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Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Birth of Paul Brady, Irish Singer-Songwriter

Paul Joseph Brady, Irish singer-songwriter and musician, is born in Belfast, Northern Ireland, on May 19, 1947. Interested in a wide variety of music from an early age, his work straddles folk and pop.

Brady is raised in the small town of Strabane in County Tyrone, Northern Ireland, on the border with County Donegal, Republic of Ireland. His father Seán Brady and mother Mollie Brady (née McElholm) are schoolteachers. He is educated at Sion Mills Primary School, St. Columb’s College, Derry and University College Dublin (UCD). He is featured in the documentary film The Boys of St. Columb’s.

Brady begins learning piano around age six and by the age of eleven he has begun to play guitar, spending hours of his school holidays learning every song that the Shadows had recorded. He is also influenced by Chuck Berry.

In 1963, Brady begins performing as a piano player in a hotel in Bundoran, County Donegal. In October 1964, he attends University College Dublin and performs with a number of R&B groups, covering songs by the likes of Ray Charles and James Brown. The first of these is the Inmates (late 1964–about April 1965), which evolves into the Kult (about April–December 1965), featuring Brady, Jackie McAuley (ex-Them, and future Belfast Gypsies and Trader Horne), Brendan Bonass, and Dave Pennefather. He can be seen in the documentary film Charlie Is My Darling waiting outside Dublin‘s Adelphi Cinema for the Rolling Stones‘ concert of September 3, 1965. He next joins Rootzgroup (late 1965–May 1966) and Rockhouse (about May–December 1966).

During Brady’s time at college in Dublin, the country sees a huge rise in interest in traditional Irish music. He joins the popular Irish band The Johnstons when Michael Johnston leaves in May 1967. They move to London in 1969 and subsequently to New York City in 1972 to expand their audience. Despite some success, he returns to Ireland in 1974 to join the Irish group Planxty, the band that subsequently launches the solo careers of Andy Irvine, Liam O’Flynn, Dónal Lunny, and Christy Moore.

When Planxty disbands in late 1975, Brady forms a duo with Irvine from 1976 to 1978, a partnership that produces the successful album, Andy Irvine/Paul Brady. The next few years see him establish his popularity and reputation as one of Ireland’s best interpreters of traditional songs. His versions of ballads like “Arthur McBride” and “The Lakes of Pontchartrain” are considered definitive and are still popular at concerts today. In 1975 in New York, he records three albums for Shanachie Records as guitar accompanist to resident Irish fiddlers Andy McGann, Paddy Reynolds and John Vesey. He also records a 1976 album, The High Part of the Road, for the same label with Irish fiddler Tommy Peoples.

In 1978, Brady releases his first solo album, Welcome Here Kind Stranger, which wins him critical acclaim and is voted the “Folk Album of the Year” by Melody Maker magazine. However, it proves to be his last album covering traditional material. He decides to delve into pop and rock music and releases his first album of this genre in 1981, Hard Station.

Brady releases a number of successful solo albums throughout the 1980s: True for You (1983), Back to the Centre (1985), and Primitive Dance (1987). By the end of the decade, he is recognised and accepted as a respected performer and songwriter. His songs are being covered by a number of other artists, including Santana and Dave Edmunds.

When Tina Turner hears a demo of his song “Paradise Is Here,” she records it for her Break Every Rule album of 1986. By now, he is a favourite songwriter among such artists as Bob Dylan and Bonnie Raitt, who does a duet with him on his 1991 album, Trick or Treat. A couple of his songs soon appeared on Raitt’s album Luck of the Draw, including the title track.

Dylan is sufficiently impressed by Brady’s work to name-check him in the booklet of his 1985 box set, Biograph. The actual quote is “(…) people get too famous too fast these days and it destroys them. Some guys got it down – Leonard Cohen, Paul Brady, Lou Reed, secret heroes, John Prine, David Allen Coe, Tom Waits. I listen more to that kind of stuff than whatever is popular at the moment. They’re not just witchdoctoring up the planet, they don’t set up barriers (…)”.

In 1991, Brady reaches number 5 in the Irish Singles Chart with Nobody Knows.

Since his Hard Station album (1981), Brady is on various major labels until he creates his own label, PeeBee Music, in the late 1990s. He releases three albums in the 1990s: Trick or Treat, Songs & Crazy Dreams (a remixed compilation of earlier songs) and Spirits Colliding, which are met with critical acclaim. Trick or Treat is on Fontana/Mercury Records and receives a lot of promotion. As a result, some critics consider it his debut album and note that the record benefits from the expertise of experienced studio musicians, as well as producer Gary Katz, who works with the rock group Steely Dan. Rolling Stone, after praising his earlier but less-known solo records, calls Trick or Treat Brady’s “most compelling collection.”

Brady goes on to record several other albums, fifteen in total since going solo in 1978, and collaborates with a number of other established musicians including Bonnie Raitt and Richard Thompson. In 2006, he collaborates with Cara Dillon on the track “The Streets of Derry” from her album After the Morning. He also works with Fiachra Trench.

Brady performs Irish language songs as a character in the 2002 Matthew Barney film Cremaster 3. He also plays tin whistle on the single “One” by Greg Pearle in 2008, from the album Beautiful You, a collaboration between Greg Pearle and John Illsley. This song is featured in the 2008 film Anton, directed by Graham Cantwell.

Brady’s fifteenth studio album, Hooba Dooba, is released in March 2010.

In 2017, a friendship is struck with Theo Katzman (Vulfpeck) and Brady tours Ireland in 2019 as half of this duo with Joe Dart, also of vulfpeck, Louis Cato and Lee Pardini. He continues to tour, record and collaborate with other artists. In 2019, Jimmy Buffett begins performing a cover of Brady’s hit, “The World is What you Make It.” In September 2019, Brady joins Buffett on his tour stops in both Dublin and London.

Brady releases the album Unfinished Business on his own label, PeeBee Music, licensed to Proper Music UK, in 2017.

While Brady and Andy Irvine’s planned tour of their 1976 album Andy Irvine/Paul Brady is impacted by the COVID-19 pandemic, they finish the tour in 2022. Musicians to join them on the tour include fiddle player Kevin Burke and multi-instrumentalist Dónal Lunny, both of whom had played on the original album.

In 2009, Brady receives an honorary degree of Doctor of Letters from the University of Ulster, in recognition of his services to traditional Irish music and songwriting.


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Birth of Singer/Songwriter Eleanor McEvoy

eleanor-mcevoy

Eleanor McEvoy, one of Ireland’s most accomplished contemporary singer/songwriters, is born in Dublin on January 22, 1967. McEvoy composes the song “Only A Woman’s Heart,” the title track of A Woman’s Heart, the best-selling Irish album in Irish history.

McEvoy’s life as a musician begins at the age of four when she begins playing piano. At the age of eight she takes up violin and, as a teen, she joins the Junior Irish Youth Orchestra. Upon finishing school, she attends Trinity College, Dublin where she studies music by day and works in pit orchestras and music clubs by night.

McEvoy graduates from Trinity with an Honors Degree in music and spends four months busking in New York City. In 1988, she is accepted into the RTÉ National Symphony Orchestra where she spends four years before leaving to concentrate on songwriting.

During a solo date in July 1992, she performs a little-known, self-penned song, “Only a Woman’s Heart.” Mary Black, of whose band McEvoy is a member, is in the audience and invites her to add the track to an album of Irish female artists. The album is subsequently titled A Woman’s Heart and the track is released as the lead single. The album goes on to sell over three-quarters of a million copies in Ireland alone and remains the biggest selling Irish album of all time. The record’s success makes McEvoy a superstar virtually overnight.

Eleanor McEvoy, the self-titled debut offering, recorded in Windmill Lane Studios, is released in February 1993, and tours in the United States, Asia, and Europe follow. Back on Irish soil, McEvoy is awarded Best New Artist, Best New Performer, and Best Songwriter Awards by the Irish entertainment and music industries.

McEvoy signs a contract with Columbia Records and begins working on a new, edgier second album, which is eventually entitled What’s Following Me? The album is released in 1996 and the sound is louder and grungier than her debut.

McEvoy releases her third album Snapshots in 1999. Her primary goal is to make Snapshots her most song-oriented album to date. Toward that goal, she hooks up with legendary producer Rupert Hine, who has worked with Stevie Nicks, Tina Turner, Suzanne Vega, and Duncan Sheik, and records the album at Rupert’s “Chateau de la Tour de Moulin” and then in Metropolis Studios in London.

As the century closes, McEvoy has had enough of major-label involvement, making the decision to take the fourth album and head down the independent road. Yola was a turning point in McEvoy’s musical direction. Released in 2001, it reflects the acoustic, jazz-influenced style she had developed on stage with Brian Connor.

March 2004 sees the release of Early Hours, produced by McEvoy and Brian Connor. The style differs from McEvoy’s previous work, taking on a jazz/blues feel for many of the songs. She continues to tour with Brian Connor until April 2005. She then begins performing solo, accompanying herself on bass guitar, electric guitar, mandolin, and violin.

McEvoy continues to release new albums almost on a yearly basis with Out There (2006), Love Must Be Tough (2008), Singled Out (2009), I’d Rather Go Blonde (2010), Alone (2011), If You Leave… (2013), and Stuff (2014).

Naked Music (2016) is McEvoy’s twelfth studio album. It is recorded at the Grange Studio in Norfolk, UK. McEvoy records the tracks by “studio-performing,” in other words, playing the songs as she would in a live performance. The album features exclusive artwork by famed painter Chris Gollon.


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Birth of U2’s The Edge, David Howell Evans

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David Howell Evans, British-born Irish musician and songwriter best known by his stage name The Edge and as the lead guitarist, keyboardist, and backing vocalist of the rock band U2, is born at the Maternity Hospital in Barking, Essex, England on August 8, 1961. A member of U2 since its inception, he has recorded 13 studio albums with the band as well as one solo record.

The Edge is raised in Ireland after the Evans family relocates there while he is still an infant. He receives his initial formal education at St. Andrew’s National School in Dublin. As a child he also receives piano and guitar lessons, and practises music with his elder brother Richard. In 1976, at Mount Temple Comprehensive School, he goes to a meeting in response to an advert posted by another pupil, Larry Mullen Jr., on the school’s noticeboard seeking musicians to form a new band with him. Among the other pupils who respond to the note are Paul Hewson (Bono) and Adam Clayton. The band goes through a number of versions before becoming known as U2 in March 1978.

U2 begins its public performance life in small venues in Dublin, occasionally playing at other venues elsewhere in Ireland. In December 1979 they perform their first concerts outside Ireland, in London, and in 1980 begin extensive touring across the British Isles. Their debut album Boy is released in 1980.

In 1981, leading up to the October Tour, Evans comes very close to leaving U2 for religious reasons, but he decides to stay. During this period, he becomes involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. are also involved. Shortly after deciding to remain with the band, he writes a piece of music that later becomes Sunday Bloody Sunday.

U2 eventually becomes one of the most popular acts in popular music, with successful albums such as 1987’s The Joshua Tree and 1991’s Achtung Baby. Over the years, the Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, the Edge also plays keyboards, co-produced their 1993 record Zooropa, and occasionally contributes lyrics.

In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jah Wobble, Holger Czukay, Jay-Z, and Rihanna. He has collaborated with U2 bandmate Bono on several projects, including the soundtracks to the musical Spider-Man: Turn Off the Dark and the Royal Shakespeare Company‘s London stage adaptation of A Clockwork Orange.

The Edge, Bob Ezrin, and Henry Juszkiewicz co-found Music Rising in 2005, a charity that helps provide replacement instruments for those that were lost in Hurricane Katrina. The instruments are originally only replaced for professional musicians, but they soon realise the community churches and schools need instruments as well. The charity’s slogan is “Rebuilding the Gulf Region note by note” and has helped over a hundred musicians who were affected by the hurricane. The Edge also serves on the board of The Angiogenesis Foundation, a 501(c)(3) nonprofit organisation dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.

In 2011, Rolling Stone magazine places him at number 38 on its list of “The 100 Greatest Guitarists of All Time.” In 2012, Spin ranks him 13th on their own list.