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Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Charles Dickens


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Death of Samuel Lover, Songwriter & Painter

Samuel Lover, Irish songwriter, composer, novelist, and a painter of portraits, chiefly miniatures, dies on July 6, 1868. He was the grandfather of composer, cellist, and conductor Victor Herbert.

Lover is born at number 60 Grafton Street, Dublin and goes to school at Samuel Whyte’s at 79 Grafton Street, now home to Bewley’s, an Irish hot beverage company. By 1830 he is secretary of the Royal Hibernian Academy and lives at number 9 D’Olier Street. In 1835 he moves to London and begins composing music for a series of comic stage works. To some of them, like the operetta Il Paddy Whack in Italia (1841), he contributes both words and music, for others he merely contributes a few songs.

Lover produces a number of Irish songs, of which several – including The Angel’s Whisper, Molly Bawn, and The Four-leaved Shamrock – attain great popularity. He also writes novels, of which Rory O’Moore and Handy Andy are the best known, and short Irish sketches which, with his songs, he combines into a popular entertainment called Irish Nights or Irish Evenings. With the latter, he tours North America between 1846 and 1848. He joins with Charles Dickens in founding Bentley’s Magazine.

Lover’s grandson is composer Victor Herbert whose mother is Lover’s daughter Fanny. Irish-born and German-raised, Herbert is best known for his many successful musicals and operettas that premiere on Broadway. As a child he stays with the Lovers in a musical environment following the death of his father.

Samuel Lover dies on July 6, 1868, in Saint Helier on Jersey. A memorial in St. Patrick’s Cathedral, Dublin summarises his achievements:

Poet, painter, novelist and composer, who, in the exercise of a genius as distinguished in its versatility as in its power, by his pen and pencil illustrated so happily the characteristics of the peasantry of his country that his name will ever be honourably identified with Ireland.


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Birth of Illustrator Hugh Thomson

Hugh Thomson, illustrator, is born on Kingsgate Street, Coleraine, County Londonderry on June 1, 1860. He is best known for his pen-and-ink illustrations of works by authors such as Jane Austen, Charles Dickens, and J. M. Barrie.

Thomson is born to tea merchant John Thomson (1822–1894) and shopkeeper Catherine (née Andrews). He is the eldest of their three surviving children. Although he has no formal artistic training, as a young boy he often fills his schoolbooks with drawings of horses, dogs, and ships. He attends Coleraine Model School, but leaves at the age of fourteen to work as a clerk at E. Gribbon & Sons, Linen Manufacturers. Several years later his artistic talents are discovered, and in 1877 he is hired by printing and publishing company Marcus Ward & Co.

On December 29, 1884 Thomson marries Jessie Naismith Miller in Belfast. Soon afterwards they move back to London for Thomson’s career. They have one son together, John, born in 1886.

In 1911, he and his family move to Sidcup, hoping to improve their “ever delicate health.” Thomson’s correspondence reflects the fact that he misses being close to the National Gallery and the museums where he usually compiles research for his illustrations. During World War I, demand for Thomson’s work decreases to a few propaganda pamphlets and some commissions from friends. By 1917, Thomson has fallen on financial hardship and he has to take a job with the Board of Trade, where he works until 1919.

Hugh Thomson dies of heart disease at his home at 8 Patten Road in Wandsworth Common, London, on May 7, 1920.


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Birth of Painter Daniel Maclise

daniel-maclise

Daniel Maclise, Irish history, literary and portrait painter, and illustrator, is born in Cork, County Cork, on January 25, 1806. He works in London, England for most of his life.

His early education is of the plainest kind, but he is eager for culture, fond of reading, and anxious to become an artist. He later studies at the Cork School of Art.

Maclise exhibits for the first time at the Royal Academy of Arts in 1829. Gradually he begins to confine himself more exclusively to subject and historical pictures, varied occasionally by portraits – such as those of Lord Campbell, novelist Letitia Landon, Charles Dickens, and other of his literary friends. In 1833, he exhibits two pictures which greatly increase his reputation and, in 1835, the Chivalric Vow of the Ladies and the Peacock procure his election as associate of the Academy, of which he becomes full member in 1840. The years that follow are occupied with a long series of figure pictures, deriving their subjects from history and tradition and from the works of William Shakespeare, Oliver Goldsmith, and Alain-René Lesage.

Maclise also designs illustrations for several of Dickens’s Christmas books and other works. Between the years 1830 and 1836 he contributes to Fraser’s Magazine, under the pseudonym of Alfred Croquis, a remarkable series of portraits of the literary and other celebrities of the time – character studies, etched or lithographed in outline, and touched more or less with the emphasis of the caricaturist, which are afterwards published as the Maclise Portrait Gallery (1871). During the rebuilding of the Houses of Parliament in London in 1834–1850 by Charles Barry, Maclise is commissioned in 1846 to paint murals in the House of Lords on such subjects as Justice and Chivalry.

In 1858, Maclise commences one of the two great monumental works of his life, The Meeting of Wellington and Blücher, on the walls of the Palace of Westminster. It is begun in fresco, a process which proves unmanageable. The artist wishes to resign the task, but, encouraged by Prince Albert, he studies in Berlin the new method of water-glass painting, and carries out the subject and its companion, The Death of Nelson, in that medium, completing the latter painting in 1864.

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Maclise’s vast painting of The Marriage of Strongbow and Aoife (1854) hangs in the National Gallery of Ireland, Dublin. It portrays the marriage of the main Norman conqueror of Ireland “Strongbow” to the daughter of his Gaelic ally. By the grand staircase of Halifax Town Hall, which is completed in 1863, there is a wall painting by Maclise.

The intense application which he gives to these great historic works, and various circumstances connected with the commission, has a serious effect on Maclise’s health. He begins to shun the company in which he formerly delighted, his old buoyancy of spirits is gone, and in 1865, when the presidency of the Royal Academy is offered to him he declines the honour. He dies of acute pneumonia on April 25, 1870 at his home 4 Cheyne Walk, Chelsea, London.

(Pictured lower right: The Marriage of Strongbow and Aoife)