Edward Maturin, novelist and poet, is born in Dublin on June 18, 1812. He is naturalised as an American and works as a professor of Greek. His fiction and poetry generally deal with historical themes, while his work as a Gothic novelist often has an Irish background.

The Maturin family is descended from a Huguenot clergyman who fled to Ireland after the revocation of the Edict of Nantes. Edward’s father, Reverend Charles Robert Maturin, is curate of St. Peter’s Church, Dublin, and well known as a preacher, as well as a poet and Gothic novelist. Born the second son, Edward enters Trinity College Dublin at the age of fifteen and graduates at twenty. Immediately afterward he emigrates to the United States in 1832 with letters of introduction from the poet Thomas Moore and other Irish writers. Having studied law under Charles O’Conor, he is called to the bar but later becomes professor of Greek at South Carolina College and applies for American naturalisation in 1837. He marries Harriet Lord Gailiard in 1842 and has three children by her. In 1848, he returns to New York, where for upward of thirty years he fills professorships in Greek, Latin and belles-lettres. His mastery of Greek is such that he is selected in 1850 by the American Bible Union as one of their revisers and works on the gospel of St. Mark.

All of Maturin’s work is written in the United States and for the most part concentrates on historical themes or Irish fantasy. His first book contains the interconnected stories of Sejanus and Other Roman Tales (1839) and is dedicated to Washington Irving. They concern incidents during the reigns of the Roman emperors from Tiberius to Nero. Self-consciously literary, the dialogue is written in an imitation of Shakespearean English. This is followed by the two-volume romance, Montezuma, the Last of the Aztecs (1845) and then two works on Spanish themes. The long series of “Spanish Ballads” that originally appears in The United States Magazine and Democratic Review during 1845 are eventually collected with his other poems in Lyrics of Spain and Erin (1850). They are followed by the romance Benjamin, the Jew of Grenada (1847), a story of the fall of the Moslem empire in Spain.

After his move to New York, Maturin’s prose work becomes more Gothic. It includes The Irish Chieftain, or The Isles of Life and Death (1848) which is later to be dismissed as “a wild story without foundation in history … melodramatic, sentimental, extravagant,” and the two-volume Eva, or the Isles of Life and Death (1848). His later Bianca, a tale of Erin and Italy (1852) is set in more modern times but is equally condemned as “an outlandish story, full of murders, characters – mostly illegitimate – with terrible secrets, a duel between brothers, banshees, mysterious lady-prophetesses, fee-faw-fum.” A final offering is his four-act play Viola (1858).

Maturin dies in New York City on May 25, 1881.

(Pictured: “Montezuma: The Last of the Aztecs” by Edward Maturin, Paine & Burgess, New York, 1845)