seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Palestine Police Force


by Leave a comment

Birth of Irish Tenor Josef Locke

Joseph McLaughlin, Irish tenor known professionally as Josef Locke, is born in Derry, County Londonderry, on March 23, 1917. He is successful in the United Kingdom and Ireland in the 1940s and 1950s.

McLaughlin is one of ten children of Patrick McLaughlin, butcher and cattle dealer, and Annie McLaughlin (née Doherty). He starts singing in local churches in the Bogside at the age of seven, and as a teenager adds two years to his age to enlist in the Irish Guards, later serving abroad with the Palestine Police Force, before returning in the late 1930s to join the Royal Ulster Constabulary (RUC).

Known as The Singing Bobby, McLaughlin becomes a local celebrity before starting to work in the UK variety circuit, where he also plays summer seasons in English seaside resorts. The renowned Irish tenor John McCormack (1884–1945) advises him that his voice is better suited to a lighter repertoire than the operatic one he has in mind and urges him to find an agent. He finds the noted impresario Jack Hylton (1892–1965) who books him but is unable to fit his full name on the bill, thus Joseph McLaughlin becomes Josef Locke.

Locke makes an immediate impact when featured in “Starry Way,” a twenty-week summer show at the Opera House Theatre in Blackpool, Lancashire, England in 1946 and is rebooked for the following summer, then starring for three seasons at the Blackpool Hippodrome. He appears in ten Blackpool seasons from 1946 to 1969, not the nineteen seasons he later claims.

Locke makes his first radio broadcast in 1949 and subsequently appears on television programmes such as Rooftop Rendezvous, Top of the Town, All-star Bill and The Frankie Howerd Show. He is signed to the Columbia label in 1947, and his first releases are the two Italian songs “Santa Lucia” and “Come Back to Sorrento.”

In 1947, Locke releases “Hear My Song, Violetta,” which becomes forever associated with him. It is based on a 1936 tango “Hör’ mein Lied, Violetta” by Othmar Klose and Rudolf Lukesch. The song “Hör’ mein Lied, Violetta” is often covered, including by Peter Alexander and is itself based on Giuseppe Verdi‘s La traviata. His other songs are mostly a mixture of ballads associated with Ireland, excerpts from operettas, and familiar favourites.

In 1948, Locke appears in several films produced by Mancunian Films, usually as versions of himself. He plays himself in the film Holidays with Pay. He also appears as “Sergeant Locke” in the 1949 comedy What a Carry On!

In 1958, after Locke has appeared in five Royal Variety Performance telecasts, and while he is still at the peak of his career, the British tax authorities begin to make substantial demands that he declines to meet. Eventually he flees the country for Ireland, where he lays low for several years. When his differences with the taxman are eventually settled, he relaunches his career in England with tours of the northern variety clubs and summer seasons at Blackpool’s Queen’s Theatre in 1968 and 1969, before retiring to County Kildare, emerging for the occasional concert in England. He later appears on British and Irish television, and in November 1984 is given a lengthy 90-minute tribute in honour of the award he is to receive at the Olympia Theatre commentating his career in show business on Gay Byrne‘s The Late Late Show. He also makes many appearances on the BBC Television‘s long running variety show The Good Old Days.

In 1991, the Peter Chelsom film Hear My Song is released. It is a fantasy based on the notion of Locke returning from his Irish exile in the 1960s to complete an old love affair and save a Liverpool-based Irish night-club from ruination. Locke is played by Ned Beatty, with the singing voice of Vernon Midgley. The film leads to a revival in Locke’s career. A compilation CD is released, and he appears on This Is Your Life in March 1992. He performs in front of the Prince and Princess of Wales at the 1992 Royal Variety Performance, singing “Goodbye,” the final song performed by his character in the film. He announces prior to the song that this will be his final public appearance.

Locke dies at the age of 82 at a nursing home in Clane, County Kildare on October 15, 1999, and is cremated at Glasnevin Cemetery. He is survived by his wife, Carmel, and a son.

On March 22, 2005, a bronze memorial to Locke is unveiled outside the City Hotel on Queen’s Quay in Derry by Phil Coulter and John Hume. The memorial is designed by Terry Quigley. It takes the form of a spiraling scroll divided by lines, representing a musical stave. The spiral suggests the flowing melody of a song and is punctuated by images illustrating episodes in his life, including Locke in police uniform, Blackpool Tower, Carnegie Hall, and the musical notes of the opening lines of “Hear My Song.”

A biography of the singer, entitled Josef Locke: The People’s Tenor, by Nuala McAllister Hart is published in March 2017, the centenary of his birth. The book corrects many myths that the charismatic Locke circulated about his career.


by Leave a comment

Founding of the Auxiliaries Division of the Royal Irish Constabulary

The Auxiliary Division, generally known as the Auxiliaries or Auxies, a paramilitary unit of the Royal Irish Constabulary (RIC) during the Irish War of Independence (1919-21), is founded on July 27, 1920, by Major-General Henry Hugh Tudor. It is made up of former British Army officers, most of whom come from Great Britain and had fought in World War I.

In September 1919, the Commander-in-Chief, Ireland, Sir Frederick Shaw, suggests that the police force in Ireland be expanded via the recruitment of a special force of volunteer British ex-servicemen. During a Cabinet meeting on May 11, 1920, the Secretary of State for War, Winston Churchill, suggests the formation of a “Special Emergency Gendarmerie, which would become a branch of the Royal Irish Constabulary.” Churchill’s proposal is referred to a committee chaired by General Sir Nevil Macready, Commander-in-Chief of the British forces in Ireland. Macready’s committee rejects Churchill’s proposal, but it is revived two months later, in July, by the Police Adviser to the Dublin Castle administration in Ireland, Major-General Henry Hugh Tudor. In a memo dated July 6, 1920, Tudor justifies the scheme on the grounds that it will take too long to reinforce the Royal Irish Constabulary (RIC) with ordinary recruits. Tudor’s new “Auxiliary Force” is to be strictly temporary with its members enlisting for a year. Their pay is to be £7 per week (twice what a constable is paid), plus a sergeant’s allowances, and are to be known as “Temporary Cadets.” At that time, one of high unemployment, a London advertisement for ex-officers to manage coffee stalls at two pounds ten shillings a week receives five thousand applicants.

The Auxiliary Division is recruited in Great Britain from among ex-officers who had served in World War I, especially those who had served in the British Army (including the Royal Flying Corps). Most recruits are from Britain, although some are from Ireland, and others come from other parts of the British Empire. Many have been highly decorated in the war and three, James Leach, James Johnson, and George Onions, have been awarded the Victoria Cross (VC). Enlisted men who had been commissioned as officers during the war often find it difficult to adjust to their loss of status and pay in civilian life, and some historians have concluded that the Auxiliary Division recruited large numbers of these “temporary gentlemen.”

Piaras Béaslaí, a former senior member of the Irish Republican Army (IRA) who supports the Anglo-Irish Treaty, while paying tribute to the bravery of the Auxiliaries, notes that the force is not composed exclusively of ex-officers but contains “criminal elements,” some of whom robbed people on the streets of Dublin and in their homes.

Recruiting began in July 1920, and by November 1921, the division is 1,900 strong. The Auxiliaries are nominally part of the RIC, but actually operate more or less independently in rural areas. Divided into companies, each about one hundred strong, heavily armed and highly mobile, they operate in ten counties, mostly in the south and west, where IRA activity is greatest. They wear either RIC uniforms or their old army uniforms with appropriate police badges, along with distinctive tam o’ shanter caps. They are commanded by Brigadier-General Frank Percy Crozier.

The elite ex-officer division proves to be much more effective than the Black and Tans especially in the key area of gathering intelligence. Auxiliary companies are intended as mobile striking and raiding forces, and they score some notable successes against the IRA. On November 20, the night before Bloody Sunday, they capture Dick McKee and Peadar Clancy, the commandant and vice-commandant of the IRA’s Dublin Brigade, and murder them in Dublin Castle. That same night, they catch Liam Pilkington, commandant of the Sligo IRA, in a separate raid. A month later, in December, they catch Ernie O’Malley completely by surprise in County Kilkenny. He is reading in his room when a Temporary Cadet opens the door and walks in. “He was as unexpected as death,” says O’Malley. In his memoirs, the commandant of the Clare IRA, Michael Brennan, describes how the Auxiliaries nearly capture him three nights in a row.

IRA commanders become concerned about the morale of their units as to many Volunteers the Auxiliaries seem to be “super fighters and all but invincible.” Those victories which are won over the Auxiliaries are among the most celebrated in the Irish War of Independence. On November 28, 1920, for example, a platoon of Auxiliaries is ambushed and wiped out in the Kilmichael Ambush by Tom Barry and the 3rd Cork Brigade. A little more than two months later, on February 2, 1921, another platoon of Auxiliaries is ambushed by Seán Mac Eoin and the North Longford Flying Column in the Clonfin Ambush. On March 19, 1921, the 3rd Cork Brigade of the IRA defeats a large-scale attempt by the British Army and Auxiliary Division to encircle and trap them at Crossbarry. On April 15, 1921, Captain Roy Mackinnon, commanding officer of H Company of the Auxiliary Division, is assassinated by the Kerry IRA.

Successes require reliable intelligence and raids often bring no result — or sometimes worse. In one case, they arrest a Castle official, Law Adviser W. E. Wylie, by mistake. In another, more notorious case, on April 19, 1921, they raid the Shannon Hotel in Castleconnell, County Limerick, on a tip that there are suspicious characters drinking therein. The “suspicious characters” turn out to be three off-duty members of the RIC. Both sides mistake the other for insurgents and open fire. Three people, an RIC man, an Auxiliary Cadet and a civilian, are killed in the shootout that follows.

The Auxiliary Division is disbanded along with the RIC in 1922. Although the 1921 Anglo-Irish Treaty requires the Irish Free State to assume responsibility for the pensions of RIC members, the Auxiliaries are explicitly excluded from this provision. Following their disbandment, many of its former personnel join the Palestine Police Force in the British-controlled territory.

The anti-insurgency activities of the Auxiliaries Division have become interchangeable with those conducted by the Black and Tans, leading to many atrocities committed by them being attributed to the Black and Tans. Nevertheless, both British units remain equally reviled in Ireland.

The Auxiliaries are featured in historical drama films like Michael Collins, The Last September, and The Wind That Shakes the Barley.

(Pictured: Cap badge design for F Company of the Auxiliary Division of the Royal Irish Constabulary)


by Leave a comment

Recruitment Begins for the Black and Tans

Recruitment begins for the Black and Tans (Irish: Dúchrónaigh), Britain’s unofficial auxiliary army, on January 2, 1920. They are constables recruited into the Royal Irish Constabulary (RIC) as reinforcements during the Irish War of Independence. Recruitment begins in Great Britain and about 10,000 men enlist during the conflict. The vast majority are unemployed former British soldiers who had fought in World War I. Some sources count a small number of Irishmen as Black and Tans.

The British administration in Ireland promotes the idea of bolstering the RIC with British recruits. They are to help the overstretched RIC maintain control and suppress the Irish Republican Army (IRA), although they are less well trained in ordinary policing. The nickname “Black and Tans” arises from the colours of the improvised uniforms they initially wear, a mixture of dark green RIC (which appears black) and khaki British Army. They serve in all parts of Ireland, but most are sent to southern and western regions where fighting is heaviest. By 1921, Black and Tans make up almost half of the RIC in County Tipperary, for example.

The Black and Tans gain a reputation for brutality and become notorious for reprisal attacks on civilians and civilian property, including extrajudicial killings, arson and looting. Their actions further sway Irish public opinion against British rule and draw condemnation in Britain.

The Black and Tans are sometimes confused with the Auxiliary Division, a counterinsurgency unit of the RIC, also recruited during the conflict and made up of former British officers. However, sometimes the term “Black and Tans” covers both groups. The Ulster Special Constabulary (USC) is founded to reinforce the RIC in Northern Ireland.

More than a third leave the service before they are disbanded along with the rest of the RIC in 1922, an extremely high wastage rate, and well over half receive government pensions. Over 500 members of the RIC die in the conflict and more than 600 are wounded. Some sources state that 525 police, including 152 Black and Tans and 44 Auxiliaries, are killed in the conflict.

Many Black and Tans are left unemployed after the RIC is disbanded and about 3,000 are in need of financial assistance after their employment in Ireland is terminated. About 250 Black and Tans and Auxiliaries, among over 1,300 former RIC personnel, join the Royal Ulster Constabulary. Another 700 join the Palestine Police Force which is led by former British Chief of Police in Ireland, Henry Hugh Tudor. Others are resettled in Canada or elsewhere by the RIC Resettlement branch. Those who return to civilian life sometimes have problems re-integrating. At least two former Black and Tans are hanged for murder in Britain, and another wanted for murder commits suicide before the police can arrest him.

Due to the Tans’ behaviour in Ireland, feelings continue to run high regarding their actions. The term can still stir bad reactions because of their remembered brutality. One of the best-known Irish Republican songs is Dominic Behan‘s “Come Out, Ye Black and Tans.” The Irish War of Independence is sometimes referred to as the “Tan War” or “Black-and-Tan War.” This term is preferred by those who fought on the anti-Treaty side in the Irish Civil War and is still used by Republicans today. The “Cogadh na Saoirse” (“War of Independence”) medal, awarded since 1941 by the Irish government to IRA veterans of the War of Independence, bears a ribbon with two vertical stripes in black and tan.

Some sources say the Black and Tans were officially named the “RIC Special Reserve”, but this is denied by other sources, which say they were not a separate force but “recruits to the regular RIC” and “enlisted as regular constabulary.” Canadian historian D. M. Leeson has not found any historical documents that refer to the Black and Tans as the “Royal Irish Constabulary Special Reserve.”

(Pictured: A group of Black and Tans and Auxiliaries outside the London and North Western Hotel in Dublin following an attack by the IRA, April 1921)


by Leave a comment

The Black and Tans Arrive In Ireland

The Black and Tans (Irish: Dúchrónaigh), special constables recruited into the Royal Irish Constabulary (RIC) as reinforcements during the Irish War of Independence, arrive in Ireland on March 25, 1920. Recruitment begins in Great Britain in January 1920 and about 10,000 men enlist during the conflict. The vast majority are unemployed former British soldiers from Britain who had fought in World War I. Some sources count a small number of Irishmen as Black and Tans.

The British administration in Ireland promotes the idea of bolstering the RIC with British recruits. They are to help the overstretched RIC maintain control and suppress the Irish Republican Army (IRA), although they are less well trained in ordinary policing. The nickname “Black and Tans” arises from the colours of the improvised uniforms they initially wear, a mixture of dark green RIC (which appears black) and khaki British Army. They serve in all parts of Ireland, but most are sent to southern and western regions where fighting is heaviest. By 1921, Black and Tans make up almost half of the RIC in County Tipperary, for example.

Few Black and Tans are sent to what becomes Northern Ireland, however. The authorities there raise their own reserve force, the Ulster Special Constabulary (USC). For the most part, the Black and Tans are “treated as ordinary constables, despite their strange uniforms, and they live and work in barracks alongside the Irish police.” They spend most of their time manning police posts or on patrol—”walking, cycling, or riding on Crossley Tenders.” They also undertake guard, escort and crowd control duties. While some Irish constables get along well with the Black and Tans, “it seems that many Irish police did not like their new British colleagues” and se them as “rough.”

Alexander Will, from Forfar in Scotland, is the first Black and Tan to die in the conflict. He is killed during an IRA attack on the RIC barracks in Rathmore, County Kerry, on July 11, 1920.

The Black and Tans gain a reputation for brutality and become notorious for reprisal attacks on civilians and civilian property, including extrajudicial killings, arson and looting. Their actions further sway Irish public opinion against British rule and draw condemnation in Britain.

The Black and Tans are sometimes confused with the Auxiliary Division, a counterinsurgency unit of the RIC, also recruited during the conflict and made up of former British officers. However, sometimes the term “Black and Tans” covers both groups. Some sources say the Black and Tans are officially named the “RIC Special Reserve,” but this is denied by other sources, which say they are not a separate force but “recruits to the regular RIC” and “enlisted as regular constabulary.”

More than a third leave the service before they are disbanded along with the rest of the RIC in 1922, an extremely high wastage rate, and well over half receive government pensions. Over 500 members of the RIC died in the conflict and more than 600 are wounded. Some sources state that 525 police are killed in the conflict, including 152 Black and Tans and 44 Auxiliaries. This figure of total police killed also includes 72 members of the Ulster Special Constabulary killed between 1920 and 1922 and 12 members of the Dublin Metropolitan Police.

Many Black and Tans are left unemployed after the RIC is disbanded and about 3,000 are in need of financial assistance after their employment in Ireland is terminated. About 250 Black and Tans and Auxiliaries, among over 1,300 former RIC personnel, join the Royal Ulster Constabulary. Another 700 joined the Palestine Police Force which is led by former British Chief of Police in Ireland, Henry Hugh Tudor. Others are resettled in Canada or elsewhere by the RIC Resettlement branch. Those who return to civilian life sometimes have problems re-integrating. At least two former Black and Tans are hanged for murder in Britain and another, Scott Cullen, wanted for murder, commits suicide before the police can arrest him.

(Pictured: Sir Hamar Greenwood inspects a group of Black and Tans in 1921)


by Leave a comment

Death of Irish Tenor Josef Locke

Joseph McLaughlin, Irish tenor known professionally as Josef Locke, dies in Clane, County Kildare on October 15, 1999. He is successful in the United Kingdom and Ireland in the 1940s and 1950s.

Born in Derry on March 23, 1917, McLaughlin is the son of a butcher and cattle dealer, and one of nine children. He starts singing in local churches in the Bogside at the age of seven, and as a teenager adds two years to his age to enlist in the Irish Guards, later serving abroad with the Palestine Police Force, before returning in the late 1930s to join the Royal Ulster Constabulary.

Known as The Singing Bobby, McLaughlin becomes a local celebrity before starting to work in the UK variety circuit, where he also plays summer seasons in English seaside resorts. The renowned Irish tenor John McCormack (1884–1945) advises him that his voice is better suited to a lighter repertoire than the operatic one he has in mind and urges him to find an agent. He finds the noted impresario Jack Hylton (1892–1965) who books him but is unable to fit his full name on the bill, thus Joseph McLaughlin becomes Josef Locke.

Locke makes an immediate impact when featured in “Starry Way,” a twenty-week summer show at the Opera House Theatre in Blackpool, Lancashire, England in 1946 and is rebooked for the following summer, then starring for three seasons at the Blackpool Hippodrome. He appears in ten Blackpool seasons from 1946 to 1969, not the nineteen seasons he later claims.

Locke makes his first radio broadcast in 1949 and subsequently appears on television programmes such as Rooftop Rendezvous, Top of the Town, All-star Bill and The Frankie Howerd Show. He is signed to the Columbia label in 1947, and his first releases are the two Italian songs “Santa Lucia” and “Come Back to Sorrento.”

In 1947, Locke releases “Hear My Song, Violetta,” which becomes forever associated with him. It is based on a 1936 tango “Hör’ mein Lied, Violetta” by Othmar Klose and Rudolf Lukesch. The song “Hör’ mein Lied, Violetta” is often covered, including by Peter Alexander and is itself based on Giuseppe Verdi‘s La traviata. His other songs are mostly a mixture of ballads associated with Ireland, excerpts from operettas, and familiar favourites.

In 1948, Locke appears in several films produced by Mancunian Films, usually as versions of himself. He plays himself in the film Holidays with Pay. He also appears as “Sergeant Locke” in the 1949 comedy What a Carry On!

In 1958, after Locke has appeared in five Royal Variety Performance telecasts, and while he is still at the peak of his career, the British tax authorities begin to make substantial demands that he declines to meet. Eventually he flees the country for Ireland, where he lays low for several years. When his differences with the taxman are eventually settled, he relaunches his career in England with tours of the northern variety clubs and summer seasons at Blackpool’s Queen’s Theatre in 1968 and 1969, before retiring to County Kildare, emerging for the occasional concert in England. He later appears on British and Irish television, and in November 1984 is given a lengthy 90-minute tribute in honour of the award he is to receive at the Olympia theatre commentating his career in show business on Gay Byrne‘s The Late Late Show. He also makes many appearances on the BBC Television‘s long running variety show The Good Old Days.

In 1991, the Peter Chelsom film Hear My Song is released. It is a fantasy based on the notion of Locke returning from his Irish exile in the 1960s to complete an old love affair and save a Liverpool-based Irish night-club from ruination. Locke is played by Ned Beatty, with the singing voice of Vernon Midgley. The film leads to a revival in Locke’s career. A compilation CD is released, and he appears on This Is Your Life in March 1992. He performs in front of the Prince and Princess of Wales at the 1992 Royal Variety Show, singing “Goodbye,” the final song performed by his character in the film. He announces prior to the song that this will be his final public appearance.

Locke dies at the age of 82 in Clane, County Kildare on October 15, 1999, and is survived by his wife, Carmel, and a son.

On March 22, 2005, a bronze memorial to Locke is unveiled outside the City Hotel on Queen’s Quay in Derry by Phil Coulter and John Hume. The memorial is designed by Terry Quigley. It takes the form of a spiraling scroll divided by lines, representing a musical stave. The spiral suggests the flowing melody of a song and is punctuated by images illustrating episodes in his life, including Locke in police uniform, Blackpool Tower, Carnegie Hall, and the musical notes of the opening lines of “Hear My Song.”

A biography of the singer, entitled Josef Locke: The People’s Tenor, by Nuala McAllister Hart is published in March 2017, the centenary of his birth. The book corrects many myths that the charismatic Locke circulated about his career.