With her distinctive, sensual mezzo soprano sound, she is an important blue-eyed soul singer and, at her peak, is one of the most successful British female performers, with six top 20 singles on the United StatesBillboard Hot 100 and sixteen on the United Kingdom Singles Chart from 1963 to 1989. She is a member of both the U.S. Rock and Roll Hall of Fame and UK Music Hall of Fame. International polls name Springfield among the best female rock artists of all time. Her image, supported by a peroxide blonde bouffant hairstyle, evening gowns, and heavy make-up, as well as her flamboyant performances on the black and white television of the 1960s, make her an icon of the Swinging Sixties.
As a fan of U.S. pop music, she brings many little-known soul singers to the attention of a wider UK record-buying audience by hosting the first national TV performance of many top-selling Motown artists beginning in 1965. Although she is never considered a Northern Soul artist in her own right, her efforts contribute a great deal to the formation of the genre.
Partly owing to these efforts, a year later she eventually becomes the best-selling female singer in the world and tops a number of popularity polls, including Melody Maker‘s Best International Vocalist. She is the first UK singer to top the New Musical Express readers’ poll for Female Singer.
To boost her credibility as a soul artist, Springfield goes to Memphis, Tennessee to record Dusty in Memphis, an album of pop and soul music with the Atlantic Records main production team. Released in 1969, it has been ranked among the greatest albums of all time by the U.S. magazine Rolling Stone and in polls by VH1 artists, New Musical Express readers, and Channel 4 viewers. The album is also awarded a spot in the Grammy Hall of Fame. Despite its current recognition, the album does not sell well and after its release Springfield experiences a career slump for several years. However, in collaboration with Pet Shop Boys, she returns to the Top 10 of the UK and U.S. charts in 1987 with “What Have I Done to Deserve This?” Two years later, she has two other UK hits on her own with “Nothing Has Been Proved” and “In Private.” Subsequently in the mid-1990s, owing to the inclusion of “Son of a Preacher Man” on the Pulp Fiction soundtrack, interest in her early output is revived.
In January 1994, while recording her penultimate album, A Very Fine Love, in Nashville, Springfield falls ill. When she returns to the UK a few months later, her physicians diagnose breast cancer. She receives months of chemotherapy and radiation treatment, and the cancer goes into remission. In 1995, in apparent good health, she sets about promoting the album, which is released that year. By mid-1996, the cancer returns, and, in spite of vigorous treatments, she dies in Henley-on-Thames on March 2, 1999. Her induction into the Rock and Roll Hall of Fame in Cleveland, Ohio, is scheduled just two weeks after her death. Her friend Elton John helps induct her into the Hall of Fame, declaring, “I’m biased but I just think she was the greatest white singer there ever has been … Every song she sang, she claimed as her own.”
Springfield is cremated and some of her ashes are buried at Henley-on-Thames, while the rest are scattered by her brother, Tom Springfield, at the Cliffs of Moher, County Clare, Ireland.
O’Shannon first becomes a journalist with The Irish Times on leaving the RAF in 1947. Later he joins the Irish state broadcasting service Raidió Teilifís Éireann (RTÉ).
In July 1972 O’Shannon records a notable television interview with 31-year-old Muhammad Ali, when Ali is in Dublin to compete at Croke Park in a bout with Alvin Lewis.
O’Shannon receives a Jacob’s Award for his 1976 TV documentary, Even the Olives are Bleeding, which details the activities of the “Connolly Column” in the Spanish Civil War. Two years later he is honoured with a second Jacob’s Award for his television biography Emmet Dalton Remembers (1978).
In 1978, O’Shannon leaves RTÉ to join Canadian company Alcan which is setting up an aluminum plant at Aughinish, County Limerick, in 1978. He is head-hunted to become its Director of Public Affairs, an important post at a time when there are environmental concerns about the effects of aluminium production. He admits that he was attracted by the salary, “five times what RTÉ were paying me,” but he also later says that one of the reasons for the move is that he had become unhappy with working at RTÉ, stating in an interview that “The real reason I got out of RTÉ was that they wouldn’t let me do what I wanted to do journalistically.” He had submitted proposals to the station’s editors for a television documentary series on the Irish Civil War, and also one on the wartime Emergency period, but they had been rejected. While he enjoys the social life with lavish expenses which his public relations duties involve, his friends believe that he missed the varied life and travel of journalism. He retires early from Aughinish in 1992, and returns to making television documentaries with RTÉ.
O’Shannon announces his retirement at the age of 80 on January 12, 2007.
O’Shannon is awarded lifetime membership in the Irish Film & Television Academy in 2010, to which he says is “particularly gratifying that it occurs before I pop my clogs.”
After weakening health for two years, and spending his last days in hospice at Blackrock, O’Shannon dies at the Beacon Hospital in Dublin on October 22, 2011. His body is reposed at Fanagans Funeral Home in Dublin on October 25, 2011, followed by a funeral the following day at Glasnevin Cemetery Chapel, where it is afterwards cremated.
O’Shannon’s wife, Patsy, whom he met while they were working for The Irish Times office in London, dies in 2006. They are married for more than 50 years. In a 2008 television documentary O’Shannon admits that throughout his marriage he had been a serial womaniser, who had repeatedly engaged in extra-marital affairs unbeknownst to his wife.
Director-General of RTÉNoel Curran says O’Shannon had brought into being “some of the great moments in the RTÉ documentary and factual schedule over the past five decades.” In tribute, RTÉ One shows the documentary Cathal O’Shannon: Telling Tales on November 10, 2011. It had originally aired in 2008 to mark his 80th birthday.
Patrick Anthony HennessyRHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.
Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.
Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.
Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.
On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.
From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.
In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.
In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.
In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.
Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.
Stoker’s father, Abraham Stoker, is a civil servant and his mother, Charlotte Mathilda Blake Thornley, is a charity worker and writer. Stoker is a sickly child and is bedridden with an unknown illness until he starts school at the age of seven, when he makes a complete recovery. Growing up his mother tells him a lot of horror stories which may have influence on his later writings.
In 1864 Stoker enters Trinity College, Dublin. While attending college he begins working as an Irish civil servant. He also works part time as a free lance journalist and drama critic. In 1876 he meets Henry Irving, a famous actor, and they soon become friends. Not long after that, Stoker meets and falls in love with an aspiring actress named Florence Balcombe whom he marries on December 4, 1878 at St. Anne’s Parish Church, Dublin. In 1878 he accepts a job working in London as Irving’s personal secretary.
On December 9, Stoker and his new wife move to England to join Irving. His first book The Duties of Clerks of Petty Sessions in Ireland, though written while he is still in Dublin, is published in 1879. On December 30, 1879 Stoker and his wife have their only child, a son Noel. While in England Stoker also writes several novels and short stories. His first book of fiction, Under the Sunset, is published in 1881.
Stoker visits the English coastal town of Whitby in 1890, a visit that is said to be part of the inspiration for Dracula. Before writing Dracula, he meets Ármin Vámbéry, a Hungarian writer and traveler. Dracula likely emerges from Vámbéry’s dark stories of the Carpathian Mountains. Stoker then spends several years researching European folklore and mythological stories of vampires.
Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship’s logs, and newspaper clippings, all of which add a level of detailed realism to the story, a skill which Stoker develops as a newspaper writer. At the time of its publication, Dracula is considered a “straightforward horror novel” based on imaginary creations of supernatural life.
The original 541-page typescript of Dracula is believed to have been lost until it is found in a barn in northwestern Pennsylvania in the early 1980s. It consists of typed sheets with many emendations, plus handwritten on the title page is “THE UN-DEAD.” The author’s name is shown at the bottom as Bram Stoker. The typescript is purchased by Microsoft co-founder Paul Allen.
Born on May 2, 1951, Dwyer is originally from Saint John’s Park in Tralee, County Kerry. His mother, Mary, outlives him. He has two sisters, Anne and Maria. As a young man in the early 1970s he takes part in the Tralee Film Society, for which he provides notes to The Kerryman. At this time he is employed by the County Library in Tralee. He begins working for In Dublin followed by the Sunday Tribune and The Sunday Press.
In the 1990s, Dwyer presents the film show Freeze Frame for public service broadcaster RTÉ. The show results from a friendship he had formed with Alan Gilsenan and Martin Mahon of Yellow Asylum Films. He is also known for his appearances on the radio shows Morning Ireland and The Marian Finucane Show. The editor of The Irish Times, Geraldine Kennedy, speaking after Dwyer’s death, says he was an “enthusiastic advocate” of both national and international cinema and had once said he was “one of those lucky people in life who was able to pursue his interests and call them work.”
Dwyer becomes unwell following a trip to the Cannes Film Festival in May 2009. He takes a break from writing for The Irish Times, returning in December 2009 to contribute his first, and what is to be his last ever, piece in six months to weekly entertainment supplement The Ticket. The article is a review of cinema in 2009 and of the 2000s, and in his contribution he references the ill health which had haunted him for much of the previous year and which had prevented him from viewing any cinema releases between June and September.
A ceremony takes place at the Church of the Holy Name in Ranelagh where Dwyer lived. The event is attended by notable politicians, journalists, artists, actors, writers and musicians. RTÉ newsreader Aengus Mac Grianna, a colleague of Jennings, reads a tribute to Dwyer. Daniel Day-Lewis gives a very special tribute at the church service to his dear friend of over 20 years, calling for the Jameson International Dublin Film Festival to be renamed in Dwyer’s honour.
Dwyer is cremated after the funeral on January 5, 2010.
Higgins is born in Belfast on March 18, 1949. He starts playing snooker at the age of eleven, often in the Jampot club in his native Sandy Row area of south Belfast and later in the YMCA in the nearby city centre. At age fourteen and weighing seven and a half stone (47.6 kg), he leaves for England and a career as a jockey. However, he never makes the grade because, in his youth, he drinks a lot of Guinness and eats a lot of chocolate, making him too heavy to ride competitively. He returns to Belfast and by 1965, at the age of sixteen, he has compiled his first maximum break. In 1968 he wins the All-Ireland and Northern Ireland Amateur Championships.
Higgins turns professional at the age of 22, winning the World Snooker Championship at his first attempt in 1972, against John Spencer winning 37–32. Higgins is then the youngest ever winner of the title, a record retained until Stephen Hendry‘s 1990 victory at the age of 21. In April 1976, Higgins reaches the final again and faces Ray Reardon. Higgins leads 11–9, but Reardon makes four centuries and seven breaks over 60 to pull away and win the title for the fifth time with the score of 27–16. Higgins is also the runner-up to Cliff Thorburn in 1980, losing 18–16, after being 9–5 up. Higgins wins the world title for a second time in 1982 after beating Reardon 18–15 (with a 135 total clearance in the final frame). It was an emotional as well as professional victory for him. Higgins would have been ranked No. 1 in the world rankings for the 1982-1983 season had he not forfeited ranking points following disciplinary action.
Throughout his career, Higgins wins 20 other titles, one of the most notable being the 1983 UK Championship. In the final he trails Steve Davis 0–7 before producing a famous comeback to win 16–15. He also wins the Masters twice, in 1978 and in 1981, beating Cliff Thorburn and Terry Griffiths in the finals respectively. Another notable victory is his final professional triumph in the 1989 Irish Masters at the age of 40 when he defeats a young Stephen Hendry, which becomes known as “The Hurricane’s Last Hurrah.”
Higgins comes to be known as the “People’s Champion” because of his popularity, and is often credited with having brought the game of snooker to a wider audience, contributing to its peak in popularity in the 1980s. He has a reputation as an unpredictable and difficult character. He is a heavy smoker, struggles with drinking and gambling, and admits to using cocaine and marijuana.
First diagnosed with throat cancer in 1998, Higgins is found dead in bed in his flat on July 24, 2010. The cause of death is a combination of malnutrition, pneumonia, and a bronchial condition. Higgins’ funeral service is held in Belfast on August 2, 2010. He is cremated and his ashes are interred in Carnmoney Cemetery in Newtownabbey, County Antrim.
Mallon is presumed to have infected 51 people, three of whom die, over the course of her career as a cook. She is twice forcibly isolated by public health authorities and dies after a total of nearly three decades in isolation.
Mallon is born on September 23, 1869, in Cookstown, County Tyrone in what is now Northern Ireland. She immigrates to the United States in 1883 at the age of fifteen and lives with her aunt and uncle.
From 1900 to 1907, Mallon works as a cook in the New York City area for seven families. In 1900, she works in Mamaroneck, New York, where, within two weeks of her employment, residents develop typhoid fever. In 1901, she moves to Manhattan, where members of the family for whom she works develop fevers and diarrhea, and the laundress dies. Mallon then goes to work for a lawyer but leaves after seven of the eight people in that household become ill.
In 1906, Mallon takes a position in Oyster Bay, Long Island, and within two weeks ten of the eleven family members are hospitalized with typhoid. She changes jobs again and similar occurrences happen in three more households. She works as a cook for the family of a wealthy New York banker, Charles Henry Warren. When the Warrens rent a house in Oyster Bay for the summer of 1906, Mallon goes along as well. From August 27 to September 3, six of the eleven people in the family come down with typhoid fever. The disease at that time is “unusual” in Oyster Bay, according to three medical doctors who practice there. Mallon is subsequently hired by other families and outbreaks follow her.
Mallon attracts so much media attention that she is called “Typhoid Mary” in a 1908 issue of the Journal of the American Medical Association. Later, in a textbook that defines typhoid fever, she is again called “Typhoid Mary.”
The New York City Health Inspector determines her to be a carrier. Under sections 1169 and 1170 of the Greater New York Charter, Mallon is held in isolation for three years at a clinic located on North Brother Island.
Upon her release, Mallon is given a job as a laundress. In 1915, Mallon starts another major outbreak, this time at Sloane Hospital for Women in New York City. Twenty-five people are infected and two die. She again leaves, but the police are able to locate and arrest her when she brings food to a friend on Long Island. After arresting her, public health authorities return her to quarantine on North Brother Island on March 27, 1915.
The funeral cortege arrives at the church in Glencullen at 11:00 AM and is met by an honour guard from the Coast Guard and other rescue services. Captain Fitpatrick’s parents, four siblings, her young son Fionn, and other family members accompany the coffin into the church.
In his homily, Parish Priest Fr. Andrew O’Sullivan says St. Patrick’s church has seen many sad and tragic funerals but few as sad and sorrowful as this one. He pays tribute to the Fitzpatrick family and says they and the community have lost a loved and valued member. He adds that the congregations’ thoughts are with Captain Fitzpatrick’s three crew members who have yet to be found.
Fr. O’Sullivan says the family takes comfort from the fact that Dara had lived life to the fullest. Mourners hear that as well as being a loving mother, Dara was an avid traveller, cook and animal lover.
Poor weather conditions off the west coast of Ireland hamper the search for the three missing crew members and the wreckage of the Coast Guard helicopter R116. On March 22, the wreckage of the main part of the helicopter is detected by underwater cameras about 60 metres off Blackrock Island. The body of co-pilot Captain Mark Duffy is found in the cockpit section of the wreckage. A helmet and lifejacket belonging to one of the two missing crewmen is discovered on a beach on the Mullet Peninsula on September 30, 2017.
(From: Captain Dara Fitzpatrick remembered during funeral service, RTÉ.ie, the website of Raidió Teilifís Éireann, Ireland’s National Public Service Broadcaster, March 18, 2017)
Fenians William Philip Allen, Michael Larkin, and Michael O’Brien, known as the Manchester Martyrs, are publicly hanged for the murder of a police officer in Manchester, England on November 23, 1867, during an incident that becomes known as the Manchester Outrages.
The three are members of the Irish Republican Brotherhood, also known as the Fenians, an organisation dedicated to ending British rule in Ireland, and are among a group of 30–40 Fenians who attack a horse-drawn police van transporting two arrested leaders of the Brotherhood, Thomas J. Kelly and Timothy Deasy, to Belle Vue Gaol. Police Sergeant Charles Brett, traveling inside with the keys, is shot and killed as the attackers attempt to force the van open by blowing the lock. Kelly and Deasy are released after another prisoner in the van takes the keys from Brett’s body and passes them to the group outside through a ventilation grill. The pair escape and make their way to safety in the United States. They are never recaptured, despite an extensive search.
Two others are also charged and found guilty of Brett’s murder, Thomas Maguire and Edward O’Meagher Condon, but their death sentences are overturned — O’Meagher Condon’s through the intercession of the United States government as he is an American citizen, and Maguire’s because the evidence given against him is considered unsatisfactory. Allen, Larkin, and O’Brien are publicly hanged on a temporary structure built on the wall of Salford Gaol on November 23, 1867, in front of a crowd of 8,000–10,000 people.
The bodies of the three men are buried in the New Bailey Prison graveyard, from which they are transferred to Strangeways Prison cemetery when New Bailey Prison is closed in 1868. In 1991 their remains are cremated and reinterred at Blackley Cemetery in Manchester.
Brett is the first Manchester City Police officer to be killed on duty, and he is memorialised in a monument in St. Ann’s Church. Allen, Larkin, and O’Brien are also memorialised, both in Manchester, where the Irish community makes up more than 10 percent of the population, and in Ireland, where they are regarded by many as inspirational heroes.
(Pictured: Manchester Martyrs monument, Glasnevin Cemetery, Dublin)
Mowlam joins the Shadow Cabinet when John Smith becomes leader of the Labour Party in 1992, holding the title of Shadow Secretary of State for National Heritage. During this time, she antagonises both monarchists and republicans by calling for Buckingham Palace to be demolished and replaced by a “modern” palace built at public expense. Later, her willingness to speak her mind, often without regard to the consequences, is seen as her greatest strength by her supporters.
Following Smith’s death in 1994, Mowlam, alongside Peter Kilfoyle, becomes a principal organiser of Tony Blair‘s campaign for the Labour leadership. After his victory, Blair makes her Shadow Secretary of State for Northern Ireland. She initially resists being appointed to the position, preferring an economic portfolio, but, after accepting it, she throws her weight into the job.
Mowlam oversees the negotiations which lead to the 1998 Good Friday Agreement. She is successful in helping to restore an Irish Republican Army (IRA) ceasefire and including Sinn Féin in multi-party talks about the future of Northern Ireland. In an attempt to persuade the Ulster loyalists to participate in the peace process, she pays an unprecedented and potentially dangerous visit to loyalist prisoners in HM Prison Maze, meeting convicted murderers face-to-face and unaccompanied.
Mowlam witnesses the Good Friday Agreement signing in 1998, which leads to the temporary establishment of a devolved power-sharing Northern Ireland Assembly. However, an increasingly difficult relationship with Unionist parties means her role in the talks is ultimately taken over by Tony Blair and his staff.
Mowlam’s deteriorating relationship with Unionists is the key reason she is replaced by Peter Mandelson as Northern Ireland Secretary in October 1999. Her move to the relatively lowly position of Minister for the Cabinet Office possibly involves other factors, notably her health and her popularity. On September 4, 2000, she announces her intention to retire from Parliament and relinquishes her seat at the 2001 general election.
Five months before the 1997 general election, Mowlam is diagnosed with a brain tumor, a fact that she tries to keep private. She appears to suffer from balance problems as a result of her radiotherapy. According to her husband, she falls on July 30, 2005, receiving head injuries and never regaining consciousness. Her living will, in which she asks not to be resuscitated, is honoured. On August 12, 2005, Mowlan is moved to Pilgrims Hospice in Canterbury, Kent, where she dies seven days later, on August 19, 2005, aged 55.
Mowlam is an atheist and is cremated in Sittingbourne on September 1, 2005 at a non-religious service conducted by Reverend Richard Coles, formerly of the 1980s band The Communards. Half of her ashes were scattered at Hillsborough Castle, the Secretary of State for Northern Ireland’s official residence, and the other half in her former parliamentary constituency of Redcar.