seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Bruce Arnold


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Irish Phone Tapping Scandal

bruce-arnold-geraldine-kennedy

The Minister for Justice, Michael Noonan, reveals on January 20, 1983, that the previous Fianna Fáil administration has been involved in tapping the phones of journalists Geraldine Kennedy and Bruce Arnold.

On December 18, 1982, The Irish Times security correspondent Peter Murtagh breaks the news that the telephone of Bruce Arnold and Geraldine Kennedy have been tapped officially with warrants signed by former Minister for Justice Seán Doherty. This is revealed after the November 1982 elections which the outgoing government had lost.

Incoming Minister for Justice Michael Noonan orders an investigation and on January 20, 1983, announces findings that the previous Fianna Fáil government had authorised illegal phone tapping of the journalists Geraldine Kennedy, Bruce Arnold and Vincent Browne. The phone tapping warrants are initiated by Séan Doherty while serving as Minister for Justice in discussion with Deputy Garda Commissioner Joseph Ainsworth. Normally phone tapping is used to investigate serious crime or threats to the security of the state, but the reverse happens in this case, Minister Noonan announces.

The phone of Bruce Arnold is tapped from May 10 to July 12, 1982. The application is stated to be for security purposes, with a departmental record claiming he is “anti-national.”

The phone of Geraldine Kennedy is tapped from July 28 to November 16, 1982, with a renewal on October 27 on the grounds that it is “yielding results.” For the tap on Kennedys’ phone a new category of “national security” is created for the warrant.

The incoming cabinet meets on January 18-19, 1983, and an initial draft of a decision expresses loss of confidence in Garda Commissioner Patrick McLaughlin and Deputy Commissioner Thomas Joseph Ainsworth and that they consider removing them from office, though this is removed from the final draft. On January 20, 1983, the cabinet meets again and notes the intentions of both Commissioner and Deputy Commissioner to retire.

Deputy Garda Commissioner Lawrence Wren finds that neither Bruce Arnold or Geraldine Kennedy have been connected with criminal or subversive activities or people involved with same, that the request for the warrants had not come from the Gardaí but from then minister Séan Doherty and that copies of the recordings had been supplied to minister Doherty.

Geraldine Kennedy and Bruce Arnold sue and win for the phone tapping and Vincent Browne settles out of court for earlier phone tapping.

Nearly a decade after the scandal broke, Seán Doherty announces at a press conference that he had shown transcripts of recordings to Charles Haughey in 1982 while the latter was still Taoiseach. Until the press conference, Doherty had denied this. This leads to Haughey’s resignation as Taoiseach.

(Pictured: Bruce Arnold and Geraldine Kennedy leaving the High Court after the judgment awarding them £20,000)


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Birth of Artist Sarah Henrietta Purser

Sarah Henrietta Purser, Irish artist mainly noted for her work with stained-glass, is born on March 22, 1848, in Kingstown (now Dún Laoghaire) in County Dublin, and raised in Dungarvan, County Waterford. She is educated in Switzerland and afterwards studies at the Metropolitan School of Art in Dublin and in Paris at the Académie Julian.

Purser works mostly as a portraitist. She is also associated with the stained-glass movement, founding a stained-glass workshop, An Túr Gloine, in 1903. Some of her stained-glass work is commissioned from as far as New York City, including a window at Christ Church, Pelham dedicated to the memory of Katharine Temple Emmet and Richard Stockton Emmet, grandson of the Irish patriot, Thomas Addis Emmet. Through her talent and energy and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions, famously commenting, “I went through the British aristocracy like the measles.”

In 1977 Bruce Arnold noted, “some of her finest and most sensitive work was not strictly portraiture, for example, An Irish Idyll in the Ulster Museum, and Le Petit Déjeuner (in the National Gallery of Ireland).”

Sarah Purser becomes wealthy through astute investments, particularly in Guinness. She is very active in the art world in Dublin and is involved in the setting up of the Hugh Lane Municipal Gallery, persuading the Irish government to provide Charlemont House to house the gallery. In 1923 she becomes the first female member of the Royal Hibernian Academy.

Until her death she lives for years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. After her death in Dublin on August 7, 1943, it is demolished and is developed into apartments. She is buried in Mount Jerome Cemetery in Dublin.