of the British government and of the Federal administration of the United States.

Mitchel is born near Dungiven, County Derry in what is now Northern Ireland on November 3, 1815. The son of a Presbyterian clergyman, he creates his own pulpit in a series of journalistic enterprises in Dublin, Tennessee, Virginia and New York.

Mostly raised in Newry, County Down, Mitchel’s first political association is with the Young Ireland movement of the 1840s and the famous The Nation newspaper, founded by Charles Gavan Duffy, Thomas Davis and John Blake Dillon in 1842. But long before the abortive Young Irelander Rebellion of 1848 he has moved on, finding the editorial policies of The Nation rather too bland for his tastes.

Inflamed by the suffering he witnesses on a trip to Galway, it is Mitchel, more than any other writer or politician, who shapes the nationalist perception of an Gorta Mór (Great Famine):

“I could see, in front of the cottages, little children leaning against a fence when the sun shone out for they could not stand, their limbs fleshless, their bodies half-naked, their faces bloated yet wrinkled, and of a pale, greenish hue… I saw Trevelyan’s claw in the vitals of those children: his red tape would draw them to death: in his government laboratory he had prepared for them the typhus poison.”

Responding to such writing, Ireland simmers, angry and ready for rebellion. Fearful of Mitchel’s power, London’s Punch magazine emphasises his international standing by portraying him as an Irish monkey challenging the Great British Lion. The Times thunders against him. When Mitchel produces his own republican newspaper, The United Irishman, which, in its inaugural edition, claims that “the world was weary of Old Ireland and also of Young Ireland” thus attacking both Daniel O’Connell and his younger antagonists with the same broadsword. He aims to be an equal opportunities offender and succeeds admirably.

The United Irishman sells out and is shut down by the British authorities after a mere sixteen issues. In order to silence Mitchel, to rob him of his heroic status and his possible martyrdom, the British government passes the Treason Felony Act 1848, which seeks to treat treason as a common crime. He is later tried before an elegantly and efficiently packed jury, found guilty of treason-felony, and deported to Van Diemen’s Land (Tasmania). The result is one of the greatest works of Irish political history, The Jail Journal, in which Mitchel writes about his own experience of deportation and advocates a far more militaristic approach to Ireland’s “English problem” than would have been popular heretofore.

Mitchel is acclaimed by Patrick Pearse, who declares The Jail Journal to be “the last of the four gospels of the new testament of Irish nationality, the last and the fieriest and the most sublime.” Éamon de Valera reveres Mitchel, and when in 1943 he imagines Ireland as “the home of a people who valued material wealth only as a basis for right living, of a people who, satisfied with frugal comfort, devoted their leisure to the things of the spirit,” he too is delving into The Jail Journal for his inspiration.

(From: #OTD in 1848 – John Mitchel Publishes First United Irishman, Stair na hÉireann | History of Ireland)


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Death of Irish Artist John Butler Yeats

john-butler-yeatsJohn Butler Yeats, Irish artist and the father of William Butler Yeats, Lily Yeats, Elizabeth Corbett Yeats and Jack Butler Yeats, dies in New York City on February 3, 1922. The National Gallery of Ireland holds a number of his portraits in oil and works on paper, including one of his portraits of his son William, painted in 1900. His portrait of John O’Leary (1904) is considered his masterpiece.

Yeats is born on March 16, 1839 in Lawrencetown, County Down, in what is now Northern Ireland. His parents are William Butler Yeats (1806–1862) and Jane Grace Corbert. He is the eldest of nine children. Educated in Trinity College Dublin and a member of the University Philosophical Society, Yeats begins his career as a lawyer and junior assistant briefly with Isaac Butt before he takes up painting in 1867 and studies at the Heatherley School of Fine Art.

Yeats marries Susan Pollexfen (13 July 1841 – 3 January 1900) on September 10, 1863 at St. John’s Church in Sligo. Susan Yeats is dismayed when her husband abandons the study of law to become an artist. She is described as a “shadowy figure” who goes “quietly, pitifully, mad.” They have six children: William Butler Yeats, Susan Mary “Lily” Yeats, Elizabeth Corbett “Lolly” Yeats, Robert Corbet Yeats, John “Jack” Butler Yeats and Jane Grace Yeats.

There are few records of his sales, so there is no catalogue of his work in private collections. It is possible that some of his early work may have been destroyed by fire in World War II. It is clear that he has no trouble getting commissions as his sketches and oils are found in private homes in Ireland, England and the United States. His later portraits show great sensitivity to the sitter. However, he is a poor businessman and is never financially secure. He moves frequently and shifts several times between England and Ireland.

In 1907, at the age of 68, he travels to New York aboard the RMS Campania, with his daughter Lily, and never returns to Ireland. In October 1909 he moves into his final home, a boarding house run by the Petitpas sisters which is located at 317 West Twenty-Ninth Street. In New York, he is friendly with members of the Ashcan School of painters.

John Butler Yeats dies in the boarding house on February 3, 1922. Edmund Quinn makes a death mask which is now in the collection of the Yeats Society in Sligo. Yeats is buried in Chestertown Rural Cemetery in Chestertown, New York, next to his friend, Jeanne Robert Foster.


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Death of Margaret Brown, “The Unsinkable Molly Brown”

margaret-brownMargaret Brown (née Tobin), an American socialite and philanthropist posthumously known as “The Unsinkable Molly Brown”, dies in New York City on October 26, 1932. She is best remembered for unsuccessfully encouraging the crew in Lifeboat No. 6 to return to the debris field of the 1912 sinking of RMS Titanic to look for survivors. During her lifetime, her friends called her “Maggie”, but even by her death, obituaries refer to her as the “Unsinkable Mrs. Brown.” The reference is further reinforced by a 1960 Broadway musical based on her life and its 1964 film adaptation which are both entitled The Unsinkable Molly Brown.

Tobin is born in a hospital near the Mississippi River in Hannibal, Missouri, on what is now known as Denkler’s alley. Her parents are Irish Catholic immigrants. At age 18, she relocates to Leadville, Colorado, with her siblings Daniel Tobin, Mary Ann Collins Landrigan and Mary Ann’s husband John Landrigan. Margaret and her brother Daniel share a two-room log cabin and she finds a job in a department store.

In Leadville, she meets and marries James Joseph “J.J.” Brown (1854–1922), an enterprising, self-educated man, in Leadville’s Annunciation Church on September 1, 1886. They have two children.

The Brown family acquires great wealth when in 1893 J.J.’s mining engineering efforts prove instrumental in the production of a substantial ore seam at the Little Jonny Mine of his employers, Ibex Mining Company, and he is awarded 12,500 shares of stock and a seat on the board. In Leadville, Margaret helps by working in soup kitchens to assist miners’ families.

In 1894, the Browns purchase a $30,000 Victorian mansion in Denver and in 1897 they build a summer house, Avoca Lodge in Southwest Denver near Bear Creek, which gives the family more social opportunities. Margaret becomes a charter member of the Denver Woman’s Club, whose mission is the improvement of women’s lives by continuing education and philanthropy. After 23 years of marriage, Margaret and J.J. privately sign a separation agreement in 1909. Although they never reconcile, they continue to communicate and care for each other throughout their lives.

Brown spends the first months of 1912 traveling in Egypt as part of the John Jacob Astor IV party, until she receives word from Denver that her eldest grandchild, Lawrence Palmer Brown Jr., is seriously ill. She immediately books passage on the first available liner leaving for New York, the RMS Titanic. Originally her daughter Helen is supposed to accompany her, but she decides to stay on in Paris, where she is studying at the Sorbonne.

The RMS Titanic sinks in the early morning hours of April 15, 1912, after striking an iceberg. Brown helps others board the lifeboats but is finally persuaded to leave the ship in Lifeboat No. 6. Brown is later called “The Unsinkable Molly Brown” by authors because she helps in the ship’s evacuation, taking an oar herself in her lifeboat and urging that the lifeboat go back and save more people. After several attempts to urge Quartermaster Robert Hichens to turn back, she threatens to throw him overboard. Sources vary as to whether the boat goes back and if they find anyone alive. Brown’s efforts seal her place in history, regardless.

Upon being rescued by the RMS Carpathia, Brown proceeds to organize a survivors’ committee with other first-class survivors. The committee works to secure basic necessities for the second and third class survivors and even provides informal counseling.

Brown runs for the United States Senate in 1914 but ends her campaign to return to France to work with the American Committee for Devastated France during World War I.

During the last years of her life, Brown is an actress. She dies in her sleep on October 26, 1932, at the Barbizon Hotel in New York City, New York. Subsequent autopsy reveals a brain tumor. She is buried on October 31 alongside her husband in the Cemetery of the Holy Rood in Westbury, New York, following a small ceremony attended only by family members. There is no eulogy.


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Birth of Peter Boyle, Irish American Actor

peter-boylePeter Lawrence Boyle Jr., Irish American character actor and comedian, is born on October 18, 1935 in Norristown, Pennsylvania. He is most noted for his role as Frank Barone on the sitcom Everybody Loves Raymond and the comical monster in Mel Brooks‘s film spoof Young Frankenstein (1974).

Boyle is born to Alice (Lewis) and Francis Xavier Boyle. His paternal grandparents are Irish immigrants, and his mother is of mostly French and British Isles descent. He eventually moves to Philadelphia, where his father is a sought-after local TV personality and children’s show host. Following a solid Catholic upbringing, he is a sensitive youth and joins the Christian Brothers religious order at one point while attending La Salle University in Philadelphia. He leaves the monastery after only a few years when he “lost” his calling.

Bent on an acting career, Boyle initially studies with guru Uta Hagen in New York. The tall, hulking, prematurely bald actor wannabe struggles through a variety of odd jobs as a postal worker, waiter and bouncer while simultaneously building up his credits on stage and waiting for that first big break. Things start progressing for him after appearing in the national company of The Odd Couple in 1965 and landing TV commercials on the sly. In the late 1960s Boyle joins Chicago‘s The Second City improv group and makes his Broadway debut as a replacement for Peter Bonerz in Paul Sills’ Story Theatre (1971).

Boyle gains acclaim for his first starring role, playing the title character, a bigoted New York City factory worker, in the 1970 movie Joe, directed by John G. Avildsen. The film’s release is surrounded by controversy over its violence and language. The role leads to major notoriety, however, and some daunting supporting parts in T.R. Baskin (1971), Slither (1973) and as Robert Redford‘s calculating campaign manager in The Candidate (1972). During this time his political radicalism finds a visible platform after joining Jane Fonda and Donald Sutherland on anti-war crusades, which also includes the anti-establishment picture Steelyard Blues (1973). This period also sees the forging of a strong friendship with former Beatle John Lennon.

Destined to be cast as monstrous undesirables throughout much of his career, Boyle plays a monster of another sort in his early film days, and thus avoids a complete stereotype as a film abhorrent. His hilarious, sexually potent Frankenstein’s Monster in the cult Mel Brooks spoof Young Frankenstein (1974) sees him in a sympathetic and certainly more humorous vein. His creature’s first public viewing, in which Boyle shares an adroit tap-dancing scene with “creator” Gene Wilder in full Fred Astaire regalia, is a show-stopping audience pleaser. Late 1970s filmgoers continue to witness him in seamy, urban settings with brutish roles in Taxi Driver (1976) and Hardcore (1979). At the same time he addresses several TV mini-movie roles with the same brilliant darkness such as his Senator Joe McCarthy in Tail Gunner Joe (1977), for which he receives an Emmy nomination, and his murderous, knife-wielding Fatso in the miniseries remake of From Here to Eternity (1979).

While the following decade finds Boyle in predominantly less noteworthy filming and a short-lived TV series lead as remote cop Joe Bash (1986), the 1990s bring him Emmy glory for a guest role in an episode of The X-Files (1993). Despite a blood clot-induced stroke in 1990 that impairs his speech for six months, he ventures on and caps his enviable career on TV wielding funny but crass one-liners in the “Archie Bunker” mold on the long-running sitcom Everybody Loves Raymond (1996). A major Emmy blunder has him earning seven nominations for his Frank Barone character without a win, the only prime player on the show unhonored. He survives a heart attack while on the set of Everybody Loves Raymond in 1999, but manages to return full time for the remainder of the series’ run through 2005.

Following a superb turn as Billy Bob Thornton‘s unrepentantly racist father in the sobering Oscar-winner Monster’s Ball (2001), the remainder of Boyle’s films are primarily situated in frivolous comedy fare such as The Adventures of Pluto Nash (2002), The Santa Clause 2 (2002), Scooby-Doo 2: Monsters Unleashed (2004), and The Santa Clause 3: The Escape Clause (2006), typically playing cranky curmudgeons.

Boyle dies of multiple myeloma and heart disease at NewYork-Presbyterian Hospital on December 12, 2006. He is interred at Green River Cemetery in Springs, New York. At the time of his death, he has completed his role in the film All Roads Lead Home and is scheduled to appear in The Golden Boys. The end credits of All Roads Lead Home include a dedication to his memory.


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Birth of Mike Donovan, Middleweight Boxer

professor-mike-donovanMike Donovan, middleweight boxer of the bare-knuckle era also known as Professor Mike Donovan and Mike O’Donovan, is born in Chicago, Illinois on September 27, 1847 to Irish-born parents. He later becomes one of the foremost teachers of the sport.

The first of many memorable events in Donovan’s life comes when he fights for the Union Army in the American Civil War, serving in William Tecumseh Sherman‘s army in its march through Georgia. After the war, he begins a boxing career that associates him with some of the best-known people of his age, in and out of the ring.

In 1868, Donovan defeats John Shanssey in a bout in Cheyenne, Wyoming, refereed by famous Western lawman Wyatt Earp. He wins the middleweight title in 1887 in San Francisco. He also fights the most famous Irish boxing champion in history, John L. Sullivan, fighting two four-round fights with him in 1880 and 1881.

After his active boxing career ends, Donovan becomes a boxing instructor at the New York Athletic Club and works with several famous Irish fighters. He is in Jake Kilrain‘s corner when he loses to John L. Sullivan in the last bare-knuckle heavyweight championship fight, and also helps James Corbett when he defeats Sullivan for the title in 1892.

Donovan spars with President Theodore Roosevelt, who loves boxing, on several occasions. He earns the sobriquet “Professor” for his scientific approach to his own career and in his later teaching of the sport. The “Professor” leaves a legacy, as well. His son Arthur is a famous boxing referee in the 1930s and 1940s and is enshrined in the International Boxing Hall of Fame along with the “Professor,” the only father-son combination so honored. His grandson, also Art, plays for the Baltimore Colts in the National Football League and is enshrined in the Pro Football Hall of Fame in Canton, Ohio.

Donovan dies on March 24, 1918 at St. Francis Hospital in the Bronx, New York from complications from a bout with pneumonia he develops while teaching a boxing class. He is survived by his wife, Cecilia, and eight children, all who are at his bedside when he dies. After his death, his will indicates that his last name is actually O’Donovan.

Donovan’s silver championship belt is bequeathed to his son, Arthur, who at the time is serving in the United States Army, in the 105th Field Artillery at Spartanburg, South Carolina, during World War I.

Donovan is elected to the International Boxing Hall of Fame in Canastota, New York in 1998.