seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Lord John Beresford, Archbishop of Armagh

Lord John George de la Poer Beresford, Anglican Archbishop of Armagh and Primate of all Ireland, is born at Tyrone House, Dublin on November 22, 1773.

Beresford is the second surviving son of George de La Poer Beresford, 1st Marquess of Waterford, and his wife Elizabeth, only daughter of Henry Monck and maternal granddaughter of Henry Bentinck, 1st Duke of Portland. He attends Eton College and Christ Church, Oxford, where he graduates with a Bachelor of Arts in 1793 and a Master of Arts three years later.

Beresford is ordained a priest in 1797 and begins his ecclesiastical career with incumbencies at Clonegal and Newtownlennan. In 1799 he becomes Dean of Clogher and is raised to the episcopate as Bishop of Cork and Ross in 1805. He is translated becoming Bishop of Raphoe two years later and is appointed 90th Bishop of Clogher in 1819. He is again translated to become Archbishop of Dublin the following year and is sworn of the Privy Council of Ireland. In 1822, he goes on to be the 106th Archbishop of Armagh and therefore also Primate of All Ireland. He becomes Prelate of the Order of St. Patrick and Lord Almoner of Ireland. Having been vice-chancellor from 1829, he is appointed the 15th Chancellor of the University of Dublin in 1851, a post he holds until his death in 1862.

Beresford employs Lewis Nockalls Cottingham, one of the most skilled architects at that time, to restore St. Patrick’s Cathedral, Armagh. Cottingham removes the old stunted spire and shores up the belfry stages while he rebuilds the piers and arches under it. The arcade walls which had fallen away as much as 21 inches from the perpendicular on the south side and 7 inches on the north side, are straightened by means of heated irons, and the clerestory windows which had long been concealed, are opened out and filled with tracery.

Beresford is unsympathetically represented by Charles Forbes René de Montalembert with whom he has breakfast at Castle Gurteen de la Poer during his tour of Ireland.

Beresford dies on July 18, 1862 at Woburn, Bedfordshire, England, the home of his niece, in the parish of Donaghadee and is buried in the cathedral. There is a memorial to him in the south aisle at St. Patrick’s Cathedral, Armagh.


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Birth of Architect Benjamin Woodward

Benjamin Woodward, Irish architect who, in partnership with Sir Thomas Newenham Deane, designs a number of buildings in Dublin, Cork and Oxford, is born in Tullamore, County Offaly on November 16, 1816.

Woodward is trained as an engineer but develops an interest in medieval architecture, producing measured drawings of Holy Cross Abbey in County Tipperary. These drawings are exhibited at the Royal Institute of British Architects (RIBA) in London in 1846.

The same year Woodward joins the office of Sir Thomas Deane and becomes a partner in 1851 along with Deane’s son, Thomas Newenham Deane. It seems that Deane looks after business matters and leaves the design work to Woodward.

Woodward’s two most important buildings are the Museum at Trinity College, Dublin (1854-1857) and the Oxford University Museum of Natural History, Oxford, (1854-1860). He is also responsible for the Kildare Street Club in Dublin (1858-1861) and Queen’s College Cork, now University College Cork (1845-1849).

The work of Deane and Woodward is characterised by naturalistic decoration with foliage and animals carved into capitals and plinths around windows and doors. It is extolled by John Ruskin in particular when he visits the Museum at Trinity College, Dublin. Woodward collaborates in particular with the O’Shea brothers, James and John, who are stone carvers from County Cork. They, along with London sculptors, carve the abundant decorative stonework at Trinity, showing owls, lizards, cats and monkeys, as well as other flora and fauna. Later the O’Sheas carve stonework at the Kildare Street Club, including the famous window piece showing the club members as monkeys playing billiards. Some stories tell of the O’Sheas getting into trouble and possibly even being sacked for carving cats or monkeys at the Oxford University Museum.

Benjamin Woodward dies on May 16, 1861.

(Pictured: Benjamin Woodward attributed to Lewis Carroll, albumen print, late 1850s, © National Portrait Gallery, London)


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Birth of Architect Michael Scott

michael-scottMichael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, is born in Drogheda on June 24, 1905.

Scott’s family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.


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The 31st International Eucharistic Congress Begins in Dublin

eucharistic-congress-closing-ceremony-1932The 31st International Eucharistic Congress begins in Dublin on June 22, 1932 and runs through June 26. The congress is one of the largest eucharistic congresses of the 20th century and the largest public event to happen in the new Irish Free State. It reinforces the Free State’s image of being a devout Catholic nation. The high point is when over a million people gather for Mass in Phoenix Park.

Ireland is then home to 3,171,697 Catholics. It is selected to host the congress as 1932 is the 1500th anniversary of Saint Patrick‘s arrival. The chosen theme is “The Propagation of the Sainted Eucharist by Irish Missionaries.”

The city of Dublin is decorated with banners, bunting, garlands, and replica round towers. Seven ocean liners moor in the port basins and along Sir John Rogerson’s Quay. Five others anchor around Scotsmans Bay. The liners act as floating hotels and can accommodate from 130 to 1,500 people on each. The Blue Hussars, a ceremonial cavalry unit of the Irish Army formed to escort the President of Ireland on state occasions, first appears in public as an honor guard for the visiting Papal Legate representing Pope Pius XI.

John Charles McQuaid, President of Blackrock College, hosts a large garden party on the grounds of the college to welcome the papal legate, where the hundreds of bishops assembled for the Congress have the opportunity to mingle with a huge gathering of distinguished guests and others who have paid a modest subscription fee.

The final public mass of the congress is held at 1:00 PM on Sunday, June 26 in Phoenix Park at an altar designed by the eminent Irish architect John J. Robinson of Robinson & Keefe Architects, and is celebrated by Michael Joseph Curley, Archbishop of Baltimore. A radio station, known as Radio Athlone, is set up in Athlone to coincide with the Congress. In 1938 it becomes Radio Éireann. The ceremonies include a live radio broadcast by Pope Pius XI from the Vatican. John McCormack, the world famous Irish tenor, sings César Franck‘s Panis Angelicus at the mass.

Approximately 25% of the population of Ireland attend the mass and afterwards four processions leave the Park to O’Connell Street where approximately 500,000 people gather on O’Connell Bridge for the concluding Benediction given by the Papal Legate, Cardinal Lorenzo Lauri.

The English Catholic writer G. K. Chesterton is also present, and observes, “I confess I was myself enough of an outsider to feel flash through my mind, as the illimitable multitude began to melt away towards the gates and roads and bridges, the instantaneous thought ‘This is Democracy; and everyone is saying there is no such thing.'”

On the other hand, such an overwhelming display of Catholicity only confirms to Protestants in the North the necessity of the border.

(Pictured: the closing ceremony of the Eucharistic Congress that was held in Dublin in June 1932)


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Death of Architect Michael Scott

michael-scottMichael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, dies on January 24, 1989.

Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.


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Birth of Benjamin Lee Guinness

benjamin-lee-guinnessSir Benjamin Lee Guinness, 1st Baronet, Irish brewer and philanthropist, is born in Dublin on November 1, 1798.

Guinness is the third son of Arthur Guinness II (1768–1855), and his wife Anne Lee, and a grandson of the first Arthur (1725–1803), who had bought the St. James’s Gate Brewery in 1759. He joins his father in the business in his late teens, without attending university, and from 1839 he takes sole control within the family. From 1855, when his father dies, he has become the richest man in Ireland, having built up a huge export trade and by continually enlarging his brewery.

In 1851 Guinness is elected the first Lord Mayor of Dublin under the reformed corporation. In 1863 he is made an honorary LL.D. (Doctor of Laws) by Trinity College Dublin, and on April 15, 1867 is created a baronet by patent, in addition to which, on May 18, 1867, by royal licence, he has a grant of supporters to his family arms.

Guinness is elected to the House of Commons of the United Kingdom in 1865 as a Conservative Party representative for Dublin City, serving until his death. His party’s leader is Edward Smith-Stanley, 14th Earl of Derby. Previously he had supported the Liberal Party‘s Henry John Temple, 3rd Viscount Palmerston, but in the 1860s the Liberals propose higher taxation on drinks such as beer. Before 1865 the Irish Conservative Party does not entirely support British conservative policy, but does so after the Irish Church Act 1869. The government’s most notable reform is the Reform Act 1867 that expands the franchise.

From 1860 to 1865, Guinness undertakes at his own expense, and without hiring an architect, the restoration of the city’s St. Patrick’s Cathedral, an enterprise that costs him over £150,000. In 1865 the building is restored to the dean and chapter, and reopens for services on February 24. The citizens of Dublin and the dean and chapter of St. Patrick’s present him with addresses on December 31, 1865, expressive of their gratitude for what he has done for the city. The addresses are in two volumes, which are afterwards exhibited at the Paris Exhibition.

In recognition of his generosity, Guinness is made a baronet in 1867. He is one of the ecclesiastical commissioners for Ireland, a governor of Simpson’s Hospital, and vice-chairman of the Dublin Exhibition Palace. He dies the following year, on May 19, 1868, at his Park Lane home in London. At the time of his death he is engaged in the restoration of Marsh’s Library, a building which adjoins St. Patrick’s Cathedral. The restoration is completed by his son Arthur.

Guinness is buried in Mount Jerome Cemetery, Dublin, in the family vault, on May 27, 1868. His personalty is sworn under £1,100,000 on August 8, 1868. A bronze statue of him by John Henry Foley is erected by the Cathedral Chapter in St. Patrick’s churchyard, on the south side of the cathedral, in September 1875, which is restored in 2006.


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Laying of the Cornerstone for the White House

The cornerstone is laid for the White House in the newly designated capital city of Washington, D.C., on October 13, 1792. Earlier in the year, work begins on the neoclassical White House building at 1600 Pennsylvania Avenue under the guidance of Irish American architect James Hoban, whose design is influenced by Leinster House in Dublin and by a building sketch in James GibbsA Book of Architecture.

Hoban is an Irish Catholic raised on an estate belonging to the Earl of Desart in Cuffesgrange, near Callan, County Kilkenny. He works there as a wheelwright and carpenter until his early twenties, when he is given an “advanced student” place in the Dublin Society‘s Drawing School on Lower Grafton Street. He studies under Thomas Ivory. He excels in his studies and receives the prestigious Duke of Leinster‘s medal from the Dublin Society for drawings of “Brackets, Stairs, and Roofs” in 1780. Later, Hoban finds a position as an apprentice to Ivory, from 1779 to 1785.

Following the American Revolutionary War, Hoban emigrates to the United States, and establishes himself as an architect in Philadelphia, Pennsylvania in 1785.

Hoban is in South Carolina by April 1787, where he designs numerous buildings including the Charleston County Courthouse. President George Washington admires Hoban’s work on his Southern Tour and summons the architect to Philadelphia, the temporary national capital, in June 1792.

In July 1792, Hoban is named winner of the design competition for the White House. His initial design seems to have had a 3-story facade, nine bays across, much like the Charleston courthouse. Under Washington’s influence, Hoban amends this to a 2-story facade, eleven bays across, and, at Washington’s insistence, the whole presidential mansion is faced with stone. It is unclear whether any of Hoban’s surviving drawings are actually from the competition.

In 1800, President John Adams becomes the first president to reside in the executive mansion, which soon becomes known as the “White House” because its white-gray Virginia freestone contrasts strikingly with the red brick of nearby buildings.


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Birth of Francis Fowke, Engineer & Architect

francis-fowkeFrancis Fowke, engineer, architect, and a Captain in the Corps of Royal Engineers, is born in Ballysillan, Belfast, on July 7, 1823. Most of his architectural work is executed in the Renaissance style, although he makes use of relatively new technologies to create iron framed buildings, with large open galleries and spaces.

Fowke studies at The Royal School Dungannon, County Tyrone, and the Royal Military Academy, Woolwich. He obtains a commission in the Royal Engineers, and serves with distinction in Bermuda and Paris. On his return to England, he is appointed architect and engineer in charge of the construction of several government buildings.

Among his projects are the Prince Consort’s Library in Aldershot, the Royal Albert Hall and parts of the Victoria and Albert Museum in London, the Royal Museum in Edinburgh, and the National Gallery of Ireland in Dublin. He is also responsible for planning the 1862 International Exhibition in London. The Crystal Palace at the Great Exhibition of 1851 being a hard act to follow, the International Exhibition building is described as “a wretched shed” by The Art Journal. Parliament declines the Government’s proposal to purchase the building. The materials are sold and used for the construction of Alexandra Palace.

Before his sudden death from a burst blood vessel on December 4, 1865, Fowke wins the competition for the design of the Natural History Museum, although he does not live to see it executed. His renaissance designs for the museum are altered and realised in the 1870s by Alfred Waterhouse, on the site of Fowke’s Exhibition building.

Francis Fowke is buried in Brompton Cemetery, London.

A medal is issued by the Royal Engineers in 1865, as a memorial prize for architectural works carried out by members of the corps. With the demise of great architectural works, the prize has transformed into the prize awarded to the top student on the Royal Engineers Clerks of Works course.