seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Ministry of Education (United Kingdom)


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Birth of E. M. O’R. Dickey, Wood Engraver & Painter

E. M. O’R. Dickey, wood engraver and oil painter who is active at the beginning of the twentieth century, is born Edward Montgomery O’Rorke Dickey in Belfast on July 1, 1894. He is a founder member of the Society of Wood Engravers.

Dickey is the son of Edward O’Rorke Dickey. He later marries Eunice Emmeline Howard and they have one son, Daniel. He is educated at Wellington College and Trinity College, Cambridge. He studies painting under Harold Gilman at the Westminster School of Art.

Dickey is art master at Oundle School in Oundle, Northamptonshire, England, and then becomes professor of fine art and director of King Edward VII School of Art, Armstrong College, Durham University from 1926 to 1931. He is then staff inspector of art from 1931 to 1957 for the Ministry of Education.

At the beginning of World War II Dickey is seconded from the Ministry of Information and, from 1939 to 1942, is secretary of the War Artists’ Advisory Committee. He is a full member of the committee from 1942 to 1945. During this period he establishes a close relationship with Eric Ravilious. He is appointed a CBE in 1952.

Dickey becomes the first curator of The Minories in Colchester, Essex, a post he holds for five years from 1957 to 1962.

Dickey is a founder member of the Society of Wood Engravers in 1920, and exhibits with them from 1920 to 1924. He is at his most active in the early 1920s and virtually all his engravings date from this period.

In 1922 Dickey contributes a wood engraving to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Gerald Duckworth and Company and an enthusiast for the new style of wood engravings. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, writes about him in his introduction to the book Mr. Hagreen and Mr. Dickey are among the engravers who rely very much upon the effective use of white lines and spaces. This is a limited edition of 550 copies, as is the only book that he illustrates with wood engravings, Workers by the Irish writer Richard Rowley, published by Balston at Duckworth in 1923.

Dickey devotes more time to working in oils. He is one of the most experimental painters in Ireland technically and stylistically. He paints extensively on the continent, and shows at the Royal Academy of Arts and the New English Art Club. He is elected to the London Group in 1920. He has several one-man exhibitions, at the Leicester Galleries in 1923, at the Manchester City Art Gallery in 1924, and the Beaux Arts Gallery in 1935.

Dickey dies on August 12, 1977. There are a number of examples of his oil paintings in public collections.

Dickey’s lasting legacy, rather than his wood engravings and oils, is his distinguished contribution to arts administration and art education.

(Pictured: “Kentish Town Railway Station” by Edward Montgomery O’Rorke Dickey, oil on canvas, 1919, Hollytrees Museum, United Kingdom)


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Birth of Dehra Parker, MP in the House of Commons of Northern Ireland

The Rt Hon. Dame Dehra S. Parker, GBE, PC (NI), the longest serving female MP in the House of Commons of Northern Ireland, is born in a military hospital in Dehradun, north of Delhi, India, on August 13, 1882.

Parker is born Dehra Kerr-Fisher, the only child of James Kerr-Fisher and his wife Annie. Her father, a native of Kilrea, County Londonderry, is a successful financier. She is educated in the United States, where her father holds extensive property holdings, and in Germany. The surname has been spelled, alternatively, as Ker-Fisher or Ker Fisher.

Parker is married twice. Her first husband is Lieutenant Colonel Robert Peel Dawson Spencer Chichester, MP, with whom she has one son and one daughter, Robert James Spencer Chichester (1902–1920) and Marion Caroline Dehra Chichester (1904–1976). She is predeceased by her son. On June 4, 1928, she marries her second husband, Admiral Henry Wise Parker (CB, CMG).

Parker is first elected as a Member of Parliament (MP) for Londonderry, as Dehra Chichester, as she is known prior to her second marriage in 1928, in the 1921 Northern Ireland general election. She stands down at the 1929 election just before her second marriage but is elected unopposed as Dehra Parker in the March 15, 1933 by-election for the South Londonderry constituency following the death of her son-in-law James Lenox-Conyngham Chichester-Clark. She serves until her resignation on June 15, 1960. Her grandson, James Chichester-Clark, is elected unopposed at the subsequent by-election. He later serves as the fifth Prime Minister of Northern Ireland from 1969 to 1971.

From her re-election in 1933 until her retirement in 1960, Parker faces opposition only once. During the 1949 Northern Ireland general election, with anti-partition agitation a common theme across the region, she is opposed in South Londonderry by a Nationalist Party candidate, T. B. Agnew, whom she defeats. She is a Parliamentary Secretary to the Ministry of Education from December 1, 1937, to March 15, 1944. She is also Chair of the Northern Ireland General Health Services Board from 1948 to 1949. She serves as Minister of Health and Local Government from August 26, 1949, to March 13, 1957, and becomes a member of the Privy Council of Northern Ireland in 1949. She is elevated to Dame Commander of the Order of the British Empire in the 1949 Birthday Honours “for public services,” having previously been appointed as an OBE, and is advanced to be a Dame Grand Cross of the Order of the British Empire (GBE) in 1957.

Parker’s promotion to the Cabinet at the age of 67 under Sir Basil Brooke (later created the 1st Viscount Brookeborough) is part of his so-called “reforming” premiership, his predecessor, J. M. Andrews, having been criticised for appointing elderly members to Cabinet. She is the first woman to serve in the Northern Ireland Cabinet.

Outside of parliamentary activities, Parker is a long-serving local councilor on Magherafelt District Council, president of both the Northern Ireland Physical Training Association and the Girls’ Training Corps, and chairman of the Ancient Monuments Advisory Committee. In 1944, she is appointed senior vice-chairman of the Council for the Encouragement of Music and the Arts (CEMA NI), and in 1949 she succeeds Sir David Lindsay Keir as President for CEMA, a position she holds until 1960. She is made an honorary member of the Ulster Society of Women Artists in 1958.

Parker dies at her home, Shanemullagh House, Castledawson, in the south of County Londonderry, on November 28, 1963, at age 81. She is interred two days later in the grounds of Christ Church, Castledawson.


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Death of E. M. O’R. Dickey, Wood Engraver & Painter

E. M. O’R. Dickey, wood engraver and oil painter who is active at the beginning of the twentieth century, dies on August 12, 1977. He is a founder member of the Society of Wood Engravers.

Edward Montgomery O’Rorke Dickey is born in Belfast on July 1, 1894, the son of Edward O’Rorke Dickey. He later marries Eunice Emmeline Howard and they have one son, Daniel. He is educated at Wellington College and Trinity College, Cambridge. He studies painting under Harold Gilman at the Westminster School of Art.

Dickey is art master at Oundle School in Oundle, Northamptonshire, England, and then becomes professor of fine art and director of King Edward VII School of Art, Armstrong College, Durham University from 1926 to 1931. He is then staff inspector of art from 1931 to 1957 for the Ministry of Education.

At the beginning of World War II Dickey is seconded from the Ministry of Information and, from 1939 to 1942, is secretary of the War Artists’ Advisory Committee. He is a full member of the committee from 1942 to 1945. During this period he establishes a close relationship with Eric Ravilious. He is appointed a CBE in 1952.

Dickey becomes the first curator of The Minories in Colchester, Essex, a post he holds for five years from 1957 to 1962.

Dickey is a founder member of the Society of Wood Engravers in 1920, and exhibits with them from 1920 to 1924. He is at his most active in the early 1920s and virtually all his engravings date from this period.

In 1922 Dickey contributes a wood engraving to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Gerald Duckworth and Company and an enthusiast for the new style of wood engravings. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, writes about him in his introduction to the book Mr. Hagreen and Mr. Dickey are among the engravers who rely very much upon the effective use of white lines and spaces. This is a limited edition of 550 copies, as is the only book that he illustrates with wood engravings, Workers by the Irish writer Richard Rowley, published by Balston at Duckworth in 1923.

Dickey devotes more time to working in oils. He is one of the most experimental painters in Ireland technically and stylistically. He paints extensively on the continent, and shows at the Royal Academy of Arts and the New English Art Club. He is elected to the London Group in 1920. He has several one-man exhibitions, at the Leicester Galleries in 1923, at the Manchester City Art Gallery in 1924, and the Beaux Arts Gallery in 1935.

There are a number of examples of Dickey’s oil paintings in public collections.

Dickey’s lasting legacy, rather than his wood engravings and oils, is his distinguished contribution to arts administration and art education.

(Pictured: “Kentish Town Railway Station” by Edward Montgomery O’Rorke Dickey, oil on canvas, 1919, Hollytrees Museum, United Kingdom)