seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


Leave a comment

Birth of Irish Novelist John Banim

John Banim, Irish novelist, short story writer, playwright, poet and essayist, sometimes called the “Scott of Ireland,” is born in Kilkenny, County Kilkenny on April 3, 1798. He also studied art, working as a painter of miniatures and portraits, and as a drawing teacher, before dedicating himself to literature.

At age four, Banim’s parents send him to a local school where he learns the basics of reading and grammar. At age five, he is sent to the English Academy at Kilkenny where his older brother Michael (1796–1874) is a student. After five years at the English Academy, he is sent to a seminary run by a Reverent Magrath, considered to be the finest Roman Catholic school in Ireland. After a year at the seminary, he transfers to another academy run by a teacher named Terence Doyle. Throughout his school years, he reads avidly and writes his own stories and poems. When he is ten, he visits the poet Thomas Moore, bringing along some of his own poetry in manuscript. Moore encourages him to continue writing and gives him a season ticket to his private theatre in Kilkenny.

At the age of 13, Banim enters Kilkenny College and devotes himself specially to drawing and miniature painting. He pursues his artistic education for two years in the schools of the Royal Dublin Society, and afterwards teaches drawing in Kilkenny, where he falls in love with one of his pupils, a 17-year-old girl named Anne. His affection is returned, but her parents disapprove of their relationship and send her out of town. Anne dies two months later of tuberculosis. Her death makes a deep impression on him and his health suffers severely and permanently.

In 1820 Banim goes to Dublin and settles finally to the work of literature. He publishes a poem, The Celt’s Paradise, and his play Damon and Pythias is performed at Covent Garden in 1821. During a short visit to Kilkenny he marries, and in 1822, in conjunction with Michael, plans a series of tales illustrative of Irish life, which should be for Ireland what the Waverley Novels are for Scotland. The influence of his model is distinctly traceable in his writings.

Banim then sets out for London, and supports himself by writing for magazines and for the stage. A volume of miscellaneous essays is published anonymously in 1824, called Revelations of the Dead Alive. The first series of Tales of the O’Hara Family appears in April 1825, which achieves immediate and decided success. One of the most powerful of them, Crohoore of the Bill Hook, is by Michael Banim.

In 1826, a second series is published, containing the Irish novel, The Nowlans. Banim’s health has given way, and the next effort of the “O’Hara family” is almost entirely the production of his brother Michael. The Croppy, a Tale of 1798 (1828), a novel of the Irish Rebellion of 1798, is hardly equal to the earlier tales, though it contains some wonderfully vigorous passages.

The Mayor of Windgap, and The Ghost Hunter (both by Michael Banim), The Denounced (1830) and The Smuggler (1831) follow in quick succession, and are received with considerable favour. Most of these deal with the darker and more painful phases of life, but the feeling shown in his last, Father Connell, is brighter and tenderer. Banim, meanwhile, suffers from illness and consequent poverty. In 1829, he goes to France, and while he is abroad a movement to relieve his wants is set on foot by the English press, headed by John Sterling in The Times. A sufficient sum is obtained to remove him from any danger of actual want.

Banim returns to Ireland in 1835, taking up residence in Dublin. On meeting him again in August, Michael Banim finds his brother’s condition to be that of a complete invalid. He is often in pain and has to use opiates to sleep, but during the short intervals between the attacks of his illness, he is able to enjoy conversation and the company of his brother and friends. In September he returns to Kilkenny and is received with an address from the citizens of Kilkenny showing their appreciation of him, and a subscription from them of £85. After a short stay in his childhood home, he settles in Windgap Cottage, then a short distance from Kilkenny. He passes the remainder of his life there, dying on August 13, 1842.

Michael Banim acquires a considerable fortune which he loses in 1840 through the bankruptcy of a firm with which he had business relations. After this disaster he writes Father Connell (1842), Clough Fionn (1852), and The Town of the Cascades (1862). He dies at Booterstown.

An assessment in the Encyclopædia Britannica Eleventh Edition (1911) reads:

“The true place of the Banims in literature is to be estimated from the merits of the O’Hara Tales; their later works, though of considerable ability, are sometimes prolix and are marked by too evident an imitation of the Waverley Novels. The Tales, however, are masterpieces of faithful delineation. The strong passions, the lights and shadows of Irish peasant character, have rarely been so ably and truly depicted. The incidents are striking, sometimes even horrible, and the authors have been accused of straining after melodramatic effect. The lighter, more joyous side of Irish character, which appears so strongly in Samuel Lover, receives little attention from the Banims.”


Leave a comment

Birth of Musicologist Francis Llewellyn Harrison

Francis Llewellyn Harrison, better known as “Frank Harrison” or “Frank Ll. Harrison” and one of the leading musicologists of his time and a pioneering ethnomusicologist, is born in Dublin on September 29, 1905. Initially trained as an organist and composer, he turns to musicology in the early 1950s, first specialising in English and Irish music of the Middle Ages and increasingly turning to ethnomusicological subjects in the course of his career. His Music in Medieval Britain (1958) is still a standard work on the subject, and Time, Place and Music (1973) is a key textbook on ethnomusicology.

Harrison is the second son of Alfred Francis Harrison and Florence May (née Nash). He becomes a chorister at St. Patrick’s Cathedral, Dublin in 1912 and is educated at the cathedral grammar school and Mountjoy School. A competent organist, he is deputy organist at St. Patrick’s from 1925 to 1928. In 1920, he also begins musical studies at the Royal Irish Academy of Music, where he studies with John Francis Larchet (composition), George Hewson (organ) and Michele Esposito (piano). In 1926, he graduates Bachelor of Music at Trinity College Dublin and is awarded a doctorate (MusD) in 1929 for a musical setting of Psalm 19. He then works in Kilkenny for one year, serving as organist at St. Canice’s Cathedral and music teacher at Kilkenny College.

In 1930, Harrison emigrates to Canada to become organist at Westminster Presbyterian Church in New Glasgow, Nova Scotia. In 1933, he studies briefly with Marcel Dupré in France, but returns to Canada in 1934 to become organist at Knox Presbyterian Church in Ottawa. In 1935, he takes a position as organist and choirmaster at St. George’s Cathedral in Kingston, Ontario, as well as taking up the newly created post of “resident musician” at Queen’s University at Kingston. His duties include giving lectures, running a choir and an orchestra, and conducting concerts himself. His course in the history and appreciation of music is the first music course to be given for full credit at Queen’s. He resigns from St. George’s in 1941 to become assistant professor of music at Queen’s in 1942. During his years in Canada he still pursues the idea of remaining a performing musician and composer, winning three national composition competitions: for Winter’s Poem (1931), Baroque Suite (1943) and Night Hymns on Lake Nipigon (1945).

On a year’s leave of absence from Queen’s, Harrison studies composition with Paul Hindemith at Yale University, also taking courses in musicology with Leo Schrade. In 1946, he takes up a position at Colgate University in Hamilton, New York, and then moves on to Washington University in St. Louis as head of the new Department of Music (1947–1950).

In 1951, Harrison takes the degrees of Master of Arts (M.A.) and Doctor of Music (DMus) at Jesus College, Oxford, and becomes lecturer (1952), senior lecturer (1956), and reader in the history of music (1962–1970) there. In 1965, he is elected Fellow the British Academy and Senior Research Fellow at Oxford. From 1970 to 1980, he is Professor of Ethnomusicology at the University of Amsterdam in the Netherlands, retiring to part-time teaching in 1976.

Harrison also holds Visiting Professorships in musicology at Yale University (1958–1959), Princeton University (spring 1961 and 1968–1969), and Dartmouth College (winter 1968 and spring 1972). He also briefly returns to Queen’s University at Kingston as Queen’s Quest Visiting Professor in the fall of 1980 and is Visiting Andrew W. Mellon Professor of Music at the University of Pittsburgh for the calendar year 1981.

Harrison’s honorary titles also include Doctor of Laws at Queen’s University, Kingston (1974), Corresponding Member of the American Musicological Society (1981), and Vice President and Chairman of the Plainsong and Medieval Music Society (1985). At Queen’s also, the new Harrison-LeCaine Hall (1974) is partly named in his honour.

Harrison dies in Canterbury, England on December 29, 1987.

In 1989, Harry White appreciates Harrison as “an Irish musicologist of international standing and of seminal influence, whose scholarly achievement, astonishingly, encompassed virtually the complete scope of the discipline which he espoused.” David F. L. Chadd writes of him “He was above all things an explorer, tirelessly curious and boyishly delighted in the pursuit of knowledge, experience and ideas, and totally heedless of artificially imposed constraints and boundaries.”

Since 2004, the Society for Musicology in Ireland (SMI) awards a bi-annual Irish Research Council Harrison Medal in his honour to distinguished international musicologists.


Leave a comment

Birth of Irish Statesman John Beresford

john-beresfordJohn Beresford, Irish statesman, is born in Cork on March 14, 1738. He is a younger son of Sir Marcus Beresford who, having married Catherine, sole heiress of James Power, 3rd Earl of Tyrone, is created Earl of Tyrone in 1746. After the death of the earl in 1763, Beresford’s mother successfully asserts her claim suo jure to the barony of La Poer. John Beresford thus inherits powerful family connections. He is educated at Kilkenny College and Trinity College, Dublin and is called to the Irish bar.

Beresford enters the Irish House of Commons as member for Waterford County in 1761. In 1768, 1783, 1789 and finally in 1798, he stands also for Coleraine, however choosing each time to sit for Waterford.

His industry, added to the influence of his family, procures his admission to the Privy Council of Ireland in 1768, and his appointment as one of the commissioners of revenue two years later. In 1780 he becomes first commissioner of revenue, a position which gives him powerful influence in the Irish administration. He introduces some useful reforms in the machinery of taxation and is the author of many improvements in the architecture of the public buildings and streets of Dublin. He is first brought into conflict with Henry Grattan and the popular party in 1784, by his support of the proposal that the Irish parliament in return for the removal of restrictions on Irish trade should be bound to adopt the English navigation laws.

In 1786, Beresford is sworn a member of the Privy Council of Great Britain, and the power which he wields in Ireland through his numerous dependants and connections grows to be so extensive that a few years later he is spoken of as the “King of Ireland.” He is a vehement opponent of the increasing demand for Catholic Emancipation and when it becomes known that the Earl Fitzwilliam is to succeed John Fane, 10th Earl of Westmorland, as Lord Lieutenant of Ireland in 1795 for the purpose of carrying out a conciliatory policy, Beresford expresses strong hostility to the appointment. One of Fitzwilliam’s first acts is to dismiss Beresford from his employment for corruption, but with permission to retain his entire official salary for life, and with the assurance that no other member of his family will be removed. Fitzwilliam has been encouraged in this course of action by William Ponsonby. Beresford immediately exerts all his influence with his friends in England, to whom he describes himself as an injured and persecuted man. He appeals to William Pitt the Younger and goes to London to lay his complaint before the English ministers.

The recall of Fitzwilliam, which is followed by such momentous consequences in the history of Ireland is, as the viceroy himself believes, mainly due to Beresford’s dismissal. There has been a misunderstanding on the point between Pitt and Fitzwilliam. The latter, whose veracity is unimpeachable, asserts that previous to his coming to Ireland he had informed the prime minister of his intention to dismiss Beresford, and that Pitt had raised no objection. Pitt denies all recollection of any such communication, and on the contrary describes the dismissal as an open breach of the most solemn promise. In a letter to Frederick Howard, 5th Earl of Carlisle, justifying his action, Fitzwilliam mentions that malversation had been imputed to Beresford. Beresford sends a challenge to Fitzwilliam, but the combatants are interrupted on the field and Fitzwilliam then makes an apology.

When John Pratt, 1st Marquess Camden, replaces Fitzwilliam in the viceroyalty in March 1795, Beresford resumes his former position. On the eve of the Irish Rebellion of 1798 his letters to William Eden, 1st Baron Auckland, give an alarming description of the condition of Ireland and he counsels strong measures of repression. When first consulted by Pitt on the question of the union, Beresford appears to dislike the idea but he soon becomes reconciled to the policy and warmly supports it. After the union Beresford continues to represent County Waterford in the Parliament of the United Kingdom, and he remains in office until 1802, taking an active part in settling the financial relations between Ireland and Great Britain.

In 1760, Beresford marries Constantia Ligondes, who dies in 1772. In 1774, he marries Barbara Montgomery, a celebrated beauty who figures in Sir Joshua Reynolds‘ picture of The Graces. He has large families by both marriages. His sons include Marcus Beresford, George Beresford, and John Claudius Beresford. John Beresford dies near Derry on November 5, 1805.


Leave a comment

Death of Philosopher George Berkeley

george-berkeleyGeorge Berkeley, Irish philosopher whose primary achievement is the advancement of a theory he calls “immaterialism” (later referred to as “subjective idealism” by others), dies in Oxford, England, on January 14, 1753. His theory of immaterialism denies the existence of material substance and instead contends that familiar objects like tables and chairs are only ideas in the minds of perceivers and, as a result, cannot exist without being perceived. Berkeley is also known for his critique of abstraction, an important premise in his argument for immaterialism.

Berkeley is born at his family home, Dysart Castle, near Thomastown, County Kilkenny, the eldest son of William Berkeley, a cadet of the noble family of Berkeley. He is educated at Kilkenny College and attends Trinity College, Dublin, earning a bachelor’s degree in 1704 and completing a master’s degree in 1707. He remains at Trinity College after completion of his degree as a tutor and Greek lecturer.

In 1709, Berkeley publishes his first major work, An Essay towards a New Theory of Vision, in which he discusses the limitations of human vision and advances the theory that the proper objects of sight are not material objects, but light and colour. This foreshadows his chief philosophical work, A Treatise Concerning the Principles of Human Knowledge, in 1710, which, after its poor reception, he rewrites in dialogue form and publishes under the title Three Dialogues between Hylas and Philonous in 1713.

In this book, Berkeley’s views are represented by Philonous, while Hylas embodies the Irish thinker’s opponents, in particular John Locke. Berkeley argues against Sir Isaac Newton‘s doctrine of absolute space, time, and motion in De Motu (On Motion), published in 1721. His arguments are a precursor to the views of Ernst Mach and Albert Einstein. In 1732, he publishes Alciphron, a Christian apologetic against the free-thinkers, and in 1734, he publishes The Analyst, a critique of the foundations of calculus, which is influential in the development of mathematics.

His last major philosophical work, Siris (1744), begins by advocating the medicinal use of tar water and then continues to discuss a wide range of topics, including science, philosophy, and theology. Interest in Berkeley’s work increases after World War II because he tackles many of the issues of paramount interest to philosophy in the 20th century, such as the problems of perception, the difference between primary and secondary qualities, and the importance of language. It sold more copies than any of his other books during his lifetime.

In 1734, Berkeley is appointed Bishop of Cloyne in Ireland, a position he holds until his death. He remains at Cloyne until 1752, when he retires and goes to Oxford to live with his son and supervise his education. He dies soon afterward and is buried in Christ Church Cathedral, Oxford.

The Berkeley portion of the Yale University campus is named after George Berkeley.