Milligan is the eldest of eleven children born to Methodist parents Seaton Milligan (1837–1916) and Charlotte Burns (1842–1916), with nine surviving including Alice Milligan and Edith Wheeler. All nine children enroll at Methodist College Belfast which provides a privileged and exceptional education. She studies classical piano and composition at the Royal College of Music in London and the Conservatoires of Frankfurt and Milan. Following her marriage to Charles Eliot Fox in 1892, she settles in London.
In 1904 Fox co-founds with Alfred Perceval Graves the Irish Folk Song Society, an offshoot of the Folk-Song Society formed in 1898. Its aim is to collect and publish Irish airs and ballads, in addition to holding lectures and concerts on the subject. She acts as the society’s honorary secretary. The rules of the Society are collected in volume 4 of the Journal of the Irish Folk Song Society. The subscription is 5 shillings payable every January and committee meetings are held at the Rooms of the Irish Literary Society in London.
Fox is a musician in her own right and tours Ireland collecting folk songs and airs. She undertakes a series of tours of County Antrim between 1909 and 1910 with her sisters Edith Wheeler and Alice Milligan. The sisters record and transcribe songs by Irish singers, then publish articles and musical scores in The Journal of Irish Folk Song.
In 1910 Fox visits the east coast of the United States where the New York branch of the Irish Folk Song Society is formed. “The Bardic Recital” is produced on March 16 at the National Theatre in Washington, D.C. She collects and arranges the music for the play.
Fox rediscovers Edward Bunting‘s papers, and under the provision of her will they come to Queen’s University Belfast in 1916. From these papers she writes The Annals of the Irish Harpers. The publication of The Annals of the Irish Harpers stimulates a revival of interest in both the Irish harp and Edward Bunting. Alice Milligan nurses her sister prior to Fox’s death in London on March 25, 1916. An obituary of Charlotte Milligan Fox is in The Irish Booklover (1916). The Journal of the Irish Folk Song Society (1917) has a poem in remembrance of Charlotte Milligan Fox. The same issue has a memoir of Fox by Alice Milligan and an appreciation of Fox by Alfred Perceval Graves.
During 2010 and 2011, the Ulster History Circle mounts plaques for famous Ulster figures. Charlotte Milligan Fox and Alice Milligan have a plaque mounted on Omagh Library, 1 Spillar’s Place, Omagh, County Tyrone.
Sheridan is the third child of six by John and Mary Meenagh Sheridan, immigrants from the parish of Killinkere, County Cavan. Fully grown, he reaches only 5 feet 5 inches in height, a stature that leads to the nickname “Little Phil.” Abraham Lincoln describes his appearance in a famous anecdote, “A brown, chunky little chap, with a long body, short legs, not enough neck to hang him, and such long arms that if his ankles itch he can scratch them without stooping.”
Sheridan’s career is noted for his rapid rise to major general and his close association with General-in-chiefUlysses S. Grant, who transfers Sheridan from command of an infantry division in the Western Theater to lead the Cavalry Corps of the Army of the Potomac in the East. In 1864, he defeats Confederate forces in the Shenandoah Valley and his destruction of the economic infrastructure of the Valley, called “The Burning” by residents, is one of the first uses of scorched earth tactics in the war. In 1865, his cavalry pursues General Robert E. Lee and is instrumental in forcing his surrender at Appomattox Court House.
In later years, Sheridan fights in the Indian Wars of the Great Plains. Comanche Chief Tosahwi reputedly tells Sheridan in 1869, “Me, Tosahwi; me good Injun,” to which Sheridan supposedly replies, “The only good Indians I ever saw were dead.” Sheridan denies he had ever made the statement. Biographer Roy Morris Jr. states that, nevertheless, popular history credits Sheridan with saying “The only good Indian is a dead Indian.” This variation “has been used by friends and enemies ever since to characterize and castigate his Indian-fighting career.” In Bury My Heart at Wounded Knee, Dee Brown attributes the quote to Sheridan but does not provide documentation to support his contention, so the quote may be more apocryphal than real.
Both as a soldier and private citizen, Sheridan is instrumental in the development and protection of Yellowstone National Park. The protection of the Yellowstone area is Sheridan’s personal crusade. He authorizes Lieutenant Gustavus Doane to escort the Washburn Expedition in 1870 and for Captain John W. Barlow to escort the Hayden Expedition in 1871. Barlow names Mount Sheridan, a peak overlooking Heart Lake in Yellowstone, for the general in 1871. As early as 1875, Sheridan promotes military control of the area to prevent the destruction of natural formations and wildlife.
In 1883, Sheridan is appointed general-in-chief of the U.S. Army, and in 1888 he is promoted to the rank of General of the Army during the term of President Grover Cleveland. Sheridan serves as the ninth president of the National Rifle Association.
Sheridan suffers a series of massive heart attacks two months after sending his memoirs to the publisher. After his first heart attack, the U.S. Congress quickly passes legislation to promote him to general and he receives the news from a congressional delegation with joy, despite his pain. His family moves him from the heat of Washington, D.C. and he dies of heart failure in his summer cottage in the Nonquitt section of Dartmouth, Massachusetts on August 5, 1888.
His body is returned to Washington and he is buried on a hillside facing the capital city near Arlington House in Arlington National Cemetery. The burial helps elevate Arlington to national prominence.
Augustus Saint-Gaudens, sculptor of the statue for the Charles Stewart Parnell monument which is installed at the North end of Dublin‘s O’Connell Street in 1911, is born in Dublin on March 1, 1848. He is generally acknowledged to be the foremost American sculptor of the late 19th century, noted for his evocative memorial statues and for the subtle modeling of his low reliefs.
Saint-Gaudens is born to a French father and an Irish mother. His family moves to New York City when he is an infant and at age 13 he is apprenticed to a cameo cutter. He earns his living at this craft, while studying at night at Cooper Union (1861–65) and the National Academy of Design (1865–66) in New York. In 1867 he travels to Paris and is admitted to the École des Beaux-Arts. Along with Olin Levi Warner and Howard Roberts, he is one of the first Americans to study sculpture in Paris. Late in 1870 he sets out for Rome, where, still supporting himself by cameo cutting, he works for two years copying famous antique statues on commission. He also starts to create his first imaginative compositions during this period.
After 1875 Saint-Gaudens settles in New York, where he befriends and collaborates with a circle of men who form the nucleus of an American artistic renaissance. The group includes the architects Henry Hobson Richardson, Stanford White, and Charles Follen McKim and the painter John La Farge. The most important work of Saint-Gaudens’s early career is the monument to AdmiralDavid Farragut (1880, Madison Square Garden, New York), the base of which is designed by White.
From 1880 to 1897 Saint-Gaudens executes most of the well-known works that gain him his great reputation and many honours. Working with La Farge, in 1881 he creates two caryatids for a fireplace in Cornelius Vanderbilt’s residence. In 1887 he begins the Amor Caritas, which, with variations, preoccupies him from about 1880 to 1898, and also a statue of a standing Abraham Lincoln (Lincoln Park, Chicago). The memorial to Marian Hooper Adams (1891) in Rock Creek Cemetery, Washington, D.C., is considered by many to be his greatest work. In 1897 he completes a monument in Boston depicting Robert Gould Shaw, colonel of an African American regiment in the American Civil War. The statue is remarkable for its expression of movement. Shortly thereafter, he leaves for Paris, where, over the next three years, he prepares his final major public sculpture, the Sherman Monument (1903), which is eventually erected in Grand Army Plaza in New York.
Saint-Gaudens also makes many medallions, originally as a diversion from more serious tasks. These works show the influence of Renaissance medals as well as his early cameos. Among them are designs for U.S. coins and a considerable number of portraits. His autobiography, The Reminiscences of Augustus Saint-Gaudens, is published in 1913.
In 1888, Connor emigrates to Holyoke, Massachusetts. His father is a stonemason, which leads to Connor’s jobs in New York as a sign painter, stonecutter, bronze founder and machinist. Inspired by his father’s work and his own experience, he would steal his father’s chisels as a child and carve figures into rocks.
Connor joins the Roycroft arts community in 1899 where he assists with blacksmithing and later starts creating terracotta busts and reliefs. Eventually he is recognized as Roycroft’s sculptor-in-residence.
After four years at Roycroft, Connor then works with Gustav Stickley and becomes well known as a sculptor being commissioned to create civic commissions in bronze for placement in Washington, D.C., Syracuse, East Aurora, New York, San Francisco, and in his native Ireland. In 1910, he establishes his own studio in Washington, D.C. From 1902 until his death, he produces scores of designs ranging from small portrait heads to relief panels to large civic commissions realized in bronze.
Connor is a self-taught artist who is highly regarded in the United States where most of his public works can be seen. He appears to be heavily influenced by the work of Irish American sculptor Augustus Saint-Gaudens. He uses the human figure to give expression to emotions, values and ideals. Many of the commissions he receives are for civic memorials and secular figures which he casts in bronze, a pronounced departure from the Irish tradition of stone carved, church sponsored works.
Connor’s best known work is Nuns of the Battlefield located at the intersection of Rhode Island Avenue NW, M Street and Connecticut Avenue NW in Washington, D.C. It serves as a tribute to the over six hundreds nuns who nursed soldiers of both armies during the American Civil War, and is one of two monuments in the District that represent women’s roles in the Civil War. The sculpture is authorized by the United States Congress on March 29, 1918 with the agreement that the government will not fund it. The Ancient Order of Hibernians raises $50,000 for the project and Connor is selected since he focuses on Irish Catholic themes, being one himself. Connor, however, ends up suing the Order for nonpayment.
Connor works in the United States until 1925 at which time he moves to Dublin and opens his own studio but suffers from lack of financial support and patrons. In 1926 he is contacted by Roycroft and asked to design and cast a statue of Elbert Hubbard who, with his wife Alice, had died in the sinking of the RMS Lusitania. It is unveiled in 1930 and today stands on the lawn of East Aurora’s Middle School across the street from the Roycroft Chapel building.
While working on the Hubbard statue, Connor receives a commission to create a memorial for all the RMS Lusitania victims. It is to be erected in Cobh, County Cork where many of the victims are buried. The project is initiated by the New York Memorial Committee, headed by William Henry Vanderbilt whose father, Alfred Gwynne Vanderbilt, perished on the RMS Lusitania. He dies before the memorial is completed and based on Connor’s design its installation falls to another Irish artist.
Jerome Connor dies on August 21, 1943 of heart failure and reputably in poverty. There is a now a “Jerome Connor Place” in Dublin and around the corner there is a plaque in his honour on Infirmary Road, overlooking Dublin’s Phoenix Park, his favourite place.
Kennedy takes office following the November 1960 presidential election, in which he narrowly defeats Richard Nixon, the then–incumbent Vice President. In addition to being the first Catholic to become President, he also becomes the youngest person elected to the office.
His inaugural address encompasses the major themes of his campaign and defines his presidency during a time of economic prosperity, emerging social changes, and diplomatic challenges. This inauguration is the first in which a poet, Robert Frost, participates in the program. Frost, then 86 years old, recites his poem “The Gift Outright” at Kennedy’s request as an act of gratitude towards Frost for his help during the campaign.
The oath of office for the President is administered to Kennedy by Chief Justice of the United StatesEarl Warren using a closed family Bible at 12:51 (ET) although he officially became president at the stroke of noon as defined by the 20th Amendment to the United States Constitution. He does not wear an overcoat when taking the oath of office and delivering the inaugural address, despite the cold conditions of 22 °F (−6 °C) with windchill at 7 °F (−14 °C) at noon.
Kennedy’s 1366-word inaugural address, the first delivered to a televised audience in color, is considered among the best presidential inaugural speeches in American history. It includes the iconic line “And so, my fellow Americans: ask not what your country can do for you—ask what you can do for your country.”
Hume, 61, the Catholic head of the Social Democratic and Labor Party, is cited by the Nobel Committee in Oslo for having been the “clearest and most consistent of Northern Ireland’s political leaders in his work for a peaceful solution.”
Trimble, 54, the Protestant leader of the Ulster Unionist Party, is honored for having demonstrated “great political courage when, at a critical stage in the process, he advocated solutions which led to the peace agreement.”
The accord, signed on April 10 and known as the Good Friday Agreement, gives the 1.7 million residents of Northern Ireland a respite from the sectarian violence that has claimed more than 3,200 lives in the previous 30 years. It also opens the possibility of lasting stability for the first time since the establishment of Northern Ireland with partition from Ireland in 1921.
Forging concessions from fiercely antagonistic populations, the accord seeks to balance the Protestant majority’s wish to remain part of Britain with Catholic desires to strengthen ties to the Republic of Ireland to the south. The committee, seeing in Northern Ireland’s two warring groups a dispute with notable similarities to violent tribal confrontations elsewhere, expresses the hope that the accord will serve “to inspire peaceful solutions to other religious, ethnic and national conflicts around the world.”
Adams, in New York on a fund-raising trip for Sinn Féin, welcomes the Oslo announcement and particularly praises Hume, who is widely seen as having helped persuade the IRA to adopt a cease-fire and having eased Sinn Féin’s entry into the talks. “Indeed, there would be no peace process but for his courage and vision,” Adams says, adding, “No one deserves this accolade more.” He also wishes Trimble well and says the prize imposes on everyone the responsibility to “push ahead through the speedy implementation of the agreement.”
In the unforgiving politics of Northern Ireland, the Unionist dissidents and members of other Protestant parties who do not join in the peace talks attack both Trimble and Hume. Ian Paisley Jr., son of the head of the Democratic Unionist Party, calls the Nobel Committee’s decision a “farce” and says of the winners, “These people have not delivered peace, and they are not peacemakers.”
Trimble says he is “slightly uncomfortable” with the award because so many other people have been involved beside him in reaching the settlement and much remains to be done to put it in place. “We know that while we have the makings of peace, it is not wholly secure yet,” he tells the BBC from Denver, where he is on an 11-city North American tour to spur foreign investment in Ulster. “I hope it does not turn out to be premature.”
Hume receives word of the prize at his home in Londonderry and terms it “an expression of the total endorsement of the work of very many people.” He adds, “This isn’t just an award to David Trimble and myself. It is an award to all the people in Northern Ireland.”
In Washington, D.C., President Clinton says “how very pleased” he is, “personally and as President, that the Nobel Prize Committee has rewarded the courage and the people of Northern Ireland by giving the Nobel Peace Prize to John Hume and to David Trimble.” He adds “a special word of thanks” to George Mitchell, who issues a statement praising Hume and Trimble as “fully deserving of this honor.”
The peace talks began in the summer of 1996. They eventually draw the participation of 8 of the 10 Northern Irish parties, with many of the men around the table convicted murderers and bombers who had emerged from prison with a commitment to peaceful resolution to what for nearly a century have been referred to wearily as “the Troubles.” The paramilitary groups had also made the tactical decision that violence would not secure their goals, a shared conviction that gives these talks a chance for success that past fitful attempts at settlement lacked.
The peace talks move in a desultory manner until Blair takes office in May 1997 and highlights the cause of peace in Northern Ireland as an early commitment. At his and Ahern’s urging, the IRA declares a cease-fire in July, and by September Sinn Féin is permitted to join the talks.
Blair also gives Trimble and Adams unprecedented access to 10 Downing Street, and the Ulster Protestants report that they obtained from Clinton the most sympathetic hearing they ever had from an American President, allaying their longtime suspicions of Washington’s bias in favor of the Catholic minority.
(From: “2 Ulster Peacemakers Win the Nobel Prize,” The New York Times, Warren Hoge, October 17, 1998)
The Irish government declares a National Day of Mourning on September 14, 2001. Schools, businesses, and shops are shut down in an unprecedented gesture of sympathy following the attack on the World Trade Center in New York City three days earlier.
Thousands of people queue for hours in front of the United States Embassy in Ballsbridge, Dublin, waiting patiently to sign one of the many books of condolences to be presented to the U.S. government in the aftermath of the attack. At John F. Kennedy’s ancestral home in Dunganstown, County Wexford, the U.S. flag flies at half-mast and the house is closed to visitors.
As it was on the day that Kennedy was assassinated, everyone remembers where they were on September 11. But on September 14 in Ireland, the churches are full and the offices, shops and pubs dark and silent as the country mourns with its American relatives, colleagues and friends.
Bouquets of flowers, teddy bears, candles and messages are left at the Embassy, as thousands stand with heads bowed. The building’s facade is turned into a shrine to those who died in New York, Washington, D.C. and Pennsylvania. There are both tears and applause when 250 firefighters from all over Ireland parade past the Embassy as a mark of respect to the hundreds of firefighters lost in New York. People weep openly as they hear of the casualties and more details emerge of that terrible morning.
The nation prays as industrial and commercial life comes to a halt and offices, government departments and all places of entertainment close for mourning. In every parish and diocese religious services are held, with the biggest, an ecumenical service in Dublin, attended by TaoiseachBertie Ahern, PresidentMary McAleese and many other cabinet members. At least 2,000 people attempt to squeeze into St. Mary’s Pro-Cathedral, which holds only 1,500. Outside, a group of U.S. students break into the American national anthem and the crowd falls silent.
The bells of Christ Church Cathedral ring muffled for 90 minutes to mark the occasion, and at 11:00 AM towns and villages fall silent as the people join in a European-wide three minutes of silence. At noon, all trains stop for five minutes and special services are held in practically every town in the country. In Bray, County Wicklow, so many people show up that the church runs out of communion. A number of people approaching the altar are given a blessing instead.
In Dublin’s universities in the months following the attacks, Irish students who were present in New York at the time are offered free counseling to help them deal with the “nightmares and flashbacks.”
(From: “Ireland’s National Day of Mourning” by Irish America staff, http://www.irishamerica.com, December/January 2002 | Pictured: Taoisearch Bernie Ahern and Tanaiste Mary Harney with members of the Irish Cabinet sign the book of condolences in the U.S. Embassy in Dublin three days after the terrorist attacks)
Charlotte Milligan Fox, Irish composer and music collector, is born on March 17, 1864 in Omagh, County Tyrone in what is now Northern Ireland.
The 1998 
The Irish government declares a National Day of Mourning on September 14, 2001. Schools, businesses, and shops are shut down in an unprecedented gesture of sympathy following the attack on the 