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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Dana Rosemary Scallon, Singer & Former European Parliament Member

Dana Rosemary Scallon, Irish singer, pantomime performer, and a former Member of the European Parliament known as Dana, is born on August 30, 1951 in Islington, London, England, where her Northern Irish family had relocated to find work. She wins the 1970 Eurovision Song Contest with “All Kinds of Everything,” a subsequent worldwide million-seller. She resides in Birmingham, Alabama, for much of the 1990s, hosting a Christian music and interview series on the Eternal Word Television Network (EWTN).

Scallon is born Rosemary Brown, the fifth of seven children of a King’s Cross railway station porter and trumpet player originally from Derry, Northern Ireland. When she is five, the family moves back to Derry where she grows up in the Creggan housing estate and Bogside. She attends St. Eugene’s Primary School and then enrolls at Thornhill College. A singing talent from childhood, she wins several local contests while also participating in local choirs and taking piano, violin and ballet lessons.

In the early 1960s Scallon forms a trio with two of her sisters, often performing at charity concerts organized by their father. When one sister leaves, the remaining duo lands a summer-long booking at the Palladium and a recording contract with Decca Records. Her other sister, however, leaves to join her new husband, a United States airman, in America. Stricken with stage fright, Scallon the solo singer manages to win a folk competition at the Embassy Ballroom with her eyes shut. The contest’s sponsor, teacher and music promoter Tony Johnston, helps her complete her equivalency degree and records a demo that convinces Decca Records to sign her on as a solo artist. She releases a single in 1967 that brings some attention from local TV and radio.

Performing under her school nickname “Dana,” Scallon becomes a fixture in Dublin‘s cabaret and folk clubs. She is crowned “Queen of Cabaret” and feted with a parade and a reception at Clontarf Castle on the Saturday before Easter 1968.

At the suggestion of Decca Record’s local agent, Phil Mitton, Scallon auditions for the Irish National Song Contest, a preliminary for the 1969 Eurovision competition. She reaches the finals in Dublin, but comes in second.

RTÉ Television chief Tom McGrath invites Scallon back to compete the following year. She accepts even though she is preparing to retire from active performing to pursue teaching. The song, “All Kinds of Everything” by Derry Lindsay and Jackie Smith, is picked for her by McGrath and propels her to victory. She goes on to represent Ireland in the 1970 Eurovision contest, held in Amsterdam. She performs perched on a stool on stage and defeats England’s Mary Hopkin and Spain‘s Julio Iglesias to secure Ireland’s victory.

Scallon is given a hero’s welcome upon her return to Ireland, especially in Northern Ireland. “All Kinds of Everything” shoots to #1 on the Irish Singles Chart, as well as the UK Singles Chart. It is also successful in Australia, Austria, Germany, Israel, Malaysia, the Netherlands, New Zealand, Singapore, South Africa, Switzerland and Yugoslavia, on its way to passing 1 million sales. She quickly records an album, with orchestral accompaniment. Her follow-up single, “I Will Follow You,” fails to make much of a splash. Given the choice of giving up, she decides to fight for her recording career, and succeeds with Paul Ryan‘s “Who Put the Lights Out,” which spends eleven weeks on the UK charts.

In 1974 Scallon switches to GTO Records. Her first single on that label, “Please Tell Him That I Said Hello,” returns her to the top 10. Her 1975 holiday single “It’s Gonna be a Cold Cold Christmas” by Roger Greenaway and Geoff Stephens, reaches #4 and remains a classic. Now an established Irish singing star she appears in films and festivals and sells out a week of concerts at the London Palladium. She also maintains her “Queen of the Cabaret” reputation with regular appearances in top London clubs. The BBC gives her two shows of her own: a series called A Day with Dana in 1974 and four-part series of Wake Up Sunday in 1979. BBC Radio follows suit with a series of I Believe in Music in 1977.

Meanwhile, Scallon begins performing stage pantomime in a blockbuster production of Cinderella in Oxford. In September 1976, however, she is hospitalized with a non-malignant growth on her left vocal cord, requiring surgery. The single “Fairytale” is sustained in the charts with the publicity from her dire medical prognosis. The experience strengthens her religious faith. On October 5, 1978 she marries Damien Scallon, a hotel-owner from Newry, at St. Eugene’s Cathedral in Derry.

In 1979, recovered from her surgery, Scallon records a new album entitled The Girl is Back, which has modest success. Pope John Paul II‘s visit to Ireland that year inspires her to write a song based on his personal motto, “Totus Tuus,” which tops the Irish charts. Long associated with Christian causes and Sunday-morning programs, she and her husband look for opportunities to reach a broader market for Christian music, and find one in the United States. They attend the National Religious Broadcasters conference in Washington, D.C. in 1980 and secure a contract with Word Records.

Scallon’s first album of Christian songs, Totally Yours, is released on Word Records in 1981. She continues to record pop music, including the 1982 album Magic and the official 1982 FIFA World Cup song for the Northern Ireland team, “Yer Man.” She also continues her stage career, starring in Snow White and the Seven Dwarfs at Hull and later in London’s West End and Wolverhampton. She tours the United States in 1984, including appearances at Billy Graham‘s Boston crusades. She pens an autobiography in 1985. She performs “Totus Tuus” before a packed Superdome crowd during John Paul II’s visit to New Orleans in 1987.

Also in 1987, after one of her husband’s hotels is damaged for the seventh time by a terrorist bomb, he takes a job managing retreats for EWTN and moves the family to Alabama. They rent a house in the Cherokee Bend area of Mountain Brook and enroll their children at Saint Rose Academy. Scallon is welcomed to the network as well, hosting the Say Yes and We Are One Body programs. She leaves Word Records and signs with Heart Beat Records for her later Catholic albums. In 1993 she again performs for the Pope at a World Youth Day event in Denver, Colorado.

Scallon is naturalized as a dual citizen of the United States and Northern Ireland in 1997, and moves back there a year later because she has been drafted as an independent candidate for President of Ireland. She garners 15% of the popular vote, finishing third in the race won by Mary McAleese, ahead of the Labour Party candidate. Most of her votes come from rural districts where conservative values are more strongly held.

In 1999 Scallon wins a seat on the European Parliament, representing Connacht-Ulster on a family values and anti-abortion platform. During her five-year term she opposes the development of a European constitution. She also speaks out against a 2001 proposal to amend the Irish constitution to legalize the “morning-after pill” and intrauterine contraceptive devices. With the support of the mainstream parties, the amendment is put to a popular referendum, which fails in 2002. That same year she is defeated in a campaign to represent Galway West in the Dáil Éireann, the lower house of the Irish parliament. In 2004 she fails to hold her seat in the European Parliament and also does not secure a nomination for President.

Leaving politics behind, Scallon joins a weight-loss challenge on RTÉ’s The Afternoon Show in 2005. In 2006 she competes with Ronan McCormack on Celebrity Jigs ‘n’ Reels, finishing second on the popular dance contest.

That same year, Scallon and her husband launch their own music label, DS Music Productions, and release a compilation of songs deidcated to John Paul II’s memory. That is followed by Good Morning Jesus: Prayers and Songs for Children of All Ages, which is featured in a special series on EWTN. Heart Beat Records files a lawsuit against DS Music Productions for alleged copyright violations.

In 2007 Scallon appears as a guest judge for Young Star Search, a Belfast CityBeat radio contest. In 2009 she is brought on as a judge for The All Ireland Talent Show. That same year she returns to EWTN as host of Dana and Friends.


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Birth of Mary Devenport O’Neill, Poet & Dramatist

Mary Devenport O’Neill, Irish poet and dramatist and a friend and colleague of W. B. Yeats, George Russell, and Austin Clarke, is born in Barrack Street, Loughrea, County Galway, on August 3, 1879.

O’Neill is born Mary Devenport, the daughter of Royal Irish Constabulary (RIC) sub-constable, John Devenport, and his wife Bridget (née Burke). She attends the Dominican convent, Eccles Street, Dublin before enrolling in the Metropolitan School of Art from 1898 to 1903. In 1900 she wins the year’s prize in the School of Art. She apparently considers teaching as a career, as she is listed on the college register as a teacher in training from 1901 to 1903. It is while an art student that she starts to correspond with the writer she admires, Joseph O’Neill. Their relationship develops, and the couple marries on June 19, 1908, settling in Kenilworth Square, Dublin.

Many of O’Neill’s husband’s friends disapprove of her modern and unconventional ideas, but she is popular with “the Rathgar Group” who attends George Russell’s Sunday salons. After a few years, she establishes her own salon referred to as “Thursdays at home,” attended by Russell, Padraic Colum, W. B. Yeats, Richard Irvine Best, Frank O’Connor, Francis Stuart and Iseult Gonne. She becomes particularly close to Yeats, who she confides in. Yeats records their weekly consultations in his diary while working on A Vision (1925). In his Oxford anthology of English verse from 1936, he includes one of O’Neill’s poems. In 1917, she contributes lyrics to her husband’s play The Kingdom Maker. She publishes her only book in 1929, Prometheus and other poems. After this she occasionally contributes primarily modernist plays and poetry to The Dublin Magazine, The Irish Times and The Bell. She collaborates with Austin Clarke from the Lyric Theatre Company on her plays Bluebeard (1933) and Cain (1945).

O’Neill suffers with poor health, which sees her and her husband spending extended periods in the south of France and Switzerland. They sell their home in Dublin in August 1950 and move to Nice, with the intention of settling there. However, due to rapidly depleting finances they are forced to return to Ireland in April 1951. They rent a cottage in Wicklow from their friend Con Curran. When her husband dies in 1953, she goes to live with relatives in Dublin. She dies there in 1967.


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Death of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, dies on March 13, 1955, in Rathfarnham, County Dublin. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is born at Roebuck Grove, County Dublin, on April 22, 1894. She is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor, née Robinson, daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. She is related to Nathaniel Hone and Nathaniel Hone the Younger. Shortly before her twelfth birthday she suffers from polio. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and become one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The window is then taken into storage by Abbey Glass in Kilmainham, Dublin at the request of the Office of Public Works.

The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped on the school in 1940 during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This may have influenced her decision to begin working in stained glass. Initially she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone is elected an honorary member of the Royal Hibernian Academy (RHA) in 1954.

Unmarried, Hone dies on March 13, 1955 while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: “My Four Green Fields” by Evie Hone, which depicts the four provinces of Ireland)


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Death of M. E. Francis, Novelist & Playwright

Mary Elizabeth Blundell (née Sweetman), prolific Irish novelist and playwright who writes under the pen name M. E. Francis, dies on March 9, 1930. She is described as the best known female novelist of the day.

Blundell is born in 1859 in Killiney Park, County Dublin to Margaret and Michael James Sweetman. The family moves to Brussels in 1873 and she spends her summers in Switzerland. Her family is quite artistic. Her sisters are poet Elinor Sweetman and writer Agnes Castle (aka Mrs. Egerton Castle). Her uncle is the novelist William Sweetman. She marries her husband, Francis Blundell, on November 18, 1879 and moves to Little Crosby, Lancashire, North West England, where his family has been notable Catholics since the 16th century. They have three children: Francis Nicholas Blundell, Conservative politician, and writers Margaret Elizabeth Clementina Mary Blundell and Agnes Mary Frances Blundell.

Blundell’s husband dies after only five years of marriage. She had written her first story, True Joy, when she was just eight years old and has a publication in the Irish Monthly the day of her wedding. She takes up writing professionally after her husband’s death. In later life she writes in collaboration with her daughters. She later retires to Dorset.

The Ireland of her youth, the Lancashire of her married life, and the Dorset of her retirement provide backgrounds for many of her volumes of fiction.


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Birth of Irish Composer John McLachlan

Irish composer John McLachlan is born in Dublin on March 5, 1964.

McLachlan is the son of the writer Leland Bardwell, and studies at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama (1982–86), the Royal Irish Academy of Music (1989–97), and Trinity College Dublin (BA 1988). He studies composition with William York, Robert Hanson and Kevin Volans. He holds a Ph.D. in musicology from Trinity College (1999) for a study of the relationship between analysis and compositional technique in the post-war avant-garde.

McLachlan writes numerous articles for The Journal of Music in Ireland (2000–10). He is executive director of the Association of Irish Composers (1998–2012), and in 2007 he is elected to Aosdána.

McLachlan is the featured composer in the RTÉ National Symphony Orchestra‘s “Horizons” series in 2003 and 2008. He also represents Ireland at international festivals, including the ISCM World Music Days in Slovenia in 2003 and Croatia in 2005. In 2006, his work Grand Action is commissioned as a test-piece for the AXA Dublin International Piano Competition.

McLachlan’s musical aesthetic is largely shaped by a desire to impart a sense of narrative and expectation to his music without recourse to pastiche rhetorical devices. A critic writes of a recording of McLachlan’s piano piece Nine: “The style of each little piece sends one’s imagination and musical memory reeling, some of them evoking French Impressionism, some jazzy in feel, some reminiscent of the miniatures for piano of Webern, and none of them in any way, shape or form derivative.” Much of his music is structured in contrasting and suddenly changing block-like sections of homogeneous material. The material within these sections is propelled by a rigorous focus on subtle rhythmic and melodic permutations, which result in both surface opacity and gradually increasing tension.

McLachlan’s works have been performed in the United States, Peru, Japan, South Africa, Britain, France, Italy, Germany, Holland, Switzerland, Finland, Denmark, Portugal, Spain, Romania, Moldova, Slovenia, Croatia, and around Ireland, with broadcasts in several of these countries. Performers who have played his music include the National Symphony Orchestra of Ireland, Opera Theatre Company, the National Chamber Choir, Concorde, Sequenza, Traject, Archaeus, the Pro Arte Orchestra, Antipodes, Ensemble Nordlys, The Fidelio Trio, The ConTempo Quartet and Trio Arbós as well as many prominent soloists including Ian Pace, John Feeley, Mary Dullea, Darragh Morgan, Satoko Inoue and David Adams.

McLachlan is also known as a broadcaster and writer on contemporary music, with many published articles.

McLachlan now lives in Inishowen, County Donegal.


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Birth of Anne Butler Yeats, Painter and Costume and Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, is born in Dublin on February 26, 1919.

Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her birth is commemorated by her father with the poem A Prayer for My Daughter. Her aunts are associated with the arts and crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family.

Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936, and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats participates in group exhibitions in the United States, Canada, Germany, the Netherlands, Monaco, and Scotland, along with the Irish Exhibition of Living Art and Taispeántas an Oireachtas.

Yeats dies at the age of 82 on July 4, 2001 and is buried in Shanganagh Cemetery, south Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)


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Birth of Charles Edward Jennings, Soldier & Revolutionary

General Charles Edward Saul Jennings, Irish soldier and revolutionary who serves France in the eighteenth century and is sometimes romanticised as Brave Kilmaine, is born on October 19, 1751 in Sauls Court, Dublin.

Jennings is the second son of Theobald Jennings, a physician of Polaniran (Ironpool), Tuam, County Galway, and Eleonore Saul, daughter of Laurence Saul, a wealthy Dublin distiller. Educated privately in Dublin, he leaves Ireland in 1769, settling in Tonnay-Charente in the south of France, where his father had set up practice. His father had, several years previously, assumed the fictitious title of ‘baron of Kilmaine’ in the hope of improving his position in French society, and he subsequently assumes the same title.

In 1774 Jennings joins the Royal Dragoons as a trooper, transferring in 1778 into the Légion de Lauzun, a corps made up mostly of foreign volunteers. After the campaign in Senegal (1778–79) he returns to France and is commissioned as a sous-lieutenant. He then campaigns with Gilbert du Motier, Marquis de Lafayette, during the American Revolutionary War and teaches cavalry tactics at Metz on his return. Promoted to captain in 1788, at the outbreak of the French Revolution, he is stationed at Verdun and, despite a short period in prison, continues to serve with his regiment. In 1791, when several of the regiment’s officers flee from France, he remains and is one of the first officers to swear allegiance to the national assembly.

Promoted to Chef d’escadron in April 1792, Jennings serves under Charles François Dumouriez during the invasion of the Netherlands, distinguishing himself at the Battle of Valmy and the Battle of Jemappes, where he reinforces the French centre at a critical point, ensuring victory. A series of rapid promotions follow. He is made a colonel in January 1793, a general of brigade in March 1794, and a general of division in May1794.

After a series of reverses in the summer of 1793, in which the French lose the fortress-towns of Condé and Valenciennes, the committee of public safety appoints Jennings to command the Armée du Nord on May 15, 1793, with the rank of full general. In August, in order to preserve his force in the face of overwhelming opposition, he retreats from a position 120 miles north of Paris known as ‘Caesar’s camp.’ Although the allied army swings away to invest Dunkirk, he is arrested and imprisoned for endangering the city, and remains in prison until after the fall of Robespierre in July 1794. Within a few days, due to the turbulent political situation, he is rearrested and not released until December 1794. In May 1795 he cooperates with Napoléon Bonaparte in suppressing the Jacobin uprising in Faubourg Saint-Antoine in Paris and, having reestablished his credentials, commands the cavalry during the invasion of Italy (1796). Bonaparte regards him highly, and he distinguishes himself at the Battle of Lodi on May 10, 1796, seizing the city of Milan five days later. He defeats a large Austrian force in the Battle of Borghetto before investing and taking the fortress-town of Mantua in February 1797.

When peace terms are agreed with Austria, Jennings returns to France, taking command of the centre column of the Armée d’Angleterre, which had been raised to invade Britain and Ireland. However, his deteriorating health makes some observers question his suitability for such an appointment. An associate of Thomas Paine and James Napper Tandy, and a friend of Wolfe Tone, he is forced to watch the gradual reduction of his army as Napoleon diverts troops for his campaign in Egypt. Tone is at first suspicious of him, given that many Irish-born French officers had deserted the revolutionary cause, but comes to admire him.

After the defeat of Admiral Bombard’s expedition to Ireland and Tone’s arrest on November 3, 1798, Jennings requests that the French government should take a senior British prisoner as hostage and subject him to the same treatment as Tone. After Tone’s death he assists Matilda Tone and her children. In early 1799 he is appointed military governor of Switzerland but is forced to resign due to his failing health.

In a fragile condition Jennings leaves Switzerland and returns to Passy in Paris, where his domestic griefs and chagrins add to the poignancy of his bodily sufferings, for his constitution is now completely broken up. He dies of dysentery on December 11, 1799, at the age of 48. He is buried with full military honours.

Jennings is historically honored at the Arc de Triomphe in Paris, where his name can be seen on the inside triumphal arch, on the Northern pillar, Column 05. Underneath the Arc is the Tomb of the Unknown Soldier (World War I). There is a personal portrait of Jennings in the ‘Hotel de Ville’ (City Hall) at Tonnay-Charente, where his father Dr. Theobald Jennings practiced as a physician.

A monument was erected in Jennings’s memory in Tonnay-Charente in the 19th century. Rue du Général Kilmaine, a street in Tonnay-Charente, is named in his honour in the 19th century.


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Death of Anne Butler Yeats, Painter, Costume & Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, dies in Dublin on July 4, 2001.

Born in Dublin on February 26, 1919, Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her aunts are associated with the Arts and Crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family. Her birth is commemorated by her father with the poem “A Prayer for My Daughter.” She spends her first three years between Ballylee, County Galway and Oxford before her family moves to 82 Merrion Square, Dublin in 1922.

Yeats is very sick as a child, spending three years in two different hospitals. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–1930. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aids her in winning first prize in the RDS National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936, and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory, which is her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production but Yeats refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she works on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with the style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage, in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Austin Clarke Lyric Theatre, the Abbey Theatre and Players’ Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she is also recorded as having worked on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish-language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats dies at the age of 82 in Dublin on July 4, 2001. She is buried near her brother, Michael Butler Yeats, at Shanganagh Cemetery in Shankill, County Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Gossip & Scandal,” 1943 oil on canvas, by Anne Butler Yeats)


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Death of Maximilian Ulysses Browne, Austrian Military Officer

Maximilian Ulysses, Reichsgraf von Browne, Baron de Camus and Mountany, an Irish refugee, scion of the Wild Geese and an Austrian military officer, dies in Prague, Kingdom of Bohemia on June 26, 1757. He is one of the highest ranking officers serving the Hapsburg Emperor during the middle of the 18th century and one of the most prominent Irish soldiers never to fight for Ireland.

Browne is born in Basel, Switzerland, the son of Count Ulysses von Browne (b. Limerick 1659) and his wife Annabella Fitzgerald, a daughter of the House of Desmond. Both families had been exiled from Ireland in the aftermath of the Nine Years’ War.

Browne’s early career is helped by family and marital connections. His father and his father’s brother, George (b. Limerick 1657), are created Counts of the Holy Roman Empire by Emperor Charles VI in 1716 after serving with distinction in the service of the Holy Roman Emperors. The brothers enjoy a lengthy, close friendship with John Churchill, 1st Duke of Marlborough, who is primarily responsible for their establishment in the Imperial Service of Austria. On his father’s death he becomes third Earl of Browne in the Jacobite peerage. His wife, Countess Marie Philippine von Martinitz, has valuable connections at court and his sister, Barbara (b. Limerick 1700), is married to Freiherr Francis Patrick O’Neillan, a Major General in the Austrian Service. So, by the age of 29 Browne is already colonel of an Austrian infantry regiment.

Browne justifies his early promotion in the field, and in the Italian campaign of 1734 he greatly distinguishes himself. In the Tirolese fighting of 1735, and in the Turkish war, he wins further distinction as a general officer.

Browne is a lieutenant field marshal in command of the Silesian garrisons when in 1740 Frederick II and the Prussian army overruns the province. His careful employment of such resources as he possesses materially hinders the king in his conquest and allows time for Austria to collect a field army. He is present at Mollwitz, where he receives a severe wound. His vehement opposition to all half-hearted measures brings him frequently into conflict with his superiors, but contributes materially to the unusual energy displayed by the Austrian armies in 1742 and 1743.

In the following campaigns Browne exhibits the same qualities of generalship and the same impatience of control. In 1745 he serves under Count Traun, and is promoted to the rank of Feldzeugmeister. In 1746 he is present in the Italian campaign and the battles of Piacenza and Rottofreddo. He and an advanced guard force their way across the Apennine Mountains and enter Genoa. He is thereafter placed in command of the invasion of France mounted in winter 1746-47, leading to the Siege of Antibes, but he is obliged to break off the invasion and return to Italy in February 1747 after Genoa rises in rebellion against the Austrian garrison he had left behind. In early 1747 he is appointed commander of all imperial forces in Italy, replacing Antoniotto Botta Adorno. At the end of the war, he is engaged in the negotiations on troop withdrawals from Italy, which leads to the convention of Nice on January 21, 1749. He becomes commander-in-chief in Bohemia in 1751, and field marshal two years later.

Browne is still in Bohemia when the Seven Years’ War opens with Frederick’s invasion of Saxony in 1756. His army, advancing to the relief of Pirna, is met, and, after a hard struggle, defeated by the king at the Battle of Lobositz, but he draws off in excellent order, and soon makes another attempt with a picked force to reach Pirna, by wild mountain tracks. He never spares himself, bivouacking in the snow with his men, and Thomas Carlyle records that private soldiers made rough shelters over him as he slept.

Brown actually reaches the Elbe at Bad Schandau, but as the Saxons are unable to break out, he retires, having succeeded, however, in delaying the development of Frederick’s operations for a whole campaign. In the campaign of 1757, he voluntarily serves under Prince Charles Alexander of Lorraine who is made commander-in-chief. On May 6 of that year, while leading a bayonet charge at the Battle of Prague, Browne, like Kurt Christoph, Graf von Schwerin, on the same day, meets his death. He is carried mortally wounded into Prague, and there dies on June 26, 1757.


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Death of Horatio Herbert Kitchener, 1st Earl Kitchener

Horatio Herbert Kitchener, 1st Earl Kitchener, Irish-born senior British Army officer and colonial administrator, drowns in the sinking of the HMS Hampshire west of Orkney, Scotland, on June 5, 1916. He wins notoriety for his imperial campaigns, especially his scorched earth policy against the Boers, his expansion of Lord Robertsinternment camps during the Second Boer War and his central role in the early part of World War I.

Kitchener is born in Ballylongford near Listowel, County Kerry, son of army officer Henry Horatio Kitchener and Frances Anne Chevallier, daughter of John Chevallier, a priest, of Aspall Hall, and his third wife, Elizabeth. The family moves to Switzerland when he is young, where he is educated at Montreux, then at the Royal Military Academy, Woolwich. He joins a French field ambulance unit in the Franco-Prussian War but is returned to England after he comes down with pneumonia.

Kitchener is credited in 1898 for winning the Battle of Omdurman and securing control of the Sudan for which he is made Baron Kitchener of Khartoum. As Chief of Staff (1900–1902) in the Second Boer War he plays a key role in Lord Roberts’ conquest of the Boer Republics, then succeeds Roberts as commander-in-chief, by which time Boer forces have taken to guerrilla warfare and British forces imprison Boer civilians in concentration camps. His term as Commander-in-Chief (1902–09) of the Army in India sees him quarrel with another eminent proconsul, the Viceroy Lord Curzon, who eventually resigns. He then returns to Egypt as British Agent and Consul General.

In 1914, at the start of World War I, Kitchener becomes Secretary of State for War, a Cabinet Minister. One of the few to foresee a long war, lasting for at least three years, and with the authority to act effectively on that perception, he organises the largest volunteer army that Britain had ever seen, and oversees a significant expansion of materials production to fight on the Western Front. Despite having warned of the difficulty of provisioning for a long war, he is blamed for the shortage of shells in the spring of 1915, one of the events leading to the formation of a coalition government, and is stripped of his control over munitions and strategy.

On June 5, 1916, Kitchener is making his way to Russia on HMS Hampshire to attend negotiations with Tsar Nicholas II. At the last minute, Admiral Sir John Jellicoe changes the HMS Hampshire‘s route on the basis of a misreading of the weather forecast and ignoring (or not being aware of) recent intelligence and sightings of German U-boat activity in the vicinity of the amended route. Shortly before 7:30 PM the same day, steaming for the Russian port of Arkhangelsk during a Force 9 gale, HMS Hampshire strikes a mine laid by the newly launched German U-boat U-75 and sinks 1.5 miles west of the Orkney. Only twelve men survive. Amongst the dead are Kitchener and all ten members of his entourage. He is seen standing on the quarterdeck during the approximately twenty minutes that it takes the ship to sink. His body is never recovered.