Daniel Doyle, Irish folk singer, is born in Dublin on April 28, 1940. During the 1960s and 1970s, he is one of the top Irish singers, regularly featuring in the Irish charts and scoring three No.1 singles. He records twenty-five albums and is known for his chart-topping songs “Whiskey on a Sunday,” “Daisy a Day” and “The Rare Ould Times.”
After leaving school at the age of fourteen, Doyle starts doing odd jobs, including working as general factotum in Dublin’s Pike Theatre, where he begins to pick up, from the travelling players, songs from the Irish countryside.
During the 1960s and 1970s, Doyle is one of the top Irish singers, regularly featuring in the Irish charts and scoring three No.1 singles. His song “The Rare Auld Times” notably displaces ABBA‘s “Take a Chance on Me” after just one week at the top. The song is composed in the 1970s by Pete St. John for the Dublin City Ramblers and peaks on the Irish Music Charts for twelve weeks. In 1979, he is the first artist to record St. John’s song “The Fields of Athenry.” He is probably best known for his 1967 number one hit “Whiskey on a Sunday.” His other notable works are “A Daisy a Day” and “The Rare Auld Times.” The hit songs “Daisy A Day,” “Streets of London,” “Lizzie Lindsay” and “Whiskey on a Sunday” that are released in the 1960s make him popular.
In 1983, Doyle moves to the United States from Ireland.
St. John is the eldest of six children born to Tommy and Lottie Mooney. He is educated at Scoil Muire Gan Smál and Synge Street CBS. He emigrates to Ontario, Canada in 1958 where he takes what labouring jobs he can find. Within six months he meets a woman named Gert Gorman who has an electrical contracting company in the United States. She and her husband sponsor him to move to Washington, D.C., where he is able to work as an electrician. He marries his sweetheart, Susie Bourke, who is from a well-known Dublin theatrical family with links to both the Gaiety and the Olympia theatres. They have two sons, Kieron and Brian. He travels widely and becomes involved in the peace movement and the civil rights movement. He remains in the United States until 1970, returning to settle in Collins Avenue in north Dublin.
The Dublin city that St. John returns to is a changed place from the one he had grown up in and proves to be the spur that inspires his songwriting. He chooses “St. John” as his nom de plume, inspired by a middle name he had been given while at school when all the boys in his class were assigned saints’ names. In 1975, he is running a theatre in Petticoat Lane on Marlborough Street, and while fixing an alarm outside a window on the first floor, the ledge on which he is leaning gives way, resulting in a bad fall. He breaks his elbow and hip and spends six months in the hospital recuperating. It is during this time that he takes to songwriting in earnest.
St. John is an extrovert who loves people. He is a voracious reader with a particular interest in Irish history. His son Kieron recalls his father writing “The Rare Aul Times” during this recovery period and singing it to his family. The Dublin City Ramblers is the first band to cover the song, but it is Danny Doyle’s version that achieves a real breakthrough, spending eleven weeks in the Irish Singles Chart, reaching No. 1 in 1978.
In 1978, St. John writes “The Fields of Athenry,” a tale of a man exiled to Botany Bay for stealing food to feed his family during the Famine. It has been recorded by several artists, charting in the Irish Singles Chart on a number of occasions. A recording by Paddy Reilly, which is released in 1982, remains in the Irish charts for 72 weeks.
St. John pays close attention to the melding of lyric and melody and has particular form in writing memorable melodies that sound timeless, resonating deeply with listeners across all walks of life. His songs sometime express regret for the loss of old certainties, for example, the loss of Nelson’s Pillar and the Metropole Ballroom, two symbols of old Dublin, as progress makes a “city of my town.”
St. John describes his chosen craft with affection. “Songs are magic carpets. They can tell a story over and over again without boring the pants off the listener and maybe take us out of ourselves for a few moments of peaceful escapism. With easy to remember melody lines, the words can tell of times and events in our daily lives that are worth noting or remembering.”
St. John’s songbook consists of hundreds of compositions, including “The Ferryman,” “Waltzing on Borrowed Time” and “The Furey Man” and are recorded by over 2,500 artists. He is a founding member of the Irish Music Rights Organisation (IMRO) and is always generous and supportive of younger writers, some of whom he continues to mentor well into his 80s.
St. John is surprised and delighted at the affiliation that emerges between “The Fields of Athenry” and rugby and football sporting events. He is present in Croke Park in 2007 when Ireland beats England in the Six Nations, and where the song is sung three times over. It is a song often heard in Anfield in Liverpool, and at Glasgow Celtic games, and reverberates around the stadium at Chicago’s Soldier Field when Ireland beats the All Blacks on November 5, 2016.
St. John wins several awards, including the Irish Music Rights Organisation “Irish Songwriter of the Year.”
St. John lives life to the fullest, and while he suffers ill health in his later years with both diabetes and Parkinson’s disease, he never loses his zest for life. His son Kieron describes his father with affection as a man who had nine lives and lived them all to the fullest. He lives independently at home until his admission to Beaumont Hospital in Dublin. He dies peacefully there at the age of 90 on March 12, 2022. After his funeral, Paddy Reilly and Glen Hansard perform “The Fields of Athenry” at Beaumont House in Dublin as a tribute.
Reilly has two sisters, Jean and Linda. Linda sadly dies at the young age of 26, when he is still a teenager. His father works in the Swiftbrook Papermills, the main employer for the area, and whose claim to fame is to have produced the paper on which the 1916 Proclamation of the Irish Republic was printed. His mother is a homemaker and both are fond of a singsong, especially at house parties.
Reilly releases his version of “The Fields of Athenry” as a single in 1983. It is the most successful rendition of this song, remaining in the Irish charts for 72 weeks.
For years a solo performer, Reilly joins The Dubliners in 1996 as a replacement for long-time member Ronnie Drew who had left the group to embark on a solo career. He leaves the group in 2005 and is replaced by Patsy Watchorn. He then moves to New York City where he owns a number of pubs, including Paddy Reilly’s on 29th Street and 2nd Avenue. After living in New York for several years, he returns to Ireland.
Trevelyan is the son of a Cornish clergyman, the Venerable George Trevelyan, who becomes Archdeacon of Taunton, and his wife Harriet, daughter of Sir Richard Neave. As a young man, he works with the colonial government in Calcutta, India. In the late 1850s and 1860s he serves there in senior-level appointments.
Trevelyan’s most enduring mark on history may be the quasi-genocidalanti-Irish racial sentiment he expresses during his term in the critical position of administrating relief to the millions of Irish peasants suffering under the Great Famine, an Gorta Mór, as Assistant Secretary to HM Treasury (1840–1859) under the Whig administration of Lord John Russell.
During the height of the famine Trevelyan deliberately drags his feet in disbursing direct government food and monetary aid to the Irish due to his strident belief in laissez-faire economics and the free hand of the market. In a letter to an Irish peer, Thomas Spring Rice, 1st Baron Monteagle of Brandon, a former Chancellor of the Exchequer, he describes the famine as an “effective mechanism for reducing surplus population” as well as “the judgement of God” and writes that “The real evil with which we have to contend is not the physical evil of the Famine, but the moral evil of the selfish, perverse and turbulent character of the people.”
Trevelyan never expresses remorse for his comments, even after the full dreadful scope of the Irish famine becomes known. His defenders claim that other factors than Trevelyan’s personal acts and beliefs are more central to the problem.
Sir Charles Trevelyan dies at the age of 70 at 67 Eaton Square, London, on June 19, 1886.
Trevelyan is referred to in the modern Irish folk songThe Fields of Athenry about an Gorta Mór. For his actions, or lack thereof, during the Great Famine, he is commonly considered one of the most detested figures in Irish history, along with the likes of Oliver Cromwell.
seamus dubhghaill 