seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Fleadh Cheoil


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Birth of Liam O’Flynn, Uilleann Piper & Traditional Musician

Liam O’Flynn, Irish uilleann piper and Irish traditional musician, is born on September 15, 1945, in Kill, County Kildare. In addition to a solo career and as a member of Planxty, he records with Christy Moore, Dónal Lunny, Andy Irvine, Kate Bush, Mark Knopfler, The Everly Brothers, Emmylou Harris, Mike Oldfield, Mary Black, Enya and Sinéad O’Connor.

O’Flynn is acknowledged as Ireland’s foremost exponent of the uilleann pipes and brings the music of the instrument to a worldwide audience. In 2007, he is named TG4 Musician of the Year at the Gradam Ceoil TG4, considered to be the foremost recognition given to traditional Irish musicians.

O’Flynn is born to musical parents. His father, Liam, is a teacher and fiddle player. His mother, Maisie (née Scanlan), who comes from a family of musicians from County Clare, plays and teaches piano. From an early age, he shows musical talent, and is encouraged to pursue his interest in the uilleann pipes by the piper Tom Armstrong. At the age of 11, he begins taking classes with Leo Rowsome. He is also influenced by Willie Clancy and Séamus Ennis. In the 1960s, he begins to receive recognition of his talent, winning prizes at the Oireachtas na Gaeilge and the Fleadh Cheoil. During his early years, he is sometimes billed as Liam Óg Ó Flynn.

In 1972, O’Flynn co-founds the Irish traditional music group Planxty, alongside Christy Moore, Andy Irvine and Dónal Lunny and remains a member throughout the band’s various incarnations. While Seán Ó Riada and The Chieftains had reinvigorated Irish traditional instrumental music in an ensemble format during the 1960s, Planxty builds on that foundation and takes it one step further. They bring a punch and vitality to acoustic music that draws heavily on O’Flynn’s piping virtuosity.

As O’Flynn grows in his skill as a musician and as he begins to meet pipers like Willie Clancy and Séamus Ennis, he becomes acutely aware of his position in the tradition of piping. His subsequent close friendship with Ennis, which starts as a master/pupil relationship, teaches him that there is much more to being a piper than playing tunes. He notes, “Seamus Ennis gave me much more than a bag of notes.”

“When I’m playing, I’m certainly lost within it. The only way to describe it, is that it’s like looking inwards. I think when a performer engages with the audience, and vice versa, it’s like a spell is cast and a terrific passage of feelings moves from the musician to the audience and back again.”

Following the break-up of Planxty in 1983, O’Flynn finds work as a session musician with such prominent artists as The Everly Brothers, Enya, Kate Bush, Nigel Kennedy, Rita Connolly, and Mark Knopfler. He also works on film scores, including Kidnapped (1979) and A River Runs Through It (1992). He is adventurous enough to work with avant-garde composer John Cage, but his most natural alliance is with neo-romantic composer Shaun Davey.

The Bothy Band are natural successors to the original Planxty, and one of its members, Matt Molloy, who subsequently joins The Chieftains, plays with The Chieftains’ fiddler Seán Keane on O’Flynn’s album, The Piper’s Call, which is performed in the 1999 BBC Proms season at the Royal Albert Hall. He also works on projects with Seamus Heaney, mixing poetry with music.

O’Flynn’s name is mentioned in Christy Moore’s song “Lisdoonvarna.”

O’Flynn dies in a Dublin hospital on March 14, 2018, following a long illness. His cremated remains rest at Newlands Cross Cemetery and Crematorium in Dublin.

The Liam O’Flynn Award is awarded each year by the Arts Council and the National Concert Hall to recognise individual creativity in Traditional Irish music. Awardees include Úna Monaghan, Barry Kerr, Jack Talty, Louise Mulcahy and Strange Boy (aka Jordan Kelly).


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Death of Concertina Player Elizabeth “Lizzie” Crotty

Elizabeth “Lizzie” Crotty (née Markham), concertina player better known as Mrs. Crotty, dies in Kilrush, County Clare, from angina pectoris on December 27, 1960.

Markham is born on January 8, 1886, at Gower, Cooraclare, County Clare, the youngest in the large family of Michael Markham, farmer, and Margaret Markham (née Keane). She attends national school in Cooraclare from 1893 to 1899. Although she does not speak or understand the Irish language, as do her father and likely her mother, the Rosary is recited in Irish at home. She and a sister are the only siblings not to emigrate. Her mother plays the fiddle, while her older sister Margaret (Maggie) plays the concertina and probably influences her to do likewise. She has no single teacher and acquires tunes and her style of playing from neighbours and family friends. She begins to play a two-row German-type concertina at house dances throughout west Clare and becomes very much in demand.

In 1914, Markham marries Michael (Miko) Crotty from Gowerhass, the townland next to Gower. Miko had been in the United States for a couple of years and uses the money earned there to buy a public house on the Market Square in Kilrush, now known as “Crotty’s Pub.” They live in the Square in Kilrush and Miko bottles his own whiskey. The pub is an important venue for Irish traditional music, especially for those who wish to hear Crotty play. She remains relatively unknown outside of Clare until the early 1950s, and there are a relatively small number of recordings of her playing the concertina. The broadcaster Ciarán Mac Mathúna conducts recording sessions in her house in 1955 and she is to be heard on A Job of Journeywork, his programme on Radio Éireann. She possesses a number of concertinas, but the Lachenal that she purchases in the 1950s is her favourite and the one with which she is most closely identified. In 1954, she is a founder member and the first president of the Clare branch of Comhaltas Ceoltóirí Éireann. During her time as president, the All Ireland Fleadh is held in Ennis in 1956.

Crotty often sings the traditional song “An draighneán donn,” which is one of her favourites. Among tunes she enjoys playing are the “Ewe reel,” the “Dublin reel,” and “The maid of Mount Cisco,” along with “The wind that shakes the barley.” Her straight style of playing for dancing and dancers increases her popularity. Seán Ó Riada regards her as one of the finest concertina players he ever heard. Although she does not read or write staff notation, she creates a written code for herself by giving the concertina keys a number and by using a symbol for the press or draw movement on the concertina keys.

Crotty suffers from severe angina which necessitates visits for medical treatment to Dublin, where she becomes friends with fiddle player Kathleen Harrington (née Gardiner). They attend the Pipers’ Club in Thomas Street, play together on Radio Éireann, and travel together to fleadhanna.

Crotty dies on December 27, 1960, of an anginal attack while at her home. She is buried in (old) Shanakyle cemetery. She loses her first three children, and a son drowns in the River Shannon in 1945. Another son, Thomas, becomes a priest. A festival, ‘Éigse Mrs Crotty’, is held in her memory each summer in Kilrush. Her son Paddy gives three perpetual trophies for presentation at the All-Ireland Fleadh Cheoil.

(From: “Crotty, Elizabeth (‘Lizzie’)” by Ríonach uí Ógáin, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Cara Dillon, Irish Folk Singer

Cara Elizabeth Dillon, Irish folk singer, is born in Dungiven, County Londonderry, Northern Ireland on July 21, 1975.

Dillon comes from an area steeped in Irish traditional music. Since she was a schoolgirl she has sung and performed. She learns local folk songs from teachers and workshops held in the town. She can also play the fiddle and whistles. At the age of 14 she wins the All-Ireland Singing Trophy at Fleadh Cheoil.

In 1991 Dillon forms a band called Óige (an Irish word meaning ‘youth’) with school friends Murrough and Ruadhrai O’Kane, bringing her take on Irish traditional songs to Ireland, Scotland and further afield. During this time she also performs with big names such as De Dannan and Phil Coulter. Óige records two albums with Dillon, a studio and a live album. Inspiration is recorded in 1992 to sell at concerts in Europe. The live album, simply called Live, is recorded at a concert in Glasgow on August 15, 1993.

Dillon leaves Óige in 1995 and joins the folk supergroup Equation, replacing Kate Rusby, and signs a record deal with Warner Music Group. She leaves Equation with original band member Sam Lakeman because of musical differences and together they immediately signed a separate deal with the same label as a duo named Polar Star. In 2001, she releases her first solo album, Cara Dillon, which features traditional songs and two original Dillon/Lakeman compositions. The album is an unexpected hit in the folk world, with Dillon receiving four nominations at the 2002 BBC Radio 2 Folk Awards. Lakeman and Dillon marry in December 2002.

Dillon’s second album, Sweet Liberty (2003), enters the Irish Albums Chart and UK Independent Albums Chart. In 2004, she receives the Meteor Irish Music Award for Best Irish Female. Her third album, After the Morning, is released in 2006. The album’s opening track “Never in a Million Years” gains BBC Radio 2 airplay, while other tracks feature the Czech Philharmonic orchestra and Paul Brady. Also in 2006, she sings at the opening of the Ryder Cup in Ireland.

In 2009, Dillon releases her fourth album, the award-winning Hill of Thieves. The record marks a return to Dillon’s traditional roots with a purer production and arrangement style. The titular track “Hill of Thieves,” a Dillon\Lakeman original, is voted by BBC listeners as one of the “Top 10” original songs to have come out of Northern Ireland. In 2012, she performs two concerts with the Ulster Orchestra.

Dillon’s fifth solo album, A Thousand Hearts, is released in 2014. Prior to the album’s release, she discovers that her music enjoys a dedicated following in China, where her first album is featured in English curriculums. She has since embarked on several popular Chinese tours. As of 2017, she continues to tour regularly and work with her husband, who backs her on piano and guitar. Her most recent release is the album, Wanderer (2017).

Dillon is the sister of fellow folk singer Mary Dillon, formerly of Déanta. Dillon and Lakeman live in Frome, Somerset, England with their three children, twin sons born in 2006 and a daughter born in 2010.


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Death of Frank Harte, Traditional Irish Singer

Frank Harte, traditional Irish singer, music collector, architect and lecturer, dies of a heart attack on June 27, 2005.

Harte is born in Chapelizod, County Dublin on May 14, 1933. He emigrates to the United States for a short period, but later returns to Ireland where he works as an architect, lecturer at Dublin Institute of Technology in Rathmines, Dublin and in later life fully engages in songs in many ways.

Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.

Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.

Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.

Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.

Harte appears at many American festivals including The Blarney Star in New York City, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and the Milwaukee Irish Fest and for seventeen years he is a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins, West Virginia where he often performs with Mick Moloney.

Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.


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Birth of Matt Molloy, Flautist & Member of The Chieftains

Matt Molloy, Irish musician and member of The Chieftains, is born on January 12, 1947, at Ballaghaderreen, County Roscommon, a region known for producing talented flautists. Coming from a strong musical background, he is considered as one of the most brilliant Irish musicians, his style that adapts piping techniques to the flute has influenced many contemporary Irish flute players.

As a child, Molloy begins playing the flute at age 8 and by the age of 18 he wins the All-Ireland Flute Championship and has a string of successes in National Fleadh Cheoil and Oireachtas. He moves to Dublin in the mid 1960s where he starts playing in the music scene and becomes acquainted with Paddy Moloney.

During the burgeoning folk scene of the 1970s, Molloy is a founding member of the famous Irish traditional band, The Bothy Band. After the Bothy Band, he appears briefly with the reformed group, Planxty. He joins The Chieftains in 1979, replacing Michael Tubridy. The Chieftains 9: Boil the Breakfast Early is his first album with The Chieftains.

Over the course of his career, Molloy has released several highly acclaimed solo albums and has worked with other accomplished musicians. He has teamed up with Paul Brady, Tommy Peoples, Micheál Ó Súilleabháin, Dónal Lunny and the Irish Chamber Orchestra among other artists.

In addition to playing, Molloy owns a pub on Bridge Street in Westport, County Mayo, called Matt Molloy’s, where he has recorded a live session album. His pub is well known for having sessions including many different musicians.

The flutes used in traditional Irish music are called concert flutes. These are the standard instruments found in orchestras during the 19th century, prior to the introduction of Boehm system flutes circa 1843. They are conical-bore, transverse flutes, typically constructed of blackwood. They are played using ‘simple system’ (keyless) fingering or ‘old system’ (four to eight keys) fingering. They have a more robust and breathy tone compared to metal flutes.

In addition to the flute, Molloy plays the tin whistle, though not very often. The tin whistle is a vertical fipple-flute. The fipple is the duct in the mouthpiece that directs air to produce sound. The first tin whistles of the 1800s were rolled plates of tin forming a tube, with a wooden block in the mouthpiece carved to form the fipple. Today’s tin whistles are made of metals including nickel-silver, brass and aluminum. They have a range of two octaves, and are made in a wide range of keys.


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Birth of Frank Harte, Traditional Irish Singer

frank-harte

Frank Harte, traditional Irish singer, music collector, architect and lecturer, is born in Chapelizod, County Dublin on May 14, 1933. He emigrates to the United States for a short period, but later returns to Ireland where he works as an architect, lecturer at Dublin Institute of Technology in Rathmines, Dublin and in later life fully engages in songs in many ways.

Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.

Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “My Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.

Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.

Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.

Harte appears at many American festivals including The Blarney Star in New York City, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and the Milwaukee Irish Fest and for seventeen years he is a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins, West Virginia where he often performs with Mick Moloney.

Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.


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Birth of Irish Dancer & Choreographer Michael Ryan Flatley

michael-flatley

Michael Ryan Flatley, Irish American dancer, choreographer, and musician, is born to Irish parents in Chicago, Illinois on July 16, 1958. He becomes internationally known for Irish dance shows Riverdance, Lord of the Dance, Feet of Flames, and Celtic Tiger.

Flatley begins dancing lessons at age 11 and, at age 17, is the first American to secure a World Irish Dance title at the World Irish Dance Championships, the Oireachtas Rince na Cruinne. He is also an accomplished flautist, having won twice in the All-Ireland Fleadh Cheoil Concert Flute competitions from 1975-1976.

Flatley is taught dance by Dennis Dennehy at the Dennehy School of Irish Dance in Chicago. After graduating from Brother Rice High School, on Chicago’s Southwest Side, he opens a dance school but later closes it to focus on performing.

In 1978 and 1979 Flatley tours with Green Fields of America and then with The Chieftains in the 1980s. In May 1989, Flatley sets a Guinness Book world record for tapping speed at 28 taps per second, and subsequently breaks his own record in 1998 with 35 taps per second.

Flatley creates and choreographs the original Riverdance and leads the show to great success as the intermission act in the Eurovision Song Contest staged in Ireland on April 30, 1994. Flatley abruptly leaves the show over creative control disputes in October 1995.

Shortly after the Riverdance split, Flatley creates Lord of the Dance, which plays mostly in arenas and stadiums instead of stage theaters. He also puts together a dance production called Feet of Flames in 1998. Flately’s Irish dance show Celtic Tiger opens in July 2005. The show explores the history of the Irish people and Irish emigration to the United States, fusing a wide range of dance styles, including jazz.

Flatley returns to the stage in 2009 for a limited run of the “Hyde Park” version of Feet of Flames in Taiwan. His return is met with multiple standing ovations and the run of shows has to be extended to meet the demand for tickets.

Flatley premiers Lord of the Dance: Dangerous Games at the celebrated Palladium Theatre on London’s West End in 2014 and moves to the Dominion Theatre in 2015 where he makes his final appearance on the West End stage before revisiting another sold out Wembley Arena for his final performance in the United Kingdom.

Flatley embarks on his final tour on February 19, 2016 and performs on stage for the last time at The Colosseum at Caesar’s Palace in Las Vegas, NV, on March 17, 2016. He continues as the show’s creator, producer, and choreographer.