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Birth of Bertie Ahern, 11th Taoiseach of Ireland

Bartholemew Patrick “Bertie” Ahern, former Fianna Fáil politician who serves as Taoiseach from 1997 to 2008, is born in Drumcondra, Dublin, on September 12, 1951. He also serves as Leader of Fianna Fáil (1994-2008), Leader of the Opposition (1994-97), Tánaiste and Minister for Arts, Culture and the Gaeltacht (Nov.1994-Dec.1994), Deputy Leader of Fianna Fáil (1992-94), Minister for Industry and Commerce (Jan. 1993), Minister for Finance (1991-94), Minister for Labour (1987-1991), Government Chief Whip and Minister of State at the Department of Defence (Mar. 1982-Dec. 1982), Lord Mayor of Dublin (1986-1987) and as a Teachta Dála (TD) (1977-2011).

Ahern is educated at St. Patrick’s National School, Drumcondra and at St. Aidan’s Christian Brothers, Whitehall. He receives his third level education at the College of Commerce, Rathmines, part of the Dublin Institute of Technology. He claims or it has been claimed by others in circulated biographies that he was educated at University College Dublin (UCD), and the London School of Economics, but neither university has any records that show Ahern was ever one of their students. He subsequently works in the Accounts Department of Mater Misericordiae University Hospital in Dublin.

By 1972, Ahern has met his future wife, Miriam Kelly, a bank official who lives near the Aherns’ family home. They marry in St. Columba’s Church, Iona Road in 1975. They have two daughters from the marriage, Georgina and Cecelia. Georgina is the wife of Westlife member Nicky Byrne. Cecelia is a best-selling author. The Aherns separate in 1992.

Ahern is elected to the Dáil, the lower house of the Oireachtas, in 1977 as a member of the Fianna Fáil party for the newly created Dublin Finglas constituency. He is elected to the Dublin City Council in 1979, later becoming Lord Mayor of Dublin (1986–87). An assistant whip (1980–81) in the first government of Taoiseach Charles Haughey, he becomes a junior minister in Haughey’s second government (1982) and Minister for Labour in his third (1987–89) and fourth (1989–91) governments.

Ahern’s success in establishing general economic agreements with employers, unions, and farmers in 1987 and 1990 and his role in constructing the first Fianna Fáil coalition government (with the Progressive Democrats) in 1989 confirms his reputation as a skillful negotiator. He is made Minister for Finance in 1991. In the contest to choose Haughey’s successor, Ahern withdraws in favour of Albert Reynolds, and he remains Minister for Finance in each of Reynolds’s two governments (February–November 1992 and 1993–94). In November 1994, following the fall of the Fianna Fáil–Labour Party government, Reynolds resigns, and Ahern is elected party leader. He is set to become Taoiseach in a new coalition with the Labour Party, but at the eleventh hour Labour opts to join a government with Fine Gael and Democratic Left.

Ahern forms a Fianna Fáil–Progressive Democrats minority government following elections in 1997. Credited with overseeing a thriving economy, he is reelected Taoiseach in 2002. He plays a major role in securing peace in Northern Ireland, participating in the signing of the Good Friday Agreement in 1998 and helping negotiate the return of devolution to Northern Ireland in 2007. On May 15, 2007, he becomes the first Taoiseach to address a joint session of the Parliament of the United Kingdom.

Soon afterward Ahern wins a third term as Taoiseach. He is reelected despite implications of his involvement in an influence-peddling scandal. The Tribunal of Inquiry into Certain Planning Matters & Payments, ultimately better known as the Mahon Tribunal, which is investigating alleged illegal payments by developers to politicians to influence zoning decisions in and around Dublin during the early 1990s, subsequently questions Ahern about his personal finances during his tenure as Minister for Finance. In early April 2008, as the investigation of Ahern’s involvement mounts, he announces that he will step down as Taoiseach and Leader of Fianna Fáil in May. He is succeeded in both posts by Brian Cowen. In the Mahon Tribunal’s final report, issued on March 22, 2012, it indicates that it does not believe Ahern had told the truth when questioned by the commission about alleged financial improprieties, though it does not directly accuse him of corruption. Ahern, threatened with expulsion from Fianna Fáil in the wake of the report, resigns from the party later in March while still maintaining that he had testified truthfully to the tribunal.

Ahern says in April 2018 that he is considering running for President of Ireland in 2025 as an independent candidate. That same month he walks out of an interview with DW News after being questioned on the findings of the Mahon Tribunal.

In October 2018, Ahern is appointed to chair the Bougainville Referendum Commission, which is responsible for preparing an independence referendum in Bougainville, Papua New Guinea, which takes place in December 2019.


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Birth of Classical Guitarist John Feeley

John Feeley, classical guitarist, and a teacher and editor of guitar music, is born Ballinasloe, County Galway, on May 24, 1955.

Feeley starts playing guitar in popular music, and at age seventeen is recognised as one of Europe‘s best electric guitarists. After graduating from Trinity College Dublin, with a first class degree in music, he moves to the United States to study with Oscar Ghiglia, Angel Romero, and David Russell, completing a master’s degree at Queens College, City University of New York. In the following years he teaches at Memphis State University in Memphis, Tennessee. He now teaches at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama, Dublin. His past students include all current members of the Dublin Guitar Quartet, along with Redmond O’Toole, Michael O’Toole and Alec O’Leary, director of the Guitar Festival of Ireland. Composers Benjamin Dwyer, Ciarán Farrell, David Fennessy and David Flynn, all of whom have written music for Feeley, are also guitar students of his.

In 2006 Feeley completes a doctorate (Doctor of Philosophy in Music [Performance]) at Maynooth University, which involves a major thesis in three volumes with the title Classical Guitar Music by Irish Composers: Performing Editions and Critical Commentary.

Feeley has appeared at such festivals as the Guitar Festival of Ireland, Bath International Music Festival, the Dundee International Guitar Festival, and the Wirral International Guitar Festival. He has won numerous awards including the Special Award for interpretation in the 1984 Mauro Giuliani competition, Italy. He has appeared as a soloist with the American Symphony Orchestra at Carnegie Hall, the RTÉ National Symphony Orchestra, the Ulster Orchestra, the Irish Chamber Orchestra and the Contempo Quartet. He performs regularly in duet with the flautist William Dowdall.

Feeley is an enthusiastic champion of contemporary Irish music and in this capacity has commissioned works from many of Ireland’s leading composers including Seóirse Bodley, John Buckley, Jerome de Bromhead, Jane O’Leary, Brent Parker and Eric Sweeney. He also has a great interest in traditional Irish and Scottish music and has recorded with The Chieftains and published his own arrangements of traditional melodies.

Feeley has been described by The Washington Post as “Ireland’s leading classical guitarist” and by Michael Dervan in The Irish Times as “a trailblazer … when it comes to the guitar and guitar-playing in Ireland.”


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Birth of Irish Composer John McLachlan

Irish composer John McLachlan is born in Dublin on March 5, 1964.

McLachlan is the son of the writer Leland Bardwell, and studies at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama (1982–86), the Royal Irish Academy of Music (1989–97), and Trinity College Dublin (BA 1988). He studies composition with William York, Robert Hanson and Kevin Volans. He holds a Ph.D. in musicology from Trinity College (1999) for a study of the relationship between analysis and compositional technique in the post-war avant-garde.

McLachlan writes numerous articles for The Journal of Music in Ireland (2000–10). He is executive director of the Association of Irish Composers (1998–2012), and in 2007 he is elected to Aosdána.

McLachlan is the featured composer in the RTÉ National Symphony Orchestra‘s “Horizons” series in 2003 and 2008. He also represents Ireland at international festivals, including the ISCM World Music Days in Slovenia in 2003 and Croatia in 2005. In 2006, his work Grand Action is commissioned as a test-piece for the AXA Dublin International Piano Competition.

McLachlan’s musical aesthetic is largely shaped by a desire to impart a sense of narrative and expectation to his music without recourse to pastiche rhetorical devices. A critic writes of a recording of McLachlan’s piano piece Nine: “The style of each little piece sends one’s imagination and musical memory reeling, some of them evoking French Impressionism, some jazzy in feel, some reminiscent of the miniatures for piano of Webern, and none of them in any way, shape or form derivative.” Much of his music is structured in contrasting and suddenly changing block-like sections of homogeneous material. The material within these sections is propelled by a rigorous focus on subtle rhythmic and melodic permutations, which result in both surface opacity and gradually increasing tension.

McLachlan’s works have been performed in the United States, Peru, Japan, South Africa, Britain, France, Italy, Germany, Holland, Switzerland, Finland, Denmark, Portugal, Spain, Romania, Moldova, Slovenia, Croatia, and around Ireland, with broadcasts in several of these countries. Performers who have played his music include the National Symphony Orchestra of Ireland, Opera Theatre Company, the National Chamber Choir, Concorde, Sequenza, Traject, Archaeus, the Pro Arte Orchestra, Antipodes, Ensemble Nordlys, The Fidelio Trio, The ConTempo Quartet and Trio Arbós as well as many prominent soloists including Ian Pace, John Feeley, Mary Dullea, Darragh Morgan, Satoko Inoue and David Adams.

McLachlan is also known as a broadcaster and writer on contemporary music, with many published articles.

McLachlan now lives in Inishowen, County Donegal.


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Death of Frank Harte, Traditional Irish Singer

Frank Harte, traditional Irish singer, music collector, architect and lecturer, dies of a heart attack on June 27, 2005.

Harte is born in Chapelizod, County Dublin on May 14, 1933. He emigrates to the United States for a short period, but later returns to Ireland where he works as an architect, lecturer at Dublin Institute of Technology in Rathmines, Dublin and in later life fully engages in songs in many ways.

Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.

Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.

Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.

Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.

Harte appears at many American festivals including The Blarney Star in New York City, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and the Milwaukee Irish Fest and for seventeen years he is a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins, West Virginia where he often performs with Mick Moloney.

Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.


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Geraldine Kennedy Appointed Editor of The Irish Times

Geraldine Kennedy, Irish journalist and politician, is appointed editor of The Irish Times on October 11, 2002, becoming the first female editor of a national daily newspaper.

Kennedy is born on September 1, 1951 in Tramore, County Waterford. She studies at Dublin Institute of Technology and begins her journalistic career with a regional newspaper, The Munster Express. She moves to The Cork Examiner after less than a year, but spends only a few years there before joining The Irish Times.

On the foundation of the Sunday Tribune in 1980, Kennedy joins it as the paper’s political correspondent. The paper’s publisher, John Mulcahy, had become familiar with her when she had contributed to his journal Hibernia. When the Tribune briefly ceases production, she moves to the Sunday Press.

In 1982, Kennedy’s telephone, along with those of two other journalists, is tapped by former Minister for Justice Seán Doherty. Early in 1987, Kennedy successfully sues the incumbent Charles Haughey-led Fianna Fáil government for illegally tapping her phone. The revelation in 1992 that Haughey had ordered the phone taps leads to his resignation as Taoiseach.

Kennedy stands in the 1987 Irish general election as a candidate for the newly formed Progressive Democrats party in Dún Laoghaire. She comes third in the poll, winning 9.4% of the first-preference vote. She is one of fourteen Progressive Democrats TDs elected to Dáil Éireann in that election — a feat the party never achieves again. She is appointed the party’s spokesperson for foreign affairs. She stands again in the 1989 Irish general election and wins 9% of the first-preference vote but fails to retain her seat.

Following her election defeat, Kennedy returns to The Irish Times, then edited by Conor Brady, whom she had worked with at the Tribune when he was the editor. She avoids party-political journalism for several years, but she returns to covering politics in the early 1990s, and becomes The Irish Times‘ political editor in 1999. She becomes the newspaper’s first female editor upon the departure of Conor Brady in October 2002. One of her rivals for the editor’s chair is the paper’s high-profile columnist, Fintan O’Toole.

Kennedy is paid more than the editor of Britain’s top non-tabloid newspaper The Daily Telegraph, which has a circulation of about nine times that of The Irish Times. Later columnist Fintan O’Toole tells the Sunday Independent, “We as a paper are not shy of preaching about corporate pay and fat cats but with this there is a sense of excess. Some of the sums mentioned are disturbing. This is not an attack on Ms. Kennedy, it is an attack on the executive level of pay. There is double-standard of seeking more job cuts while paying these vast salaries.”

In September 2006, Kennedy approves the publication of an article in The Irish Times giving confidential details of investigations being made into payments purported to have been made in 1993 to Taoiseach Bertie Ahern. She refuses, upon request of the investigating Mahon Tribunal, to provide details of the source of the printed information. She responds that the documents have since been destroyed. Her refusal causes the Tribunal to seek High Court orders compelling her to provide details of the source. On October 23, 2007, the High Court grants the orders compelling her to go before the Tribunal and answer all questions. In its judgment, the High Court, criticising her decision to destroy the documents, says it is an “astounding and flagrant disregard of the rule of law.” In 2009, however, the Supreme Court of Ireland overturns this ruling, holding that the High Court had not struck the correct balance between the journalists’ right to protect their source and the tribunal’s right to confidentiality.

Kennedy announces on March 12, 2011 her intention to retire from The Irish Times by September, after a nine-year term as editor. She actually retires in June, and is succeeded by news editor, Kevin O’Sullivan, who succeeds her as editor on June 23, 2011.

In August 2012, Kennedy is appointed Adjunct Professor of Journalism at the University of Limerick. She has been awarded five honorary doctorates from Irish universities.


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Birth of Proinsias De Rossa, Labour Party Politician

File source: http://commons.wikimedia.org/wiki/File:Proinsias_De_Rossa.jpgProinsias De Rossa, former Irish Labour Party politician, is born in Dublin on May 15, 1940. He serves as Minister for Social Welfare from 1994 to 1997, leader of Democratic Left from 1992 to 1999 and leader of the Workers’ Party from 1988 to 1992. He serves as Member of the European Parliament (MEP) for the Dublin constituency from 1989 to 1992 and 1999 to 2012. He is a Teachta Dála (TD) for the Dublin North-West constituency from 1989 to 2002.

Born as Francis Ross, he is educated at Marlborough Street National School and Dublin Institute of Technology. He joins Fianna Éireann at age 12. Soon after his sixteenth birthday he joins the Irish Republican Army (IRA), and is politically active in Sinn Féin from an early age. During the IRA Border Campaign, he is arrested while training other IRA members in Glencree in May 1956. He serves seven months in Mountjoy Prison and is then interned at the Curragh Camp.

De Rossa takes the Official Sinn Féin side in the 1970 split. In 1977, he contests his first general election for the party. He is successful on his third attempt, and is elected at the February 1982 general election as a Sinn Féin TD for the Dublin North-West constituency. He retains his seat until the 2002 general election when he stands down in order to devote more time to his work in the European Parliament.

In 1988, De Rossa succeeds Tomás Mac Giolla as president of the Workers’ Party. The party had been growing steadily in the 1980s, and has its best-ever electoral performance in the general and European elections held in 1989. The party wins 7 Dáil seats with 5% of the vote. De Rossa himself is elected to the European Parliament for the Dublin constituency, where he tops the poll and the party almost succeeds in replacing Fine Gael as the capital’s second-largest party. However, the campaign results in a serious build-up of financial debt by the Workers’ Party, which threatens to greatly inhibit the party’s ability to ensure it will hold on to its gains.

Long-standing tensions within the Workers’ Party come to a head in 1992. Disagreements on policy issues are exacerbated by the desire of the reformers to ditch the democratic centralist nature of the party structures, and to remove any remaining questions about alleged party links with the Official IRA. De Rossa calls a special Ardfheis to debate changes to the constitution. The motion fails to get the required two-thirds majority, and subsequently he leads the majority of the parliamentary group and councillors out of a meeting of the party’s Central Executive Committee the following Saturday, splitting the party.

De Rossa and the other former Workers’ Party members then establish a new political party, provisionally called New Agenda. At its founding conference in March 1992, it is named Democratic Left and De Rossa is elected party leader. Later that year he resigns his European Parliament seat, in favour of Democratic Left general secretary Des Geraghty.

Following the collapse of the Fianna Fáil–Labour Party coalition government in 1994, Fine Gael, Labour and Democratic Left negotiate a government programme for the remaining life of the 27th Dáil, which becomes known as the “Rainbow Coalition.” De Rossa becomes Minister for Social Welfare, initiating Ireland’s first national anti-poverty strategy, a commission on the family, and a commission to examine national pension policy.

The 1997 general election results in the defeat of the outgoing coalition. At this point, Democratic Left, having accumulated significant, merges with the Labour Party. Labour leader Ruairi Quinn becomes leader of the unified party. De Rossa takes up the symbolic post of party president, which he holds until 2002.

In 1999, De Rossa is elected at the European Parliament election for the Dublin constituency. He is re-elected at the 2004 European Parliament election. He does not contest his Dáil seat at the 2002 general election.

As a member of the European Parliament, De Rossa takes a strong pro-integration approach from a distinctly social democratic perspective, as well as a keen interest in foreign policy and social policy. He is a member of the European Convention which produces the July 2003 draft European constitution. He is chair of the European Parliament’s delegation for relations with the Palestinian Legislative Council, a member of the Committee on Employment and Social Affairs and the Conference of Delegation Chairs, and a substitute member of the Committee on Development and the delegation to the Euro-Mediterranean Parliamentary Assembly.

On January 16, 2012, De Rossa announces his decision to resign as an MEP and steps down on February 1.


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Birth of Phil Coulter, Songwriter & Producer

phil-coulter

Phil Coulter, musician, songwriter and record producer, is born in Derry, County Londonderry, Northern Ireland on February 19, 1942. He is one of the most eclectic and accomplished arranger/musicians to emerge from Ireland during the 1960s.

Coulter spends his secondary school years at St. Columb’s College. He later studies music and French at the Queen’s University Belfast. During his time at Queen’s he takes up songwriting, composing the hit Foolin’ Time for the Capitol Showband. His talents are swiftly captured by leading entrepreneur Phil Solomon. Initially working with such showbands as the Cadets and Pacific, he continues to compose for the Capitol Showband and even pens their 1965 Eurovision Song Contest entry, Walking the Streets in the Rain. In the meantime, Coulter works on Solomon’s other acts, including Twinkle, who enjoys a major UK hit with the Coulter-arranged Terry. He also contributes to Them’s song catalogue, with the driving I Can Only Give You Everything.

After leaving the Solomon stable in 1967, Coulter, now based in London, forms a partnership with Bill Martin, which becomes one of the most successful of its era. The duo is particularly known for their ability to produce instantly memorable pop hits, and achieve international fame after penning Sandie Shaw’s 1967 Eurovision Song Contest winner, Puppet on a String. They barely miss repeating that feat the following year with Cliff Richard’s stomping Congratulations.

Coulter subsequently leads his own country to victory in the contest by arranging Dana’s 1970 winner, All Kinds of Everything. That same year, Coulter/Martin are commissioned to write Back Home, the official song for the England national football team, which proves a lengthy UK number 1. As well as his pop outings, which include writing My Boy and an album’s worth of material for Richard Harris, he maintains his connection with the Irish folk scene, via his work with another of Solomon’s acts, The Dubliners. He also produces three albums for the groundbreaking Planxty and works with The Fureys.

During the mid-1970s, Coulter and Martin are called in to assist the Bay City Rollers, and subsequently compose a string of hits for the Scottish teenyboppers, including Remember (Sha-La-La), Shang-a-Lang, Summerlove Sensation, Saturday Night, and All Of Me Loves All Of You. During the same period, they enjoy three Top 10 hits with Kenny and reach the top again in 1976 with Slik’s Forever and Ever. He also produces several records by comedian Billy Connolly, including 1975’s UK number 1 D.I.V.O.R.C.E..

After his partnership with Martin ends in the late 1970s, Coulter specializes in orchestral recordings, which prove hugely successful in Irish communities. Albums such as Classic Tranquillity and Sea Of Tranquillity (both 1984), Words And Music (1989), American Tranquillity (1994), Celtic Horizons (1996), and collaborations with flautist James Galway and Roma Downey, also enjoy major international success, and Coulter is a regular fixture in the upper regions of the U.S. New Age album chart.

Coulter’s production credits during the 1990s include work for Sinéad O’Connor and Boyzone. His lengthy career, as producer, arranger, songwriter and performer, is all the more remarkable for encompassing such contrasting musical areas from folk and orchestral to straightforward Tin Pan Alley pop.

Despite his successes, Coulter suffers several family tragedies. His son is born with Down syndrome and dies at the age of three. The song Scorn Not His Simplicity is written in his memory. His brother also dies tragically in a drowning incident in Ireland, which briefly causes him to retreat from the music business. He records the anthemic Home From The Sea with the Lifeboat Chorus as a tribute.

Coulter has received honorary doctorates from the University of Ulster (1988), Dublin Institute of Technology (2006), and The Open University (2018).


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Birth of Frank Harte, Traditional Irish Singer

frank-harte

Frank Harte, traditional Irish singer, music collector, architect and lecturer, is born in Chapelizod, County Dublin on May 14, 1933. He emigrates to the United States for a short period, but later returns to Ireland where he works as an architect, lecturer at Dublin Institute of Technology in Rathmines, Dublin and in later life fully engages in songs in many ways.

Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.

Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “My Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.

Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.

Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.

Harte appears at many American festivals including The Blarney Star in New York City, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and the Milwaukee Irish Fest and for seventeen years he is a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins, West Virginia where he often performs with Mick Moloney.

Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.


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Birth of Irish Composer Gráinne Mulvey

grainne-mulveyIrish composer Gráinne Mulvey is born on March 10, 1966 in Dún Laoghaire, County Dublin. Her music is timbrally and rhythmically complex — a legacy of her work in the electroacoustic field. Her microtonally-inflected language derives ultimately from the natural harmonic series, placing her somewhat in the spectral tradition.

Mulvey studies with Eric Sweeney at Waterford Regional Technical College, Hormoz Farhat at Trinity College Dublin and Agustín Fernández at Queen’s University, Belfast. In 1999 she gains a DPhil in Composition at the University of York under Nicola LeFanu. In 2001 she is appointed Head of Composition at Dublin Institute of Technology Conservatory of Music and Drama.

Mulvey is appointed as one of the Course Directors of the IMRO Summer School of Composition in 2014. In 2001, 2010 and 2011, she was on the adjudicator’s panel for the Guido d’Arezzo Composers’ Composition Competition in Italy. She has curated concerts for the Contemporary Music Centre, Ireland in 2011 and 2012, the Association of Irish Composers in May 2016 and a retrospective concert of her work at The Carlow Arts Festival in June 2016.

Mulvey’s music has been widely performed both in Ireland and abroad and her works have been broadcast by radio stations across the globe. One of her earliest works Étude, for piano (1994), is selected for that year’s International Rostrum of Composers in Paris, an honour that is to be repeated with 2004’s orchestral work Scorched Earth, and in 2015 with Diffractions for orchestra, in Slovenia. She is a featured composer in the 2007 Horizons concert series, with the RTÉ National Symphony Orchestra, conductor Robert Houlihan, performing three of her orchestral works. She has the distinction of being selected for the ISCM World Music Days in consecutive years with Akanos (Vilnius, Lithuania, 2008 and Växjö, Sweden, 2009).

In April 2010, Mulvey is elected to membership of Aosdána, the State-recognised affiliation of creative artists in Ireland. A CD Akanos & Other Works, dedicated to her recent work, is released in February 2014 on the Navona label.


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Birth of Journalist Eoghan Corry

eoghan-corryEoghan Corry, Irish journalist and author regarded as the most extensively traveled writer in Ireland, averaging over 30 countries a year, is born in Dublin on January 19, 1961.

Corry is the third of four children of Patrick Corry (1916–1971) from Kilmacduane, Cooraclare and Anne Corry (1929–2009) from Clahanmore, Milltown Malbay, both from County Clare. He grows up in Ardclough, Straffan, County Kildare.

Corry is educated at Scoil Mhuire, Clane, at the Dublin Institute of Technology (DIT) and University College Dublin (UCD). His first published work, as a teenager, is poetry in English and the Irish language in literary magazines and the New Irish Writing section of The Irish Press.

He begins his journalistic career as a sportswriter with The Irish Times and Sunday Tribune where he wins several awards and becomes sports editor. Determined to pursue a career outside of sports journalism, he joins The Sunday Press as a feature writer in 1985 and becomes features editor of The Irish Press in 1986, bringing younger writers and a more contemporary, polemical and literary style to the paper. He revives the literary and travel sections of the paper and is an adjudicator of the Dublin Theatre Festival awards.

When The Irish Press closes in 1995 he becomes Features Editor of the short-lived Evening News, storylines the Gaelic Athletic Association (GAA) museum in Croke Park in 1998 and is founding editor of High Ball magazine. Since then he has been a columnist, first with The Sunday Business Post and then with the Evening Herald and Irish Independent. As a journalism lecturer in the Dublin Institute of Technology he tells students that “journalism is about pissing people off.”

Since 2002 Corry has edited Ireland’s biggest circulation travel publication, Travel Extra. He has fronted travel shows broadcast in Ireland and the Middle East and is a regular commentator on travel affairs to Raidió Teilifís Éireann (RTÉ) and TG4, and an occasional guest contributor to BBC Northern Ireland. He writes the ten-part series GAA@125, screened on Irish television station TG4 in 2009. He appears on Tonight with Vincent Browne from time to time to preview the next day’s newspapers.

Corry is awarded a lifetime “contribution to the industry” award at the Irish Travel Industry Awards in Dublin on January 22, 2016. He receives the Business Travel Journalist of the year award in London in October 2015. Previous awards include Irish sportswriter of the year, young journalist of the year, Seamus Kelly award, MacNamee award for coverage of Gaelic Games and is short listed for sports book of the year.