Sykes joined HM Foreign Service in 1947 and serves at the Foreign Office from 1947 to 1948. He then serves in Nanjing (1948–50), Peking (1950–52) and returns to the UK to serve at the Foreign Office (1952–56). His next overseas postings take him to Brussels (1956–59), Santiago (1959–62) and Athens (1963–66), before returning to the Foreign Office (1967–69).
Sykes’ first posting as an ambassador comes with a posting to Havana (1970–72) before moving to be a Minister at the British Embassy in Washington D.C. (1972–1975). From there he returns to the Foreign Office as Department Under-Secretary between 1975 and 1977. He is then appointed as Ambassador to the Netherlands in 1977.
Sykes is leaving his residence in The Hague at 9:00 a.m. on March 22, 1979, and is getting into his silver Rolls-Roycelimousine when he is shot. He is sitting next to Alyson Bailes. The car door is held by Karel Straub, a 19-year-old Dutch national who works at the embassy. Straub is also shot in the attack. The chauffeur, Jack Wilson, is uninjured and drives Sykes to Westeinde Hospital, where he dies two hours later. Straub is transported by ambulance to the same hospital, where he also dies.
Police report that the shots came from around 10 yards away by two assailants wearing business suits, who escaped on foot following the attack. Suspects for the assassination are Palestinians or Iraqis, although no evidence is ever put forward. It is ultimately confirmed that the IRA had carried out the killings.
The IRA claims responsibility for the assassination in February 1980. In a statement they say of Sykes, “[he was] not just a Brit propagandist, as are all British ambassadors, but because he had been engaged in intelligence operations against our organisation.”
The ‘intelligence operations’ mentioned in the statement relate to a government report written by Sykes following the assassination of Christopher Ewart-Biggs. Ewart-Biggs was the British Ambassador to the Republic of Ireland and was killed by the IRA in 1976. Sykes produces diplomatic security guidelines as part of his report.
Sykes’ position as Ambassador to the Netherlands had been strained due to certain Dutch groups, which were sympathetic to the IRA, and consequent arms smuggling activities.
There is a memorial plaque to Sykes in St. Michael’s Church, Wilsford, Wiltshire.
(Pictured: “Sir Richard Sykes” by Bassano Ltd., half-plate film negative, 20 January 1966, National Portrait Gallery, London)
In May 2017, Kenny announces that he is planning to resign as Taoiseach and Fine Gael leader. Varadkar stands in the leadership election to replace him. Although more party members vote for his opponent, Simon Coveney, he wins by a significant margin among Fine Gael members of the Oireachtas, and is elected leader on June 2. Twelve days later, he is appointed Taoiseach, and at 38 years of age becomes the youngest person to hold the office. He is Ireland’s first, and the world’s fourth, openly gay head of government and the first Taoiseach of Indian heritage.
In 2020, Varadkar calls a general election to be held in February. While polls in 2019 have suggested a favourable result for Fine Gael, they ultimately come in third in terms of seats and votes, behind Fianna Fáil and Sinn Féin, with 35 seats, a loss of 15 seats for the party from the previous general election, when it had finished in first position. He resigns and is succeeded by Micheál Martin as Taoiseach. He is subsequently appointed Tánaiste and Minister for Enterprise, Trade and Employment as part of a three-party coalition composed of Fianna Fáil, Fine Gael and the Green Party.
Brady leaves little record of his life before photography. Speaking to the press in the last years of his life, he states that he was born between 1822 and 1824 in Warren County, New York, near Lake George. He is the youngest of three children to Irish immigrant parents, Andrew and Samantha Julia Brady. In official documents before and during the war, however, he claims to have been born in Ireland.
At age 16, Brady moves to Saratoga, New York, where he meets portrait painter William Page and becomes Page’s student. In 1839, the two travel to Albany, New York, and then to New York City, where he continues to study painting with Page, and also with Page’s former teacher, Samuel F. B. Morse. Morse had met Louis-Jacques-Mandé Daguerre in France in 1839, and returned to the United States to enthusiastically push the new daguerreotype invention of capturing images. At first, Brady’s involvement was limited to manufacturing leather cases that hold daguerreotypes. But soon he becomes the center of the New York artistic colony that wishes to study photography. Morse opens a studio and offers classes. Brady is one of the first students.
In 1844, Brady opens his own photography studio at the corner of Broadway and Fulton Street in New York, and by 1845, he begins to exhibit his portraits of famous Americans, including the likes of Senator Daniel Webster and poet Edgar Allan Poe. In 1849, he opens a studio at 625 Pennsylvania Avenue in Washington, D.C., where he meets Juliet Handy, whom he marries in 1850 and lives with on Staten Island. His early images are daguerreotypes, and he wins many awards for his work. In the 1850s ambrotype photography becomes popular, which gives way to the albumen print, a paper photograph produced from large glass negatives most commonly used in American Civil War photography.
In 1850, Brady produces The Gallery of Illustrious Americans, a portrait collection of prominent contemporary figures. The album, which features noteworthy images including the elderly Andrew Jackson at the Hermitage, is not financially rewarding but invites increased attention to his work and artistry. In 1854, Parisian photographer André-Adolphe-Eugène Disdéri popularizes the carte de visite and these small pictures rapidly become a popular novelty, with thousands being created and sold in the United States and Europe.
At first, the effect of the American Civil War on Brady’s business is a brisk increase in sales of cartes de visite to departing soldiers. He readily markets to parents the idea of capturing their young soldiers’ images before they might be lost to war by running an ad in The New York Daily Tribune. However, he is soon taken with the idea of documenting the war itself. He first applies to an old friend, General Winfield Scott, for permission to have his photographers travel to the battle sites, and eventually, he makes his application to President Abraham Lincoln himself. Lincoln grants permission in 1861, with the proviso that Brady finance the project himself.
His efforts to document the American Civil War on a grand scale by bringing his photographic studio onto the battlefields earns Brady his place in history. His first popular photographs of the conflict are at the First Battle of Bull Run, in which he gets so close to the action that he barely avoids capture. While most of the time the battle has ceased before pictures are taken, he comes under direct fire at the First Battle of Bull Run, Petersburg, and Fredericksburg.
Brady also employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche, and seventeen other men, each of whom is given a traveling darkroom, to go out and photograph scenes from the American Civil War. He generally stays in Washington, D.C., organizing his assistants and rarely visiting battlefields personally.
This may be due, at least in part, to the fact that Brady’s eyesight has begun to deteriorate in the 1850s. Many of the images in Brady’s collection are, in reality, thought to be the work of his assistants. He is criticized for failing to document the work, though it is unclear whether it is intentional or due simply to a lack of inclination to document the photographer of a specific image. Because so much of his photography is missing information, it is difficult to know not only who took the picture, but also exactly when or where it was taken.
In October 1862 Brady opens an exhibition of photographs from the Battle of Antietam in his New York gallery, titled The Dead of Antietam. Many images in this presentation are graphic photographs of corpses, a presentation new to America. This is the first time that many Americans see the realities of war in photographs, as distinct from previous “artists’ impressions.”
Brady, through his many paid assistants, takes thousands of photos of American Civil War scenes. Much of the popular understanding of the Civil War comes from these photos. There are thousands of photos in the U.S. National Archives and Records Administration and the Library of Congress taken by him and his associates. The photographs include Lincoln, Ulysses S. Grant, and soldiers in camps and battlefields. The images provide a pictorial cross reference of American Civil War history. He is not able to photograph actual battle scenes, as the photographic equipment in the day is still in the infancy of its technical development and requires that a subject be still for a clear photo to be produced.
Following the conflict, a war-weary public loses interest in seeing photos of the war, and Brady’s popularity and practice decline drastically.
During the war, Brady spends over $100,000 (equivalent to $1,691,000 in 2020) to create over 10,000 plates. He expects the U.S. government to buy the photographs when the war ends. When the government refuses to do so he is forced to sell his New York City studio and go into bankruptcy. The United States Congress grants Brady $25,000 in 1875, but he remains deeply in debt. The public was unwilling to dwell on the gruesomeness of the war after it has ended, and so private collectors are scarce.
Depressed by his financial situation and loss of eyesight, and devastated by the death of his wife in 1887, Brady dies penniless in the charity ward of Presbyterian Hospital in New York City on January 15, 1896, from complications following a streetcar accident. His funeral is financed by veterans of the 7th New York Infantry Regiment. He is buried in the Congressional Cemetery, which is located in Barney Circle, a neighborhood in the Southeast quadrant of Washington, D.C.
Brady photographs 18 of the 19 American presidents from John Quincy Adams to William McKinley. The exception is the 9th President, William Henry Harrison, who dies in office three years before Brady starts his photographic collection. He photographs Abraham Lincoln on many occasions. His Lincoln photographs have been used for the $5 bill and the Lincoln penny. One of his Lincoln photos is used by the National Bank Note Company as a model for the engraving on the 90c Lincoln Postage issue of 1869.
(Pictured: “Mathew B. Brady,” oil on canvas by Charles Loring Elliott, 1857, Metropolitan Museum of Art, New York)
Rowan comes to the United States at the age of ten and lives in Piqua, Ohio. He is a graduate of Miami University and is appointed as a midshipman in the U.S. Navy on February 1, 1826 at the age of seventeen. Later, he takes an active role in the Mexican–American War, serving as executive officer of the sloop-of-warUSS Cyane during the capture of Monterey, California on July 7, 1846, and in the occupation of both San Diego and Los Angeles. In January 1847 he leads a provisional battalion, with the nominal rank of major, of seven companies of naval infantry (along with a company of artillery and a company of sappers and miners) for the recapture of Los Angeles.
Commissioned rear admiral on July 25, 1866, Rowan serves as commandant of the Norfolk Naval Shipyard until 1867, when he assumes command of the Asiatic Squadron. Returning in 1870, he is appointed vice admiral, following the death of Admiral David Farragut and the promotion of Vice Admiral David Dixon Porter in August of that year. In December 1870 he reaches the mandatory retirement age of 62 but, like admirals Farragut and Porter before him, he is allowed to remain on active duty.
In 1882 Rowan is elected as a First Class Companion of the District of Columbia Commander of the Military Order of the Loyal Legion of the United States (MOLLUS). He is assigned MOLLUS insignia number 2510. His son, Hamilton Rowan, an officer in the United States Army, is elected as a Second Class Companion of MOLLUS and becomes a First Class Companion upon his father’s death.
Rowan dies at the age of 81 in Washington, D.C. on March 31, 1890.
Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.
Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.
After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.
Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.
In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.
Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.
Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.
(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)
On December 9, 1994, Sinn Féin, the political wing of the Irish Republican Army (IRA), holds its first formal talks with the British Government in over 70 years. The negotiations take place in Belfast, almost one year after Britain and Ireland began an uncertain program to try to resolve the conflict in Northern Ireland. The first session is held at Stormont, a gigantic, columned edifice on top of a hill on the outskirts of Belfast that houses the old Northern Ireland parliament.
Although the announcement of the negotiations is not a surprise, it still sets off an exciting ripple that history is in the making. British officials have conducted secret talks with Sinn Féin leaders in the past, but never before have they sat down openly at the same table with them.
In both a letter to the Sinn Féin leader, Gerry Adams, and in a three-paragraph statement, Downing Street pointedly refers to the meeting as “exploratory dialogue.” This is in keeping with London‘s position that it is simply joining in “talks about talks,” not a full negotiating session, which must involve all parties to the conflict.
For 25 years the IRA has been fighting in the name of the Roman Catholic minority of 650,000 in Northern Ireland. It wants to link Ulster, the six counties of Northern Ireland that remain British after partition, to the Irish Republic, a move opposed by most of the province’s 950,000 Protestants.
The announcement of talks evoke a predictable pattern of responses across Northern Ireland’s political spectrum. Adams, who works to persuade the IRA to go along with a unilateral cease-fire that was declared on September 1, welcomes it. “The opportunity to realize a lasting peace, which will benefit all of the people of Ireland, has never been greater,” he says in a statement. Adams had been accusing London of foot-dragging on the peace effort. Now, he says, it is time to move on to “the next phase of dialogue — multilateral talks led by both Governments.”
The Ulster Unionist Party (UUP), the main Protestant political group in Northern Ireland, is skeptically accepting, as it has been all along. John Taylor, a UnionistMember of Parliament, says the talks will at least establish whether “Sinn Féin really is to become a normal political party.”
The Rev. Ian Paisley, a Member of Parliament whose Democratic Unionist Party (DUP) has become a rejectionist front, continues to oppose talks or any move smacking of compromise. He tells the House of Commons that “a vast majority of people” resent the decision to talk to “the men of blood.”
Sinn Féin is represented at the talks by Martin McGuinness, a veteran IRA political leader who took part in secret contacts that broke up the previous year. In 1972, together with Adams, he was flown to London for a meeting with William Whitelaw, who was then Secretary of State for Northern Ireland. Those talks eventually failed.
Adams is in Washington, D.C. on Wednesday, December 7. He attends a meeting at the White House, his first one there, with Anthony Lake, President Bill Clinton‘s National Security Advisor. Seven weeks earlier, Britain protests vigorously at the thought of Adams visiting the White House. But events moved so swiftly that he gains a kind of legitimacy that is hard for Whitehall to deny. His visa to the United States, good for three months, allows several visits.
The Government team of civil servants, in contrast to higher-level ministers, are led by Quentin Thomas, deputy secretary of the British administration called the Northern Ireland Office.
Going into the negotiations, the key question is what will be discussed. On the British side, the top of the agenda is how to get the IRA to turn over its considerable stash of 100 tons of arms and explosives. There is nothing, of course, that Sinn Féin is less likely to agree to at the outset. So should the British make this a condition for multilateral talks to begin, the two sides will meet an obstacle right away.
McGuinness says that the issue of IRA weapons has to be considered “in the context of us removing the causes of conflict, the reason why people use armed force in our society.”
From its side, Adams says Sinn Féin wants to discuss being treated with “a parity of esteem” with the other parties, and “the release of all political prisoners.”
The British Government says that it will soon hold talks with the so-called loyalist paramilitaries on the Protestant side. And it indicates it will have no objection if elected Sinn Féin councillors attend a major international investment conference in Belfast on December 13 and 14.
(From: “Britain and I.R.A. Group to Begin Talks in Northern Ireland” by John Darnton, The New York Times, December 2, 1994 | Pictured: Gerry Adams and Martin McGuinness lead a Republican parade in Belfast, commemorating 25 years of British troops on the streets of Northern Ireland in 1994)
Born to John Lawler and Elizabeth Kelly, they move to the United States four years later and settle initially in Frederick County, Maryland. In 1819, they move to rural Gallatin County, Illinois. On December 20, 1837 Lawler marries Elizabeth Crenshaw. He receives an appointment as a captain in the Mexican-American War and commands two companies in separate deployments to Mexico. He first leads a company from Shawneetown, Illinois that guards the supply route from Veracruz to General Winfield Scott‘s army. After the fall of Veracruz his company is discharged. He makes a visit to Washington after which he is asked by Illinois Governor Thomas Ford to organize a company of riflemen. He serves in the campaign to take Matamoros, Tamaulipas.
Lawler then returns to his farm in Illinois, where he is residing at the outbreak of the American Civil War. He establishes a thriving mercantile business, dealing in hardware, dry goods, and shoes. He studies law, passes his bar exam, and uses his legal license to help the claims of Mexican War veterans.
Following the surrender of Jackson, Mississippi, the XIII Corps is split up and divided among other operations in the Western Theater. For the rest of the war, Lawler serves as commander of the 1st Division, XIII Corps in Louisiana in the Department of the Gulf, taking command of the division during the disastrous Red River campaign and leading it on an expedition in June 1864 to secure a crossing of the Atchafalaya River used by Confederate forces.
In the omnibus promotions at the end of the American Civil War, Lawler receives a promotion for distinguished service to major general in the Union army backdated from March 13, 1865. After mustering out of the army in 1866, he returns home and resumes his legal practice and farming near Shawneetown, Illinois.
Lawler dies in Shawneetown on July 22, 1882 and is buried in the Lawler Family Cemetery near Equality, Illinois, at the rear of the Old Slave House property.
A memorial to Lawler stands in Equality, Illinois. He also is honored with a marble bust in Vicksburg National Military Park in Vicksburg, Mississippi. Chicago renames a street to Lawler Avenue in his memory.
On the morning of September 1, 1862 Union Maj. Gen. John Pope orders Maj. Gen.Edwin Vose Sumner of the II Corps, Army of the Potomac, to send a brigade north to reconnoiter. The army’s cavalry is too exhausted for the mission. But at the same time, he continues his movement in the direction of Washington, D.C., sending Maj. Gen. Irvin McDowell‘s III Corps to Germantown (on the western border of modern-day Fairfax, Virginia), where it can protect the important intersection of Warrenton Pike and Little River Turnpike that the army needs for the retreat. He also sends two brigades from Maj. Gen. Jesse L. Reno‘s IX Corps, under the command of Brig. Gen. Isaac Stevens, to block Jackson. Maj. Gen. Philip Kearny’s division from the III Corps follows later that afternoon.
Jackson resumes his march to the south, but his troops are tired and hungry and make poor progress as the rain continues. They march only three miles and occupy Ox Hill, southeast of Chantilly Plantation, and halt, while Jackson himself takes a nap. All during the morning, Confederate cavalry skirmish with Union infantry and cavalry. At about 3:00 PM, Stevens’s division arrives at Ox Hill. Despite being outnumbered, Stevens chooses to attack across a grassy field against Brig. Gen. Alexander Lawton‘s division in the Confederate center. The Union attack is initially successful, routing the brigade of Colonel Henry Strong and driving in the flank of Captain William Brown, with Brown killed during the fighting. The Union division is driven back following a counterattack by Brig. Gen. Jubal Early‘s brigade. Stevens is killed during this attack at about 5:00 PM by a shot through his temple.
A severe thunderstorm erupts about this time, resulting in limited visibility and an increased dependence on the bayonet, as the rain soaks the ammunition of the infantry and makes it useless. Kearny arrives about this time with his division to find Stevens’s units disorganized. Perceiving a gap in the line he deploys Brig. Gen. David B. Birney‘s brigade on Stevens’s left, ordering it to attack across the field. Birney manages to maneuver close to the Confederate line but his attack stalls in hand-to-hand combat with Maj. Gen. A.P. Hill‘s division. Kearny mistakenly rides into the Confederate lines during the battle and is killed. As Kearny’s other two brigades arrive on the field, Birney uses the reinforcements as a rear guard as he withdraws the remainder of the Union force to the southern side of the farm fields, ending the battle.
That night, Maj. Gen. James Longstreet arrives to relieve Jackson’s troops and to renew the battle the following morning. The lines are so close that some soldiers accidentally stumble into the camps of the opposing army. The Union army withdraws to Germantown and Fairfax Court House that night, followed over the next few days by retreating to the defenses of Washington D.C. The Confederate cavalry attempts a pursuit but fails to cause significant damage to the Union army.
The fighting is tactically inconclusive. Although Jackson’s turning movement is foiled and he is unable to block the Union retreat or destroy Pope’s army, National Park Service historians count Chantilly as a strategic Confederate victory because it neutralizes any threat from Pope’s army and clears the way for Lee to begin his Maryland campaign. The Confederates claim a tactical victory as well because they hold the field after the battle. Two Union generals are killed, while one Confederate brigade commander is killed. Pope, recognizing the attack as an indication of continued danger to his army, continues his retreat to the fortifications around Washington, D.C. Lee begins the Maryland Campaign, which culminates in the Battle of Antietam, after Pope retreats from Virginia. The Army of the Potomac, under Maj. Gen. George B. McClellan, absorbs the forces of Pope’s Army of Virginia, which is disbanded as a separate army.
The site of the battle, once rural farmland, is now surrounded by suburban development in Fairfax County. A 4.8 acre (19,000 m²) memorial park, the Ox Hill Battlefield Park, is located off of State Route 608 (West Ox Road) and lies adjacent to the Fairfax Towne Center shopping area, and includes most of the Gen. Isaac Stevens portion of the battle, about 1.5% of the total ground. The park is under the jurisdiction of the Fairfax County Park Authority. In January 2005, the Authority approves a General Management Plan and Conceptual Development Plan that sets forth a detailed history and future management framework for the site.
A small yard located within the nearby Fairfax Towne Center has been preserved to mark the area crossed by Confederate troops to get to the Ox Hill battlefield.
(Pictured: Color lithograph “General Kearney’s gallant charge,” published by John Smith, 804 Market St., Philadelphia. From the Library of Congress.)
Four years after his birth, Scully’s family moves to London where they live in a working-class part of South London, moving from lodging to lodging for a number of years. By the age of 9, he knows he wants to become an artist. From the age of 15 until he is 17, he is apprenticed at a commercial printing shop in London as a typesetter, an experience that greatly influences his future artwork.
Over the years, Scully develops and refines his own recognisable style of geometric abstraction and most notably his characteristic motif of the ‘stripe.’ Although he is predominately known for his monumental paintings, he is also a gifted printmaker who has made a notable body of woodcuts and etchings.
When the unit is originally mustered out of service, the 90-day enlistment terms having expired, Nugent accepts a commission as a captain in the regular army. He is immediately assigned to the 13th Infantry Regiment whose commanding officer, General William Tecumseh Sherman, personally requests. Taking a leave of absence to return to New York, he assists Thomas Francis Meagher in organizing the Irish Brigade. The newly reformed 69th Infantry Regiment is the first unit assigned to the Irish Brigade and, with Nugent as its colonel, he leads the “Fighting 69th” at the Battles of Seven Pines, Gaines’ Mill, Savage’s Station, White Oak Swamp, Glendale, and Malvern Hill.
Nugent is wounded, shot in the stomach, at the Battle of Fredericksburg and is eventually forced to resign his command. He is appointed acting assistant provost marshal for the southern district of New York, which includes New York City and Long Island, by the U.S. Department of War. An Irishman and Democrat, his appointment is thought to assure the Irish American population that conscription efforts would be carried out fairly. The Irish-American, a popular Irish language newspaper, writes that the selection is a “wise and deservedly popular one.” He does encounter resistance from city officials wanting him to remain uninvolved, however by mid-June he reports to his superior officer and provost marshal general Colonel James Fry that conscription efforts are “nearing completion without serious incident.”
Understanding the seriousness of the situation, Nugent attempts to keep the draft selections quiet and in isolated parts of the city. In Manhattan however, lotteries are placed in the heart of Irish tenement and shanty neighborhoods where the draft is most opposed.
In the ensuing New York City draft riots, Nugent takes command of troops and attempts to defend the city against the rioters. Despite issuing the cancellation of the draft, the riots continue for almost a week. His home on West 86th Street is looted and burned by the rioters during that time, his wife and children barely escaping from their home. Upon breaking into his house, furniture is destroyed and paintings of Nugent and Meagher are slashed, although Brigadier General Michael Corcoran‘s is left untouched.
On October 28, Nugent is relieved of his post and succeeded by General William Hayes. Returning to active duty, he assumes command of the Irish Brigade in November 1864, shortly after the death of Corcoran, and is present at the Battle of Spotsylvania Court House, the Siege of Petersburg and the Appomattox campaign. As its last commanding officer, he and the Irish Brigade also march in the victory parade held in Washington, D.C. following Robert E. Lee‘s surrender at Appomattox Court House.
Nugent is brevetted Brigadier General for distinguished leadership of the 69th Regiment on March 13, 1865. The veterans of the Irish Brigade are honorably discharged and mustered out three months later. Nugent, however, remains in the regular U.S. Army for the next twenty years, a formidable “Indian fighter” during the America Indian Wars with the 13th and 24th Infantry Regiments. In 1879, he retires at the rank of major and resides in New York where he is involved in the Grand Army of the Republic, the War Veterans’ Association of the 7th Regiment and an honorary member of The Old Guard.
Nugent becomes ill in his old age, complications arising from his wounds suffered at Fredericksburg, and remains bedridden for two months before his death at his McDonough Street home in Brooklyn on June 20, 1901. In accordance with his last wishes, he is buried at Cypress Hills National Cemetery, located in the Cypress Hills neighborhood of Brooklyn.
seamus dubhghaill 