In 1838, Hill purchases land in Gweedore (Irish: Gaoth Dobhair), a “district” in northwest County Donegal in the west of Ulster, and, over the next few years, he expands his holdings to 23,000 acres. He himself describes the condition of the local population as “more deplorable than can well be conceived.” According to the schoolmaster, Patrick McKye, they are in the “most needy, hungry and naked condition of any people.” Among other improvements, he builds a port, Bunbeg Harbour, to encourage fishing, improves the roads and other infrastructure, and constructs The Gweedore Hotel to attract wealthy tourists.
However, Hill’s attempts to reform local farming practices, in particular, his suppression of the rundale system of shared landholding, proves unpopular and controversial. While his reforms may have protected Gweedore from the worst effects of the Great Famine of the 1840s, as the local population did not decrease, as it did elsewhere in Ireland, his attitude to the famine is uncompromising and unsympathetic:
“The Irish people have profited much by the Famine, the lesson was severe; but so were they rooted in old prejudices and old ways, that no teacher could have induced them to make the changes which this Visitation of Divine Providence has brought about, both in their habits of life and in their mode of agriculture.”
Hill’s book Facts from Gweedore (1845) provides an account of conditions in Gweedore and seeks to explain and justify Hill’s agricultural reforms. It runs to five editions and plays a large part in the bitter public debates about the effects of Irish landlordism. In June 1858, he gives evidence to a House of Commonsselect committee on Irish poverty. The committee is critical of his actions.
Hill is twice married, to two sisters, daughters of Edward Austen Knight, brother of Jane Austen. On October 21, 1834, he marries Cassandra Jane Knight (1806–42). They have four children:
Norah Mary Elizabeth Hill (December 12, 1835 – April 24, 1920)
Captain Arthur Blundell George Sandys Hill (May 13, 1837 – June 16, 1923)
Augustus Charles Edward Hill (March 9, 1839 – December 9, 1908)
Cassandra Jane Louisa Hill (March 12, 1842 – August 16, 1901)
On May 11, 1847, Hill marries Louisa Knight (1804–89), niece and goddaughter of Jane Austen. She had moved to Ulster after Cassandra’s death to look after the children. The marriage prompts a parliamentary investigation into the legality of a marriage between a widower and his deceased wife’s sister. They have one son:
George Marcus Wandsbeck Hill (April 9, 1849 – March 22, 1911)
Hill dies at his residence, Ballyare House, in Ramelton, County Donegal, on April 6, 1879. He is buried at Conwal Parish Church in Letterkenny, alongside his first wife.
O’Hegarty comes from a family with strong nationalist roots. His parents are John, a plasterer and stucco worker, and Katherine (née Hallahan) Hegarty. His elder brother is Patrick Sarsfield O’Hegarty, the writer. His parents’ families emigrated to the United States after the Great Famine, and his parents married in Boston. His father is a member of the Irish Republican Brotherhood (IRB). In 1888, his father dies of tuberculosis at the age of 42, and his mother has to work to support the family.
O’Hegarty is educated at the Christian BrothersNorth Monastery school in Cork. By 1902, he has left school to work as a sorter in the local post office, rising to post office clerk. He is a supporter of the Gaelic revival, Irish traditional music, and Gaelic games. A committed sportsman, in his twenties he is captain of the Post Office HQ’s hurling team. He follows his brother Patrick into Conradh na Gaeilge and eventually the Irish Volunteers and the Irish Republican Brotherhood. He is a member of the Celtic Literary Society by 1905 and founds the Growney branch of Conradh na Gaeilge in 1907. A puritanical character by nature, he is a non-smoker and never drinks.
O’Hegarty is a founder of the local branch of the Irish Volunteers in Cork in December 1913. In June of the following year, he is appointed to the Cork section of the Volunteer Executive, and then to the Military Council. In October, the Dublin government discovers his illegal activities, and he is dismissed. Excluded from Cork under the Defence of the Realm Act (DORA) regulations, he moves to Ballingeary, where he works as a labourer. From there he moves to Enniscorthy, County Wexford, where he lives with Larry de Lacy. On February 24, 1915, he is arrested and tried under the Defence of the Realm Act for putting up seditious posters. But for this and a second charge of “possession of explosives” he is discharged. The explosives belonged to de Lacy.
The Volunteers appoint O’Hegarty as Commandant of Ballingeary and Bandon. During the Easter Rising, he is stationed in Ballingeary when visited by Michael McCarthy of Dunmanway to propose an attack on a Royal Irish Constabulary (RIC) post at Macroom. But their strength is fatally weakened and, having no reserves, they call off the attempt. In 1917, he becomes Vice-commandant of No.1 Cork Brigade. He works as a storekeeper at the workhouse but is intimidating, and clashes with the Poor Law Guardians.
During the Irish War of Independence, O’Hegarty is one of the most active in County Cork. Like others, he is exasperated with Tomás Mac Curtain’s inactivity and refusal to be more bellicose. One such is battalion commander Richard Langford, who joins with O’Hegarty’s unit to make an unauthorized raid on the RIC post at Macroom. Langford is court-martialed, but O’Hegarty continues to rise in the ranks. When a RIC Inspector is murdered, Mac Curtain condemns the shootings and calls for their end. On March 19, 1920, Mac Curtain is shot and killed in his home in Cork. The coroner blames the British establishment in Dublin, but the police never make any attempt to investigate the killings. Shortly after these events General Hugh Tudor begins the policy of official reprisals.
In January 1920, an inquiry is held into corruption alleged against “Hegarty’s Mob” or “Hegarty’s Crowd” running Cork City. O’Hegarty blames the former mayors for the charges of incompetence but remains on good terms with them.
In a raid on Cork City Hall on August 12, 1920, the British manage to net all the top brass of the IRA in Cork. In an incredible failure of intelligence, they do not identify the leadership as their prisoners. They are all released, including Liam Lynch, and O’Hegarty. Only Terence MacSwiney, the new Lord Mayor of Cork, is kept in custody and sent to England.
On February 25, 1921, the Coolavokig ambush is carried out by the 1st Cork Brigade under O’Hegarty at Ballyvourney village, on the road between Macroom and Ballyvourney. The IRA suffers no casualties; however, the number of British casualties has been disputed to this day.
The brigade commanders in the southern division retain a residual lingering resentment of Dublin GHQ’s lack of leadership and supplies. Seán Moylan, commandant of No. 2 Cork Brigade, thinks good communications with No.1 Brigade are to be vital, but little of this is seen via the organizer, Ernie O’Malley, at GHQ. At a meeting set up for April 26, 1921, when the manual of Infantry Training 1914 is produced, the document raises great anger. The meeting ends in uproar when O’Hegarty, who is “a master of invective, tore the communication and its authors to ribbons.”
O’Malley and Liam Lynch, the general, meet with O’Hegarty in the mountains of West Cork, near a deserted farmhouse, just off the main road. In the retreat that follows, the Irish take heavy casualties and leave their wounded to the good care of the British. These are the “Round-ups” in which the Irish sleep outside in order to avoid being at home when the Army calls. They are told by the Brigade to learn the national anthem of England to avoid arrest.
In East Cork brigade, O’Hegarty uncovers a spy ring. He is ruthless in the treatment of Georgina Lindsay and her chauffeur, who give away information to the Catholic clergy, but is remarkably lenient on brigade traitors within. He is allegedly not too bothered about evidence but is reminded that all executions of a traitor have to be approved by Dublin first.
O’Hegarty becomes more and more aggressive toward the establishment, using tough language to impose his will over the area. He attempts to force the civilian Teachtai Dála (TDs) for Cork to stand down, to give way to military candidates, telling the Dáil in December 1921, that any TD voting for the treaty will be guilty of treason. But Éamon de Valera is decided and overrules any interference with the Civil Government. Like the commanders, de Valera rejects the treaty but has already been defeated in the Dáil on a vote by W. T. Cosgrave‘s majority.
On February 1, 1922, O’Hegarty marries Maghdalen Ni Laoghaire, a prominent member of Cumann na mBan.
O’Hegarty is on the IRA’s Executive Council, but when there is a meeting on April 9, 1922, it is proposed that the Army should oppose the elections by force. As a result, Florence O’Donoghue and Tom Hales join him in resigning. In May, he and Dan Breen enter into negotiations with Free Stater Richard Mulcahy. A statement is published in the press asking for unity and acceptance of the Treaty. During this time, the republicans become very demoralized and ill-disciplined, but they have to gain strength before announcing independence from Dublin. The debate amongst the anti-Treaty IRA command is increasingly rancorous.
The bitter divisions split the anti-treatyites into two camps. Two motions are debated at the Army Convention on June 18, 1922. At first, the motion to oppose the treaty by force is passed. These men include Tom Barry, Liam Mellows, and Rory O’Connor, who are all in favour of continuing the fight until the British are driven out of Ireland altogether. However, one brigade’s votes have to be recounted, and then the motion is narrowly defeated. Joe McKelvey is appointed the new chief of staff, but the IRA is in chaos. While he strongly opposes the Anglo-Irish Treaty, O’Hegarty takes a neutral role in the Irish Civil War and tries to avert hostilities breaking out into full-scale civil war. He emerges as a leader of the “Neutral IRA” with O’Donoghue. This is a “loose” confederation of 20,000 men who have taken part in the pre-truce wars but have remained neutral during the Civil War from January 1923. Over 150 persons attend its convention in Dublin on February 4, 1923. By April 1923, O’Malley is imprisoned in Mountjoy Prison. In a letter to Seamus O’Donovan on April 7, he blames Hegarty for all this compromise and “peace talk.”
It has been alleged by the author Gerard Murphy that O’Hegarty had a role in the assassination of the Commander-in-Chief, Michael Collins, in August 1922, along with Florrie O’Donoghue and Joe O’Connor. It is alleged that as members of the 1st Southern Division Cork, they are actually feigning claims of neutrality but remain part of the IRB in order to set up talks towards peace and the cessation of hostilities at the start of the Irish Civil War.
Although probably an atheist during the Irish War of Independence, O’Hegarty returns to the Catholic church later in life. On forming the Neutral Group of the IRA in December 1922, he tries to unify differences in the volunteers between Republicans and the Free Staters. He communicates with the Papal Nuncio during the inter-war years in an attempt to have Bishop of CorkDaniel Cohalan‘s excommunication bill lifted. Instead, he turns to commemoration as a way to earn favour in Rome, with the dedication of a Catholic church at St. Finbarr’s Cemetery. After his wife’s passing, he becomes a close friend with Florence O’Donoghue until his own death.
Brown is born on June 22, 1777, in Foxford, County Mayo. Comparatively little is known of his early life, and it has been suggested that he was illegitimate and took his mother’s surname and that his father’s surname was actually Gannon. He emigrates with his father to Baltimore, Maryland, in 1793, eventually settling in Philadelphia, Pennsylvania. A short time after their arrival, the friend who had invited them and offered them food and hospitality dies of yellow fever. Several days later, his father also succumbs to the same disease.
One morning, while Brown is wandering along the banks of the Delaware River, he meets the captain of a ship then moored in port. The captain inquires if he wants employment and Brown agrees. The captain engages him as a cabin boy, thereby setting him on the naval promotion ladder, where he works his way to the captaincy of a merchant ship. After ten years at sea, where he develops his skills as a sailor and reaches the rank of captain, Brown is press-ganged into a Royal Navy warship. British impressment of American sailors is one of the primary issues leading to the War of 1812.
During the Napoleonic Wars, Brown escapes the ship he is serving on, a galley, and scuttles the vessel. However, the French do not believe he had assisted them and imprison him in Lorient. On being transferred to Metz, he escapes, disguised in a French officer’s uniform. However, he is recaptured and is imprisoned in the fortress of Verdun. In 1809, he escapes from there in the company of a British Army officer named Clutchwell, and eventually reaches German territory.
Returning to England, Brown renounces his maritime career and on July 29, 1809, he marries Elizabeth Chitty, daughter of an English shipping magnate, in Kent. As he is a Catholic and she a Protestant, they agree to raise their sons as Catholics and their daughters as Protestants. Despite lengthy periods of enforced separation, they have nine children. He leaves the same year for the Río de la Plata on board Belmond and sets himself up as a merchant in Montevideo, Uruguay.
Late in 1811 Brown settles in Buenos Aires just as a criollo rebellion against Spanish colonial rule in Argentina is gaining strength. By April 1812, he is developing a coastal shipping business in fruit and hides. As the Spanish naval blockade of 1812–14 begins to choke trade, he is first commissioned by the patriot government as a privateer licensed to raid Spanish merchantmen, and then, on March 1, 1814, invited to take charge of a small rebel naval squadron to contest Spanish control of the Río de la Plata estuary. Leading a fleet of nineteen ships, he fixes with great speed on a set of wartime naval routines and signaling methods, and organises a system of discipline, founding the navy on principles that pay exceptional attention to the welfare of ordinary seamen.
In early March 1814, Brown shows personal courage and incisive skill in outwitting and defeating a more powerful Spanish force near Martín García Island, thereby dividing the Spanish blockade. A Spanish attempt in May 1814 to break his blockade of Montevideo is decisively crushed by him and his makeshift navy, and the Spanish strongholds on the Atlantic coast collapse, ending open war. In 1815 and 1816, however, he carries out skirmishing raids on military and commercial targets belonging to Spanish South American possessions, until detained by a British colonial governor in Barbados in July 1816 for alleged infringements of international rules of trade.
Illness, and a tortuous but ultimately successful appeal process, take up most of 1817–18, but when Brown returns to Argentina in October 1818, political enemies set in motion a prosecution for alleged disobedience of orders. Cashiered in August 1819, then restored in rank but forced to retire, he attempts suicide the following month. Convalescence and resumption of his trading concern occupies him for several years.
A repentant government renews Brown’s command of the navy in December 1825, when war breaks out with Brazil. Though vastly outnumbered by the Brazilian fleet, he shows audacity and great finesse in a number of successful engagements in the Plate estuary in 1826, roving up the Brazilian coast on occasion to create great confusion. In February 1827, he triumphs in a series of actions known as the Battle of Juncal. After another year of commercial privateering against the Brazilian merchant fleet, he is one of two delegates selected to sign peace terms with Brazil in October 1828.
Retiring from active service that month, Brown tries to remain neutral as civil war erupts in Argentina, but reluctantly accepts the post of governor of Buenos Aires under General Juan Lavalle from December 1828 to May 1829, when he resigns in disgust at government excesses. During 1829–37 he holds aloof from the despotic government of Juan Manuel de Rosas. After French and British encroachments on the region in the later 1830s, he offers to take charge of the navy again to protect national independence and is available to defend Argentine interests when war breaks out with a French-backed Uruguay in early 1841. Though exasperated by a long and “stupid war,” he blockades the Uruguayan navy effectively until French and British fleets intervene in July 1845 with overwhelming force to capture his squadron and bring the war to an end.
Idolised by the Argentinian population for his high-principled and humane advocacy of independent democracy, Brown passes his last years trading and farming a country estate. In late 1847, he journeys to Ireland, hoping to find relations in Mayo, and is shocked by the hunger and destitution of the Great Famine.
Brown dies on March 3, 1857, at his home in Buenos Aires and is buried with full military honours. The Argentine government issues a comuniqué: “With a life of permanent service to the national wars that our homeland has fought since its independence, William Brown symbolized the naval glory of the Argentine Republic.” During his burial, General Bartolomé Mitre famously says: “Brown in his lifetime, standing on the quarterdeck of his ship, was worth a fleet to us.” His grave is currently located in the La Recoleta Cemetery in Buenos Aires.
Daniel O’Connell, a prominent political leader in Ireland, is known for his strong advocacy for Irish independence and his efforts to bring about reforms in the British government‘s treatment of Ireland. On February 17, 1846, he takes to the floor of Britain’s House of Commons to warn of the dangers of Ireland’s Great Hunger, also known as the Potato Famine.
In 1846, Ireland is in the midst of one of its greatest disasters – the Great Hunger, a period of mass starvation caused by the failure of the potato crop, the staple food of the Irish population. The conditions in Ireland are dire, with widespread poverty, disease, and death. In response to this crisis, O’Connell takes to the floor of Britain’s House of Commons to deliver a speech warning of the dangers of the situation in Ireland.
O’Connell begins his speech by pointing out the stark reality of the situation in Ireland, where people are dying of starvation on a daily basis. He draws the attention of the House to the fact that the Irish people are suffering because of a lack of food, and that this is due to the failure of the potato crop, which is the only source of sustenance for the majority of the population. He then goes on to argue that the British government is failing in its duty to provide relief to the Irish people and that they are turning a blind eye to the suffering of the Irish people.
O’Donnell then goes on to make a passionate plea for the British government to take action to alleviate the suffering of the Irish people. He argues that the government has a moral obligation to help the Irish people and that their failure to do so will be a stain on their reputation. He also warns that the situation in Ireland is rapidly deteriorating and that unless the British government takes action soon, the situation could become much worse.
O’Connell ends his speech by calling on the British government to take immediate action to provide food and assistance to the Irish people. He argues that the government should do everything in its power to prevent further starvation and death in Ireland and that the British people have a duty to help their fellow citizens in Ireland.
O’Connell’s speech in the House of Commons is an important moment in the history of Ireland and its relationship with Britain. It is a powerful reminder of the suffering of the Irish people and a call to action for the British government to take responsibility for the crisis in Ireland. The speech is significant in that it brings attention to the plight of the Irish people and highlights the moral obligation of the British government to help those in need.
O’Connell’s speech is also significant in that it demonstrates his strong leadership skills and his ability to effectively advocate for the rights of the Irish people. His passion and commitment to helping the Irish people inspires many others to join the cause and fight for justice for the Irish people.
(From: “On This Day: Daniel O’Connell addressed British government warning of Great Hunger” by IrishCentral Staff, http://www.IrishCentral.com, February 17, 2023)
St. John is the eldest of six children born to Tommy and Lottie Mooney. He is educated at Scoil Muire Gan Smál and Synge Street CBS. He emigrates to Ontario, Canada in 1958 where he takes what labouring jobs he can find. Within six months he meets a woman named Gert Gorman who has an electrical contracting company in the United States. She and her husband sponsor him to move to Washington, D.C., where he is able to work as an electrician. He marries his sweetheart, Susie Bourke, who is from a well-known Dublin theatrical family with links to both the Gaiety and the Olympia theatres. They have two sons, Kieron and Brian. He travels widely and becomes involved in the peace movement and the civil rights movement. He remains in the United States until 1970, returning to settle in Collins Avenue in north Dublin.
The Dublin city that St. John returns to is a changed place from the one he had grown up in and proves to be the spur that inspires his songwriting. He chooses “St. John” as his nom de plume, inspired by a middle name he had been given while at school when all the boys in his class were assigned saints’ names. In 1975, he is running a theatre in Petticoat Lane on Marlborough Street, and while fixing an alarm outside a window on the first floor, the ledge on which he is leaning gives way, resulting in a bad fall. He breaks his elbow and hip and spends six months in the hospital recuperating. It is during this time that he takes to songwriting in earnest.
St. John is an extrovert who loves people. He is a voracious reader with a particular interest in Irish history. His son Kieron recalls his father writing “The Rare Aul Times” during this recovery period and singing it to his family. The Dublin City Ramblers is the first band to cover the song, but it is Danny Doyle’s version that achieves a real breakthrough, spending eleven weeks in the Irish Singles Chart, reaching No. 1 in 1978.
In 1978, St. John writes “The Fields of Athenry,” a tale of a man exiled to Botany Bay for stealing food to feed his family during the Famine. It has been recorded by several artists, charting in the Irish Singles Chart on a number of occasions. A recording by Paddy Reilly, which is released in 1982, remains in the Irish charts for 72 weeks.
St. John pays close attention to the melding of lyric and melody and has particular form in writing memorable melodies that sound timeless, resonating deeply with listeners across all walks of life. His songs sometime express regret for the loss of old certainties, for example, the loss of Nelson’s Pillar and the Metropole Ballroom, two symbols of old Dublin, as progress makes a “city of my town.”
St. John describes his chosen craft with affection. “Songs are magic carpets. They can tell a story over and over again without boring the pants off the listener and maybe take us out of ourselves for a few moments of peaceful escapism. With easy to remember melody lines, the words can tell of times and events in our daily lives that are worth noting or remembering.”
St. John’s songbook consists of hundreds of compositions, including “The Ferryman,” “Waltzing on Borrowed Time” and “The Furey Man” and are recorded by over 2,500 artists. He is a founding member of the Irish Music Rights Organisation (IMRO) and is always generous and supportive of younger writers, some of whom he continues to mentor well into his 80s.
St. John is surprised and delighted at the affiliation that emerges between “The Fields of Athenry” and rugby and football sporting events. He is present in Croke Park in 2007 when Ireland beats England in the Six Nations, and where the song is sung three times over. It is a song often heard in Anfield in Liverpool, and at Glasgow Celtic games, and reverberates around the stadium at Chicago’s Soldier Field when Ireland beats the All Blacks on November 5, 2016.
St. John wins several awards, including the Irish Music Rights Organisation “Irish Songwriter of the Year.”
St. John lives life to the fullest, and while he suffers ill health in his later years with both diabetes and Parkinson’s disease, he never loses his zest for life. His son Kieron describes his father with affection as a man who had nine lives and lived them all to the fullest. He lives independently at home until his admission to Beaumont Hospital in Dublin. He dies peacefully there at the age of 90 on March 12, 2022. After his funeral, Paddy Reilly and Glen Hansard perform “The Fields of Athenry” at Beaumont House in Dublin as a tribute.
Hogan is the third child of John Hogan, a carpenter and builder of Cove Street, Cork, County Cork, and Frances Cos, the great-granddaughter of Sir Richard Cox, Lord Chancellor of Ireland from 1703 to 1707. As the family feels that she had married beneath her station, she is disinherited.
At the age of fourteen, Hogan is placed as clerk to an attorney, where he spends much of his time carving figures in wood. After two years, he chooses to be apprenticed to the architect Sir Thomas Deane, where his talents for drawing and carving are developed. He carves balusters, capitals, and ornamental figures for Deane’s buildings. At the completion of his apprenticeship in March 1820, Deane encourages him to consider taking up sculpture as a profession. For the next three years, he attends lectures on anatomy, copies casts of classic statuary in the Gallery of the Cork Society of Arts, and makes anatomical studies in wood of feet, hands, and legs. Among the first of his works to attract notice is a life-size figure of Minerva for an insurance building built by Deane.
In 1821, Hogan carves twenty-seven statues in wood for the North Chapel in Cork for the reredos behind the high altar. After subsequent cathedral renovations, these are now positioned in decorative plasterwork over the nave. He also does a bas-relief of the “Last Supper” for the altar. This work keeps him employed for about a year.
In 1823, the engraver William Paulet Carey visits Cork, and impressed with Hogan’s talent, begins to publicise his work in order to raise subscriptions for him to study in Italy. Hogan arrives in Rome, by way of Dublin and Liverpool, in 1824. He works in the galleries of the Vatican but cannot afford a studio. Additional subscriptions allow him to improve his situation, rent a studio, purchase marble, and hire models. Danish sculptor Bertel Thorvaldsen says to him, “My son, you are the best sculptor I leave after me in Rome.”
In 1829, Hogan visits Ireland, bringing several works with him. The Royal Arts Society provides a venue for an exhibition. The Royal Dublin Society awards him a gold medal.
Hogan’s best-known work and masterpiece are the three versions of the statue of The Dead Christ or The Redeemer in Death. Created in flawless Carrara marble, the first version (1829) is located in St. Therese’s Church, Dublin, the second (1833) in St. Finbarr’s (South) Church, Cork, and the third and final version (1854) is located in the Basilica of St. John the Baptist, Newfoundland. His other works include the Sleeping Shepherd and The Drunken Faun. He assures his international reputation in 1829 with The Dead Christ. Thereafter, his creations are snapped up by Irish bishops visiting his Rome studio.
In 1840, a monumental group in memory of Bishop James Warren Doyle, founder of the Cathedral of the Assumption in Carlow, is brought to Dublin and exhibited at the Royal Exchange. The statue of Bishop Doyle is in the Cathedral of the Assumption, as is a second Hogan work depicting the Holy Family.
Hogan marries Cornelia Bevignani in Rome in 1838. The figure of Hibernia, in Hogan’s work Hibernia with the Bust of Lord Cloncurry (1844), is reportedly modelled on his wife. A representation of this work is later used as the watermark on all Series A banknotes printed in Ireland from the 1920s to the 1970s. The couple has four sons and eight daughters.
With the revolutionary movement growing in Italy during the 1840s, and after spending twenty-four years in Rome, Hogan returns with his family to Ireland in 1848. At first, he finds little work in the aftermath of the Great Famine, but gradually commissions increase. He can be impatient with ignorance, intolerant of professional inferiority, and independent. He holds aloof from other artists and refuses to join the Royal Hibernian Academy.
Hogan has a stroke in 1855 and, though he recovers somewhat, his health begins to fail. By the year prior to his death, he can no longer work and his sons, John Valentine Hogan and James Cahill, assist at his studio and complete some of the work.
Hogan dies at his home at 14 Wentworth Place (later renamed Hogan Place), Dublin, on March 27, 1858. He is buried at Glasnevin Cemetery in Dublin.
(Pictured: Scan of a drawing depicting the Irish sculptor John Hogan with his sculpture The Drunken Faun in background, published in the Dublin University Magazine, January 1850)
O’Grady’s father is the Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and his mother Susanna Doe (or Dowe). The Glebe, his childhood home, lies a mile west of Castletownbere near a famine mass grave and ruined Roman Catholic chapel. He is a cousin of Standish Hayes O’Grady, another noted figure in Celtic literature, and of Standish O’Grady, 1st Viscount Guillamore. After a rather severe education at Tipperary Grammar School, he follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady is a paradox for his times, proud of his Gaelic heritage, he is also a member of the Church of Ireland, a champion of aristocratic virtues (particularly decrying bourgeois values and the uprooting cosmopolitanism of modernity) and at one point advocates a revitalised Irish people taking over the British Empire and renaming it the Anglo-Irish Empire.
O’Grady proves too unconventional of mind to settle into a career in the church, and takes a job as a schoolmaster at Midleton College, then in a period of expansion. He also qualifies as a barrister, while earning much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran’s A general history of Ireland (1778) sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: The Heroic Period (1878) and Early Bardic Literature of Ireland (1879), he realises that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people had made the Tudors into kings of Ireland to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, O’Grady works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator, which is printed at 28 High Street. It is here he becomes involved with Ellen Cuffe, Countess of Desart, and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. He also contributes to James Larkins‘ The Irish Worker paper.
O’Grady’s influence crosses the divide of the Anglo-Irish and Irish-Ireland traditions in literature. His influence is explicitly stated by the Abbey Theatre set with Lady Gregory, W. B. Yeats and George William Russell attributing their interest in the Fenian Cycle of Gaelic tradition in part to him. This leads to him being known as the “Father of the Celtic Revival.” Some of the figures associated with the political party Sinn Féin, including its founder Arthur Griffith, have positive things to say about his efforts in helping to retrieve from the past the Gaelic heroic outlook.
O’Grady marries Margaret Allen Fisher, daughter of William Allen Fisher, and they have three sons. Advised to move away from Ireland for the sake of his health, they leave Ireland in 1918. After living in the north of France and Northamptonshire, they move to the Isle of Wight. He is working on a final exposition of his ideas when he dies suddenly on May 18, 1928.
Lawless is the only surviving son of Nicholas Lawless, wool merchant, brewer, and banker, who becomes 1st Baron Cloncurry in 1789, and Margaret Lawless (née Browne), only daughter and heiress of Valentine Browne of Mount Browne, County Limerick. He is educated privately at Portarlington, Queen’s County (now County Laois), and at Blackrock, County Dublin. He enters Trinity College Dublin (TCD) in 1789, graduating BA in 1792. After completing a tour of Europe (1792–95) he returns to Ireland, where he joins the Society of United Irishmen and the loyalistyeomanry. Pressurised by his father, he decides to study law, and is at Middle Temple from 1795 to 1798. He later claims that at a dinner party in the spring of 1797 he hears the prime minister, William Pitt, discuss his plans for a legislative union with Ireland, prompting him to write an anti-union pamphlet in response. Like many of the claims in his published recollections, the story is unreliable.
During 1797 Lawless helps Arthur O’Connor form his United Irishman newspaper The Press, and Leonard McNally informs Dublin Castle that Lawless is its principal shareholder. In October 1797 Lawless attends a meeting of the executive directory of the United Irishmen, of which he is elected a member. Throughout this period and after his return to London he is carefully watched by the British secret service. His friendship with O’Connor, and the fact that he provides funds for Fr. James Coigly, arouse deep suspicion. After the outbreak of open rebellion in Ireland he is arrested at his lodgings in Pall Mall on May 31, 1798, on suspicion of high treason, and imprisoned for six weeks in the Tower of London. Arabella Jefferyes, sister of the Earl of Clare, apparently tries to extort money from Lawless in return for pleading his case to the Duke of Portland. He refuses the offer. On his release he tours England on horseback but is rearrested on April 14, 1799, and held until March 1801. His father votes for the Act of Union, hoping to secure his son’s release, and dies on August 28, 1799. Lawless succeeds him as 2nd Baron Cloncurry. His grandfather and his fiancée, Mary Ryal, also die while he is imprisoned.
Embittered by his experience, Lawless tours the Continent from 1801 to 1805 before returning to his family estate at Lyons Hill, Ardclough, County Kildare. Throwing himself into improving his estates and into local concerns, he founds the County Kildare Farming Society in 1814. He is also involved in canal developments and agricultural improvements in the country. Opposed to the rural constabulary bill of 1822, he supports Catholic emancipation and the attempts of Daniel O’Connell to repeal the Act of Union. He breaks with O’Connell in the 1830s when his friend, Henry Paget, 1st Marquess of Anglesey, is viceroy, because he believes repeal can now be achieved through official means. The rift is never healed.
In 1831, Lawless is admitted to the Privy Council of Ireland (PC) and an English peer, but rarely attends the House of Lords. Involved in anti-tithe campaigns, he retires from politics in 1840. Travelling on the Continent in 1841 and 1842, he returns to defend O’Connell’s planned Clontarf meeting in the privy council but refuses to attend any further meetings after his advice on dealing with the Great Famine is ignored in 1846. In 1849 he publishes his personal reminiscences, which appear to have been ghost-written.
Lawless’s health begins to fail in 1851. He dies at the older family home, Maretimo House, Blackrock, on October 28, 1853, and is buried in the family vault at Lyons Hill.
Lawless first marries Elizabeth Georgiana, youngest daughter of Lieutenant-GeneralCharles Morgan, at Rome on April 16, 1803. They have one son and one daughter. The marriage ends in divorce in 1811 after her adultery with Sir John Piers. In 1811, he then marries Emily, daughter of Archibald Douglas of England, and widow of Joseph Leeson. They have two sons and a daughter. The elder son, Edward, succeeds as 3rd Baron Cloncurry. He commits suicide in 1869 by throwing himself out of a third-floor window at Lyons Hill. The younger, Cecil-John, is an MP, but catches a chill at his father’s funeral and dies on November 5, 1853.
(From: “Lawless, Valentine Browne” by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Lyons House, Lyons Hill, Ardclough, County Kildare)
Dillon is born in Glanmire, County Cork, in 1830. As a child, he is injured in a heavy fall which results in curvature of the spine and general ill health. His family moves to a house near the corner of Old Youghal Road and Ballyhooly Road. He attends the School of Art for several years and becomes quite talented with brush and pencil. He lives through the Great Famine and becomes an ardent nationalist.
Dillon is appointed a Fenian leader in Cork by James Stephens, the head of the Irish Republican Brotherhood. Under his supervision the Fenian recruits drill on the Fair Field and at Rathpeacon and are hoping for a rebellion in 1865 when the Fenians are at their strongest. He often associates with other Cork Fenians such as John J. Geary, James Mountaine and John Lynch. He chairs the Fenian meetings at Geary’s pub.
In September 1865, police arrest Fenian leaders James Stephens and Jeremiah O’Donovan Rossa in Dublin, and Dillon in Cork. The police search his home and find a pair of field glasses, some drawings and some incriminating letters sewn into the mattress of his bed. He is remanded in Cork City Gaol until his trial.
On December 18, Dillon and another Cork Fenian, John Lynch, are tried together in the dock in Cork Courthouse by Judge Keogh. The charges are primarily based on information provided by an informer named John Warner, an ex-military pensioner. Isaac Butt and Mr. Waters represent the defendants. The charges are “in one indictment with having conspired to depose the Queen, &c., and with illegally drilling and being drilled in furtherance of that design.” Both are found guilty, based primarily on the testimony of informants, although John Warner’s account is very weak and unsatisfactory under cross-examination. The defendants are sentenced to ten years’ penal servitude.
Dillon is brought under armed guard by train from Cork to Dublin and then thrown into Mountjoy Gaol. He spends nearly a month there and suffers from lack of sleep. In January 1866, he and John Sarsfield Casey are handcuffed together on the tough and rough sea crossing between Kingstown and Holyhead. On arrival at Holyhead, they are then taken by train to Pentonville Prison. This is a very cold prison, and he becomes seriously ill in May 1866. He is transferred to the hospital wing of Woking Convict Invalid Prison, and this is to be his home for the next four-and-a-half years. Here he becomes Convict Number 2658.
In 1870, after five years imprisonment, a commission is set up to investigate the Fenian prisoners, and on account of his bad health, this commission recommends that Dillon be allowed home to Cork. In January 1871 he is transferred to Millbank PrisonLondon and is set free two weeks later on February 8. The following day he arrives in Dublin and after a few days’ rest, he returns to Cork by train. All along the route thousands of people wait on the platforms to greet him and read special addresses of welcome. The train reaches Cork at 8:00 p.m. and even though a carriage and pair are waiting, he is glad to seek refuge in the first covered car he can find, so dense is the crowd all around him wanting to shake his hand. The triumphal procession from the station to his home then begins and the hills all along the route are lighted with tar barrels.
Amid emotional scenes Dillon meets his family, and afterwards appears at one of the windows of the house and thanks the people of Ireland for the great reception he has received everywhere on his journey home to Cork. He is now in very poor health and his mother begins the task of nursing him back to health. Everything that loving care and money could do is done, and from New York comes a cheque for £50 from the generous-hearted O’Donovan Rossa. Other friends also contribute, but all to no avail. On Saturday, August 17, 1872, he dies at his home surrounded by his sorrowing relatives.
Dillon’s funeral is one of the biggest ever seen in Cork. The cortege is headed by the Barrack Street Band, and at least ten other bands take part. All have their instruments dressed in sombre black. On Monday, August 18, his remains are privately borne to St. Joseph’s cemetery, to a temporary resting place, as it has been decided to build a vault in the family burial ground in Rathcooney which will not be ready for a few days. Later the funeral route travels from Turners Cross along Anglesea Street, South Mall, Grand Parade, Patrick Street, McCurtain Street and St. Luke’s. The funeral procession stops outside his home and prayers are recited for the repose of his soul. The procession then moves on toward Ballyvolane and up the steep hill toward the graveyard at Rathcooney. On arrival at the newly built tomb, so dense is the crowd milling around the hearse that considerable difficulty is experienced in getting the coffin to the grave. The priests then read the burial service, and, in a hushed silence, Canon Freeman asks the entire assembly to kneel and recite the Lord’s Prayer aloud. He blesses the grave, and the mortal remains of Brian Dillon are lowered to rest. The coffin is then covered, and after Colonel Ricard O’Sullivan Burke‘s oration, the crowd quietly disperses.
Today Dillon’s name is inscribed in the National Monument on the Grand Parade and in street names like Dillon’s Cross, Brian Dillon Park and Brian Dillon Crescent. The Brian Dillons GAA club in the same area of Cork city is also named after him.
Grosse Île, in the Gulf of Saint Lawrence, acts as a quarantine station for Irish people fleeing the Great Famine between 1845 and 1849. It is believed that over 3,000 Irish people died on the island and over 5,000 are buried in the cemetery there.
In 1847, 100,000 Irish people travel to Grosse Île to escape starvation, unaware of the hardships they would encounter upon arrival. The first coffin ship – named for their crowded and deadly conditions – arrives on May 17, 1847, the ice still an inch thick on the river. Of that ship’s 241 passengers, 84 are stricken with fever and 9 have died on board. With the hospital only equipped for 150 cases of fever, the situation quickly spins out of control. More and more ships arrive at Grosse Île each day, sometimes lining up for miles down the St. Lawrence River throughout the summer. On these coffin ships the number of passengers stricken by fever increases exponentially.
Between 1832 and 1937, Grosse Île’s term of operation, the official register lists 7,480 burials on the island. In 1847 alone, 5,424 burials take place, the majority being Irish immigrants. In that same year, over 5,000 Irish people on ships bound for Canada are listed as having been buried at sea.
When the monument is unveiled in 1909, more than 60 years have passed since the more than 5,000 Irish men, women, and children were buried on the island, but the ancestors and relatives of those victims have not forgotten them. Through the hard work of the Ancient Order of Hibernians, thousands of dollars are collected to erect a fitting memorial to those innocent victims of man’s inhumanity to man. The symbol they choose to use is a Celtic cross. Designed by Jeremiah Gallagher, a member of the Ancient Order of Hibernians in Quebec, the cross is carved from granite and stands 48 feet high atop its pedestal.
The monument bears an inscription in Irish commemorating the victims of the epidemic and condemning colonial rule. In English, it reads: “Children of the Gael died in their thousands on this island having fled from the laws of foreign tyrants and an artificial famine in the years 1847-48. God’s blessing on them. Let this monument be a token and honor from the Gaels of America. God Save Ireland.”
To ensure that no one traveling up or down the St. Lawrence River fails to see the monument, it is placed on Telegraph Hill, the highest point on the island. The monument is unveiled by the Papal Legate before a crowd of 9,000, including several hundred French Canadians, some perhaps from families that had adopted one or more of the over 600 Irish orphans whose parents were left behind on Gross Île. The cross stands as a beacon to those who pass up and down the busy waterway, reminding them not only of the tragedy that once happened on that island but also of the ultimate triumph of those who survived.
Today, the island is a National Historic Site that serves as a Famine memorial. It is dedicated in 1996 after a four-year-long campaign to protect the mass gravesite.
seamus dubhghaill 