seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Irish International Exhibition


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Birth of Richard Orpen, Architect, Painter & Illustrator

Richard Francis Caulfield Orpen, Irish architect, painter, illustrator and designer, is born on December 24, 1863.

Orpen is born to Anne (née Caulfield) and Arthur Herbert Orpen, a solicitor of Oriel, Blackrock, Dublin. His maternal grandfather is the Bishop of Nassau, Charles Caulfield. He is the eldest of four brothers and two sisters. His youngest brother is William, the painter. He attends St. Columba’s College in Whitechurch, Dublin, and graduates from Trinity College Dublin (TCD) with a BA in 1885. While attending St. Columba’s, he publishes an Irish comic alphabet for the present times in 1881, which is a mix of cartoons and verse mocking Charles Stewart Parnell and the home rule movement.

Orpen wants to pursue painting, but “for family reasons” he becomes an architect. He spends eleven years with Thomas Drew, initially as a pupil, and later as a managing assistant from 1885 to 1892. From around 1884, he attends the annual excursions of the English Architectural Association. Around 1890, he establishes his own architectural practice in Drew’s offices at 22 Clare Street, Dublin. In 1896, he moves his office to 7 Leinster Street. In 1888 he is elected as a member of the Royal Institute of the Architects of Ireland (RIAI), serving as a council member from 1902 to 1910, as honorary secretary from 1903 to 1905, and as president from 1914 to 1917. He designs the institute’s official seal in 1909. In 1904, the Irish Builder describes him as the “originator of the bungalow in Ireland.”

From 1888, Orpen exhibits with the Royal Hibernian Academy (RHA), with watercolours and architectural drawings. He continues to exhibit with them until 1936. He collaborates with Percy French on a number of projects, including illustrating Racquetry Rhymes (1888) and The First Lord Liftinant and Other Tales (1890). He provides cartoons for French’s periodical, The Jarvey. His architectural illustrations are included in H. Goldsmith Whitton’s Handbook of the Irish Parliament Houses… (1891). He is one of the original members of the Architectural Association of Ireland, serving as its first president in 1896, and as vice-president in 1910.

Orpen is appointed the architect to St. Columba’s from 1897 to 1938, following a fire at the college in 1896. He becomes a fellow of the college, and the sanatorium becomes known as the Orpen building. He is an active member of the Arts and Crafts Society of Ireland, serving as secretary in 1895, on the committee in 1904, and in 1917 sits on the organising committee for the fifth exhibition. In 1906, he is a founding member of the Arts Club. In 1906 he moves his architectural practice to 13 South Frederick Street, and moves into a house he designed, Coologe, Carrickmines, County Dublin.

At the 1907 Irish International Exhibition, Dublin, Orpen exhibits a number of chalk drawings. The same year he designs the cover of a satirical pamphlet, The Abbey row, not edited by W. B. Yeats, which mocks The Arrow and the riots at the first production of The Playboy of the Western World. He unveils a bust of Hugh Lane at the opening of the Municipal Gallery of Modern Art on Harcourt Street in 1908. He is appointed secretary to the municipal gallery committee by Lane. In 1910, he is appointed architect to Christ Church Cathedral, as well as architect to St. Canice’s Cathedral, Kilkenny, and St. Patrick’s Cathedral, Dublin. In 1911 he is elected an associate of the Royal Hibernian Academy, a full member in 1912, and was the academy’s secretary from 1925 to 1937.

From 1910 to 1914, Orpen is in an architectural partnership with Page Dickinson, with the two collaborating on plans for the new Dublin municipal gallery and conversion of the Turkish Baths, Lincoln Place. Lane rejects his and Dickinson’s gallery plans, leading to him refusing to work with Lane’s choice of architect, Sir Edwin Lutyens. In 1914, he is appointed a guardian of the National Gallery of Ireland, and lectures at the Dublin Metropolitan School of Art on architectural history in 1914 and 1915. He is involved in the design of a number of memorials including the setting for a bronze relief by Beatrice Campbell for the members of the Royal Irish Regiment killed in the Second Boer War and the war memorial at the Rathgar Methodist church. He serves as president of the arts and crafts section of the Royal Dublin Society (RDS). He is also a governor of the Royal National Hospital for Consumption for Ireland in Newcastle, County Wicklow.

Orpen marries Violet Caulfield in 1900. They are both descended from William Caulfeild, 1st Viscount Charlemont. He dies on March 27, 1938, at his home, Coologe, and is buried in Dean’s Grange Cemetery.

Orpen features as one of the many portraits in Seán Keating‘s Homage to Sir Hugh Lane. St. Columba’s College holds a portrait of Orpen by his brother, William, as well as a memorial stained-glass window to him by Catherine O’Brien.


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The Theft of the Irish Crown Jewels

irish-crown-jewels-reward

The theft from Dublin Castle of the Irish Crown Jewels, the heavily jeweled star and badge regalia of the Sovereign and Grand Master of the Order of St. Patrick, as well as the collars of five knights of the Order is discovered on July 6, 1907. The theft has never been solved and the jewels have never been recovered.

Prior to 1903, the insignia of the Sovereign and those of deceased Knights are in the custody of the Ulster King of Arms, the senior Irish officer of arms, and are kept in a bank vault. In 1903, the jewels are transferred to a safe, which is to be placed in the newly constructed strongroom in Dublin Castle beside the Ulster King of Arms’ office. The new safe is too large for the doorway to the strongroom and Arthur Vicars, the Ulster King of Arms, instead stores it in his office. Seven latch keys to the door of the Office of Arms are held by Vicars and his staff, and two keys to the safe containing the insignia are both in the custody of Vicars. Vicars is known to regularly get drunk on overnight duty and he once awoke to find the jewels around his neck. It is not known whether or not this is a prank or a practice for the actual theft.

The insignia are last worn by the Lord Lieutenant, Lord Aberdeen, on March 15, 1907, at a function to mark Saint Patrick’s Day on March 17. They are last known to be in the safe on June 11, when Vicars shows them to a visitor to his office. The jewels are discovered to be missing on July 6, four days before the start of a visit by King Edward VII and Queen Alexandra to the Irish International Exhibition, at which it is planned to invest Bernard FitzPatrick, 2nd Baron Castletown, into the Order. The theft reportedly angers the King, but the visit goes on as scheduled, however, the investiture ceremony is cancelled.

A police investigation is conducted by the Dublin Metropolitan Police (DMP). Posters issued by the DMP depict and describe the missing jewels. Detective Chief Inspector John Kane of Scotland Yard arrives on July 12 to assist. His report, which is never released, is said to name the culprit but is suppressed by the Royal Irish Constabulary (RIC).

Vicars refuses to resign his position, and similarly refuses to appear at a Viceregal Commission into the theft. Vicars argues for a public Royal Commission instead, which has the power to subpoena witnesses. He publicly accuses his second in command, Francis Shackleton, of the theft. Kane explicitly denies to the Commission that Shackleton, brother of the explorer Ernest Shackleton, is involved. Shackleton is exonerated in the Commission’s report, and Vicars is found to have “not exercise[d] due vigilance or proper care as the custodian of the regalia.” Vicars is compelled to resign, as are all the staff in his personal employ.