seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


Leave a comment

Birth of Francis O,Neill, Music Collector & Police Officer

francis-oneill

Francis O’Neill, Irish-born American police officer and collector of Irish traditional music, is born in Tralibane, near Bantry, County Cork on August 28, 1848. His biographer Nicholas Carolan refers to him as “the greatest individual influence on the evolution of Irish traditional dance music in the twentieth century.”

At an early age O’Neill hears the music of local musicians, among them Peter Hagarty, Cormac Murphy and Timothy Dowling. At the age of 16, he becomes a cabin boy on an English merchant vessel. On a voyage to New York, he meets Anna Rogers, a young emigrant whom he later marries in Bloomington, Illinois. The O’Neills move to Chicago, and in 1873 he becomes a policeman with the Chicago Police Department. He rises through the ranks quickly, eventually serving as the Chief of Police from 1901 to 1905. He has the rare distinction, in a time when political “pull” counts for more than competence, of being re-appointed twice to the position by two different mayors.

O’Neill is a flautist, fiddler and piper and is part of the vibrant Irish community in Chicago at the time. During his time as chief, he recruits many traditional Irish musicians into the police force, including Patrick O’Mahony, James O’Neill, Bernard Delaney, John McFadden and James Early. He also collects tunes from some of the major performers of the time including Patsy Touhey, who regularly sends him wax cylinders and visits him in Chicago. He also collects tunes from a wide variety of printed sources.

O’Neill retires from the police force in 1905. After that, he devotes much of his energy to publishing the music he has collected. He dies in Chicago, at the age of 87, on January 28, 1936.

In 2000, a life-size monument of Francis O’Neill playing a flute is unveiled next to the O’Neill family homestead in Tralibane, County Cork. The monument, and a commemorative wall are erected through the efforts of the Captain Francis O’Neill Memorial Company.

In 2008, Northwestern University Press issues Captain O’Neill’s Sketchy Recollections of an Eventful Life in Chicago, a non-musical memoir edited by Ellen Skerrett and Mary Lesch, O’Neill’s great-granddaughter, with a foreword by Nicholas Carolan of the Irish Traditional Music Archive. Carolan himself writes a musical biography of O’Neill, A Harvest Saved: Francis O’Neill and Irish Music in Chicago, which is published in Ireland by Ossian in 1997.

In August 2013, the inaugural Chief O’Neill Traditional Music Festival takes place in Bantry, County Cork, just a few miles from Tralibane. The 2013 event marks the centenary of the publication of O’Neill’s Irish Minstrels and Musicians. The event has taken place annually since.


Leave a comment

Birth of John Sheahan, Musician & Composer

John Sheahan, musician and composer and the last surviving member of the definitive five-member line-up of The Dubliners, is born in Dublin on May 19, 1939. He joins The Dubliners in 1964 and plays with them until 2012 when The Dubliners’ name is retired following the death of founding member Barney McKenna.

Sheahan goes to school at the local Christian Brothers in Marino, Dublin, where he receives his first musical education, learning the tin whistle. When he is about twelve years old he begins to take an active interest in music and soon he transfers the musical knowledge gained on the whistle to a fiddle he finds lying around at home. Enthusiastically supported and encouraged by his parents, he attends the Municipal School of Music in Dublin where he studies classical violin for more than five years.

During this time he continues to maintain his interest in Irish traditional music, which sometimes leads him to improvise on the classics by putting in a few embellishments. His improvisions ultimately lead to the development of his unique style, gaining him a number of awards at various féiseanna. His interest in American bluegrass fiddle music must also have influenced his style, as can be heard in tunes like Flop Eared Mule, recorded with The Dubliners in 1968, 1969 and 1983.

Sheahan plays with a number of bands around the country until he meets The Dubliners in the early 1960s. At that time, the group is formed by Ronnie Drew, Barney McKenna, Ciarán Bourke and Luke Kelly. He joins the band in 1964, together with Bobby Lynch. Both musicians have been playing during the interval at concerts and usually stay on stage for the second half of the show. When Luke Kelly moves to England in 1964, Lynch is taken on as his temporary replacement. When Kelly returns in 1965, Lynch leaves the band and Sheahan stays. He is the only member of the Dubliners to have had a formal musical education.

After 50 years of playing and after the death of founding member Barney McKenna, in the fall of 2012 Sheahan announces the retirement of The Dubliners by the end of the 50th anniversary tour. The last formation of the band features Sheahan, Seán Cannon, Eamonn Campbell, Patsy Watchorn and Gerry O’Connor. He is a steady member of the band for 48 years and the high standards of his playing strongly contribute to forge the Dubliners’ sound.