seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Veronica Dunne, Operatic Soprano & Voice Teacher

Veronica Dunne, Irish operatic soprano and voice teacher also known as Ronnie Dunne, who is described as “an Irish national treasure,” dies on April 5, 2021. After a successful operatic career at the Dublin Opera and the Royal Opera House in London, she focuses on voice teaching in Dublin, where she trains future international singers. The triennial Veronica Dunne International Singing Competition is established in 1995. She receives the National Concert Hall Lifetime Achievement Award in 2014.

Dunne is born in Dublin on August 20, 1927. She is the youngest of three children of a well-to-do family. Her father works as a master builder whose construction firm builds the church in Foxrock, Dublin, in the early 1930s. She begins singing when she is 11 years old. She studies initially in Dublin with Hubert Rooney. She then sells her pony for £125 in order to fund her dream of studying music in Italy. She goes to Rome in 1946 to study with Soldini Calcagni and Francesco Calcatelli. Her family meets with Sarsfield Hogan, the secretary of the Department of Finance at the time, to discuss the issue of her monthly allowance, which would breach foreign exchange controls. Sarsfield permits her to receive the money on the condition that she return to Ireland in the future and teach her young compatriots to sing.

Dunne makes her operatic debut in Dublin in 1948 as Micaëla in Georges Bizet‘s Carmen with the Dublin Grand Opera Society, and appears there in 1949 as Marguerite in Charles Gounod‘s Faust. She wins the Concorso Lirico Milano in 1952, which brings her the role of Mimì in Ruggero Leoncavallo‘s La bohème at the Teatro Nuovo in Milan, which in turn brings her a contract from the Royal Opera House in London, where she first appears as Sophie in Der Rosenkavalier by Richard Strauss. She performs at the house alongside Joan Sutherland and Kathleen Ferrier. In 1958, she appears as Blanche in the first performance at the house of Francis Poulenc‘s Dialogues of the Carmelites. She also performs with the Welsh National OperaScottish Opera, and Wexford Festival Opera. She returns to the stage in 2002 to appear as Countess in Pyotr Ilyich Tchaikovsky‘s The Queen of Spades at the Gaiety Theatre in Dublin.

Dunne gives a number of world premieres of works by contemporary Irish composers including Never to Have Lived is Best (1965) by Seóirse Bodley, as well as Irish Songs (1971) and The Táin (1970) by James Wilson.

Dunne is appointed a voice teacher at the then Dublin College of Music (today Technical University Conservatory of Music and Drama) in 1962. She is awarded an honorific doctorate in 1987. She retires in 1992, but continues to teach at the Leinster School of Music and the Royal Irish Academy of Music. Her students include Patricia Bardon, Orla Boylan, Mary Brennan, Tara Erraught, Lynda Lee, Colette McGahon, Anthony KearnsSuzanne Murphy, and Finbar Wright, who have all sung in the major international opera houses. In 2014, at the age of 87, she continues to teach 39 hours per week.

The triennial Veronica Dunne International Singing Competition, established by the Friends of the Vocal Arts in Ireland in 1995, awards bursaries in her name. Recipients included Orla Boylan, Sarah-Jane Brandon, Tara Erraught, Pumeza Matshikiza and Simon O’Neill. She receives the National Concert Hall Lifetime Achievement Award in 2014.

Dunne marries Peter McCarthy in 1953. The couple has two children.

Dunne dies at the age of 93, on April 5, 2021. Irish President Michael D. Higgins pays tribute to Dunne, saying that she “captivated millions with her singing” and adding, “The legacy she leaves lies in the talents of those scores of others whose talents and performances she unlocked with her enthusiasm, energy and commitment as a teacher and friend.”


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Birth of Mezzo-Soprano Bernadette Greevy

Bernadette Greevy, Irish mezzo-soprano, is born in Clontarf, Dublin, on July 3, 1940. She is founder and artistic director of the Anna Livia Dublin International Opera Festival. She is the first artist-in-residence at the Dublin Institute of Technology‘s Faculty of Applied Arts.

Greevy is one of seven children. She goes to school at the Holy Faith Secondary School, Clontarf and later studies in Dublin with Jean Nolan and at the Guildhall School of Music and Drama in London with Helene Isepp.

Greevy makes her first appearance on the operatic stage at the age of 18 in the role of Siebel in Charles Gounod‘s Faust at Dublin’s Gaiety Theatre. She appeared in Julius Benedict‘s opera, The Lily of Killarney at Dublin’s Olympia Theatre in 1960, alongside Veronica Dunne, John Carolan and Denis Noble with conductor Fr. John O’Brien and the Glasnevin Musical Society. In 1961, she makes her professional operatic debut as Maddalena in the Dublin Grand Opera Society’s production of Giuseppe Verdi‘s Rigoletto. She appears at the Wexford Festival Opera in 1962 as Beppe in Pietro Mascagni‘s L’amico Fritz. She makes her Royal Opera House début in 1982 as Genevieve in Claude Debussy‘s Pelléas et Mélisande.

However, Greevy never develops the acting skills necessary for true operatic success, and makes her musical mark instead in the world of oratorio and song recitals. She is introduced to works such as Edward Elgar‘s The Dream of Gerontius and George Frideric Handel‘s Messiah by Sir John Barbirolli, and later recorded music by Gustav MahlerJohann Sebastian Bach and Joseph Haydn.

A 1966 review by Howard Klein in The New York Times of Greevy’s recording of Handel arias states: “The voice has the firm, compact resonance of a true contralto. She has endless breath and can move her voice with agility and precision.”

Greevy has a special affinity with Mahler, in particular his orchestral song cycles. In 1966, she performs Kindertotenlieder in London with the then RTÉ National Symphony OrchestraThe Times praises the 26-year-old Greevy’s “full, glowing voice, rich and firm at the bottom, radiant at the top, and gloriously expressive phrasing.” Later, in the 1990s, she performs all Mahler’s vocal works with orchestra over a four-year period in the Teatro Colón, Buenos Aires, Argentina.

Greevy chooses to live in her native Dublin throughout her career rather than be based in one of the world’s major music centres. She maintains confidently that “if you’re good enough you can live where you like.” Nevertheless, this decision undoubtedly curtails her opportunities in the recording studio and on the concert stage.

Greevy dies at the age of 68 on September 26, 2008, following a short illness. She is married to Peter Tattan, who predeceases her in 1983. They have one son, Hugh.