seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Eugene O’Curry


by Leave a comment

Birth of Maurice Lenihan, Journalist & Author

Maurice Lenihan, journalist and author, is born on February 5, 1811, in St. Patrick’s parish, Waterford, County Waterford.

Lenihan is the eldest of fifteen children (ten sons and five daughters) of James Lenihan, woolen draper, and Margaret Lenihan (née Bourke) from Carrick-on-Suir, County Tipperary, where her family is also involved in the woolen trade. He receives his early education at a school attached to St. John’s College, Waterford, and in 1823 goes to Carlow College, which then caters both for junior seminarians and lay students, and it is clear that he is in the latter category. He studies there as a boarder for eight years despite the financial pressure on the family arising from the death of his father in 1829.

Lenihan begins his journalistic career with the Tipperary Free Press in 1831, moves to The Waterford Chronicle two years later, and in 1841 becomes the editor of The Limerick Reporter. This is followed by a brief stint with The Cork Examiner before he settles in Nenagh in 1843 and establishes his own newspaper, The Tipperary Vindicator. In 1849 he purchases The Limerick Reporter, amalgamates it with his existing publication to form The Limerick Reporter and Tipperary Vindicator, and moves to Limerick, where he resides for the remainder of his life. His paper integrates local reporting and analysis with reports and commentary on national and international events and discussion of the major intellectual ideas of the age. He also fosters the careers of local writers, in particular the poets John Francis O’Donnell and Michael Hogan.

Lenihan plays a distinguished role in Limerick local politics, serving on the municipal council continuously from 1863 until his retirement in 1887, and as mayor in 1884. He takes a prominent part also in national political debates and controversies of the period. He is a moderate constitutional nationalist, strongly influenced in his youth by Daniel O’Connell, though he later defends Fenian prisoners. In the 1830s he supports the abolition of tithes, and campaigns in the 1860s for the disestablishment of the Church of Ireland. He champions the cause of Catholic education and favours the teaching of the Irish language in schools and colleges. He consistently supports liberal party candidates in elections and in the 1880s espouses the twin aims of land reform and parliamentary independence.

Lenihan marries a local Nenagh woman, Elizabeth Spain, in November 1843. They have two sons and seven daughters. The family is dogged by ill-health and steadily declining fortunes. The financial problems are caused in part by the losses incurred in the publication in 1866 of Lenihan’s major work of scholarship, Limerick, its history and antiquities. The genesis of this enterprise lay in a series of articles on the sieges of 1690 and 1691, which he had researched and published in his own newspaper. With the encouragement and guidance of his friend, the historian and scholar Eugene O’Curry, he spends five years in research and writing. He had amassed through purchase and borrowing an impressive collection of manuscript materials, most notably the Arthur manuscripts, and these are supplemented by transcripts from most of the principal sources then extant in both Britain and Ireland. He supplements this documentary material with his own local knowledge and oral evidence from elderly residents. The work is haphazardly, even chaotically, arranged and is notable for its voluminous footnotes. These arise from a self-confessed problem in organising his material and from the fact that he acquires further information after the main text has been drafted. These deficiencies are more than compensated for by the vast range of primary source material that, in addition to forming the basis for the main narrative, is reproduced in total or summary form in both the footnotes and appendices. This material has proved invaluable to subsequent generations of scholars researching the history of Limerick.

Poverty, poor health, and personal tragedy are prominent in his final years. His newspaper becomes progressively unprofitable, and he is forced to sell his books and manuscripts to the British Museum. Five of his children predecease him. He dies on December 25, 1895, and is buried in Mount St. Lawrence Cemetery in Limerick.

(From: “Lenihan, Maurice” by Liam Irwin, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Death of Nelly O’Brien, Miniaturist, Artist & Activist

Ellen Lucy or Nelly O’Brien, Irish miniaturist, landscape artist, and Gaelic League activist, dies suddenly on April 1, 1925, while visiting her brother Dermod at 66 Elm Park Gardens, London.

O’Brien is born Ellen Lucy O’Brien on June 4, 1864, at Cahirmoyle, County Limerick. She is the eldest child of Edward William O’Brien and Mary O’Brien (née Spring Rice). Her siblings are Lucy and Dermod, with Dermod also becoming an artist. Her father is a landowner, and her mother is a sculptor and painter and sister of Thomas Spring Rice. Her grandfather is William Smith O’Brien.

While a young child, O’Brien spends two years living on the French Riviera from 1866 to 1868. Her mother later dies of tuberculosis, and the three children are raised by their aunt, the writer and nationalist, Charlotte Grace O’Brien. Their father remarries in 1880, to Julia Marshall, with whom he has two sons and two daughters.

O’Brien attends school in England from 1879, and later enrolls to study painting at the Slade School of Fine Art. She meets Walter Osborne through her brother Dermod, and considers herself engaged to him, but Osborne dies on April 24, 1903. A portrait of O’Brien by Osborne is held in the Hugh Lane Gallery.

O’Brien returns to Ireland and begins to paint miniatures on ivory using a magnifying glass. She also paints watercolour landscapes. Her first exhibition with the Royal Hibernian Academy (RHA) is in 1896, where she shows three works including Sketch near Malahide. She exhibits with the RHA on and off until 1922. During some of her time in Dublin, she lives with her half-brother, Edward Conor Marshall O’Brien, on Mount Street.

As part of an exhibition of Irish painters, O’Brien exhibits a number of portrait miniatures at the London Guildhall in 1904. The 1906 Oireachtas na Gaeilge features a number of her paintings, and in the same year she becomes honorary secretary of a newly established art committee. At the Munster–Connacht exhibition in Limerick of 1906, she exhibits a miniature of William Smith O’Brien amongst her 12 works on show. She produces many portraits, including one of Douglas Hyde, which is exhibited by the RHA in 1916.

O’Brien is an early member of the Gaelic League, being present at its first Oireachtas na Gaeilge in 1897 and founding the Craobh na gCúig gCúigí (Branch of the Five Provinces). In 1905, she writes a long letter in defence of Douglas Hyde and the Gaelic League in The Church of Ireland Gazette. She holds meetings of Craobh na gCúig gCúigí in her flat at 7 St. Stephen’s Green every Saturday night in 1907. In 1911, she founds Coláiste Eoghain Uí Chomhraí (O’Curry Irish College) in Carrigaholt, County Clare, which is named in honour of Eugene O’Curry, with the help of her cousin and friend Mary Spring Rice.

One of her ultimate goals is to create a national Irish church, which would unite Protestants and Catholics through the Irish language. To this end, she establishes the Irish Guild of the Church with Seoirse de Rút in 1914. The aim of the organisation is to provide a communal union for members of the Church of Ireland who are dedicated to “Irish Ireland” ideals.

Acting as a representative for the Gaelic League, she travels to the United States with Fionan MacColuim in 1914 to 1915, to fund raise and promote Irish art and industries. At Coláiste Eoghain Uí Chomhraí, she stresses the importance of the Irish language in the home, as well as the skills of housewives and those in domestic service in strengthening the language and Irish culture.

O’Brien notes that she initially thought that the 1916 Easter Rising was “in the nature a demonstration against conscription as it had been announced that the volunteers would resist disarmament.” She is staying with the Hydes at 1 Earlsfort Place during the Rising, as her flat at College Park Chambers had been destroyed. She protests the conscription bill in Ireland as a mass meeting of women at the Mansion House in 1918. She launches the Gaelic Churchman in 1919 as the official publication of the Irish Guild of the Church. In one article entitled A plea for the Irish services, she promotes her campaign for Irish language services in Protestant churches. In her capacity of vice-president of the guild, she invites Éamon de Valera to attend one of their meetings in 1921.

O’Brien dies suddenly on April 1, 1925, while visiting Dermod at 66 Elm Park Gardens, London. She is buried at the family plot in Cahirmoyle.

(Pictured: Nelly O’Brien by Sir Joshua Reynolds, 1723-1792)


by Leave a comment

Death of Philologist Eugene O’Curry

eugene-ocurryEugene O’Curry, philologist and antiquary, dies of a heart attack in Dublin on July 30, 1862.

O’Curry is born at Doonaha, near Carrigaholt, County Clare, the son of Eoghan Ó Comhraí, a farmer, and his wife Cáit. Eoghan has spent some time as a traveling peddler and has developed an interest in Irish folklore and music. Unusual for someone of his background, he is literate and is known to possess a number of Irish manuscripts. It is likely that Eoghan is primarily responsible for his son’s education.

Having spent some years working on his father’s farm and as a school teacher, O’Curry moves to Limerick in 1824 and spends seven years working there at a psychiatric hospital. He marries Anne Broughton, daughter of John Broughton of Killaderry near Broadford, County Limerick on October 3, 1824. He is a supporter of Catholic emancipation and in 1828 writes a poem congratulating Daniel O’Connell on his election as an MP.

During this period O’Curry is establishing a reputation for his knowledge of the Irish language and Irish history, and, by 1834, is in correspondence with the antiquary John O’Donovan. He is employed, from 1835 to 1842, on O’Donovan’s recommendation, in the topographical and historical section of Ordnance Survey Ireland. O’Donovan goes on to marry O’Curry’s sister-in-law, Mary Anne Broughton, in 1840. O’Curry spends much of the remainder of his life in Dublin and earns his living by translating and copying Irish manuscripts. The catalogue of Irish manuscripts in the British Museum (1849) is compiled by him for a fee of £100. He is responsible for the transcripts of Irish manuscripts from which O’Donovan edits the Annals of the Four Masters between 1848 and 1851.

In 1851 O’Curry is elected a member of the Royal Irish Academy and, on the founding of the Catholic University of Ireland in 1854, he is appointed professor of Irish history and archaeology. He works with George Petrie on the Ancient Music of Ireland (1855). In 1852, he and O’Donovan propose the Dictionary of the Irish Language, which is eventually begun by the Royal Irish Academy in 1913 and finally completed in 1976.

O’Curry’s lectures are published by the university in 1860, and give a better knowledge of Irish medieval literature than can be obtained from any other one source. Three other volumes of lectures are published posthumously, under the title On the Manners and Customs of the Ancient Irish (1873). His voluminous transcripts, notably eight huge volumes of early Irish law, testify to his unremitting industry. The Celtic Society, of the council of which he is a member, publishes two of his translations of medieval tales.

Eugene O’Curry dies of a heart attack at his home in Dublin on July 30, 1862, and is survived by two sons and two daughters. He is buried at Glasnevin Cemetery in Dublin. O’Curry Road in the Tenters area of Dublin 8 is named in his honour.


by Leave a comment

Birth of Biblical Scholar James Henthorn Todd

james-henthorn-toddJames Henthorn Todd, biblical scholar, educator, and Irish historian, is born in Rathfarnham, a Southside suburb of Dublin, on April 23, 1805. He is noted for his efforts to place religious disagreements on a rational historical footing, for his advocacy of a liberal form of Protestantism, and for his endeavours as an educator, librarian, and scholar in Irish history.

Todd is the son of Charles Hawkes Todd, a professor of surgery, and Eliza Bentley, and is the oldest of fifteen children. Noted physician Robert Bentley Todd is among his younger brothers. His father dies a year after he receives a B.A. from Trinity College, Dublin in 1825, diminishing his prospects for success. However, he is able to remain at the college by tutoring and editing a church periodical.

Todd obtains a premium in 1829, and two years later is elected Fellow, taking deacon’s orders in the same year. From that time until 1850, when he becomes a Senior Fellow, he is among the most popular tutors in Trinity College.

Todd takes priest’s orders in 1832. He begins publishing in earnest, including papers on John Wycliffe, church history, and the religious questions of his day. He is Donnellan Lecturer in 1838 and 1839, publishing works related to the Antichrist in which he opposes the views of the more extreme of his co-religionists who apply this term to the Roman Catholicism and the Pope. In 1840 he graduates Doctor of Divinity.

In 1837 Todd is installed Treasurer at St. Patrick’s Cathedral in Dublin, and becomes Precentor in 1864. His style of preaching is described as simple and lucid, and his sermons interesting. He co-founds Saint Columba’s College in 1843, a school which promotes the Irish language for those who intend to take orders, as well as promoting the principles of the Church of Ireland.

In 1849 Todd is made Regius Professor of Hebrew at Trinity, and a Senior Fellow the following year. In 1852 he is appointed Librarian, and working alongside John O’Donovan and Eugene O’Curry, he classifies and arranges the collection of manuscripts. When his office receives money, he spends it on the acquisition of manuscripts and rare books, and he deserves much credit for the library’s high ranking as one of the chief libraries of Europe.

Todd’s secular achievements are no less remarkable. In 1840 he co-founds the Irish Archaeological Society and acts as its honorary secretary. He is elected a member of the Royal Irish Academy, and strives actively to acquire transcripts and accurate accounts of Irish manuscripts from foreign libraries. He is honorary secretary from 1847 to 1855, and president from 1856 to 1861. In 1860 he is given an ad eundem degree at the University of Oxford.

Todd is a notable person among notable people. His work is widely respected and cited. Among his friends and acquaintances are lawyer and poet Sir Samuel Ferguson, Conservative Member of Parliament (MP) and Roman Catholic convert Edwin Wyndham-Quin, fellow historian William Reeves, artist Sir George Petrie, and the Stokes family (physician father William, future lawyer and Celticist son Whitley, and future antiquarian daughter Margaret).

James Henthorn Todd dies at his house in Rathfarnham on June 28, 1869 and is buried in the churchyard of St. Patrick’s Cathedral.


by Leave a comment

Death of George Petrie, Painter & Musician

george-petrieGeorge Petrie, Irish painter, musician, antiquary and archaeologist of the Victorian era dies on January 17, 1866.

Petrie is born and grows up in Dublin, living at 21 Great Charles Street, just off Mountjoy Square. He is the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He is interested in art from an early age. He is sent to the Royal Dublin Society‘s schools, being educated as an artist, where he wins the silver medal in 1805 at the age of fourteen.

After an abortive trip to England in the company of Francis Danby and James Arthur O’Connor, both of whom are close friends of his, he returns to Ireland where he works mostly producing sketches for engravings for travel books including among others, George Newenham Wright‘s guides to Killarney, Wicklow and Dublin, Thomas Cromwell‘s Excursions through Ireland, and James Norris Brewer‘s Beauties of Ireland.

In the late 1820s and 1830s, Petrie significantly revitalises the Royal Irish Academy‘s antiquities committee. He is responsible for their acquisition of many important Irish manuscripts, including an autograph copy of the Annals of the Four Masters, as well as examples of insular metalwork, including the Cross of Cong. His writings on early Irish archaeology and architecture are of great significance, especially his essay on the Round Towers of Ireland, which appear in his 1845 book titled The Ecclesiastical Architecture of Ireland. He is often called “the father of Irish archaeology.” His survey of the tombs at Carrowmore still informs study of the site today.

From 1833 to 1843 Petrie is employed by Thomas Frederick Colby and Thomas Larcom as head of the Topographical Department of the Irish Ordnance Survey. Amongst his staff are John O’Donovan, one of Ireland’s greatest ever scholars, and Eugene O’Curry. A prizewinning essay submitted to the Royal Irish Academy in 1834 on Irish military architecture is never published, but his seminal essay On the History and Antiquities of Tara Hill is published by the Academy in 1839. During this period Petrie is himself the editor of two popular antiquarian magazines, the Dublin Penny Journal and, later, the Irish Penny Journal.

Another major contribution of Petrie’s to Irish culture is the collection of Irish traditional airs and melodies which he records. William Stokes’s contemporary biography includes detailed accounts of Petrie’s working methods in his collecting of traditional music: “The song having been given, O’Curry wrote the Irish words, when Petrie’s work began. The singer recommenced, stopping at a signal from him at every two or three bars of the melody to permit the writing of the notes, and often repeating the passage until it was correctly taken down …”

As an artist, Petrie’s favourite medium is watercolour which, due to the prejudices of the age, is considered inferior to oil painting. Nonetheless, he can be considered as one of the finest Irish Romantic painters of his era. Some of his best work is in the collections of the National Gallery of Ireland, such as his watercolour painting Gougane Barra Lake with the Hermitage of St. Finbarr, County Cork (1831).

Petrie is awarded the Royal Irish Academy’s prestigious Cunningham Medal three times: firstly in 1831 for his essay on the round towers, secondly in 1834 for the now lost essay on Irish military architecture, and thirdly in 1839 for his essay on the antiquities of Tara Hill.

The closing years of Petrie’s life are devoted to the publication of a portion of his collection of Irish music. He dies at the age of 77 at Rathmines, Dublin, on January 17, 1866. He is buried in Mount Jerome Cemetery.


by Leave a comment

Founding of the Ossianic Society

The Ossianic Society, an Irish literary society, is founded in Dublin on Saint Patrick’s Day 1853, taking its name from the poetic material associated with the ancient narrator Oisín.

Founding members include John O’Daly, William Elliot Hudson, John Edward Pigot, Owen Connellan, John Windele, and William Smith O’Brien. The antiquary Standish Hayes O’Grady is a principal member and later becomes its president. By 1860 the list of subscribers numbers 746, six volumes of Transactions are produced, and the preparations for further issues are extant when it ceases operations in 1863.

The group of Irish scholars emerge from competing societies, such as the Celtic Society and the Irish Archaeological Society, focusing on the translation of Irish literature from the “Fenian period of Irish history,” specifically, the mythological works of Oisín and the Fianna, and the promotion of the Irish language. The manifesto stipulates the membership be entirely composed of Irish scholars, the intent being to distinguish itself from similar societies that cater to Anglo-Irish interests and influence. Though such societies have credible scholars as steering members, the work produced is thought to be influenced by the local ascendancy and their royal (English) patrons.

The correspondence of members of the Society reveals a fractious relationship with other important figures of the time, Eugene O’Curry and those of the Royal Irish Academy, and are often frustrated in their attempts to access early manuscripts.