seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Richard Harris, Actor & Singer

richard-harrisRichard St. John Harris, Irish actor and singer, dies in London from complications of Hodgkin’s lymphoma and pneumonia on October 25, 2002.

Harris is born to a farming family on October 1, 1930 in Limerick, County Limerick. He is the son of Mildred Josephine (Harty) and Ivan John Harris. He is an excellent rugby player with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ends his aspirations to a rugby career. He becomes fascinated with the theater and skips a local dance one night to attend a performance of Henry IV. He is hooked and goes on to learn his craft at the London Academy of Music and Dramatic Art, followed by several years in stage productions.

Harris makes his film debut in 1959 in the film Alive and Kicking, and plays the lead role in The Ginger Man in the West End in 1959. His second film, Shake Hands with the Devil (1959), quickly scores regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).

Harris’ breakthrough performance is as the quintessential “angry young man” in the sensational drama This Sporting Life (1963), for which he receives an Academy Award nomination. He then appears in the World War II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next shows up in Hawaii (1966) and plays King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances follow, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sean Connery. He takes the lead role in the violent western A Man Called Horse (1970), which becomes something of a cult film and spawns two sequels.

As the 1970s progress, Harris continues to appear regularly on screen, however, the quality of the scripts vary from above average to woeful. His credits during this period include directing himself as an aging soccer player in the delightful The Hero (1971), the western The Deadly Trackers (1973), the big-budget “disaster” film Juggernaut (1974), the strangely-titled crime film 99 and 44/100% Dead (1974), with Connery again in Robin and Marian (1976), Gulliver’s Travels (1977), a part in the Jaws (1975) ripoff Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).

The 1980s kick off with Harris appearing in the silly Bo Derek vanity production Tarzan, the Ape Man (1981) and the remainder of the decade has him appearing in some very forgettable productions.

However, the luck of the Irish once again shines on Harris’ career and he scores rave reviews and another Oscar nomination for The Field (1990). He then locks horns with Harrison Ford as an Irish Republican Army sympathizer in Patriot Games (1992) and gets one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). He is firmly back in vogue and rewards his fans with more wonderful performances in Wrestling Ernest Hemingway (1993), Cry, the Beloved Country (1995), The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune comes his way with a strong performance in the blockbuster Gladiator (2000) and he becomes known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer’s Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role is as “Lucius Sulla” in Julius Caesar (2002).

Harris is diagnosed with Hodgkin’s lymphoma in August 2002, reportedly after being hospitalised with pneumonia. He dies at University College Hospital in Fitzrovia, London on October 25, 2002 after spending his final three days in a coma. His body is cremated and his ashes are scattered in the Bahamas, where he had owned a home.

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Death of Martin Fay, Founding Member of The Chieftains

Martin Fay, Irish fiddler and bones player, and a former member of The Chieftains, dies on November 14, 2012. The Chieftains collaborate with musicians from a wide range of genres and cultures and bring in guest performers such as Mick Jagger, Van Morrison and James Galway. Yet traditional tunes lay at the heart of the band, with Fay’s fiddle a vital part of their distinctive sound.

Fay is born in Cabra, Dublin, where his mother teaches him to play the piano. As a boy, he is captivated by the music in the film The Magic Bow (1946), about the life of Niccolò Paganini, and he changes instrument. He progresses well in his classical violin lessons and at fifteen is playing in a Butlins holiday camp orchestra. After leaving school at eighteen, Fay works in an office by day and in the evenings plays in the Abbey Theatre orchestra, where he meets the Abbey’s musical director, Seán Ó Riada.

In the 1950s, traditional music is regarded as distinctly old-fashioned in Ireland, but Ó Riada’s success with a film score, and a play at the Abbey, encourage him to establish a folk orchestra which includes Fay, piper Paddy Moloney and the tin whistle player Seán Potts. Instead of all the musicians playing together in unison, as in the established cèilidh bands, Ó Riada wants to create a chamber orchestra, playing arrangements of folk music. Fay’s classical music background is essential for this approach. The resulting ensemble, Ceoltóirí Cualann, enjoys radio success and, in 1961, plays the soundtrack for a film of The Playboy of the Western World. Fay was soon earning more playing traditional music than in his day job.

Garech Browne, a member of the Guinness family and founder of Claddagh Records, asks Moloney to record some traditional Irish music. Moloney brings in Fay, Potts and Michael Tubridy on flute, and uses a similar approach to arranging the tunes. Their eponymous album, The Chieftains, is released in 1964, before they first perform in public. The success of this new approach to traditional Irish music leads to radio and television work, and they attract celebrity fans. Browne is a great thrower of parties, where the guests included Jagger, Princess Grace of Monaco, Peter O’Toole and Sean Connery, with The Chieftains invariably playing through the night.

By 1968, Moloney is working full time for Claddagh Records, and when he, Potts and Fay are offered a recording contract by a rival company, Gael Linn, Moloney refuses to sign. Potts and Fay believe that their future lay with Gael Linn and they leave The Chieftains, only to return a year later. In the meantime, Seán Keane has joined to play fiddle, but on Fay’s return the pair work well together.

The Chieftains’ popularity is extending far beyond folk enthusiasts but they are still playing only in their spare time. That changes in 1975 when they provide music for the Oscar-winning score of Stanley Kubrick‘s film Barry Lyndon and the promoter Jo Lustig books the group into the Royal Albert Hall in London on St. Patrick’s Day. The sell-out concert is a triumph, and Fay and his fellow Chieftains finally give up their day jobs.

The relentless international touring takes its toll on band members with young families, and Tubridy and Potts leave, to be replaced by the flautist Matt Molloy. Fay is happy to continue. A reserved and modest man with a great sense of humour, he is unfazed by the pressures of extensive touring. He is the only Chieftain not to be racked by nerves when playing to well over a million people at Phoenix Park during Pope John Paul II‘s visit to Dublin in 1979.

Although he has a classical training, Fay has a natural understanding of traditional music. He is a master of changing the mood at Chieftains concerts from the lively onstage parties to a more tranquil atmosphere, through his emotional interpretations of the slow airs. In total, Fay records more than 30 albums with the group before he withdraws from touring in 2001 and retires altogether in 2002.

Martin Fay dies in Cabra, Dublin, on November 14, 2012 after a lengthy illness.


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Birth of Actor Richard Harris

richard-harrisRichard St. John Harris, actor, singer, songwriter, producer, director, and writer, is born in Limerick, County Limerick, on October 1, 1930. He is brought up in a middle class and staunchly Roman Catholic family.

Harris is schooled by the Jesuits at Crescent College. He is a talented rugby player, however his athletic career is cut short when he comes down with tuberculosis in his teens. After recovering from tuberculosis, Harris moves to Britain, wanting to become a director. Unable to find any suitable training courses, he enrolls in the London Academy of Music and Dramatic Art (LAMDA) to learn acting.

Harris makes his film debut in 1958 in the film Alive and Kicking, and plays the lead role in The Ginger Man in the West End in 1959. Harris’ first starring role is in the film This Sporting Life (1963), as a bitter young coal miner, Frank Machin, who becomes an acclaimed rugby league football player. For his role, Harris wins Best Actor in 1963 at the Cannes Film Festival and an Academy Award nomination. He also wins notice for his role in Sam Peckinpah‘s Major Dundee (1965), as an Irish immigrant who becomes a Confederate cavalryman during the American Civil War.

Harris performs the role of King Arthur in the film adaptation of the musical play Camelot (1967). He continues to appear on stage in this role for many years, including a successful Broadway run in 1981–1982. In 1970 British exhibitors vote him the 9th most popular star at the UK box office.

Other film performances follow, among them a role as a reluctant police informant in the coal-mining tale The Molly Maguires (1970), also starring Sean Connery. Harris stars in Cromwell (1970), a film based on the life of Oliver Cromwell who leads the Parliamentary forces during the English Civil War and, as Lord Protector, ruled Great Britain and Ireland in the 1650s.

Harris’ film career collapses after the late 1970s and in the next decade he is rarely seen on screen, although he continues to act on stage. During his career Harris appears in two films which win the Academy Award for Best Picture. First, as the gunfighter “English Bob” in the Western Unforgiven (1992); second, as the Roman Emperor Marcus Aurelius in Ridley Scott‘s Gladiator (2000).

Harris is diagnosed with Hodgkin’s disease in August 2002, reportedly after being hospitalised with pneumonia. He dies at University College Hospital in Fitzrovia, London on October 25, 2002, at the age of 72. He was in a coma in his final three days. Harris’ body is cremated and his ashes are scattered in the Bahamas, where he had owned a home.