seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Actor Patrick Joseph McGoohan

patrick-joseph-mcgoohan

Patrick Joseph McGoohan, American-born actor who is raised in Ireland and Great Britain, is born in Astoria, Queens, New York on March 19, 1928. He establishes an extensive stage and film career.

McGoohan is the son of Rose (Fitzpatrick) and Thomas McGoohan, who are living in the United States after emigrating from Ireland to seek work. He is brought up as a Catholic. Shortly after he is born, his parents move back to Mullaghmore, County Leitrim. Seven years later they emigrate to Sheffield, England.

McGoohan attends St. Vincent’s School and De La Salle College in Sheffield. During World War II, he is evacuated to Loughborough, Leicestershire. There he attends Ratcliffe College, where he excels in mathematics and boxing. He leaves school at the age of 16 and returns to Sheffield, where he works as a chicken farmer, a bank clerk, and a lorry driver before getting a job as a stage manager at Sheffield Repertory Theatre. When one of the actors becomes ill, McGoohan is substituted for him, launching his acting career.

McGoohan is most closely identified with two 1960s British television series, Danger Man and The Prisoner. The espionage drama Danger Man, which runs in the United States as Secret Agent, runs for 86 episodes during 1960–1961 and 1964–1967. The cult hit The Prisoner runs for 17 episodes in 1967–1968.

In Danger Man McGoohan puts a new spin on the secret agent formula by refusing to allow his character, John Drake, to carry a gun or indulge in sexual dalliances. The show’s success makes him Britain’s highest-paid TV actor.

McGoohan is one of several actors considered for the role of James Bond in Dr. No. While McGoohan turns down the role on moral grounds, the success of the Bond films is generally cited as the reason for Danger Man being revived in 1964. He is later considered for the Bond role in Live and Let Die but again turns it down.

The success of Danger Man provides McGoohan the leverage he needs to produce The Prisoner, an allegorical Kafkaesque series in which he portrays Number Six, an unnamed agent, thought by many to represent Drake, who angrily resigns and is then held captive in a superficially banal place called The Village, where the mysterious unseen Number One, the ever-changing Number Two, and others try to overcome the fiercely individualistic Number Six’s escape attempts and pry information from him.

McGoohan’s later works include the short-lived medical mystery series Rafferty (1977), such films as Ice Station Zebra (1968), Escape from Alcatraz (1979), and Braveheart (1995), the Broadway spy drama Pack of Lies (1985), and a record four guest-villain appearances on the American detective series Columbo, two of which earned him Emmy Awards. He also directs and writes several episodes of The Prisoner and Columbo. One of his last roles is as Number Six in a 2000 episode of the animated TV comedy The Simpsons.

Patrick McGoohan dies on January 13, 2009, at Saint John’s Health Center in Santa Monica, California, following a brief illness. His body is cremated.


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Birth of Production Designer Cedric Gibbons

cedric-gibbons

Austin Cedric Gibbons, Irish American art director and production designer for the film industry, is born in Dublin on March 23, 1893. He also makes a significant contribution to motion picture theater architecture from the 1930s to 1950s.

Gibbons was born to architect Austin P. Gibbons and Veronica Fitzpatrick Simmons. He is privately tutored and studies at the Art Students League of New York. In 1911 he begins working in his father’s office as a junior draftsman. From 1915 he serves as art director at Edison Studios in New Jersey and then serves in the United States Navy during World War I. He then joins Goldwyn Studios and begins a long career with Metro-Goldwyn-Mayer in 1924, the year the studio is founded.

Gibbons is one of the original 36 founding members of the Academy of Motion Picture Arts and Sciences and oversees the design of the Academy Awards statuette in 1928, a trophy for which he himself would be nominated 38 times for Best Production Design, winning eleven.

In 1930, Gibbons marries actress Dolores del Río and co-designs their house in Santa Monica, an intricate Art Deco residence influenced by Rudolf Schindler. They divorce in 1941. Three years later he marries actress Hazel Brooks, with whom he remains until his death.

Gibbons’s set designs, particularly those in such films as Born to Dance (1936) and Rosalie (1937), heavily inspire motion picture theater architecture in the late 1930s through 1950s. The style is found very clearly in the theaters that are managed by the Skouras brothers, whose designer Carl G. Moeller uses the sweeping scroll-like details in his creations. Among the more classic examples are the Loma Theater in San Diego, The Crest in Long Beach and Fresno, and the Culver Theater in Culver City. The style is sometimes referred to as Art Deco and Art Moderne.

Gibbons retires in 1956 with about 1,500 films credited to him, however, his contract with MGM dictates that he receives credit as art director for every MGM film released in the United States, even though other designers might do the bulk of the work. Even so, his actual hands-on art direction is believed to be about 150 films.

Gibbons’ second cousin, Frederick Gibbons, a musician, orchestra conductor, and entertainer who works with him at MGM, is the father of Billy Gibbons of the rock band ZZ Top.

Cedric Gibbons dies in Los Angeles on July 26, 1960, at the age of 67. He is buried in the Calvary Cemetery, East Los Angeles.