Carrigan is born to Irish parents in Glasgow, but moves to Denny, Stirlingshire, following the early death of his father. He is a trained tailor to trade but also attends classes in history and literature and is proficient in French and Latin, studies the Irish language, and is a Gaelic Leaguer.
Carrigan becomes president of his local branch of the United Irish League (UIL) in Denny in 1898 and later becomes a member of the Irish Republican Brotherhood (IRB). In 1905, he becomes the Chairman of Sinn Féin‘s first ever cumann in Scotland, the Éire Óg Craobh Cumann. In 1916, he is the official Scottish representative to the IRB.
On April 28, 1916, his 34th birthday, during an evacuation of the General Post Office (GPO) in Dublin under the command of The O’Rahilly, Carrigan is shot and killed by British soldiers on Moore Street. He is buried in the St. Paul’s section of Glasnevin Cemetery in Dublin.
Walker is born in Dublin, son of Cooper Walker, merchant, and educated by Thomas Ball. He suffers from asthma, which prevents him from attending college. Instead he travels to Italy, where he possibly receives some private tuition in Latin, Greek, French, Italian, and Spanish. He takes a special interest in Italian literature and Irish antiquities, and on his return to Ireland (where he is employed in the Irish treasury as third clerk in the upper department) resides in an Italianate villa, St. Valerie, on the road from Bray to Enniskerry.
In 1785, Walker is elected one of the original members of the Royal Irish Academy (RIA) and on March 17, 1786, is requested to sit on its committee of antiquities. In this capacity he submits several essays to the Academy’s Transactions. However, his best-known work is Historical Memoirs of the Irish Bards (1786). His interest in poetry, and in eighteenth-century vernacular survivals of the ancient bardic tradition, suggests important new contemporary and literary dimensions for what had previously been antiquarian and scholarly pursuits. He also breaks new ground by considering modern as well as historical Irish culture, and introduces it to an Anglo-Irish audience by providing English translations of Gaelic songs and poems.
The authorities Walker cites covers the entire range of Irish and Anglo-Irish scholarship on Irish antiquities. He includes excerpts from his correspondence with Charles O’Conor, Charles Vallancey, and Sylvester O’Halloran and carries out an extensive correspondence with Thomas Percy after he becomes Bishop of Dromore in 1782. He focuses on both poetry and music, which according to the popular eighteenth-century view has been the two traditional pursuits of the Irish bards. He presents a historical outline of their progress from the earliest times to the eighteenth century and ends with nine appendices, which are almost as lengthy as the main text. In these, his appreciation of what he considers to be the contemporary survivals of the ancient Irish bardic tradition is apparent in his including an account of Cormac Common, a blind eighteenth-century poet from Mayo, as well as a lengthy biographical notice of Turlough O’Carolan, together with translations of several of his songs. The book brings together many of the literary, scholarly, popular, Celtic, antiquarian, political, and musical dimensions of eighteenth-century Irish culture and prefigures the synthesis of literary modes, cultural theories, and musical styles that would occur in the literary productions of the United Irishmen.
Despite his linguistic skills, Walker has little knowledge of the Irish language, yet he (a member of the Anglo-Irish elite) is consistent in his praise of Gaelic culture, portraying it as sophisticated and literate and, although he highly romanticises his work, he does help to challenge negative appraisals of the Irish character. By the standards of the time it is a work of great erudition. However, today the book is judged to be of limited academic merit as Walker is severely hampered by a shortage of primary documents and by his limited grasp of the Irish language. This is illustrated by his ambiguous use of James Macpherson‘s volumes of Ossianic poems, published in the 1760s, which he quotes as authentic in the text while hinting in the footnotes that they are unreliable.
Charlotte Brooke translates three poems, and in return Walker encourages her to produce her Reliques of Irish Poetry (1789). Her work reflects Walker’s influence and she thanks him in the preface for affording her “every assistance which zeal, judgment and extensive knowledge, could give” as well as for prevailing on people to subscribe to her work and for being a subscriber himself. He is part of a literary circle that includes Edward Ledwich, Charles O’Conor, Edward Berwick, John Philpot Curran, and Henry Grattan. He also writes Historical essay on the dress of the ancient and modern Irish (1788), dedicated to his friend James Caulfeild, 1st Earl of Charlemont, for which he interviews the older generation, consults manuscripts, and even visits tombs to examine the clothing of corpses, and admits he has received copious aid from Elizabeth Rawdon, Countess of Moira. The English Review receives it warmly but Richard Gough, the reviewer for TheGentleman’s Magazine, states he is “much disappointed in the perusal of this high priced history.” Other works by Walker include “an historical essay on the Irish stage,” RIA Trans., ii (1788), Historical Memoir on Italian Tragedy (1799) and contributions to Vallancey’s Collectanea de rebus Hibernicis (Dublin, 1770–1804). In the 1790s he subscribes to Anthologia Hibernica: a monthly collection of science, belles lettres and history and in December 1794 submits an “Historical essay on the Irish stage” which surveys Irish drama from bardic times through to contemporary folk plays.
Walker dies on April 12, 1810, in Enniskerry, County Wicklow, leaving a fine gallery of pictures, a library containing Irish manuscripts, and a collection of antiquities. He is buried on April 14 in St. Mary’s Churchyard, Dublin. His memoirs of Alessandro Tassoni are published posthumously in London in 1815 (with a lengthy preface by his brother Samuel), as is the second edition of Historical Memoirs of the Irish Bards (2 vols., Dublin, 1818).
(From: “Walker, Joseph Cooper” by Rosemary Ritchie, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Hamilton enters Trinity College Dublin on November 17, 1742, at the age of 13 with Thomas McDonnell as his tutor. He graduates Bachelor of Arts (BA) in 1747 and Trinity Master of Arts (MA Dubl) in 1750. He takes the competitive examination for a vacant fellowship of the college in 1750, but the position is secured instead by his friend Richard Murray, who is a few years older. Two fellowships become vacant the following year and Hamilton is elected to one of them at the age of 22. He is appointed Erasmus Smith’s Professor of Natural and Experimental Philosophy at Trinity College Dublin in 1759 and that same year graduates Bachelor of Divinity (BD). He is elected a Fellow of the Royal Society on February 19, 1761, and graduates Doctor of Divinity (DD) in 1762.
Trinity College presents him to the rectory of Kilmacrennan in the diocese of Raphoe, County Donegal, in 1764. This is a small benefice in the gift of the college, for which he resigns his fellowship. He retains the Erasmus Smith’s chair, however, being succeeded in that by Thomas Wilson in 1769. He resigns from Kilmacrenan in 1767 and becomes vicar of St. Ann’s Church in Dublin.
Hamilton then becomes Dean of Armagh, the chief resident cleric of St. Patrick’s Cathedral in Armagh, County Armagh, from April 1768 to 1796. Finding the existing dean’s house inconvenient and poorly situated, he has a new one built in a better location just off Portadown Road, now known as Dean’s Hill. The house, of three stories and a semi-basement, is built in 1772–74. The house is later sold by the church and the present owners provide bed and breakfast accommodation in it. While dean he also acts as treasurer for the infirmary or county hospital, he establishes Sunday schools in the districts of the parish, and he founds a charitable loan for poor tradesmen. He is also instrumental in planning a piped water supply for the town, which is later put into effect. He is one of the 38 original members of the Royal Irish Academy when it is founded in 1785. Gilbert Stuart paints his portrait in about 1790 (pictured above).
Hamilton is promoted to Bishop of Clonfert and Kilmacduagh on January 20, 1796, without seeking it. On January 24, 1799, he is translated to Ossory, where he is bishop until 1805. He dies of a fever at Kilkenny, County Kilkenny, on December 1, 1805. He is buried in the graveyard of St. Canice’s Cathedral at Kilkenny, and there is a memorial to him inside the cathedral.
Hamilton writes a mathematical treatise on conic sections called De Sectionibus Conicis: Tractatus Geometricus, published in 1758. In this book he “was the first to deduce the properties of the conic section from the properties of the cone, by demonstrations which were general, unencumbered by lemmas, and proceeding in a more natural and perspicuous order,” according to writer James Wills in 1847. The work is acclaimed for its lucidity and Leonhard Euler describes it as a perfect book. It is “soon adopted in all the British universities” and is translated from Latin into English as A Geometrical Treatise of the Conic Sections in 1773.
Hamilton also writes Philosophical Essays on Vapours (1767), Four Introductory Lectures on Natural Philosophy (1774), and An Essay on the Existence and Attributes of the Supreme Being (1784). His principal works are collected and republished, with a memoir, as The Works of the Right Rev. Hugh Hamilton by his eldest son, Alexander Hamilton, in two volumes in 1809.
Hamilton marries Isabella, daughter of Hans Widman Wood of Rosmead, County Westmeath, in 1772. Isabella’s mother Frances is the twin sister of Edward King, 1st Earl of Kingston. They have five sons and two daughters. They are Alexander, who was a barrister; Frances; Hans, who is rector of Knocktopher, County Kilkenny, and associated with the Carrickshock incident of 1831; Isabella; Henry; George, who is a biblical scholar; and Hugh, who marries Elizabeth Staples, a daughter of John Staples, a Member of Parliament. The younger Hugh is the great-grandfather of Clive Staples Lewis, better known as C. S. Lewis. Bishop Hugh Hamilton is a great-great-great-grandfather of the mathematicians John Lighton Synge and his brother Edward Hutchinson Synge. Dodgson Hamilton Madden, the High Court judge and noted scholar, is Hamilton’s great-grandson.
(Pictured: “Hugh Hamilton,” oil on canvas by Gilbert Stuart)
In 1956, Whitaker is appointed Secretary of the Department of Finance, at the age of thirty-nine. His appointment takes place at a time when Ireland’s economy is in deep depression. Economic growth is non-existent, inflation apparently insoluble, unemployment rife, living standards low and emigration at a figure not far below the birth rate. He believes that free trade, with increased competition and the end of protectionism, will become inevitable and that jobs will have to be created by a shift from agriculture to industry and services. He forms a team of officials within the department which produce a detailed study of the economy, culminating in a plan recommending policies for improvement. The plan is accepted by the government and is transformed into a white paper which becomes known as the First Programme for Economic Expansion, and quite unusually is published with his name attached in November 1958. The programme becomes known as the “Grey Book” which many argue brings the stimulus of foreign investment into the Irish economy. However, other reforms such as the Department of Industry and Commerce‘s export profits tax relief introduced in 1956, are opposed by Whitaker.
In 1977, Taoiseach Jack Lynch nominates Whitaker as a member of the 14th Seanad. He serves as a Senator from 1977 to 1981, where he sits as an independent member.
In 1981, Whitaker is nominated to the 15th Seanad by Taoiseach Garret FitzGerald, where he serves until 1982. FitzGerald also appoints him to chair a Committee of Inquiry into the Irish penal system, and he chairs a Parole Board or Sentence Review Group for several years.
Whitaker also serves as Chancellor of the National University of Ireland (NUI) from 1976 to 1996. He was also President of the Royal Irish Academy (RIA) and as such, a member of the Board of Governors and Guardians of the National Gallery of Ireland, from 1985 to 1987. He has a very strong love for the Irish language throughout his career and the collection of Irish poetry, An Duanaire: Poems of the Dispossessed 1600–1900, edited by Seán Ó Tuama and Thomas Kinsella is dedicated to Whitaker. From 1995 to 1996 he chairs the Constitution Review Group, an independent expert group established by the government, which publishes its report in July 1996.
Whitaker receives many national and international honours and tributes for his achievements during his lifetime, most notably the conferral of “Irishman of the 20th Century” in 2001 and Greatest Living Irish Person in 2002. In November 2014, the Institute of Banking confers an Honorary Fellowship on him and creates an annual T. K. Whitaker Scholarship in his name. In April 2015, he is presented with a lifetime achievement award by University College Dublin‘s Economics Society for his outstanding contribution to Ireland’s economic policy.
In November 2016, to mark his centenary year, Dún Laoghaire–Rathdown County Council acknowledges Whitaker’s “outstanding and progressive contribution to Irish public service and to society.” The Cathaoirleach of Dún Laoghaire–Rathdown, Cormac Devlin, presents a special award to Whitaker which is accepted by Ken Whitaker on behalf of his father.
Whitaker marries Nora Fogarty in 1941 and they have six children. After his wife’s death in 1994, he remarries, to Mary Moore in 2005. The couple is invited to Áras an Uachtaráin in 2006 for his 90th birthday by the President of IrelandMary McAleese. Mary Moore Whitaker dies in 2008. T. K. Whitaker turns 100 in December 2016 and dies a month later on January 9, 2017, having survived both of his wives. He is buried at Shanganagh Cemetery, Shankill, Dublin.
According to Sam Smyth in the Irish Independent, Mac Mathúna is “on a mission to collect songs and stories, music, poetry and dance before they were buried under the coming tsunami of pop music.”
Mac Mathúna presents the radio programme, Mo Cheol Thú, for 35 years. Upon his retirement in 2005, the managing director of RTÉ Radio, Adrian Moynes, describes him as “inseparable from RTÉ Radio.” Upon his death in 2009, the Irish Independent describes him as “a national treasure.”
After college Mac Mathúna works as a teacher and later at the Placenames Commission. In 1954, he joins Radio Éireann where his job is to record Irish traditional musicians playing in their own locales. This entails visiting such places as Sliabh Luachra, County Clare and County Sligo, and the resulting recordings feature in his radio programmes: Ceolta Tire, A Job of Journeywork and Humours of Donnybrook.
Mac Mathúna’s long-running Sunday morning radio series, Mo Cheol Thú (You are my music), begins in 1970 and continues until November 2005, when he retires from broadcasting. Each 45-minute programme offers a miscellany of archive music, poetry and folklore, mainly of Irish origin. It is one of radio’s longest running programmes. The last episode is broadcast on November 27, 2005, at 8:10 a.m.
Mac Mathúna wins two Jacob’s Awards, in 1969 and 1990, for his RTÉ Radio programmes promoting Irish traditional music. He receives the Freedom of Limerick city in June 2004. He is also awarded honorary doctorates by NUI Galway and the University of Limerick. In 2007, he receives the Musicians Award at the 10th annual TG4 Traditional Music Awards.
Joe Kennedy in the Sunday Independent in 2007 compares Mac Mathúna to “an amiable rock, rolling gently along, still picking up some moss and morsels of music that he may have missed.”
Mac Mathúna‘s wife, Dolly MacMahon (using the English version of her surname), is a singer of traditional songs. She comes from Galway and meets her husband in 1955. He has two sons named Padraic and Ciarán, one daughter named Déirdre, and four grandchildren at the time of his death: Eoin, Colm, Conor and Liam.
Musicians performing at the ceremony include Peadar Ó Riada, Cór Cúil Aodha and members of The Chieftains and Planxty. The corpse is then taken to Mount Jerome Crematorium. Journalist Kevin Myers says Mac Mathúna’s legacy will be the “rebirth of Irish music,” adding, “Well, if Ciarán Mac Mathúna can die, I suppose anyone can. Actually, I had always thought that he was immortal. He certainly appeared to have all the ingredients.”
Smyllie is born on March 20, 1893, at Hill Street, Shettleston, Glasgow, Scotland. He is the eldest of four sons and one daughter of Robert Smyllie, a Presbyterian printer originally from Scotland who is working in Sligo, County Sligo, at the time, and Elisabeth Follis, originally from Cork, County Cork. His father marries in Sligo on July 20, 1892, and later becomes proprietor and editor of the unionistSligo Times. Smyllie attends Sligo Grammar School in 1906 and enrolls at Trinity College Dublin (TCD) in 1911.
After two years at TCD, Smyllie’s desire for adventure leads him to leave university in 1913. Working as a vacation tutor to an American boy in Germany at the start of World War I, he is detained in Ruhleben internment camp, near Berlin, during the war. As an internee, he is involved in drama productions with other internees. Following his release at the end of the war, he witnesses the German revolution of 1918–1919. During this period, he encounters revolutionary sailors from Kiel who temporarily make him a representative of the Workers’ and Soldiers’ Council, and he observes key events including the looting of the Kaiser’s Palace and violent clashes between rival factions in Berlin. It is also during this period that he secures a personal interview with David Lloyd George at the Paris Convention of 1919. This helps Smyllie gain a permanent position with TheIrish Times in 1920, where he quickly earns the confidence of editor John Healy. Together, they take part in secret but unsuccessful attempts to resolve the Irish War of Independence.
Smyllie contributes to the Irishman’s Diary column of the paper from 1927. In 1927, he publishes an exclusive report outlining a draft government including both Labour Party and Fianna FáilTDs, signaling the volatile politics of the early state years.
Smyllie’s knowledge of languages (particularly the German he had learned during his internment) led to numerous foreign assignments. His reports on the rise of National Socialism in 1930s Germany are notably prescient and instill in him a lasting antipathy towards the movement.
When Healy dies in 1934, Smyllie becomes editor of TheIrish Times and also takes on the role of Irish correspondent for The Times (London), a position that brings significant additional income. Under Healy’s leadership, The Irish Times shifted from representing the Anglo-Irish ascendancy to becoming an organ of liberal, southern unionism, and eventually becomes a critical legitimising force in the Irish Free State. Smyllie enthusiastically supports this change. He establishes a non-partisan profile and a modern Irish character for the erstwhile ascendancy paper. For example, he drops “Kingstown Harbour” for “Dún Laoghaire.” He also introduces the paper’s first-ever Irish-language columnist. He is assisted by Alec Newman and Lionel Fleming, recruits Patrick Campbell and enlists Flann O’Brien to write his thrice-weekly column “Cruiskeen Lawn” as Myles na gCopaleen. As editor, he introduces a more Bohemian and informal style, establishing a semi-permanent salon in Fleet Street’s Palace Bar. This becomes a hub for journalists and literary figures and a source of material for his weekly column, Nichevo.
One of Smyllie’s early political challenges as editor concerns the Spanish Civil War. At a time when Irish Catholic opinion is strongly pro-Franco, he ensures TheIrish Times coverage is balanced and fair, though advertiser pressure eventually forces the withdrawal of the paper’s young reporter, Lionel Fleming, from the conflict. His awareness of the looming European crisis earns him the Order of the White Lion of Czechoslovakia in 1939. However, during World War II, he clashes with Ireland’s censorship authorities, especially under Minister Frank Aiken. He challenges their views both publicly and privately, though his relationship with the editor of the Irish Independent, Frank Geary, is cold, reducing the effectiveness of their joint opposition to censorship.
During the 1943 Irish general election, Smyllie uses the paper to promote the idea of a national government that could represent Ireland with authority in the postwar world. He praises Fine Gael’s proposal for such a government and criticises Éamon de Valera for dismissing it as unrealistic. This leads to a public exchange between de Valera and Smyllie, with the latter defending The Irish Times’s role as a constructive voice for Ireland’s future rather than a partisan interest.
Following the war, Smyllie’s editorial stance shifts toward defending Ireland’s neutrality and diplomatic position. When Winston Churchill accuses de Valera of fraternising with Axis powers, Smyllie counters by revealing Ireland’s covert collaboration with the Allies, such as military and intelligence cooperation, despite official neutrality. In the same period, he continues to oppose censorship, particularly the frequent banning of Irish writers by the Censorship of Publications Board. This opposition features prominently in a controversy on TheIrish Times letters page in 1950, later published as the liberal ethic. The paper also adopts a critical stance toward the Catholic Church, notably during the 1951 resignation of Minister for HealthNoël Browne amid opposition from bishops and doctors to a national Mother and Child Scheme. His editorials suggest the Catholic Church is effectively the government of Ireland, though he maintains a cordial relationship with Archbishop of Dublin, John Charles McQuaid, who invites him annually for dinner.
Smyllie is also wary of American foreign policy, showing hostility particularly during the Korean War. American diplomats in Dublin allege that Smyllie is “pro-communist“. Despite growing readership among an educated Catholic middle class, TheIrish Times’s circulation in 1950 remains under 50,000, far below the Irish Independent and the Fianna Fáil-aligned The Irish Press.
In later years, Smyllie’s health declines, prompting a quieter lifestyle. He moves from his large house in Pembroke Park, Dublin, to Delgany, County Wicklow. As he does not drive, he becomes less present in the newspaper office in D’Olier Street, contributing to a decline in the paper’s dynamism. His health deteriorates further, resulting in frequent absences from his editorial duties, though he retains his position despite management attempts to limit his authority, especially over finances. He dies of heart failure on September 11, 1954.
In 1925, Smyllie marries Kathlyn Reid, eldest daughter of a County Meath landowner. They have no children.
Smyllie is an eccentric: he hits his tee shots with a nine iron, speaks in a curious mix of Latin phrases and everyday Dublin slang, and weighs 22 stone (308 lbs.; 140 kg) yet still cycles to work wearing a green sombrero.
Farquhar is assistant priest at Dunsford and Ardglass Parish. He is a hospital chaplain in 1966. He is later assigned to teach Latin at St. MacNissi’s College, Garron Tower, where he stays as a teacher from 1966 to 1970. From 1970 to 1975 he is assistant chaplain, along with Ambrose Macaulay, to Queen’s University Belfast, and finally as Chaplain/Lecturer at the University of Ulster from 1975 to 1983.
On April 6, 1983, aged 42, Farquhar is appointed Titular Bishop of Hermiana and, with Patrick Walsh, as Auxiliary Bishop of Down and Connor. The principal consecrator is the Bishop of Down and Connor, Cahal Daly, (later Cardinal Archbishop of the Archdiocese of Armagh) and principal co-consecrators are Archbishop Gaetano Alibrandi, the Apostolic Nuncio to Ireland and William J. Philbin (Bishop Emeritus of Down and Connor). During the ordination ceremony, the assistant Priests to Bishop Farquhar are his priest uncles, Canon Walter Larkin and Fr. Thomas Aquinas Larkin O.C.D.
Farquhar’s episcopal motto is “Sapientia Proficere” (“to increase in wisdom”) from Luke 2:52. He takes an active and ongoing interest in interchurch relations and serves as Chairman of the Irish Catholic Bishops’ Conference on Ecumenism.
In December 2007, he officiates at the dedication of the new altar in the Church of the Good Shepherd in his native parish of the Most Holy Rosary, Belfast, following the renovation programme.
A book titled Inter-Church Relations: Developments and Perspectives, published by Veritas Communications to mark the 25th anniversary of Farquhar’s ordination as a bishop, contains contributions by a number of people praising Farquhar’s work. Seán Brady notes he was “engaged actively in promoting bonds of friendship and understanding at times when it has been far from easy to do so.”
On December 3, 2015, Pope Francis accepts Farquhar’s resignation on the grounds of age. He is at the time the longest serving bishop in Ireland.
Farquhar dies in Belfast on November 18, 2023, at the age of 83. His funeral requiem mass is celebrated in the Church of the Good Shepherd, Ormeau Road, Belfast, on November 23 followed by interment in the adjoining cemetery.
Hyde is born at Longford House in Castlerea, County Roscommon, on January 17, 1860. In 1867, his father is appointed prebendary and rector of Tibohine, and the family moves to neighbouring Frenchpark, in County Roscommon. He is home schooled by his father and his aunt due to a childhood illness. While a young man, he becomes fascinated with hearing the old people in the locality speak the Irish language.
Rejecting family pressure to follow previous generations with a career in the Church, Hyde instead becomes an academic. He enters Trinity College, Dublin (TCD), where he gains a great facility for languages, learning Latin, Greek, Hebrew, French, and German, but his great passion in life is the preservation of the Irish language.
After spending a year teaching modern languages in Canada, Hyde returns to Ireland. For much of the rest of his life he writes and collects hundreds of stories, poems, and folktales in Irish, and translates others. His work in Irish helps to inspire many other literary writers, such as W. B. Yeats and Lady Gregory.
In 1892, Hyde helps establish the Gaelic Journal and in November of that year writes a manifesto called The necessity for de-anglicising the Irish nation, arguing that Ireland should follow her own traditions in language, literature, and even in dress.
In 1893, Hyde founds the Gaelic League (Conradh na Gaeilge) along with Eoin MacNeill and Fr. Eugene O’Growney and serves as its first president. Many of the new generation of Irish leaders who play a central role in the fight for Irish independence in the early twentieth century, including Patrick Pearse, Éamon de Valera, Michael Collins, and Ernest Blythe first become politicised and passionate about Irish independence through their involvement in the Gaelic League. Hyde does not want the Gaelic League to be a political entity, so when the surge of Irish nationalism that the Gaelic League helps to foster begins to take control of many in the League and politicize it in 1915, Hyde resigns as president.
In 1938, Hyde is unanimously elected to the newly created position of President of Ireland, a post he holds until 1945. Hyde is inaugurated on June 26, 1938, in the first inaugural ceremony in the nation’s history. Despite being placed in a position to shape the office of the presidency via precedent, Hyde by and large opts for a quiet, conservative interpretation of the office. In April 1940, he suffers a massive stroke and plans are made for his lying in state and state funeral, but to the surprise of everyone he survives, albeit paralysed and confined to a wheelchair. One of his last presidential acts is a visit to the German ambassador Eduard Hempel on May 3, 1945, to offer his condolences on the death of Adolf Hitler, a visit which remains a secret until 2005.
Hyde leaves office on June 25, 1945, opting not to nominate himself for a second term. He opts not return to his Roscommon home due to his ill-health, but rather moves into the former Secretary to the Lord Lieutenant’s residence in the grounds of Áras an Uachtaráin, where he lived out the remaining four years of his life.
Hyde dies in Dublin on July 12, 1949, at age 89. As a former President of Ireland he is accorded a state funeral which, as a member of the Church of Ireland, takes place in Dublin’s St. Patrick’s Cathedral. Since contemporary rules of the Roman Catholic Church in Ireland at the time prohibit Roman Catholics from attending services in non-Catholic churches, all but one member of the Catholic cabinet remain outside the cathedral grounds while Hyde’s funeral takes place. Hyde is buried in Frenchpark, County Roscommon at Portahard Church.
Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.
Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.
Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.
By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.
Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.
Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.
Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.
In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).
Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.
(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
She studies in the school of Old Irish established by Professor Osborn Bergin and is strongly influenced by the Irish Australian professor O’Daly. She later teaches Latin through Irish at Ballingeary and becomes proficient in French, German, Italian and Spanish.
She spends the last £100 of her scholarship on a dowry for her marriage to Sean MacGearailt, later first Accountant General of Revenue in the Irish civil service, with whom she lives originally in Glasnevin and then in Dalkey.
She is a founder member of the radical Craobh an Chéitinnigh, the Keating branch of Conradh na Gaeilge, composed mainly of Dublin-based Kerry people and regarded, by themselves at least, as the intellectual focus of the League.
In August 1904, some six years after the establishment of the earliest women’s hurling teams, the rules of camogie (then called camoguidheacht), first appears in Banba, a journal produced by Craobh an Chéitinnigh. Camogie had come to public attention when it was showcased at the annual Oireachtas (Conradh na Gaeilge Festival) earlier that year, and it differed from men’s hurling in its use of a lighter ball and a smaller playing-field. Ní Chinnéide and Cáit Ní Dhonnchadha, like Ní Chinnéide, an Irish-language enthusiast and cultural nationalist, are credited with having created the game, with the assistance of Ní Dhonnchadha’s scholarly brother Tadhg Ó Donnchadha, who drew up its rules. She is on the first camogie team to play an exhibition match in Navan, County Meath, in July 1904, becomes an early propagandist for the game and, in 1905, is elected president of the infant Camogie Association.
She first visits the Blasket Islands in 1932 with her daughter Niamh, who dies tragically young. In the summer of 1934, she puts the idea into Peig Sayers‘s head to write a memoir. According to a later interview with Ní Chinnéide “she knew and admired her gift for easy conversation, her gracious charm as a hostess, her talent for illustrating a point she was making by a story out of her own experience that was as rich in philosophy and thought as it was limited geographically.” Peig answers that she has “nothing to write.” She had learned only to read and write in English at school and most of it has been forgotten.
Ní Chinnéide suggests Peig should dictate her memoir to her son Micheal, known to everyone on the island as An File (“The Poet”), but Peig “only shook her head doubtfully.” At Christmas, a packet arrives from the Blaskets with a manuscript, she transcribes it word for word and the following summer brings it back to the Blaskets to read it to Peig. She then edits the manuscript for the Talbot Press. Peig becomes well known as a prescribed text on the Leaving Certificate curriculum in Irish.
Ní Chinnéide has an acting part in the first modern play performed in Irish on the stage, Casadh an tSugáin by Douglas Hyde in 1901. She is later author of children’s plays staged by An Comhar Drámuidhachta at the Oireachtas and the Peacock Theatre, of which Gleann na Sidheóg and An Dúthchas (1908) are published. She is a broadcaster in Irish on 2RN, a wholly owned subsidiary of Raidió Teilifís Éireann, after its foundation in 1926 and author of a translation of Grimms’ Fairy Tales (1923). She is president of the Gaelic Players Dramatic group during the 1930s and a founder of the Gaelic Writers Association in 1939.
She soon becomes interested in writing children’s plays, including Gleann na Sidheóg (Fairy Glen, 1905) and Sidheoga na mBláth (Flower Fairies, 1909. Although there is little information available on the staging of her first play, by the time her second children’s play, Sidheóga na mBláth, is published in An Claidheamh Soluis in December 1907, “Éire Óg” (“Young Ireland”) branches of Conradh na Gaeilge have been established in conjunction with adults’ branches. Patrick Pearse in particular voices the expectation that this play will be staged by many “Éire Óg” branches “before the New Year is very old,” thus indicating the immediate take up of such plays. Indeed, a week after the play’s publication, it is staged in the Dominican College in Donnybrook, Dublin, where Ní Chinnéide had spent several years as an Irish teacher.
seamus dubhghaill 