seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Ciarán Bourke, Founding Member of The Dubliners

Ciarán Bourke, Irish musician and one of the founding members of the Irish folk band The Dubliners, is born in Dublin on February 18, 1935.

Although born in Dublin, Bourke lives most of his life in Tibradden, County Dublin. His father, a doctor, is in practice in the city. The children have an Irish-speaking nanny. His early exposure to Irish continues throughout his education, attending Colaiste Mhuire, Parnell Square, Dublin. He later attends University College Dublin for a course in Agricultural Science. He does not take his degree but always retains an interest in farming.

After leaving university Bourke meets two of his future bandmates in The Dubliners, Ronnie Drew and Barney McKenna, who invite him to join their sessions in O’Donoghue’s Pub where he plays tin whistle, mouth organ and guitar, and sings. Luke Kelly, who had been singing around the clubs in England, returns to Dublin and joins them, with the four gaining local popularity. Taking the name The Dubliners, the group puts together the first folk concert of its kind in Dublin. The concert is a success, then a theatrical production called “A Ballad Tour of Ireland” is staged at the Gate Theatre shortly afterwards. In 1964 fiddle player John Sheahan joins the band and this becomes known as the original Dubliners line-up.

Bourke is responsible for bringing a Gaelic element to The Dubliners’ music with songs such as “Peggy Lettermore” and “Sé Fáth Mo Bhuartha” being performed in the Irish language. He also sings a number of the group’s more lighthearted and humorous numbers such as “Jar of Porter,” “The Dublin Fusiliers,” “The Limerick Rake,” “Mrs. McGrath,” “Darby O’Leary,” “All For Me Grog” and “The Ballad of Ronnie’s Mare,” as well as patriotic songs such as “Roddy McCorley,” “The Enniskillen Dragoons,” “Take It Down From The Mast” and “Henry Joy.”

On April 5, 1974 The Dubliners travel to Eastbourne where they are to appear in concert. Kelly is worried by the way Bourke keeps moving his head about, as if trying to alleviate increasing pain. Four minutes into the second half, it is decided he cannot continue with the show. Kelly insists that a doctor should be phoned and instructs to await their return to the Irish Club at Eaton Square. The roadie for the trip, John Corry, thinks that it is better to drive straight to St. George’s Hospital in London, where the doctors diagnose a brain aneurysm. He is transferred to the Atkinson Morley Hospital in Wimbledon, while doctors wait for his wife to return from a trip to Ghana, to get her signature before operating. She is told that there is danger of further haemorrhaging. He is operated on at the earliest opportunity. The bleeding begins again while he is on the table which means that they cannot repair the damage, only staunch the bleeding. This leaves him paralysed down his left side and confused as to where he is and what has happened.

Bourke receives intensive therapy, attending a clinic in Dún Laoghaire, County Dublin. He is heartened by his progress and insists on rejoining The Dubliners on their next tour of the Continent in November that year.

Bourke’s continued insistence that he is fit enough to join them on the forthcoming German tour causes them considerable disquiet. They prefer he ease himself back to work, with a few small shows in Ireland. The tour gradually begins to take its toll on him, and it is decided that for the sake of his health he should return home. He flies from Brussels to Dublin.

Bourke makes his last public appearance on Ireland’s RTÉ One during The Late Late Show‘s tribute to The Dubliners in 1987. Despite his lingering paralysis he recites “The Lament for Brendan Behan” after which everyone in the studio, led by Ronnie Drew, sing “The Auld Triangle.”

Bourke dies on May 10, 1988 after a long illness. From 1974 until his death he had continued to be paid by the band. A fifth member of the group is not recruited until after his death.


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Thin Lizzy Reaches No. 1 with “Whiskey In The Jar”

Irish rock band Thin Lizzy reaches No. 1 on the Irish Singles Chart with its rendition of “Whiskey In The Jar” on December 19, 1972.

“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman; whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.

The song first gains wide exposure when Irish folk band The Dubliners perform it internationally as a signature song, and record it on three albums in the 1960s. In the United States, the song is popularized by The Highwaymen, who record it on their 1962 album Encore. The song has also been recorded by singers and folk groups such as Roger Whittaker, The Irish Rovers, Seven Nations, Off Kilter, King Creosote, Brobdingnagian Bards, Charlie Zahm, and Christy Moore.

Thin Lizzy’s 1972 single (bonus track on Vagabonds of the Western World [1991 edition]) stays at the top of the Irish charts for 17 weeks, and the British release stays in the top 30 for 12 weeks, peaking at No. 6, in 1973. This version has since been covered by U2, Pulp (first released on a 1996 various artist compilation album Childline and later on deluxe edition of Different Class in 2006), Smokie, Metallica (Garage Inc. in 1998, which wins a Grammy Award), Belle and Sebastian (The Blues Are Still Blue EP in 2006), Gary Moore (2006), Nicky Moore (Top Musicians Play Thin Lizzy in 2008), Simple Minds (Searching for the Lost Boys in 2009), Blaggards (Live in Texas in 2010) and Israeli musician Izhar Ashdot. The song is also on the Grateful Dead live compilation So Many Roads (1965-1995) disc five.


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Birth of Eamonn Campbell of The Dubliners

Eamonn Campbell, Irish musician who is a member of The Dubliners from 1987 until his death, is born in Drogheda, County Louth on November 29, 1946. He is also in The Dubliners when they record their 25th anniversary show on The Late Late Show hosted by Gay Byrne.

Campbell is known as a guitarist and has a rough voice similar to the late founding member of The Dubliners, Ronnie Drew. He tour with three other ex-Dubliners as “The Dublin Legends,” now that the group name has been retired with the death of Barney McKenna. Although originally from Drogheda in County Louth, he later lives in Walkinstown, a suburb of Dublin.

It was Campbell’s suggestion that The Dubliners work with London-based Irish band The Pogues in the mid-1980s, thus giving them their second biggest UK hit to date, “The Irish Rover.” Their biggest hit is “Seven Drunken Nights” which reaches number 7 in the charts in 1967 and an appearance on Top of the Pops.

Campbell produces all of The Dubliners’ albums from 1987 onwards, as well as albums for many other Irish artists, including Foster and Allen, Brendan Shine, Daniel O’Donnell and Paddy Reilly. He plays locally with the Delta Showband, The Bee Vee Five and the Country Gents before joining Dermot O’Brien and the Clubmen and first meets The Dubliners when both acts tour England together in 1967. In the mid to late 1970s he more or less retires from the road and becomes involved in the growing Irish recording scene, first as a session musician and later moving to production.

In 2002, Campbell puts a complaint to a commission to inquire into sexual abuse as he says he was abused by the Christian Brothers as a child. In an interview he says “I felt emotional with hate at what this arsehole had got away with. He was abusing the whole class. I still haven’t heard anything back.”

Campbell is the Grand Master for the 2009 Drogheda St. Patrick’s Day Parade. In his younger years he teaches guitar lessons at the “Music Shop” in Drogheda. His granddaughter Megan Campbell is a Republic of Ireland international footballer.

While on tour in the Netherlands with The Dublin Legends, Campbell feels unwell during his final performance. He returns to his hotel at around 1:00 AM and goes to bed. He dies during the early hours of the morning of October 18, 2017. His body is flown back to Dublin where his funeral takes place on October 26, 2017.

(Pictured: Eamonn Campbell during the Festival Interceltique de Lorient in 2014 | This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license)


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Birth of Barney McKenna, Founding Member of The Dubliners

File source: https://commons.wikimedia.org/wiki/File:Barney_001.jpgBernard Noël “Banjo Barney” McKenna, Irish musician and a founding member of The Dubliners, is born on December 16, 1939 in Donnycarney, Dublin. He plays the tenor banjo, violin, mandolin, and melodeon. He is most renowned as a banjo player.

McKenna plays the banjo from an early age, initially because he cannot afford to buy the instrument of his choice, a mandolin. He is a member of The Dubliners from 1962 and is the only living member of the original formation at the time of his death. Prior to joining the Dubliners, he spends a few months in The Chieftains. In addition to his work on traditional Irish music, he also plays jazz on occasion.

McKenna uses GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, is single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music.

McKenna remains a great favourite with live audiences, and some of the loudest and most affectionate applause follows the tunes and songs on which he is the featured performer. He is well known for his unaccompanied renditions of songs such as “South Australia” and “I Wish I Had Someone to Love Me.” His banjo solos on tunes such as “The Maid Behind the Bar,” “The High Reel” and “The Mason’s Apron,” where he is usually accompanied by Eamonn Campbell on guitar, are often performed to cries of “C’mon Barney!” from audience or band members. Another featured spot in Dubliners performances is the mandolin duet that he plays with John Sheahan, again with Eamonn Campbell providing guitar accompaniment. As he often points out to the audience, “It’s an Irish duet, so there’s three of us going to play it.”

McKenna’s tendency to relate funny, and often only marginally believable, stories is legendary amongst Dubliners fans and friends. These anecdotes become known as Barneyisms, and his friend and former Dubliners bandmate Jim McCann collects them for the book An Obstacle Confusion: The Wonderful World of Barney McKenna.

McKenna dies unexpectedly on the morning of April 5, 2012 after collapsing in the kitchen of his home in Howth, County Dublin. He is buried at St. Loman’s Cemetery in Trim, County Meath, on April 9, 2012. Initially it is unclear whether The Dubliners will continue their 50th Anniversary Tour in the wake of McKenna’s death. However they soon confirm that they would “do their best to honour all the concert dates for the rest of the year [2012].”


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Birth of Phil Coulter, Songwriter & Producer

phil-coulter

Phil Coulter, musician, songwriter and record producer, is born in Derry, County Londonderry, Northern Ireland on February 19, 1942. He is one of the most eclectic and accomplished arranger/musicians to emerge from Ireland during the 1960s.

Coulter spends his secondary school years at St. Columb’s College. He later studies music and French at the Queen’s University Belfast. During his time at Queen’s he takes up songwriting, composing the hit Foolin’ Time for the Capitol Showband. His talents are swiftly captured by leading entrepreneur Phil Solomon. Initially working with such showbands as the Cadets and Pacific, he continues to compose for the Capitol Showband and even pens their 1965 Eurovision Song Contest entry, Walking the Streets in the Rain. In the meantime, Coulter works on Solomon’s other acts, including Twinkle, who enjoys a major UK hit with the Coulter-arranged Terry. He also contributes to Them’s song catalogue, with the driving I Can Only Give You Everything.

After leaving the Solomon stable in 1967, Coulter, now based in London, forms a partnership with Bill Martin, which becomes one of the most successful of its era. The duo is particularly known for their ability to produce instantly memorable pop hits, and achieve international fame after penning Sandie Shaw’s 1967 Eurovision Song Contest winner, Puppet on a String. They barely miss repeating that feat the following year with Cliff Richard’s stomping Congratulations.

Coulter subsequently leads his own country to victory in the contest by arranging Dana’s 1970 winner, All Kinds of Everything. That same year, Coulter/Martin are commissioned to write Back Home, the official song for the England national football team, which proves a lengthy UK number 1. As well as his pop outings, which include writing My Boy and an album’s worth of material for Richard Harris, he maintains his connection with the Irish folk scene, via his work with another of Solomon’s acts, The Dubliners. He also produces three albums for the groundbreaking Planxty and works with The Fureys.

During the mid-1970s, Coulter and Martin are called in to assist the Bay City Rollers, and subsequently compose a string of hits for the Scottish teenyboppers, including Remember (Sha-La-La), Shang-a-Lang, Summerlove Sensation, Saturday Night, and All Of Me Loves All Of You. During the same period, they enjoy three Top 10 hits with Kenny and reach the top again in 1976 with Slik’s Forever and Ever. He also produces several records by comedian Billy Connolly, including 1975’s UK number 1 D.I.V.O.R.C.E..

After his partnership with Martin ends in the late 1970s, Coulter specializes in orchestral recordings, which prove hugely successful in Irish communities. Albums such as Classic Tranquillity and Sea Of Tranquillity (both 1984), Words And Music (1989), American Tranquillity (1994), Celtic Horizons (1996), and collaborations with flautist James Galway and Roma Downey, also enjoy major international success, and Coulter is a regular fixture in the upper regions of the U.S. New Age album chart.

Coulter’s production credits during the 1990s include work for Sinéad O’Connor and Boyzone. His lengthy career, as producer, arranger, songwriter and performer, is all the more remarkable for encompassing such contrasting musical areas from folk and orchestral to straightforward Tin Pan Alley pop.

Despite his successes, Coulter suffers several family tragedies. His son is born with Down syndrome and dies at the age of three. The song Scorn Not His Simplicity is written in his memory. His brother also dies tragically in a drowning incident in Ireland, which briefly causes him to retreat from the music business. He records the anthemic Home From The Sea with the Lifeboat Chorus as a tribute.

Coulter has received honorary doctorates from the University of Ulster (1988), Dublin Institute of Technology (2006), and The Open University (2018).


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Thin Lizzy’s “Whiskey in the Jar” Charts in UK

whiskey-in-the-jarWhiskey in the Jar” by Thin Lizzy enters the UK charts on January 20, 1973.

“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman. Whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo, and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.

The song’s exact origins are unknown. The song first gains wide exposure when the Irish folk band The Dubliners perform it internationally as a signature song, and record it on three albums in the 1960s. In the United States, the song is popularized by The Highwaymen, who record it on their 1962 album Encore. Building on their success, the Irish rock band Thin Lizzy hits the Irish and British pop charts with the song in 1973. In 1990 The Dubliners re-record the song with The Pogues with a faster rocky version charting at No.4 in Ireland and No.63 in the UK. The American metal band Metallica brings it to a wider rock audience in 1998 by playing a version very similar to that of Thin Lizzy’s, though with a heavier sound, winning a Grammy Award for the song in 2000 for Best Hard Rock Performance.

Thin Lizzy’s 1972 single stays at the top of the Irish charts for 17 weeks, and the British release stays in the top 30 for 12 weeks, peaking at No. 6, in 1973. This version has since been covered by U2, Pulp (first released on a 1996 various artist compilation album Childline and later on deluxe edition of Different Class in 2006), Smokie, Metallica (Garage Inc. 1998, which wins a Grammy), Belle and Sebastian (The Blues Are Still Blue EP 2006), Gary Moore (2006), Nicky Moore (Top Musicians Play Thin Lizzy 2008), Simple Minds (Searching for the Lost Boys 2009), and Israeli musician Izhar Ashdot. The song is also on the Grateful Dead live compilation So Many Roads (1965-1995) disc five.


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Birth of Luke Kelly, Founding Member of The Dubliners

luke-kellyLuke Kelly, singer, folk musician and actor, is born into a working-class family in Lattimore Cottages at 1 Sheriff Street, Dublin on November 17, 1940. He is noted as a founding member of the band The Dubliners.

After Dublin Corporation demolished Lattimore Cottages in 1942, the Kellys become the first family to move into the St. Laurence O’Toole flats, where Luke spends the bulk of his childhood, although the family is forced to move by a fire in 1953 and settles in the Whitehall area.

Kelly is interested in music during his teenage years and regularly attends cèilidh with his sister Mona and listens to American vocalists including Fats Domino, Al Jolson, Frank Sinatra and Perry Como. He also has an interest in theatre and musicals, being involved with the staging of plays by Dublin’s Marian Arts Society. The first folk club he comes across is in the Bridge Hotel, Newcastle upon Tyne in early 1960. Having already acquired the use of a banjo, he starts memorising songs.

Kelly befriends Sean Mulready in Birmingham and lives in his home for a period. Mulready is a teacher who is forced from his job in Dublin because of his communist beliefs. Mulready’s brother-in-law, Ned Stapleton, teaches Kelly “Rocky Road to Dublin.” During this period he studies literature and politics under the tutelage of Mulready, his wife Mollie, and Marxist classicist George Derwent Thomson.

In 1961 there is a folk music revival or “ballad boom,” as it is later termed, in waiting in Ireland. Kelly returns to Dublin in 1962. A concert John Molloy organises in the Hibernian Hotel leads to his “Ballad Tour of Ireland” with the Ronnie Drew Ballad Group. This tour leads to the Abbey Tavern and the Royal Marine Hotel and then to jam-packed sessions in the Embankment, Tallaght. Ciarán Bourke joins the group, followed later by John Sheahan. They rename themselves The Dubliners at Kelly’s suggestion, as he is reading James Joyce‘s book of short stories, entitled Dubliners, at the time. Kelly is the leading vocalist for the group’s eponymous debut album in 1964, which includes his rendition of “Rocky Road to Dublin.”

In 1964 Kelly leaves the group for nearly two years and is replaced by Bob Lynch and John Sheahan. Kelly goes with Deirdre O’Connell, founder of the Focus Theatre, to whom he marries the following year, back to London and becomes involved in Ewan MacColl‘s “gathering.”

When Bob Lynch leaves The Dubliners, John Sheahan and Kelly rejoin. The ballad boom in Ireland is becoming increasingly commercialised with bar and pub owners building ever larger venues for pay-in performances. Ewan MacColl and Peggy Seeger on a visit to Dublin express concern to Kelly about his drinking.

The arrival of a new manager for The Dubliners, Derry composer Phil Coulter, results in a collaboration that produces three of Kelly’s most notable performances: “The Town I Loved So Well”, “Hand Me Down My Bible“, and “Scorn Not His Simplicity”, a song about Phil’s son who had Down Syndrome. Kelly remains a politically engaged musician, becoming a supporter of the movement against South African apartheid and performing at benefit concerts for the Irish Travellers community.

Kelly’s health deteriorates in the 1970s. During a concert in the Cork Opera House on June 30, 1980 he collapses on the stage. He had already suffered for some time from migraines and forgetfulness which had been ascribed to his intense schedule, alcohol consumption, and “party lifestyle.” A brain tumor is diagnosed. Although he tours with the Dubliners after enduring an operation, his health deteriorates further. He forgets lyrics, has to take longer breaks in concerts due to weakness and becomes more withdrawn. In the autumn of 1983 he has to leave the stage in Traun, Austria and again in Mannheim, Germany. Shortly after this, he has to cancel the tour of southern Germany and, after a short stay in hospital in Heidelberg, he is flown back to Dublin.

After another operation Kelly spends Christmas with his family but is taken to hospital again in the New Year, where he dies on January 30, 1984. His funeral in Whitehall attracts thousands of mourners from across Ireland. His gravestone in Glasnevin Cemetery, Dublin, bears the inscription: Luke Kelly – Dubliner.


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Death of Ronnie Drew, Folk Musician & Singer

ronnie-drew-1Joseph Ronald “Ronnie” Drew, singer, folk musician and actor who achieves international fame during a fifty-year career recording with The Dubliners, dies on August 16, 2008 in Dublin, County Dublin.

Drew is most recognised for his lead vocals on the singles “Seven Drunken Nights” and “The Irish Rover,” both charting in the UK top 10 and then performed on Top of the Pops. He is recognisable for his long beard and his voice, which was once described by Nathan Joseph as being “like the sound of coke being crushed under a door.”

Drew is born in Dún Laoghaire, County Dublin on September 16, 1934 and is educated at CBS Eblana. Despite his aversion to education, he is considered the most intelligent in his class by schoolfriend and future Irish film censor, Sheamus Smith. Drew also sings as a boy soprano before his voice breaks.

In the 1950s, Drew moves to Spain to teach English and learn Spanish and flamenco guitar. His interest in folk music begins at the age of nineteen. When he returns to Ireland, he performs in the Gate Theatre with John Molloy and soon goes into the music business full-time, after holding a number of short-term jobs.

In 1962, he founds the Ronnie Drew Group with Luke Kelly, Barney McKenna and Ciarán Bourke. They soon change their name to The Dubliners, with John Sheahan joining shortly afterwards to form the definitive line-up, and quickly become one of the best known Irish folk groups. They play at first in O’Donoghue’s Pub in Merrion Row, Dublin where they are often accompanied by Mary Jordan on the spoons and vocalist Ann Mulqueen, a friend of McKenna’s. Mary Jordan’s mother, Peggy Jordan, introduces them to the Abbey Tavern in Howth, which becomes a regular Monday night venue for the emerging group. They also play across the road in the Royal Hotel, at all-night parties in Peggy’s large house in Kenilworth Square in Rathgar, and in John Molloy’s flat at Ely Place.

Drew leaves the Dubliners in 1974, goes to Norway in 1978 and records two songs with the Norwegian group Bergeners. He rejoins The Dubliners in 1979 and leaves for good in 1995, though he does reunite with the group in 2002 for a 40th anniversary celebration. He makes several television appearances with the group between 2002 and 2005.

From 1995 onwards, Drew pursues a solo career. He records with many artists, including Christy Moore, The Pogues, Antonio Breschi, Dropkick Murphys, Eleanor Shanley and others. He does a number of “one-man shows” consisting of stories about people such as Brendan Behan, Patrick Kavanagh and Seán O’Casey, as well as Drew singing their songs.

He fronts a campaign to encourage the use of Dublin’s light-rail infrastructure (the DART) and, before that, the “My Dublin” ads for radio stations 98FM and FM104. He narrates a retelling of the great Irish Myths and Legends over a six CD set in 2006. He also narrates the stories of Oscar Wilde in his distinctive voice for a series released on CD by the News of the World newspaper. Both were re-released as CD box sets in 2010.

On August 22, 2006, Drew is honoured in a ceremony where his hand prints are added to the “Walk of Fame” outside Dublin‘s Gaiety Theatre.

In September 2006, Drew is reported to be in ill-health after being admitted to St. Vincent’s University Hospital, Dublin, to undergo tests for suspected throat cancer. On October 25, 2007, Drew, now bald and beardless, appears on Ryan Confidential on RTÉ One to give an interview about his role in The Dubliners, his life since leaving the band and being diagnosed with throat cancer. Later in 2007, he appears on The Late Late Show, where he speaks about the death of his wife and his ongoing treatment for cancer.

Ronnie Drew dies in St. Vincent’s University Hospital, Dublin, on August 16, 2008, following his long illness. He is buried three days later in Redford Cemetery in Greystones.


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Bill Whelan Receives IMRO Lifetime Achievement Award

bill-whelanTaoiseach Bertie Ahern presents Irish composer and musician Bill Whelan with the IMRO Lifetime Achievement Award at Dublin Castle on March 2, 2001. Such big names as The Corrs, Brian Kennedy, Jean Butler, Jim Sheridan, Paul McGuinness and Moya Doherty join him to celebrate the award.

Whelan is best known for composing a piece for the interval of the 1994 Eurovision Song Contest. The result, Riverdance, is a seven-minute display of traditional Irish dancing that becomes a full-length stage production and spawns a worldwide craze for Irish dancing and Celtic music and also wins him a Grammy Award. It is released as a single in the United Kingdom in 1994, credited to “Bill Whelan and Anúna featuring the RTÉ Concert Orchestra.” It reaches number 9 and stays in the charts for 16 weeks. The album of the same title reaches number 31 in the album charts in 1995. He also composes a symphonic suite version of Riverdance, with its premiere performed by the Ulster Orchestra on BBC Radio 3 in August 2014.

Whelan is a native of Limerick and is educated at Crescent College, University College Dublin and the King’s Inns. While he is best known for his Riverdance composition, he has been involved in many ground-breaking projects in Ireland since the 1970s. As a producer he has worked with U2 (on their War album), Van Morrison, Kate Bush, The Dubliners, Planxty, Andy Irvine & Davy Spillane, Patrick Street, Stockton’s Wing and fellow Limerickman Richard Harris.

In theatre, Whelan receives a Laurence Olivier Award nomination for his adaption of Gilbert and Sullivan‘s H.M.S. Pinafore. He writes original music for fifteen of William Butler Yeats‘s plays for Dublin‘s Abbey Theatre and his film credits include, Dancing at Lughnasa (starring Meryl Streep), Some Mother’s Son, Lamb (starring Liam Neeson) and the award-winning At The Cinema Palace.


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Birth of Ronnie Drew, Singer & Folk Musician

Joseph Ronald “Ronnie” Drew, singer, folk musician and actor who achieves international fame during a fifty-year career recording with The Dubliners, is born in Dún Laoghaire, County Dublin, on September 16, 1934. He is most recognised for his lead vocals on the single “Seven Drunken Nights” and “The Irish Rover” both charting in the U.K. top 10. He is recognisable for his long beard and his voice, which is once described by Nathan Joseph as being “like the sound of coal being crushed under a door.”

Drew is educated at CBS Eblana. Despite his aversion to education, he is considered the most intelligent in his class by schoolfriend and future Irish film censor, Sheamus Smith. Drew also sings as a boy soprano before his voice breaks.

In the 1950s, Drew moves to Spain to teach English and learn Spanish and flamenco guitar. His interest in folk music begins at the age of nineteen. When he returns to Ireland, he performs in the Gate Theatre with John Molloy and soon goes into the music business full-time, after holding a number of short-term jobs.

In 1962, he founds the Ronnie Drew Group with Luke Kelly, Barney McKenna and Ciarán Bourke. They soon change their name to The Dubliners, with John Sheahan joining shortly afterwards to form the definitive line-up, and quickly become one of the best known Irish folk groups. They play at first in O’Donoghue’s Pub in Merrion Row, Dublin where they are often accompanied by Mary Jordan on the spoons and vocalist Ann Mulqueen, a friend of McKenna’s. Mary Jordan’s mother, Peggy Jordan, introduces them to the Abbey Tavern in Howth, which becomes a regular Monday night venue for the emerging group. They also play across the road in the Royal Hotel, at all-night parties in Peggy’s large house in Kenilworth Square in Rathgar, and in John Molloy’s flat at Ely Place.

Drew leaves the Dubliners in 1974, goes to Norway in 1978 and records two songs with the Norwegian group Bergeners. He rejoins The Dubliners in 1979 and leaves for good in 1995, though he does reunite with the group in 2002 for a 40th anniversary celebration. He makes several television appearances with the group between 2002 and 2005.

From 1995 onwards, Drew pursues a solo career. He records with many artists, including Christy Moore, The Pogues, Antonio Breschi, Dropkick Murphys, Eleanor Shanley and others. He does a number of “one-man shows” consisting of stories about people such as Brendan Behan, Patrick Kavanagh and Seán O’Casey, as well as Drew singing their songs.

He fronts a campaign to encourage the use of Dublin’s light-rail infrastructure and, before that, the “My Dublin” ads for radio stations 98FM and FM104. He narrates a retelling of the great Irish Myths and Legends over a six CD set in 2006. He also narrates the stories of Oscar Wilde in his distinctive voice for a series released on CD by the News of the World newspaper. Both were re-released as CD box sets in 2010.

On August 22, 2006, Drew is honoured in a ceremony where his hand prints are added to the “Walk of Fame” outside Dublin‘s Gaiety Theatre.

In September 2006, Drew is reported to be in ill-health after being admitted to St. Vincent’s Hospital, Dublin, to undergo tests for suspected throat cancer. On October 25, 2007, Drew, now bald and beardless, appears on Ryan Confidential on RTÉ 1 to give an interview about his role in The Dubliners, his life since leaving the band and being diagnosed with throat cancer. Later in 2007, he appears on The Late Late Show, where he speaks about the death of his wife and his ongoing treatment for cancer.

Ronnie Drew dies in St. Vincent’s Hospital, Dublin, on August 16, 2008, following his long illness. He is buried three days later in Redford Cemetery in Greystones.