Sarah Henrietta Purser, Irish artist mainly noted for her work with stained glass, is born on March 22, 1848, in Kingstown (now Dún Laoghaire) in County Dublin, and raised in Dungarvan, County Waterford. She is educated in Switzerland and afterwards studies at the Metropolitan School of Art in Dublin and in Paris at the Académie Julian.
Purser works mostly as a portraitist. She is also associated with the stained glass movement, founding a stained glass workshop, An Túr Gloine, in 1903. Some of her stained glass work is commissioned from as far as New York City, including a window at Christ Church, Pelham dedicated to the memory of Katharine Temple Emmet and Richard Stockton Emmet, grandson of the Irish patriot, Thomas Addis Emmet. Through her talent and energy, and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions, famously commenting, “I went through the British aristocracy like the measles.”
In 1977 Bruce Arnold noted, “some of her finest and most sensitive work was not strictly portraiture, for example, An Irish Idyll in the Ulster Museum, and Le Petit Déjeuner (in the National Gallery of Ireland).”
Sarah Purser becomes wealthy through astute investments, particularly in Guinness. She is very active in the art world in Dublin and is involved in the setting up of the Hugh Lane Municipal Gallery, persuading the Irish government to provide Charlemont House to house the gallery. In 1923 she becomes the first female member of the Royal Hibernian Academy.
Until her death she lives for years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. After her death in Dublin on August 7, 1943, it is demolished and is developed into apartments. She is buried in Mount Jerome Cemetery in Dublin.
(Pictured: Stained glass window in St. Patrick’s Cathedral, Dublin, by Sarah Purser made in 1906: a depiction of King Cormac of Cashel)