For the Grand Alliance – Austria, England, and the Dutch Republic – the Battle of Ramillies follows an indecisive campaign against the Bourbon armies of King Louis XIV of France in 1705. Although the Allies capture Barcelona that year, they are forced to abandon their campaign on the Moselle, stall in the Spanish Netherlands and suffer defeat in northern Italy. Yet despite his opponents’ setbacks Louis XIV wants peace, but on reasonable terms. Because of this, as well as to maintain their momentum, the French and their allies take the offensive in 1706.
In less than four hours Marlborough’s Dutch, English, and Danish forces overwhelm Villeroi’s and Maximilian II Emanuel‘s Franco-Spanish-Bavarian army. The Duke’s subtle moves and changes in emphasis during the battle, something his opponents fail to realise until it is too late, catches the French in a tactical vice. With their foe broken and routed, the Allies are able to fully exploit their victory. Town after town falls, including Brussels, Bruges and Antwerp. By the end of the campaign Villeroi’s army has been driven from most of the Spanish Netherlands. With Prince Eugene of Savoy‘s subsequent success at the Siege of Turin in northern Italy, the Allies impose the greatest loss of territory and resources that Louis XIV would suffer during the war. Thus, the year 1706 proves, for the Allies, to be an annus mirabilis.
(Pictured: “The Battle of Ramillies between the French and the English, 23 May 1706” by Jan van Huchtenburgh, oil on canvas painted between 1706 and 1710)
Patrick Anthony HennessyRHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.
Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.
Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.
Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.
On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.
From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.
In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.
In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.
In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.
Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.
Raised in Ohio, Grant possesses an exceptional ability with horses, which serves him well through his military career. He is admitted to West Point, graduates 21st in the class of 1843 and serves with distinction in the Mexican–American War. In 1848, he marries Julia Dent, and together they have four children. He abruptly resigns his army commission in 1854 and returns to his family, but lives in poverty for seven years.
Grant’s responses to corruption charges, in his federal departments rife with scandal, are mixed, often naïvely defending the culprits, particularly his war-time comrade Orville E. Babcock. But he also appoints cabinet reformers, such as John Brooks Henderson, for the prosecution of the Whiskey Ring. The Panic of 1873 plunges the nation into a severe economic depression that allows the Democrats to win the House majority. In the intensely disputed 1876 presidential election, he facilitates the approval by Congress of a peaceful compromise.
In his retirement, Grant is the first president to circumnavigate the world on his tour, meeting with Queen Victoria and many prominent foreign leaders. In 1880, he is unsuccessful in obtaining the Republican presidential nomination for a third term. In the final year of his life, facing severe financial reversals and dying of throat cancer, he writes his memoirs, which prove to be a major critical and financial success.
After a year-long struggle with throat cancer, surrounded by his family, Grant dies at 8:08 AM at his Mount McGregorcottage on July 23, 1885, at the age of 63. Philip Sheridan, then Commanding General of the Army, orders a day-long tribute to Grant on all military posts, and President Grover Cleveland orders a thirty-day nationwide period of mourning. After private services, the honor guard places Grant’s body on a special funeral train, which travels to West Point and New York City. A quarter of a million people view it in the two days before the funeral. Tens of thousands of men, many of them veterans from the Grand Army of the Republic (GAR), march with Grant’s casket drawn by two dozen black stallions to Riverside Park in the Morningside Heights neighborhood of Upper Manhattan. His pallbearers include Union generals William Tecumseh Sherman and Philip Sheridan, Confederate generals Simon Bolivar Buckner and Joseph E. Johnston, Admiral David Dixon Porter, and Senator John A. Logan, the head of the GAR. Following the casket in the seven-mile-long procession are President Cleveland, the two living former presidents Rutherford B. Hayes and Chester A. Arthur, all of the President’s Cabinet, as well as the justices of the Supreme Court.
Attendance at the New York funeral tops 1.5 million. Ceremonies are held in other major cities around the country, while Grant is eulogized in the press and likened to George Washington and Abraham Lincoln. His body is laid to rest in a temporary tomb in Riverside Park. Twelve years later, on April 17, 1897, he is reinterred in the General Grant National Memorial, also known as “Grant’s Tomb,” the largest mausoleum in North America.
The Holy Cross dispute begins on June 19, 2001 and continues into 2002 in the Ardoyne area of north Belfast. During the 30-year conflict known as the Troubles, Ardoyne becomes segregated – Ulster Protestants and Irish Catholics living in separate areas. This leaves Holy Cross, a Catholic primary school for girls, in the middle of a Protestant area. During the last week of school in June 2001 before the summer break, Protestant loyalists begin picketing the school, claiming that Catholics are regularly attacking their homes and denying them access to facilities.
On Tuesday, June 19, Royal Ulster Constabulary (RUC) officers have to protect children and parents entering the school after they are attacked by loyalist stone throwers. Police describe the attack as “vicious.” Following the incident, a blockade of the school develops, with loyalists standing across the road and RUC officers keeping the children and their parents away.
The following day, the school is forced to close when loyalists block the entrance. During the evening, up to 600 loyalists and nationalists clash with each other and with the police. Shots are also fired at the police and over 100 petrol bombs are thrown. During the riots the police fire a number of the new ‘L21 A1’ plastic baton rounds for the first time. Thirty-nine RUC officers are injured. Nine shots in total are fired – six from loyalists and three from republicans. The trouble comes after an explosion at the rear of Catholic homes next to a peace line. Both loyalist and nationalist politicians blame each other for the violence. This is the first of many large riots to take place in Belfast within more than a year.
The morning blockade continues on Thursday, June 21. About 60 of the school’s 230 pupils enter the school through the grounds of another school. Senior Sinn Féin member Gerry Kelly says, “It’s like something out of Alabama in the 1960s.” Three Protestant families leave their homes in Ardoyne Avenue, saying they are afraid of a nationalist attack. During the evening and night there are serious disturbances in the area around the school. Loyalists fire ten shots, and throw six blast bombs and 46 petrol bombs at police lines. Two Catholic homes are attacked with pipe bombs, and a child is thrown against a wall by one of the blasts. Twenty-four RUC officers are hurt.
On Friday, June 22, a number of schoolchildren again have to enter the school through the grounds of another school. This is the last day of school before the summer break.
Talks between the protesters and the schoolchildren’s parents take place over the summer, but no agreement is reached. On August 20, a paint bomb is thrown at the home of a Protestant man in Hesketh Park, smashing a window and causing paint damage to furniture. The man had taken part in the loyalist protest.
The picket resumes on September 3, when the new school term begins. For weeks, hundreds of loyalist protesters try to stop the schoolchildren and their parents from walking to school through their area. Hundreds of riot police, backed up by the British Army, escort the children and parents through the protest each day. Some protesters shout sectarian abuse and throw stones, bricks, fireworks, blast bombs and urine-filled balloons at the schoolchildren, their parents and the police. Death threats are made against the parents and school staff by the Red Hand Defenders, a loyalist paramilitary group. The protest is condemned by both Catholics and Protestants, including politicians. Some likened the protest to child abuse and compare the protesters to North Americanwhite supremacists in the 1950s. During this time, the protest sparks bouts of fierce rioting between Catholics and Protestants in Ardoyne, and loyalist attacks on police. On November 23, the loyalists end the protest after being promised tighter security for their area and a redevelopment scheme. The security forces remain outside the school for several months.
In January 2002, a scuffle between a Protestant and a Catholic outside the school sparks a large-scale riot in the area and attacks on other schools in north Belfast. The picket is not resumed and the situation remains mostly quiet. The following year, the BBC airs a documentary-drama about the protests.
Donovan is born in Galway in 1966. He organises and is first to complete the inaugural South Pole Marathon in January 2002, then completes the first marathon-length run at the North Pole in April of that year in a time of 3:48:12. He uses the publicity from this to launch his North Pole Marathon venture, offering runners an adventure tourism experience, with the 2018 event costing €16,000.
Between January 30 and February 5, 2009, Donovan claims a world’s best for running seven marathons, on seven different continents, in fewer than seven days. Starting February 1, 2012 he improves on this by completing the 7 on 7 in under 120 hours.
Donovan also completes transcontinental runs across North America in 2015 and Europe in 2016, adding South America in 2017. In addition to the North Pole Marathon, he organizes a number of other commercial events.
The second leg plays in European arenas and outdoor stadiums from late May through early August, starting at the Stadio Flaminio in Rome on May 27. The final show of the European leg is at Páirc Uí Chaoimh in Cork, County Cork on August 8.
The third leg returns to North American arenas and stadiums beginning in New York’s Nassau Coliseum on September 10. The tour ends on December 20 back where it started in Tempe, Arizona, but this time at Sun Devil Stadium.
The Joshua Tree Tour sells out stadiums around the world, the first time the band had consistently played venues of that size. The Joshua Tree and its singles become huge hits and the band reaches a new height in their popularity. Tickets for shows are often very hard to get, especially on the first American leg when they only play in arenas.
The 79 North American shows on the tour sell 2,035,539 tickets and gross US$35 million. In total, the tour grosses US$40 million and draws 3 million attendees.
Ní Mhaonaigh’s father, Proinsias Ó Maonaigh, is a noted fiddler, song writer and school teacher and is her first main influence. Her mother, Kitty Rua is also raised in a musical house that holds frequent house dances. It is no surprise that she and her siblings, Gearóid and Anna, all play music together.
In the early 1980s, Ní Mhaonaigh qualifies as a Primary school teacher and teaches in Saint Oliver Plunkett National School in Malahide, County Dublin. She and her husband, Frankie Kennedy, record Ceol Aduaidh (Music from the North) for Irish label Gael Linn in 1983. This timeless recording is the genesis of what later becomes Altan. The recording features her brother Gearóid Ó Maonaigh on guitar, Fintan Mc Manus on bouzouki, Ciaran Curran on bouzouki and Eithne Ní Bhraonáin (now known as Enya) on keyboards. The album quietly gains praise among enthusiasts of traditional Irish music worldwide, which leads the way for a career in music.
Ní Mhaonigh’s teaching career comes to a halt after she and her husband take a career break in 1987 and formed Altan. The band goes on to become one of the most acclaimed Irish traditional bands touring the world. They record for Green Linnet Records in the United States and tour North America extensively.
In 1994, Frankie Kennedy passes away to cancer, which is a tremendous loss to Ní Mhaonigh. She continues with the band at her late husband’s request and signs to multinational record label Virgin Records London in late 1994. This marks the first traditional Irish band to be signed to a major record label and propels Altan and Ní Mhaonigh into a wider audience of followers.
Ní Mhaonaigh, along with fronting Altan, remains close her roots between touring and returns to her native County Donegal to play, sing and teach her music to a new generation. She helps set up Cairdeas na bhFidléirí (The Fellowship / Friendship of Fiddlers) in the early 1980s to promote and preserve the fiddle music of County Donegal.
In 2009, Ní Mhaonaigh releases her first solo album, Imeall (Edge/Theshold), as a limited edition. After many years of playing with the band and numerous requests for a solo recording she finally gets time to record the album after parting with her second husband Dermot Byrne, with whom she has her daughter Nia. She tours the album between Altan commitments with her co-producer and recording engineer Manus Lunny.
The album prompts one reviewer, Paul O’Connor, to remark, “Her identified success as the leader of Altan has dominated our sense of her to the point that we aren’t cognisant of how good she is as an artist, musician, composer in her own right.”
This new focus on Ní Mhaonaigh as an artist in her own right, prompts The Donegal Association in Dublin to grant her “Donegal Person of the Year 2009” at a gala dinner in Dublin’s prestigious Burlington Hotel.
Ní Mhaonaigh is awarded the top recognition in traditional Irish music by her fellow peers in 2018, when she is awarded TG4Gradam Ceoil’s Traditional Musician of the Year. The following year, she is honoured in her own county at the now world famous “Cup o’Tae Festival” which is held annually in Ardara, County Donegal.
Ní Mhaonaigh is also a member of String Sisters, which is a Grammy listed folk supergroup of six of the world’s leading female fiddlers. Together they have released two albums – the Grammy-longlisted Live and Between Wind and Water. She is a member of T with the Maggies, which is a vocal supergroup of Donegal singers comprised of Maighread and Tríona Ní Dhomhnaill and Moya Brennan of Clannad fame.
Recently Ní Mhaonaigh has recorded with a group of thirteen County Donegal-based female fiddlers which is called ‘SíFiddlers.’
In 1991, On a Friday signs a six-album record contract with EMI and changes their name to Radiohead. They find early success with their 1992 single “Creep“. Their third album, OK Computer (1997), propels them to international fame and is often acclaimed as one of the best albums of all time. O’Brien becomes depressed during the extensive OK Computer tour. After the tour, he returns to Oxford and falls further into depression.
Radiohead’s next albums, Kid A (2000) and Amnesiac (2001), are recorded simultaneously and mark a dramatic change in sound, incorporating influences from electronic music, classical music, jazz and krautrock. O’Brien keeps an online diary of Radiohead’s progress during the recording and initially struggles with the band’s change in direction. At the suggestion of Michael Brook, creator of the Infinite Guitar, he begins using sustain units, which allow guitar notes to be sustained infinitely. He combines these with looping and delay effects to create synthesiser-like sounds. By 2011, Radiohead has sold more than 30 million albums worldwide.
O’Brien lives in London with his wife, Susan Kobrin, who worked for Amnesty International. The couple have a son, Salvador, born in January 2004, and a daughter, Oona, born in 2006. He is a cricket fan and supports Manchester United Football Club. Around 2000, he gives up alcohol and takes up meditation. In 2011, he and his family move to Brazil and live for a year on a farm near Ubatuba. In 2020, he announces that he believes he has contracted COVID-19 but is recovering in isolation.
Samuel Lover, Irish songwriter, composer, novelist, and a painter of portraits, chiefly miniatures, is born at 60 Grafton Street in Dublin on February 24, 1797. He is also known as “Ben Trovato” (“well invented”) and is the grandfather of Victor Herbert. He is noted as saying, “When once the itch of literature comes over a man, nothing can cure it but the scratching of a pen.”
Lover goes to school at Samuel Whyte’s at 79 Grafton Street, now home to Bewley’s café. By 1830 he is secretary of the Royal Hibernian Academy and lives at 9 D’Olier Street. In 1835 he moves to London and begins composing music for a series of comic stage works. To some of them, like the operetta Il Paddy Whack in Italia (1841), he contributes both words and music, for others he merely contributes a few songs.
Lover produces a number of Irish songs, of which several – including The Angel’s Whisper, Molly Bawn, and The Four-leaved Shamrock – attain great popularity. He also writes novels, of which Rory O’Moore and Handy Andy are the best known, and short Irish sketches which, with his songs, he combines into a popular entertainment called Irish Nights or Irish Evenings. With the latter, he tours North America between 1846 and 1848. He joins with Charles Dickens in founding Bentley’s Magazine.
Lover’s grandson is composer Victor Herbert whose mother is Lover’s daughter Fanny. Herbert is best remembered for his many successful musicals and operettas that premier on Broadway. As a small child he lives with the Lovers in a musical environment following the divorce of his mother.
“Poet, painter, novelist and composer, who, in the exercise of a genius as distinguished in its versatility as in its power, by his pen and pencil illustrated so happily the characteristics of the peasantry of his country that his name will ever be honourably identified with Ireland.”
Raised in Dublin, Devlin first develops his badminton skills in the family garden during his childhood with his friend Gordon “Curly” Mack. The two childhood friends graduate from the garden to win an impressive six titles together in men’s doubles at the All England Open Badminton Championships.
Devlin is the second most successful player ever in the All England Open Badminton Championships with 18 titles between 1925 and 1931, including three triple championships in 1926, 1927 and 1929. He dominates the 1920s with six titles at the Irish Open and two titles at the Scottish Open.
Despite being Irish Devlin is part of the English team that tours Canada in 1925 to promote the sport on behalf of the Canadian Badminton Association which had recently been formed in 1921. He is also part of a second English touring team that visits Canada during 1930. A match is held at the Granite Club in Toronto which England wins 7-2.
When his playing career comes to an end in 1931, Devlin moves to North America to become the first known full-time badminton coach. He first sets foot in Winnipeg and then in Baltimore. After spending time coaching in North America, he returns to Ireland and teaches his skills to the next generations until he is well into his eighties.
Adding to his success with the racket, Devlin earns a solid reputation as a writer. Over four decades, he authors many books on the technical and tactical aspects of badminton. He is a strong believer in sound technique and becomes the first known player to use the overhead backhand clear.
Frank Devlin dies on October 27, 1988 at 88 years of age.
Two of Devlin’s daughters, Judy and Susan, become badminton legends in their own right, and win six All England women’s doubles titles together as partners. Judy, who also wins ten All England titles in women’s singles, is inducted with her late father into the Badminton Hall of Fame in 1997.
(Pictured (L to R): Sir George Thomas of England and Frank Devlin of Ireland)
The third leg of 
seamus dubhghaill 