O’Neill becomes Republic of Ireland manager in 2013 and leads them to qualification for the 2016 UEFA European Football Championship for the third time in the nation’s history, beating the reigning world champions, Germany, in the process. He leaves the role with assistant Roy Keane by “mutual agreement” in November 2018. He is appointed as Nottingham Forest manager on January 15, 2019. He guides the club to a ninth-place finish in the Championship. However, he is sacked as manager on June 28, 2019, after reportedly falling out with some of the senior first team players.
In 2002, Norwich supporters voted O’Neill into the club’s Hall of Fame. He is awarded an OBE for services to sport in 2004. He is awarded the Nottingham Lifetime Achievement Award on November 3, 2013 for his services to football and achievements with Nottingham Forest.
Downey’s offbeat reports of the 1994 FIFA World Cup for The Irish News are subsequently compiled for his first book, Just One Big Party. He spends six years as a BBC news producer in Derry and Belfast, before joining the Derry News as editor in 2001. During his period as editor (2001–2004), the Derry News wins two Newspaper Society awards for Fastest Circulation Growth in the United Kingdom.
Since 2004, Downey has published six comic novels set in the criminal underbelly of post-ceasefire Ireland. His books have been described as “a superb blend of comedy, political dirty tricks, grisly murder and bizarre twists.”
Deane is the fourth child of Frank Deane and Winifred (Doherty), and is brought up as part of a Catholicnationalist family. He attends St. Columb’s College in his hometown, where he befriends fellow student Seamus Heaney. He then attends Queen’s University Belfast (BA and MA) and Pembroke College, Cambridge (PhD). Although he too becomes noted for his poetry, he chooses to go into academia instead. He workws as a teacher in Derry, with Martin McGuinness being one of his students. McGuinness later recalls how Deane was “gentle, kind and never raised his voice at all, an ideal teacher who was very highly thought of.”
Deane is the co-editor of Field Day Review, an annual journal of Irish studies. He also serves as general editor of the Penguin Classic James Joyce series and of Critical Conditions, a series in Irish Studies which is jointly published by the University of Notre Dame Press and Cork University Press. He co-founds the book series Field Day Files, which contains key works by David Lloyd, Joe Cleary, Marjorie Howes, and Kerby A. Miller.
The first collection of Deane’s poetry, Gradual Wars, is published in 1972 and receives the AE Memorial Award for Literature. His first novel, Reading in the Dark, is published in 1996 and is partly autobiographical. It wins the 1996 Guardian Fiction Prize and the 1996 South Bank Show Award for Literature, is a New York Times Notable Book, wins The Irish Times International Fiction Prize and the Irish Literature Prize in 1997, besides being shortlisted for the Booker Prize in 1996. The novel is translated into more than twenty languages. He is also the general editor of the monumental Field Day Anthology of Irish Writing, which is 4,000 pages long and whose first volumes are released in 1990. It is later criticised for excluding the voices and experiences of Irish women. He responds to this by stating, “To my astonishment and dismay, I have found that I myself have been subject to the same kind of critique to which I have subjected colonialism … I find that I exemplify some of the faults and erasures which I analyse and characterize in the earlier period.”
Deane’s first marriage is to Marion Treacy. Together, they have four children. He is in a civil partnership with Emer Nolan until his death. They have one child together.
Following a short illness, Deane dies at the age of 81 on May 12, 2021 at Beaumont Hospital in Dublin.
During his time in Derry, Daly takes part in the civil rights marches. He has first-hand experience of the Battle of the Bogside in 1969, the early years of the Troubles, internment, and the events of Bloody Sunday, in which British soldiers fire on unarmed protesters on January 30, 1972, killing 14 people. He becomes a public figure after he is witnessed using a blood-stained handkerchief as a white flag in an attempt to escort 17-year-old Jackie Duddy, a wounded protester, to safety. Duddy dies of his injuries soon after and Daly administers the last rites. He later describes the events as “a young fella who was posing no threat to anybody being shot dead unjustifiably.”
Daly gives an interview to the BBC in which he insists, contrary to official reports, that the protesters were unarmed. He testifies as such to the Widgery Tribunal, though he also testifies that he had seen a man with a gun on the day, to the anger of some of those involved. The Widgery Report largely exonerates the British Army, perpetuating the controversy. Years later, he says that the events of Bloody Sunday were a significant catalyst to the violence in Northern Ireland, and that the shootings served to greatly increase recruitment to the Irish Republican Army (IRA).
Prior to Bloody Sunday, Daly is sympathetic to the “old” IRA, of which his father was a member, but the events of Bloody Sunday leave him of the opinion that “violence is completely unacceptable as a means to a political end,” which leads to tension with the Provisional Irish Republican Army throughout his career.
Daly is appointed Bishop of Derry in 1974, a position he holds until he is forced to retire in October 1993 after suffering a stroke. He continues in the role of chaplain to Derry’s Foyle Hospice until February 2016.
Daly makes headlines in 2011 when he says there needs to be a place in the modern Catholic Church for married priests. He addresses the controversial issue in his book about his life in the Church, A Troubled See. Allowing clergymen to marry would ease the church’s problems, he says.
Daly is awarded the Freedom of the City by Derry City Council in 2015 in a joint ceremony with Bishop James Mehaffey, with whom he had worked closely while the two were in office. He is “hugely pleased to accept [the award], particularly when it is being shared with my friend and brother, Bishop James.” The city’s mayor, Brenda Stevenson, announces that the joint award is in recognition of the two bishops’ efforts towards peace and community cohesion.
Daly dies on August 8, 2016 at Altnagelvin Area Hospital in Derry, having been admitted after a fall several weeks previously. He had also been diagnosed with cancer. He is surrounded by family and local priests.
Daly’s remains are taken to St. Eugene’s Cathedral, where he lay in state with mourners able to file past. His coffin is sealed at midday on August 11, 2016 and buried after Requiem Mass in the grounds of St. Eugene’s Cathedral alongside his predecessor as Bishop of Derry, Neil Farren. The bells of the cathedral toll for one hour on the morning of Daly’s death while many local people arrived to pay tribute. The mayor of Derry, Hilary McClintock, opens a book of condolence in the city’s guildhall for members of the public to sign. The funeral, conducted by the incumbent Bishop of Derry Donal McKeown, is attended by multiple religious and political leaders from across Ireland and retired leaders from throughout his career. A message from Pope Francis is read aloud at the beginning of the service. Hundreds of members of the public also attend the funeral, some lining the route from the cathedral to the gravesite. His coffin is greeted with applause as it is carried out of the cathedral for burial.
(Pictured: Father Edward Daly, waving a blood-stained white handkerchief as he escorts a mortally-wounded protester to safety during the events of Bloody Sunday (1972) in Derry, Northern Ireland, an image which becomes one of the most recognisable moments of the Troubles)
Bradley is one of four surviving children of John and Margaret Bradley, Lecky Road, Derry. He leaves school to work as a telegraph boy but returns to education at St. Columb’s College. Following training as a teacher at St. Mary’s Training College, Belfast, he qualifies in 1947. While teaching in a primary school in Derry he studies for a degree in mathematics as an external student of the University of London, and is awarded a degree in 1953.
Moving to London where he teaches mathematics in a grammar school, Bradley decides to register for an evening course at Birkbeck College. His first choice is mathematics but as he already has a degree in the subject the admissions staff suggests that he study physics. In 1957, after four years of part-time study, he is awarded a Bachelor of Science degree in physics by Birkbeck, achieving the highest marks in his final exams in the University of London overall. He next joins Royal Holloway College as an assistant lecturer and simultaneously enrolls as a PhD student, working on Fabry–Pérot interferometer etalon-based high-resolution spectroscopy supervised by Samuel Tolansky. He receives a PhD in 1961.
Bradley is a pioneer of laser physics, and his work on the development of ultra-fast pulsed lasers adds a new and vitally important element to the capabilities of this new type of light source. In particular, working on dye lasers, he produces pulses of light as short as one picosecond (one picosecond is to a second as a second is to 31,800 years). His work paves the way for the completely new field of non-linear optical interactions. In addition, he inspires a new generation of laser scientists in Ireland and the UK, many of whom are international leaders in their fields.
Appointed to a lectureship in the physics department at Imperial College London, Bradley sets up a research programme in UV solar spectroscopy using rocket technology to reach high altitudes.
In 1963 Bradley begins work in laser physics but returns to Royal Holloway College as a reader one year later. In 1966 he is appointed professor and head of department at Queen’s University, Belfast. There he quickly establishes a space research group of international standing to do high-resolution solar spectroscopy. He attracts significant funding from a variety of agencies, allowing him to build his department into one of the world’s leading laser research centres, involving a total of 65 scientists. However, he leaves Belfast because of fears for his family’s safety as political violence escalates in the early 1970s amidst The Troubles.
Bradley returns to Imperial College London in 1973 to a chair in laser physics and heads a group in optical physics, laser physics and space optics. He is head of the Physics department from 1976 to 1980 but is frustrated by cutbacks and a rule governing the ratio of senior to junior positions, one consequence of which is that he is unable to maintain a long-established chair in optical design. He is also critical of the college administration’s handling of some departmental grant applications. He resigns in 1980 and moves to Dublin.
Arriving at Trinity College, Dublin, Bradley decides the time is ripe to move on from laser research and development into laser applications. In 1982, with Dr. John Kelly, a chemist, and Dr. David McConnell, a geneticist, he forms a team which wins funding for a project using laser techniques to explore the structure of organic molecules like DNA and proteins. Unfortunately, however, his work at Trinity is cut short by ill health and he retires in 1984. His research on semiconductor lasers is carried on and this work on developing widely tuneable lasers for optical communications systems continues.
A member of the Royal Irish Academy, Bradley is Fellow Emeritus of Trinity College Dublin, and holds fellowships of the Royal Society, The Optical Society of America and Institute of Physics. Through time the ravages of his illness restricts his travelling and eventually he is cared for in a residential home in Dublin, where he passes away on February 7, 2010.
Coulter spends his secondary school years at St. Columb’s College. He later studies music and French at the Queen’s University Belfast. During his time at Queen’s he takes up songwriting, composing the hit Foolin’ Time for the Capitol Showband. His talents are swiftly captured by leading entrepreneur Phil Solomon. Initially working with such showbands as the Cadets and Pacific, he continues to compose for the Capitol Showband and even pens their 1965 Eurovision Song Contest entry, Walking the Streets in the Rain. In the meantime, Coulter works on Solomon’s other acts, including Twinkle, who enjoys a major UK hit with the Coulter-arranged Terry. He also contributes to Them’s song catalogue, with the driving I Can Only Give You Everything.
Coulter subsequently leads his own country to victory in the contest by arranging Dana’s 1970 winner, All Kinds of Everything. That same year, Coulter/Martin are commissioned to write Back Home, the official song for the England national football team, which proves a lengthy UK number 1. As well as his pop outings, which include writing My Boy and an album’s worth of material for Richard Harris, he maintains his connection with the Irish folk scene, via his work with another of Solomon’s acts, The Dubliners. He also produces three albums for the groundbreaking Planxty and works with The Fureys.
After his partnership with Martin ends in the late 1970s, Coulter specializes in orchestral recordings, which prove hugely successful in Irish communities. Albums such as Classic Tranquillity and Sea Of Tranquillity (both 1984), Words And Music (1989), American Tranquillity (1994), Celtic Horizons (1996), and collaborations with flautist James Galway and Roma Downey, also enjoy major international success, and Coulter is a regular fixture in the upper regions of the U.S. New Age album chart.
Coulter’s production credits during the 1990s include work for Sinéad O’Connor and Boyzone. His lengthy career, as producer, arranger, songwriter and performer, is all the more remarkable for encompassing such contrasting musical areas from folk and orchestral to straightforward Tin Pan Alley pop.
Despite his successes, Coulter suffers several family tragedies. His son is born with Down syndrome and dies at the age of three. The song Scorn Not His Simplicity is written in his memory. His brother also dies tragically in a drowning incident in Ireland, which briefly causes him to retreat from the music business. He records the anthemic Home From The Sea with the Lifeboat Chorus as a tribute.
During McGilligan’s period in opposition from 1932 to 1948 he builds up a law practice and becomes professor of constitutional and international law at University College, Dublin. When the National University of Ireland representation is transferred to Seanad Éireann in 1937, he is elected as TD for the Dublin North-West constituency.
In 1948 McGilligan is appointed Minister for Finance in the first Inter-Party Government. As Minister he undertakes some major reforms. He instigates a new approach where Government invests radically in capital projects. Colleagues however complain of his frequent absence from the Cabinet table and the difficulty of contacting him at the Department of Finance. Between 1954 and 1957 he serves as Attorney General. He retires from Dáil Éireann at the 1965 general election, having served for over 40 years.
Patrick McGilligan dies in Dublin on November 15, 1979. Despite his well-known fondness for predicting that he would die young, he reaches the age of ninety. A later Attorney General, John M. Kelly, in the preface to his definitive text, The Irish Constitution (1980), notes the remarkable number of senior judges who are former students of McGilligan and suggests that, given his own firm belief in the value of judicial review, he deserves much of the credit for the remarkable development of Irish law in this field since the early 1960s.
Recognised for early works such as Philadelphia, Here I Come! and Faith Healer, Friel has 24 plays published in a career of more than a half-century. He is elected to the honorary position of Saoi of Aosdána. His plays are commonly produced on Broadway in New York City throughout this time, as well as in Ireland and the United Kingdom. In 1980 Friel co-founds Field Day Theatre Company and his play Translations is the company’s first production. With Field Day, Friel collaborates with Seamus Heaney, 1995 recipient of the Nobel Prize in Literature. Heaney and Friel first become friends after Friel sends the young poet a letter following publication of his book Death of a Naturalist. Friel’s play Dancing at Lughnasa wins three Tony Awards in 1992.
Friel is a member of the American Academy of Arts and Letters, the British Royal Society of Literature and the Irish Academy of Letters. He is appointed to Seanad Éireann in 1987 and serves until 1989. In later years, Dancing at Lughnasa reinvigorates Friel’s oeuvre, bringing him Tony Awards, including Best Play, the Laurence Olivier Award for Best New Play and the New York Drama Critics Circle Award for Best Play. It is also adapted into a film, starring Meryl Streep, directed by Pat O’Connor, script by Frank McGuinness.
After a long illness Friel dies at the age of 86 in the early morning of Friday, October 2, 2015 in Greencastle, County Donegal. He is survived by his wife Anne and children Mary, Judy, Sally and David. A daughter, Patricia, predeceases him in 2012.
Friel receives his B.A. from St. Patrick’s College, Maynooth (1945–48), and qualifies as a teacher at St. Joseph’s Training College in Belfast. He marries Anne Morrison in 1954, with whom he has four daughters and one son. Between 1950 and 1960, he works as a math teacher in the Derry primary and intermediate school system, taking leave in 1960 to pursue a career as a writer, living off his savings. In the late 1960s, the Friels move from 13 Malborough Street, Derry to Muff, County Donegal, eventually settling outside Greencastle, County Donegal.
Recognised for early works such as Philadelphia, Here I Come! and Faith Healer, Friel has 24 plays published in a more than half-century spanning career that culminates in his election to the position of Saoi of Aosdána. His plays are commonly featured on Broadway throughout this time. In 1980, Friel co-founds Field Day Theatre Company and his play Translations is the company’s first production. With Field Day, Friel collaborates with Seamus Heaney, 1995 recipient of the Nobel Prize in Literature. Heaney and Friel first become friends after Friel sends the young poet a letter following the publication of Death of a Naturalist.