seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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The Black and Tans Arrive In Ireland

The Black and Tans (Irish: Dúchrónaigh), special constables recruited into the Royal Irish Constabulary (RIC) as reinforcements during the Irish War of Independence, arrive in Ireland on March 25, 1920. Recruitment begins in Great Britain in January 1920 and about 10,000 men enlist during the conflict. The vast majority are unemployed former British soldiers from Britain who had fought in World War I. Some sources count a small number of Irishmen as Black and Tans.

The British administration in Ireland promotes the idea of bolstering the RIC with British recruits. They are to help the overstretched RIC maintain control and suppress the Irish Republican Army (IRA), although they are less well trained in ordinary policing. The nickname “Black and Tans” arises from the colours of the improvised uniforms they initially wear, a mixture of dark green RIC (which appears black) and khaki British Army. They serve in all parts of Ireland, but most are sent to southern and western regions where fighting is heaviest. By 1921, Black and Tans make up almost half of the RIC in County Tipperary, for example.

Few Black and Tans are sent to what becomes Northern Ireland, however. The authorities there raise their own reserve force, the Ulster Special Constabulary (USC). For the most part, the Black and Tans are “treated as ordinary constables, despite their strange uniforms, and they live and work in barracks alongside the Irish police.” They spend most of their time manning police posts or on patrol—”walking, cycling, or riding on Crossley Tenders.” They also undertake guard, escort and crowd control duties. While some Irish constables get along well with the Black and Tans, “it seems that many Irish police did not like their new British colleagues” and se them as “rough.”

Alexander Will, from Forfar in Scotland, is the first Black and Tan to die in the conflict. He is killed during an IRA attack on the RIC barracks in Rathmore, County Kerry, on July 11, 1920.

The Black and Tans gain a reputation for brutality and become notorious for reprisal attacks on civilians and civilian property, including extrajudicial killings, arson and looting. Their actions further sway Irish public opinion against British rule and draw condemnation in Britain.

The Black and Tans are sometimes confused with the Auxiliary Division, a counterinsurgency unit of the RIC, also recruited during the conflict and made up of former British officers. However, sometimes the term “Black and Tans” covers both groups. Some sources say the Black and Tans are officially named the “RIC Special Reserve,” but this is denied by other sources, which say they are not a separate force but “recruits to the regular RIC” and “enlisted as regular constabulary.”

More than a third leave the service before they are disbanded along with the rest of the RIC in 1922, an extremely high wastage rate, and well over half receive government pensions. Over 500 members of the RIC died in the conflict and more than 600 are wounded. Some sources state that 525 police are killed in the conflict, including 152 Black and Tans and 44 Auxiliaries. This figure of total police killed also includes 72 members of the Ulster Special Constabulary killed between 1920 and 1922 and 12 members of the Dublin Metropolitan Police.

Many Black and Tans are left unemployed after the RIC is disbanded and about 3,000 are in need of financial assistance after their employment in Ireland is terminated. About 250 Black and Tans and Auxiliaries, among over 1,300 former RIC personnel, join the Royal Ulster Constabulary. Another 700 joined the Palestine Police Force which is led by former British Chief of Police in Ireland, Henry Hugh Tudor. Others are resettled in Canada or elsewhere by the RIC Resettlement branch. Those who return to civilian life sometimes have problems re-integrating. At least two former Black and Tans are hanged for murder in Britain and another, Scott Cullen, wanted for murder, commits suicide before the police can arrest him.

(Pictured: Sir Hamar Greenwood inspects a group of Black and Tans in 1921)


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Death of Irish Tenor Josef Locke

Joseph McLaughlin, Irish tenor known professionally as Josef Locke, dies in Clane, County Kildare on October 15, 1999. He is successful in the United Kingdom and Ireland in the 1940s and 1950s.

Born in Derry on March 23, 1917, McLaughlin is the son of a butcher and cattle dealer, and one of nine children. He starts singing in local churches in the Bogside at the age of seven, and as a teenager adds two years to his age to enlist in the Irish Guards, later serving abroad with the Palestine Police Force, before returning in the late 1930s to join the Royal Ulster Constabulary.

Known as The Singing Bobby, McLaughlin becomes a local celebrity before starting to work the UK variety circuit, where he also plays summer seasons in English seaside resorts. The renowned Irish tenor John McCormack (1884–1945) advises him that his voice is better suited to a lighter repertoire than the operatic one he has in mind, and urges him to find an agent. He finds the noted impresario Jack Hylton (1892–1965) who books him, but is unable to fit his full name on the bill, thus Joseph McLaughlin becomes Josef Locke.

Locke makes an immediate impact when featured in “Starry Way,” a twenty-week summer show at the Opera House Theatre in Blackpool, Lancashire, England in 1946 and is rebooked for the following summer, then starring for three seasons at the Blackpool Hippodrome. He appears in ten Blackpool seasons from 1946 to 1969, not the nineteen seasons he later claims.

Locke makes his first radio broadcast in 1949, and subsequently appears on television programmes such as Rooftop Rendezvous, Top of the Town, All-star Bill and The Frankie Howerd Show. He is signed to the Columbia label in 1947, and his first releases are the two Italian songs “Santa Lucia” and “Come Back to Sorrento.”

In 1947, Locke releases “Hear My Song, Violetta,” which becomes forever associated with him. It is based on a 1936 tango “Hör’ mein Lied, Violetta” by Othmar Klose and Rudolf Lukesch. The song “Hör’ mein Lied, Violetta” is often covered, including by Peter Alexander and is itself based on Giuseppe Verdi‘s La traviata. His other songs are mostly a mixture of ballads associated with Ireland, excerpts from operettas, and familiar favourites.

In 1948, Locke appears in several films produced by Mancunian Films, usually as versions of himself. He plays himself in the film Holidays with Pay. He also appears as “Sergeant Locke” in the 1949 comedy What a Carry On!.

In 1958, after Locke has appeared in five Royal Variety Performance telecasts, and while he is still at the peak of his career, the British tax authorities begin to make substantial demands that he declines to meet. Eventually he flees the country for Ireland, where he lays low for several years. When his differences with the taxman are eventually settled, he relaunches his career in England with tours of the northern variety clubs and summer seasons at Blackpool’s Queen’s Theatre in 1968 and 1969, before retiring to County Kildare, emerging for the occasional concert in England. He later appears on British and Irish television, and in November 1984 is given a lengthy 90-minute tribute in honour of the award he is to receive at the Olympia theatre commentating his career in show business on Gay Byrne‘s The Late Late Show. He also makes many appearances on the BBC Television‘s long running variety show The Good Old Days.

In 1991, the Peter Chelsom film Hear My Song is released. It is a fantasy based on the notion of Locke returning from his Irish exile in the 1960s to complete an old love affair, and save a Liverpool-based Irish night-club from ruination. Locke is played by Ned Beatty, with the singing voice of Vernon Midgley. The film leads to a revival in Locke’s career. A compilation CD is released and he appears on This Is Your Life in March 1992. He performs in front of the Prince and Princess of Wales at the 1992 Royal Variety Show, singing “Goodbye,” the final song performed by his character in the film. He announces prior to the song that this will be his final public appearance.

Locke dies at the age of 82 in Clane, County Kildare on October 15, 1999, and is survived by his wife, Carmel, and a son.

On March 22, 2005, a bronze memorial to Locke is unveiled outside the City Hotel on Queen’s Quay in Derry by Phil Coulter and John Hume. The memorial is designed by Terry Quigley. It takes the form of a spiraling scroll divided by lines, representing a musical stave. The spiral suggests the flowing melody of a song, and is punctuated by images illustrating episodes in his life, including Locke in police uniform, Blackpool Tower, Carnegie Hall, and the musical notes of the opening lines of “Hear My Song.”

A biography of the singer, entitled Josef Locke: The People’s Tenor, by Nuala McAllister Hart is published in March 2017, the centenary of his birth. The book corrects many myths that the charismatic Locke circulated about his career.