seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Tony Award Nominated Actor Milo O’Shea

Milo Donal O’Shea, Irish actor twice nominated for the Tony Award for Best Actor in a Play for his performances in Staircase (1968) and Mass Appeal (1982), is born in Dublin on June 2, 1926.

O’Shea is raised in Dublin and educated by the Christian Brothers at Synge Street CBS, along with his friend Donal Donnelly. His father is a singer and his mother a ballet teacher. Because he is bilingual, he performs in English-speaking theatres and in Irish in the Abbey Theatre Company. At age 12, he appears in George Bernard Shaw‘s Caesar and Cleopatra at the Gate Theatre. He later studies music and drama at the Guildhall School of Music and Drama in London and is a skilled pianist.

O’Shea is discovered in the 1950s by Harry Dillon, who runs the 37 Theatre Club on the top floor of his shop, the Swiss Gem Company, 51 Lower O’Connell Street, Dublin. Early in his career he tours with the theatrical company of Anew McMaster.

O’Shea begins acting on the stage, then moves into film in the 1960s. He becomes popular in the United Kingdom, as a result of starring in the BBC sitcom Me Mammy alongside Yootha Joyce. In 1967–68 he appears in the drama Staircase, co-starring Eli Wallach and directed by Barry Morse, which stands as Broadway‘s first depiction of homosexual men in a serious light. For his role in that drama, he is nominated for the Tony Award for Best Actor in a Play in 1968.

O’Shea stars as Leopold Bloom in Joseph Strick‘s 1967 film version of Ulysses. Among his other memorable film roles in the 1960s are the well-intentioned Friar Laurence in Franco Zeffirelli‘s Romeo and Juliet (1968) and the villainous Dr. Durand Durand in Roger Vadim‘s counterculture classic Barbarella (1968). In 1984, he reprises his role as Dr. Durand Durand, credited as Dr. Duran Duran, for the 1985 Duran Duran concert film Arena (An Absurd Notion), since his character inspired the band’s name. He plays Inspector Boot in the 1973 Vincent Price horror/comedy film Theatre of Blood.

O’Shea is active in American films and television, such as his memorable supporting role as the trial judge in the Sidney Lumet-directed movie The Verdict (1982) with Paul Newman, an episode of The Golden Girls in 1987, and portraying Chief Justice of the United States Roy Ashland in the television series The West Wing. In 1992, he guest stars in the season 10 finale of the sitcom Cheers, and, in 1995, in an episode of the show’s spin-off Frasier. He appears in the pilot episode of Early Edition as Sherman.

Other stage appearances include Mass Appeal (1981) in which he originates the role of Father Tim Farley, for which he is nominated for the Tony Award for Best Actor in a Play in 1982, the musical Dear World in which he plays the Sewer Man opposite Angela Lansbury as Countess Aurelia, Corpse! (1986) and a 1994 Broadway revival of Philadelphia, Here I Come!.

O’Shea receives an honorary degree from Quinnipiac University in 2010.

O’Shea’s first wife is Maureen Toal, an Irish actress, with whom he has two sons, Colm and Steven. They divorce in 1974. His second wife is Irish actress Kitty Sullivan, whom he meets in Italy, where he is filming Barbarella and she is auditioning for Man of La Mancha. The couple occasionally act together, such as in a 1981 Broadway revival of My Fair Lady. O’Shea and Sullivan have no children together. They both adopt United States citizenship and reside in New York City, where they both live from 1976.

O’Shea dies on April 2, 2013, in New York City following a short illness at the age of 86. He is buried at Deans Grange Cemetery.


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Shaw’s “Too True to Be Good” Premieres in New York City

george-bernard-shaw-2Too True to Be Good (1932), a comedy written by playwright George Bernard Shaw premieres at the Guild Theatre in New York City on April 4, 1932. Subtitled “A Collection of Stage Sermons by a Fellow of the Royal Society of Literature,” it moves from surreal allegory to the “stage sermons” in which characters discuss political, scientific and other developments of the day. The second act of the play contains a character, Private Napoleon Meek, based on Shaw’s friend T. E. Lawrence.

The play explicitly deals with the existential crisis that hit Europe after the end of World War I, especially the emergence of a “modernist” culture fueled by uncertainties created by Freudian psychology and Albert Einstein‘s new physics. The whole of the second and third acts of the play have often been interpreted as a dream of escape occurring in the mind of the feverish Patient (hence the talking Microbe‘s comment that the “real” action is over), and the Patient repeatedly says that what is happening is a dream.

The play is an early example of the formal experimentation with allegory and the absurd that become a feature of Shaw’s later work, having much in common with the later play The Simpleton of the Unexpected Isles, which is also set in an obscure island at the edge of the British Empire. Its absurdist elements later lead to its being viewed as a precursor to the work of Samuel Beckett and Harold Pinter.

The idea that microbes, specifically bacteria, are somehow made sick by human illnesses is a belief that Shaw repeatedly promotes, claiming that disease produces mutations in bacteria, misleading doctors into the belief that “germs” cause disease. The play dramatises his theory that life-energy itself cures illness.

The play is first staged on Monday, February 29, 1932, at Boston‘s Colonial Theatre, by the Theatre Guild. After the April performance in New York it is followed in the same year by a production in Malvern, Worcestershire starring Beatrice Lillie, Claude Rains, and Leo G. Carroll.

The play receives a Broadway revival in 1963, directed by Albert Marre and starring Robert Preston, Lillian Gish, David Wayne, Cedric Hardwicke, Cyril Ritchard, Glynis Johns, and Eileen Heckart. This production features incidental music by Mitch Leigh, who later works with Marre on Man of La Mancha. It has also been presented at the Shaw Festival four times: in 1974, 1982, 1994, and 2006.