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Birth of Evelyn Gleeson, Designer & Co-founder of Dun Emer Press

Evelyn Gleeson, English embroidery, carpet, and tapestry designer, is born on May 15, 1855, in Knutsford, Cheshire, England. Along with Elizabeth and Lily Yeats, she establishes the Dun Emer Press.

Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.

Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.

During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.

Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.

Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.

Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.

The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.

Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.

(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Mary Harney, Tánaiste & Progressive Democrats Leader

Mary Harney, politician, leader of the Progressive Democrats, and Tánaiste, is born in Ballinasloe, County Galway, on March 11, 1953.

Harney studies economics at Trinity College Dublin and is the first woman auditor of the College Historical Society, popularly referred to as “The Hist.” After graduation she spends a year teaching mathematics and economics at Castleknock College in Dublin. In 1977, her political career begins when she is appointed to Seanad Éireann, becoming the youngest ever member of the Seanad in Ireland. She continues to make history throughout here 34-year career in politics.

Ever ready to challenge the status quo, Harney’s entire political life is characterised by a passion for reform, innovation and enterprise. After seventeen years in government, she reaches the height of her career. She serves as Tánaiste from 1997 to 2006, becomes the first woman to lead a political party in Ireland and holds many important ministerial portfolios. She is also notably the longest serving female Government minister and Teachta Dála (TD) in the state’s history.

Harney’s work in environmental protection leads to major improvement in the air quality in Dublin as she tackles the problem of smog in the capital by making Dublin a smokeless fuel city. By founding the Environmental Protection Agency (EPA) she leads a unified response among all 31 local authorities in their responsibility towards licensing and monitoring environmental standards. She establishes the first recycling initiative in the country.

During her tenure as Minister for Enterprise, Trade and Employment (1997-2004), Harney promotes indigenous industry and foreign direct investment in the country and leads many trade and investment missions to various parts of the world, working with both national and international companies. She works particularly to enhance the presence of high technology companies both indigenous and international in Ireland. She leads a major drive to increase employment in Ireland through a combination of activation measures for unemployed people and improving incentives for people to take up jobs. She pioneers the first ever major programme of investment in basic research in Ireland through Science Foundation Ireland based on internationally peer-reviewed projects. She establishes the Personal Injuries Assessment Board, avoiding unnecessary legal intervention and in turn dramatically cuts the cost of insurance in Ireland, notably in the areas of Employers’ and Public Liability and Motor Insurance. She strengthens competition law and enforcement and establishes an independent office for corporate enforcement.

As Minister for Health and Children (2004-2011), Harney begins the move towards a unified Health Service by replacing a number of politically-dominated Health Boards with the Health Service Executive (HSE). She establishes an independent Health Information and Quality Authority (HIQA) to provide an independent inspector of the delivery of health services in Ireland and leads the reform of cancer services by consolidating them to eight specialist centres. She introduces “Fair Deal,” a financing mechanism to deliver nursing home care for the elderly. She reforms the regulation of the Medical and Pharmacy Professions, introducing statutory requirements to maintain professional competence. She introduces, for the first time, a lay majority on the boards of the Medical Council of Ireland and of the Pharmaceutical Society of Ireland (PSI).

Harney wins a number of awards as employment minister and for promoting science and innovation. She serves as president of the Council of the European Union during Irish presidency and is a member of International Women’s Forum. She is the youngest member of Seanad Éireann and the longest serving female member of Dáil Éireann. She is the first woman leader of an Irish political party and the first woman to be Tánaiste. She is twice selected as Woman of the Year in Ireland. She is awarded an honorary doctorate from Trinity College Dublin in recognition of her contributions as Minister to science and innovation.

Harney is now the director of a number of private companies in pharmaceutical, healthcare, technology and financial services sectors. She provides business advisory services to a range of companies and organisations. She also undertakes speaking engagements, particularly in a business context. She is the current Chancellor of the University of Limerick.

(From: http://www.maryharney.ie, photo by Steve Humphreys)