seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Esther Johnson, Close Friend of Jonathan Swift

Esther Johnson, an Englishwoman known as “Stella” and known to be a close friend of Jonathan Swift, dies on January 28, 1728. Whether or not she and Swift are secretly married, and if so, why the marriage is never made public, is a subject of debate.

Johnson is born in Richmond, Surrey, England, on March 13, 1681, and spends her early years at Moor Park, Farnham, home of Sir William Temple, 1st Baronet. Here, when she is about eight, she meets Swift, who is Temple’s secretary. He takes a friendly interest in her from the beginning and apparently supervises her education.

Johnson’s parentage has been the subject of much speculation. The weight of evidence is that her mother acts as companion to Temple’s widowed sister, Martha, Lady Giffard, and that Johnson, her mother and her sister Anne are regarded as part of the family. Her father is said to have been a merchant who died young. Gossip that she is Temple’s illegitimate daughter seems to rest on nothing more solid than the friendly interest he shows in her. There are similar rumours about his supposed relationship with Swift.

When Swift sees Johnson again in 1696, he considers that she has grown into the “most beautiful, graceful and agreeable young woman in London.” Temple, at his death in 1699, leaves her some property in Ireland, and it is at Swift’s suggestion that she move to Ireland in 1702 to protect her interests, but her long residence there is probably due to a desire to be close to Swift. She generally lives in Swift’s house, though always with female companions like Rebecca Dingley, a cousin of Temple whom she has known since childhood. She becomes extremely popular in Dublin and an intellectual circle grows up around her, although it was said that she finds the company of other women tedious and only enjoys the conversation of men.

In 1704, their mutual friend, the Reverend William Tisdall, tells Swift that he wishes to marry Johnson, much to Swift’s private disgust, although his letter to Tisdall, which outlines his objections to the marriage, is courteous enough, making the practical point that Tisdall is not in a position to support a wife financially. Little is known about this episode, other than Swift’s letter to Tisdall. It is unclear if Tisdall actually proposes to her. If he does, he seems to have been met with a firm rejection, and he marries Eleanor Morgan two years later. He and Swift, after a long estrangement, become friends once more after Johnson’s death.

Johnson’s friendship with Swift becomes fraught after 1707 when he meets Esther Vanhomrigh, daughter of the Dutch-born Lord Mayor of Dublin, Bartholomew Van Homrigh. Swift becomes deeply attached to her and invents for her the name “Vanessa.” She in turn becomes infatuated with him and after his return to Ireland follows him there. The uneasy relationship between the three of them continues until 1723 when Vanessa, who is by now seriously ill from tuberculosis, apparently asks Swift not to see Johnson again. This leads to a violent quarrel between them, and Vanessa, before her death in June 1723, destroys the will she had made in Swift’s favour, leaving her property to two men, George Berkeley and Robert Marshall, who though eminent in their respective callings are almost strangers to her.

Whether Swift and Johnson are married has always been a subject of intense debate. The marriage ceremony is allegedly performed in 1716 by St. George Ashe, Bishop of Clogher, with no witnesses present, and it is said that the parties agree to keep it secret and live apart. Johnson always describes herself as a “spinster” and Swift always refers to himself as unmarried. Rebecca Dingley, who lives with Johnson throughout her years in Ireland, says that Johnson and Swift were never alone together. Those who know the couple best are divided on whether a marriage ever took place. Some, like Mrs. Dingley and Swift’s housekeeper Mrs. Brent laugh at the idea as “absurd.” On the other hand, Thomas Sheridan, one of Swift’s oldest friends, believes that the story of the marriage is true. He reportedly gives Johnson herself as his source. Historians have been unable to reach a definite conclusion on the truth of the matter. Bishop Ashe dies before the story first becomes public, and there are no other witnesses to the supposed marriage.

A collection of Johnson’s witticisms is published by Swift under the titles of “Bon Mots de Stella” as an appendix to some editions of Gulliver’s Travels. A Journal to Stella, a collection of 65 letters from Swift to Johnson, is published posthumously.

In 1722, Martha, Lady Giffard, dies and leaves money to Johnson and Swift’s sister, Mrs. Fenton, who had been her companion in 1711.

Johnson’s health begins to fail in her mid-forties. In 1726, she is thought to be dying and Swift rushes back from London to be with her but finds her better. The following year it becomes clear that she is gravely ill. After sinking slowly for months, she dies on January 28, 1728, and is buried in St. Patrick’s Cathedral, Dublin. Swift is inconsolable at her death and writes The Death of Mrs. Johnson in tribute to her. When Swift dies in October 1745, he is buried beside her at his own request. A ward in St. Patrick’s University Hospital is named “Stella” in her memory.

In the 1994 film Words Upon the Window Pane, based on the play by William Butler Yeats, Johnson is played by Bríd Brennan. The plot turns on a séance in Dublin in the 1920s, where the ghosts of Swift, Johnson and Vanessa appear to resume their ancient quarrel.

In the 1982 Soviet film The House That Swift Built, Johnson is played by Aleksandra Zakharova.


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Birth of Jonathan Swift, Essayist, Pamphleteer, Poet & Cleric

Jonathan Swift, satirist, essayist, political pamphleteer, poet and cleric who becomes Dean of St. Patrick’s Cathedral, Dublin, is born in Dublin on November 30, 1667.

Swift’s father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew with one of his cousins in Kilkenny College, which is perhaps the best school in Ireland at the time. He arrives there at the age of six, where he is expected to have already learned the basic declensions in Latin. He has not and thus begins his schooling in a lower form. He graduates in 1682, when he is 15. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.

In 1682, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple, 1st Baronet.

During his Moor Park years, Swift meets the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson, known as “Stella.” They become lovers for the rest of their lives until Johnson’s death in 1728. It is rumored that they marry in 1716, and that Swift keeps of lock of Johnson’s hair in his possession at all times.

During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.

In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.

When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of Dean at St. Patrick’s Cathedral, Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.

Not long after the celebration of this work, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.

In 1742, Swift suffers a stroke and loses the ability to speak. He dies on October 19, 1745. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.


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St. Patrick’s Hospital for the Insane Opens in Dublin

Having been funded by a bequest from author Jonathan Swift following his death in 1745, St. Patrick’s Hospital for the Insane, Dublin, opens on September 19, 1757. The hospital is a psychiatric facility located near Kilmainham and the Phoenix Park.

Today, St. Patrick’s University Hospital, known for the innovative care of its patients, provides “Ireland’s largest, independent, not-for-profit mental health services.” When founded in 1745 it is the first psychiatric hospital to be built in Ireland mandated for the care of “Idiots and Lunaticks.”

Although new theories of madness and more therapeutic approaches to treatment are being proposed in the late 1700’s, during most of the eighteenth-century society views the lunatic as one who has literally lost his reason, “the essence of his humanity,” and therefore “his claim to be treated as a human being.” Treatments designed “to weaken the animal spirits that were believed to be producing madness,” still include restraints with chains, bloodletting, emetics, purging, and beating.

Confinement rather than cure is the focus of the earliest institutions in Great Britain. They resemble prisons with cells and keepers to control the inmates. Bethlem Hospital in London is the first to include lunatics in 1377. By the eighteenth century it has become infamous as “Bedlam” and has a reputation for cruelty, neglect, and poor living conditions, with an inadequate diet, rough clothing, and inactivity. Even worse, the mad in Bedlam are displayed as entertainment — a “freak show,” a “spectacle,” a “menagerie” from which “both provincial bumpkins and urban sophisticates could derive almost endless amusement” for a fee.

The earliest biographers of Jonathan Swift report that he had chosen to found St. Patrick’s Hospital because he had become insane himself at the end of his life. One writer even claims that he is the first patient to die there. Neither of these conclusions is accurate. It is his philosophical views and personal experiences that influence Swift’s decision to leave his estate for the establishment of St. Patrick’s.

Throughout the eighteenth century, medicine, politics, and literature all debate the relation between reason and madness, a subject that greatly interests Swift. In his most powerful satires, including Gulliver’s Travels (1726) and A Modest Proposal (1729), he sometimes explores the Lockean theory that “any person could fall into madness by the erroneous association of ideas.”

But the stronger motivation for Swift’s legacy grows from his involvement with the day-to-day problems of the Irish people, not only as an individual but also as Dean of St. Patrick’s Cathedral, a position he holds from 1713 until his death. At mid-century there are no provisions specifically for lunatics. If not being cared for by their families or found wandering the countryside, lunatics would sometimes be confined with criminals in prisons, with the poor in a workhouse, or with the sick in a hospital. Swift has firsthand knowledge of these conditions since he served as a governor of the workhouse and as a trustee of several hospitals. In 1710, after a visit to Bedlam, he gets himself elected a governor there in 1714. By 1731 he has decided on his legacy, intending his hospital to be charitable and more humane than Bedlam.

Another strong motivation may have been Swift’s ability to empathize with the sufferers of madness. Not mental illness but recurring attacks of Ménière’s disease (MD) afflict him for over fifty years, beginning at age twenty-three. The debilitating bouts of vertigo, nausea, tinnitus, and deafness worsen by the late 1730’s, and he complains of memory loss and difficulty in reading and writing. When he finalizes his will in 1740, he refers to himself as sound in mind but weak in body. In 1742, following a sudden decline in his health, his friends have him judged incompetent and appoint a guardian. Probable dementia increases his helplessness until his death on October 19, 1745.

Swift leaves an estate of about 12,000 pounds. In his will he lists details as to where St. Patrick’s should be built and how it should be run by his board of governors. Although they first meet in 1746, the asylum does not open until 1757. The governors need to acquire the site, oversee the plan and construction of the building, and ensure available money for operating expenses. Insufficient funds are the main obstacle, even after adding money from rents, donations, subscriptions and Parliament. Finally, St. Patrick’s has to accept paying patients to offset the costs of its charity cases.

Richard Leeper, who is appointed Resident Medical Superintendent in 1899, introduces a series of important initiatives including providing work and leisure activities for the patients. Norman Moore, who is appointed Resident Medical Superintendent in 1946, introduces occupational therapy, including crafts and farm work to the patients.

After the introduction of deinstitutionalisation in the late 1980s the hospital goes into a period of decline. In 2008 the hospital announces the expansion of its outpatient services to a series of regional centres across Ireland. A mental health facility for teenagers, known as the Willow Grove Adolescent Inpatient Unit, opens at the hospital in October 2010.

The hospital is affiliated with Trinity College Dublin and has 241 inpatient beds.


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Death of Richard Harris, Actor & Singer

richard-harris

Richard St. John Harris, Irish actor and singer, dies in London from complications of Hodgkin’s lymphoma and pneumonia on October 25, 2002.

Harris is born to a farming family on October 1, 1930, in Limerick, County Limerick. He is the son of Mildred Josephine (Harty) and Ivan John Harris. He is an excellent rugby player with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ends his aspirations to a rugby career. He becomes fascinated with the theater and skips a local dance one night to attend a performance of Henry IV. He is hooked and goes on to learn his craft at the London Academy of Music and Dramatic Art, followed by several years in stage productions.

Harris makes his film debut in 1959 in the film Alive and Kicking and plays the lead role in The Ginger Man in the West End in 1959. His second film, Shake Hands with the Devil (1959), quickly scores regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).

Harris’ breakthrough performance is as the quintessential “angry young man” in the sensational drama This Sporting Life (1963), for which he receives an Academy Award nomination. He then appears in the World War II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next shows up in Hawaii (1966) and plays King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances follow, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sean Connery. He takes the lead role in the violent western A Man Called Horse (1970), which becomes something of a cult film and spawns two sequels.

As the 1970s progress, Harris continues to appear regularly on screen, however, the quality of the scripts vary from above average to woeful. His credits during this period include directing himself as an aging soccer player in the delightful The Hero (1971), the western The Deadly Trackers (1973), the big-budget “disaster” film Juggernaut (1974), the strangely-titled crime film 99 and 44/100% Dead (1974), with Connery again in Robin and Marian (1976), Gulliver’s Travels (1977), a part in the Jaws (1975) ripoff Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).

The 1980s kick off with Harris appearing in the silly Bo Derek vanity production Tarzan, the Ape Man (1981) and the remainder of the decade has him appearing in some very forgettable productions.

However, the luck of the Irish once again shines on Harris’ career and he scores rave reviews and another Oscar nomination for The Field (1990). He then locks horns with Harrison Ford as an Irish Republican Army sympathizer in Patriot Games (1992) and gets one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). He is firmly back in vogue and rewards his fans with more wonderful performances in Wrestling Ernest Hemingway (1993), Cry, the Beloved Country (1995), The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune comes his way with a strong performance in the blockbuster Gladiator (2000) and he becomes known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer’s Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role is as “Lucius Sulla” in Julius Caesar (2002).

Harris is diagnosed with Hodgkin’s lymphoma in August 2002, reportedly after being hospitalised with pneumonia. He dies at University College Hospital in Fitzrovia, London on October 25, 2002, after spending his final three days in a coma. His body is cremated, and his ashes are scattered in the Bahamas, where he had owned a home.


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Death of Jonathan Swift, Satirist & Essayist

jonathan-swift

Jonathan Swift, satirist, essayist, political pamphleteer, poet and cleric who becomes Dean of St. Patrick’s Cathedral, Dublin, dies in Dublin on October 19, 1745.

Swift is born in Dublin on November 30, 1667. His father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew in the Kilkenny Grammar School (1674–1682), which is perhaps the best school in Ireland at the time. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.

At age 14, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple.

During his Moor Park years, Swift met the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson. They become lovers for the rest of their lives until Johnson’s death. It is rumored that they marry in 1716, and that Swift keeps of lock of Johnson’s hair in his possession at all times.

During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.

In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.

When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of dean at St. Patrick’s Cathedral in Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.

Not long after the celebration of this work, Swift’s longtime love, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.

In 1742, Swift suffers a stroke and loses the ability to speak. On October 19, 1745, Jonathan Swift dies. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.