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Birth of John Lighton Synge, Mathematician & Physicist

John Lighton Synge FRSC FRS, mathematician and physicist, whose seven-decade career includes significant periods in Ireland, Canada, and the United States, is born in Dublin on March 23, 1897. He is a prolific author and influential mentor and is credited with the introduction of a new geometrical approach to the theory of relativity.

Synge is born into a prominent Church of Ireland family. His uncle, John Millington Synge, is a famous playwright. He is more distantly related to the winner of the 1952 Nobel Prize in Chemistry, Richard Laurence Millington Synge. He is a great-great-great-grandson of the mathematician and bishop Hugh Hamilton.

Synge attends St. Andrew’s College, Dublin and in 1915 enters Trinity College Dublin (TCD). He is elected a Foundation Scholar his first year, which is unusual as it is normally won by more advanced students. While an undergraduate at TCD, he spots a non-trivial error in Analytical Dynamics of Particles and Rigid Bodies, a textbook by E. T. Whittaker, who had recently taught there, and notifies Whittaker of the error. In 1919 he is awarded a BA in Mathematics and Experimental Physics, and also a gold medal for outstanding merit. In 1922 he is awarded an MA, and in 1926 a Sc.D., the latter upon submission of his published papers up to then.

In 1918, Synge marries Elizabeth Eleanor Mabel Allen. She is also a student at TCD, first of mathematics, then of history, but family finances forced her to leave without graduating. Their daughters Margaret (Pegeen), Cathleen and Isabel are born in 1921, 1923 and 1930 respectively. The middle girl grows up to become the distinguished Canadian mathematician Cathleen Synge Morawetz.

Synge is appointed to the position of lecturer at Trinity College, and then accepts a position at the University of Toronto in 1920, where he is an assistant professor of mathematics until 1925. There he attends lectures by Ludwik Silberstein on the theory of relativity, stimulating him to contribute “A system of space-time co-ordinates,” a letter in Nature in 1921.

Synge returns to Trinity College Dublin, in 1925, where he is elected to a fellowship and is appointed the University Professor of Natural Philosophy (later to be known as “physics”). He is a member of the American Mathematical Society and the London Mathematical Society. He is treasurer of the Royal Irish Academy in 1929. He goes back to Toronto in 1930, where he is appointed Professor of Applied Mathematics and becomes Head of the Department of Applied Mathematics. In 1940, he supervises three Chinese students, Guo Yonghuai, Qian Weichang and Chia-Chiao Lin, who later become leading applied mathematicians in China and the United States.

Synge spends some of 1939 at Princeton University, and in 1941, he is a visiting professor at Brown University. In 1943 he is appointed as Chairman of the Mathematics Department of Ohio State University. Three years later he becomes Head of the Mathematics Department of the Carnegie Institute of Technology in Pittsburgh, where John Nash, Jr. is one of his students. He spends a short time as a ballistic mathematician in the United States Air Force between 1944 and 1945.

Synge returns to Ireland in 1948, accepting the position of Senior Professor in the School of Theoretical Physics at the Dublin Institute for Advanced Studies. This school had been set up in 1940, and had several outstanding members, including Erwin Schrödinger, a contributor to quantum mechanics, who is also a Senior Professor.

Synge makes outstanding contributions to different fields of work including classical mechanics, general mechanics and geometrical optics, gas dynamics, hydrodynamics, elasticity, electrical networks, mathematical methods, differential geometry, and Albert Einstein‘s theory of relativity. He studies an extensive range of mathematical physics problems, but his best-known work revolves around using geometrical methods in general relativity.

Synge is one of the first physicists to seriously study the interior of a black hole, and his early work is cited by both Martin David Kruskal and George Szekeres in their independent discoveries of the true structure of the Schwarzschild black hole. Synge’s later derivation of the Szekeres-Kruskal metric solution, which is motivated by a desire to avoid “using ‘bad’ coordinates to obtain ‘good’ coordinates,” has been generally under-appreciated in the literature, but is adopted by Chandrasekhar in his black hole monograph.

In pure mathematics, Synge is perhaps best known for Synge’s theorem, which concerns the topology of closed orientable Riemannian manifold of positive sectional curvature. When such a space is even-dimensional and orientable, the theorem says it must be simply connected. In odd dimensions, it instead says that such a space is necessarily orientable.

Synge also creates the game of Vish in which players compete to find circularity (vicious circles) in dictionary definitions.

Synge retires in 1972. He receives many honours for his works. He is elected as a fellow of the Royal Society of London in 1943. He is elected as a fellow of the Royal Society of Canada, and in 1943 is the first recipient of the society’s Henry Marshall Tory Medal, as one of the first mathematicians working in Canada to be internationally recognised for his research in mathematics. In 1954 he is elected an honorary fellow of Trinity College Dublin. He is president of the Royal Irish Academy from 1961 until 1964. The Royal Society of Canada establishes the John L. Synge Award in his honour in 1986.

Synge dies on March 30, 1995, in Dublin, exactly one week after his ninety-eighth birthday.


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Birth of Jim Norton, Film & Television Character Actor

Jim Norton, Irish stage, film and television character actor, is born in Dublin on January 4, 1938. He is known for his work in the theatre, most notably in Conor McPherson‘s The Seafarer, and on television as Bishop Brennan in the sitcom Father Ted.

Norton is educated at Synge Street CBS. From an early age he wants to be an actor, and regularly attends performances at the Abbey Theatre. His mother, Frances, plays the violin and his father, Eugene, is a baritone singer and works as a bakery manager. He has one sibling, the late acting teacher Betty Ann Norton.

Norton has been acting for over forty years in theatre, television, and film, and frequently plays clergymen, most notably Bishop Brennan in the sitcom Father Ted, as well as roles in The Sweeney (1975), Peak Practice (1993), Sunset Heights (1997), A Love Divided (1999), Rebus: Black and Blue (2000), Mad About Mambo (2000), Boxed (2003) and Jimmy’s Hall (2014). He stars as Finian McLonergan in the critically acclaimed New York City Center‘s 2009 production of Finian’s Rainbow, and in October 2009 reprises the role in the Broadway revival at the St. James Theatre. His co-stars are Cheyenne Jackson (Woody) and Kate Baldwin (Sharon).

As well as Bishop Brennan in Father Ted, Norton also plays Albert Einstein in two episodes of Star Trek: The Next Generation (namely “The Nth Degree” and “Descent“); the librarian Lieutenant James Porteous in the highly acclaimed 1970s British television drama series Colditz; Phil Harrister, a criminal involved in an intricate bank robbery, in The Sweeney episode “Contact Breaker”; O’Brady in the Minder episode “National Pelmet“; and Rory, a roguish but genteel Irishman who is diagnosed with cirrhosis of the liver, in The Royal episode “Beggars and Choosers.”

Norton has appeared in two episodes of Van der Valk. On Babylon 5 he appears in a number of roles, including that of Ombuds Wellington in the 1994 episodes “Grail” and “The Quality of Mercy“; a Narn in “Dust to Dust” (1996); and Dr. Lazarenn, a Markab doctor, in “Confessions and Lamentations” (1995). In Fall of Eagles he plays Alexander Kerensky.

Other television work includes: 1990, Agatha Christie’s Poirot, Waking the Dead, Cheers, Frasier, Midsomer Murders, Maigret and Rumpole of the Bailey as Fig Newton, Stan Laurel in the BBC drama Stan (2006), Larry Joyce in the 2013 television drama Deception, and as the timid Gardener in the first series of the long-running CITV children’s series T-Bag: “Wonders in Letterland” (1985).

Norton makee his film debut with a small role in the 1965 thriller The Face of Fu Manchu starring Christopher Lee, and later appears in the 1969 epic film Alfred the Great as Thanet. He plays the part of Pongo in the screen version of Spike Milligan‘s war-time memoir Adolf Hitler: My Part in his Downfall. In 1971 he plays Chris Cawsey (aka “The Rat Man”), one of several villains in the controversial Sam Peckinpah film Straw Dogs starring Dustin Hoffman. His character has a deviously infectious, deliberately irritating laugh that helps build tension throughout the film.

Norton appears in the movie Memoirs of an Invisible Man alongside Chevy Chase in 1992. In the same year he also appears in the Irish-made film Into the West. He appears in the comedy On the Nose as Patrick Cassidy, along with Dan Aykroyd and Robbie Coltrane, in 2001. He appears in a cameo in Harry Potter and the Chamber of Secrets in 2002 as Mr. Mason. He plays an Irish immigrant in the 2005 Australian/UK co-production, The Oyster Farmer. He plays Herr Liszt in the 2008 holocaust film The Boy in the Striped Pyjamas.

In 2011 Norton appears as the character Old Mr. Black in the film Extremely Loud & Incredibly Close directed by Stephen Daldry. He appears in the 2011 film Water for Elephants, in which he portrays a circus worker called “Camel” who befriends a character played by Robert Pattinson. In 2012 he appears as the character Tommy in the short film Homemade written by Matthew Roche and directed by Luke McManus. He is in the Ken Loach film Jimmy’s Hall which is released in 2014. He plays the role of Mr. Heelshire in the 2016 film The Boy. In 2018 he plays the role of Mr. Binnacle in Mary Poppins Returns.

Norton has a longtime partnership with playwright Conor McPherson, having originated roles in six of his plays in Dublin, London and New York, and for which he has won both the Tony and Olivier Award. Norton plays Jack in The Weir (1997), Joe in Port Authority (2001), Matthew in Come On Over (2001), Richard in The Seafarer (2006–7), Reverend Berkeley in The Veil (2011), and Maurice in The Night Alive (2013).


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Birth of George Francis FitzGerald, Academic & Physicist

Professor George Francis FitzGerald FRS FRSE, Irish academic and physicist, is born at No. 19, Lower Mount Street in Dublin on August 3, 1851. He is known for his work in electromagnetic theory and for the Lorentz–FitzGerald contraction, which becomes an integral part of Albert Einstein‘s special theory of relativity.

FitzGerald is born to the Reverend William FitzGerald and his wife Anne Frances Stoney. He is the nephew of George Johnstone Stoney, the Irish physicist who coins the term “electron.” After the particles are discovered by J. J. Thomson and Walter Kaufmann in 1896, FitzGerald is the one to propose calling them electrons. He is also the nephew of Bindon Blood Stoney, an eminent Irish engineer. His cousin is Edith Anne Stoney, a pioneer female medical physicist.

Professor of Moral Philosophy at Trinity College Dublin and vicar of St. Anne’s, Dawson Street, at the time of his son’s birth, William FitzGerald is consecrated Bishop of Cork, Cloyne and Ross in 1857 and translates to Killaloe and Clonfert in 1862. George returns to Dublin and enters TCD as a student at the age of sixteen, winning a scholarship in 1870 and graduating in 1871 in Mathematics and Experimental Science. He becomes a Fellow of Trinity in 1877 and spends the rest of his career there, serving as Erasmus Smith’s Professor of Natural and Experimental Philosophy from 1881 to 1901.

Along with Oliver Lodge, Oliver Heaviside and Heinrich Hertz, FitzGerald is a leading figure among the group of “Maxwellians” who revise, extend, clarify, and confirm James Clerk Maxwell‘s mathematical theories of the electromagnetic field during the late 1870s and the 1880s.

In 1883, following from Maxwell’s equations, FitzGerald is the first to suggest a device for producing rapidly oscillating electric currents to generate electromagnetic waves, a phenomenon which is first shown to exist experimentally by the German physicist Heinrich Hertz in 1888.

In 1883, FitzGerald is elected Fellow of the Royal Society. In 1899, he is awarded a Royal Medal for his investigations in theoretical physics. In 1900, he is made an honorary fellow of the Royal Society of Edinburgh.

FitzGerald is better known for his conjecture in his short letter to the editor of Science. “The Ether and the Earth’s Atmosphere” explains that if all moving objects were foreshortened in the direction of their motion, it would account for the curious null-results of the Michelson–Morley experiment. He bases this idea in part on the way electromagnetic forces are known to be affected by motion. In particular, he uses some equations that had been derived a short time before by his friend the electrical engineer Oliver Heaviside. The Dutch physicist Hendrik Lorentz hits on a very similar idea in 1892 and develops it more fully into Lorentz transformations, in connection with his theory of electrons.

The Lorentz–FitzGerald contraction hypothesis becomes an essential part of the Special Theory of Relativity, as Albert Einstein publishes it in 1905. He demonstrates the kinematic nature of this effect, by deriving it from the principle of relativity and the constancy of the speed of light.

FitzGerald suffers from many digestive problems for much of his shortened life. He becomes very ill with stomach problems. He dies on February 22, 1901 at his home, 7 Ely Place in Dublin, the day after an operation on a perforated ulcer. He is buried in Mount Jerome Cemetery.

A crater on the far side of the Moon is named after FitzGerald, as is a building at Trinity College Dublin.


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Shaw’s “Too True to Be Good” Premieres in New York City

george-bernard-shaw-2Too True to Be Good (1932), a comedy written by playwright George Bernard Shaw premieres at the Guild Theatre in New York City on April 4, 1932. Subtitled “A Collection of Stage Sermons by a Fellow of the Royal Society of Literature,” it moves from surreal allegory to the “stage sermons” in which characters discuss political, scientific and other developments of the day. The second act of the play contains a character, Private Napoleon Meek, based on Shaw’s friend T. E. Lawrence.

The play explicitly deals with the existential crisis that hit Europe after the end of World War I, especially the emergence of a “modernist” culture fueled by uncertainties created by Freudian psychology and Albert Einstein‘s new physics. The whole of the second and third acts of the play have often been interpreted as a dream of escape occurring in the mind of the feverish Patient (hence the talking Microbe‘s comment that the “real” action is over), and the Patient repeatedly says that what is happening is a dream.

The play is an early example of the formal experimentation with allegory and the absurd that become a feature of Shaw’s later work, having much in common with the later play The Simpleton of the Unexpected Isles, which is also set in an obscure island at the edge of the British Empire. Its absurdist elements later lead to its being viewed as a precursor to the work of Samuel Beckett and Harold Pinter.

The idea that microbes, specifically bacteria, are somehow made sick by human illnesses is a belief that Shaw repeatedly promotes, claiming that disease produces mutations in bacteria, misleading doctors into the belief that “germs” cause disease. The play dramatises his theory that life-energy itself cures illness.

The play is first staged on Monday, February 29, 1932, at Boston‘s Colonial Theatre, by the Theatre Guild. After the April performance in New York it is followed in the same year by a production in Malvern, Worcestershire starring Beatrice Lillie, Claude Rains, and Leo G. Carroll.

The play receives a Broadway revival in 1963, directed by Albert Marre and starring Robert Preston, Lillian Gish, David Wayne, Cedric Hardwicke, Cyril Ritchard, Glynis Johns, and Eileen Heckart. This production features incidental music by Mitch Leigh, who later works with Marre on Man of La Mancha. It has also been presented at the Shaw Festival four times: in 1974, 1982, 1994, and 2006.


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Neil Jordan Receives Silver Bear for Best Director

neil-patrick-jordan

Neil Patrick Jordan, director of  The Butcher Boy (1997), is awarded a Silver Bear for Best Director at the 48th Berlin International Film Festival on February 22, 1998.

Jordan is born in County Sligo on February 25, 1950. His first book, Night in Tunisia, wins a Somerset Maugham Award and the Guardian Fiction Prize in 1979. He also wins an Academy Award for Best Original Screenplay for The Crying Game (1992).

Jordan is educated at St. Paul’s College, Raheny. Later, Jordan attends University College Dublin, where he studies Irish history and English literature. He is raised a Catholic and is quite religious during the early stages of his life. Regarding his current beliefs, he states that “God is the greatest imaginary being of all time. Along with Einstein‘s General Theory of Relativity, the invention of God is probably the greatest creation of human thought.”

When John Boorman is filming Excalibur in Ireland, he recruits Jordan as a “creative associate.” A year later Boorman is executive producer on Jordan’s first feature, Angel, a tale of a musician caught up in the Troubles, starring Stephen Rea who subsequently appears in almost all of Jordan’s films to date. During the 1980s, he directs films that win him acclaim, including The Company of Wolves and Mona Lisa, both made in England. The Company of Wolves becomes a cult favorite.

As a writer/director, Jordan has a highly idiosyncratic body of work, ranging from mainstream hits like Interview with the Vampire to commercial failures like We’re No Angels to a variety of more personal, low-budget arthouse pictures. He is also the driving force behind the cable TV series The Borgias.

Unconventional sexual relationships are a recurring theme in Jordan’s work, and he often finds a sympathetic side to characters that audiences would traditionally consider deviant or downright horrifying. His film The Miracle, for instance, follows two characters who struggle to resist a strong, incestuous attraction, while The Crying Game makes complicated, likable characters out of an IRA volunteer and a transgender woman. Interview with the Vampire, like the Anne Rice book it is based on, focuses on the intense, intimate interpersonal relationship of two undead men who murder humans nightly, accompanied by an equally lusty vampire woman who is eternally trapped in the body of a little girl. While Lestat (Tom Cruise) is depicted in an attractive but villainous manner, his partner Louis (Brad Pitt) and the child vampire Claudia (Kirsten Dunst) are meant to capture the audience’s sympathy despite their predatory nature.

In addition to the unusual sexuality of Jordan’s films, he frequently returns to the Troubles of Northern Ireland. The Crying Game and Breakfast on Pluto both concern a transgender character, both concern the Troubles, and both feature frequent Jordan leading man Stephen Rea. The two films, however, are very different, with The Crying Game being a realistic thriller/romance and Breakfast on Pluto a much more episodic, stylized, darkly comic biography. Jordan also frequently tells stories about children or young people, such as The Miracle and The Butcher Boy. While his pictures are most often grounded in reality, he occasionally directs more fantastic or dreamlike films, such as The Company of Wolves, High Spirits, Interview with the Vampire, and In Dreams.

The critical success of Jordan’s early pictures lead him to Hollywood, where he directs High Spirits and We’re No Angels. Both are critical and financial disasters. He later returns home to make the more personal The Crying Game, which is nominated for six Academy Awards. Jordan wins the Academy Award for Best Original Screenplay for the film. Its unexpected success leads him back to American studio filmmaking, where he directs Interview with the Vampire. He also directs the crime drama The Brave One starring Jodie Foster.

Jordan also writes and directs the Irish-made film Ondine (2009), starring Colin Farrell and Alicja Bachleda-Curuś. He also directs Byzantium, an adaptation of the vampire play of the same name starring Saoirse Ronan, Gemma Arterton, and Jonny Lee Miller.

Jordan lives in Dalkey, which is a part of the larger town of Dún Laoghaire.


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Birth of Neil Patrick Jordan, Screenwriter & Director

neil-patrick-jordanNeil Patrick Jordan, film director, screenwriter, novelist, and short-story writer, is born in County Sligo on February 25, 1950. His first book, Night in Tunisia, wins a Somerset Maugham Award and the Guardian Fiction Prize in 1979. He wins an Academy Award for Best Original Screenplay for The Crying Game (1992). He also wins the Silver Bear for Best Director at the Berlin International Film Festival for The Butcher Boy (1997).

Jordan is educated at St. Paul’s College, Raheny. Later, Jordan attends University College Dublin, where he studies Irish history and English literature. He is raised a Catholic and is quite religious during the early stages of his life. Regarding his current beliefs, he states that “God is the greatest imaginary being of all time. Along with Einstein‘s General Theory of Relativity, the invention of God is probably the greatest creation of human thought.”

When John Boorman is filming Excalibur in Ireland, he recruits Jordan as a “creative associate.” A year later Boorman is executive producer on Jordan’s first feature, Angel, a tale of a musician caught up in the Troubles, starring Stephen Rea who subsequently appears in almost all of Jordan’s films to date. During the 1980s, he directs films that win him acclaim, including The Company of Wolves and Mona Lisa, both made in England. The Company of Wolves becomes a cult favorite.

As a writer/director, Jordan has a highly idiosyncratic body of work, ranging from mainstream hits like Interview with the Vampire to commercial failures like We’re No Angels to a variety of more personal, low-budget arthouse pictures. He is also the driving force behind the cable TV series The Borgias.

Unconventional sexual relationships are a recurring theme in Jordan’s work, and he often finds a sympathetic side to characters that audiences would traditionally consider deviant or downright horrifying. His film The Miracle, for instance, follows two characters who struggle to resist a strong, incestuous attraction, while The Crying Game makes complicated, likable characters out of an IRA volunteer and a transgender woman. Interview with the Vampire, like the Anne Rice book it is based on, focuses on the intense, intimate interpersonal relationship of two undead men who murder humans nightly, accompanied by an equally lusty vampire woman who is eternally trapped in the body of a little girl. While Lestat (Tom Cruise) is depicted in an attractive but villainous manner, his partner Louis (Brad Pitt) and the child vampire Claudia (Kirsten Dunst) are meant to capture the audience’s sympathy despite their predatory nature.

In addition to the unusual sexuality of Jordan’s films, he frequently returns to the Troubles of Northern Ireland. The Crying Game and Breakfast on Pluto both concern a transgender character, both concern the Troubles, and both feature frequent Jordan leading man Stephen Rea. The two films, however, are very different, with The Crying Game being a realistic thriller/romance and Breakfast on Pluto a much more episodic, stylized, darkly comic biography. Jordan also frequently tells stories about children or young people, such as The Miracle and The Butcher Boy. While his pictures are most often grounded in reality, he occasionally directs more fantastic or dreamlike films, such as The Company of Wolves, High Spirits, Interview with the Vampire, and In Dreams.

The critical success of Jordan’s early pictures lead him to Hollywood, where he directs High Spirits and We’re No Angels. Both are critical and financial disasters. He later returns home to make the more personal The Crying Game, which is nominated for six Academy Awards. Jordan wins the Academy Award for Best Original Screenplay for the film. Its unexpected success leads him back to American studio filmmaking, where he directs Interview with the Vampire. He also directs the crime drama The Brave One starring Jodie Foster.

Jordan also writes and directs the Irish-made film Ondine (2009), starring Colin Farrell and Alicja Bachleda-Curuś. He also directs Byzantium, an adaptation of the vampire play of the same name starring Saoirse Ronan, Gemma Arterton, and Jonny Lee Miller.

Jordan lives in Dalkey, which is a part of the larger town of Dún Laoghaire.


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Death of Philosopher George Berkeley

george-berkeleyGeorge Berkeley, Irish philosopher whose primary achievement is the advancement of a theory he calls “immaterialism” (later referred to as “subjective idealism” by others), dies in Oxford, England, on January 14, 1753. His theory of immaterialism denies the existence of material substance and instead contends that familiar objects like tables and chairs are only ideas in the minds of perceivers and, as a result, cannot exist without being perceived. Berkeley is also known for his critique of abstraction, an important premise in his argument for immaterialism.

Berkeley is born at his family home, Dysart Castle, near Thomastown, County Kilkenny, the eldest son of William Berkeley, a cadet of the noble family of Berkeley. He is educated at Kilkenny College and attends Trinity College, Dublin, earning a bachelor’s degree in 1704 and completing a master’s degree in 1707. He remains at Trinity College after completion of his degree as a tutor and Greek lecturer.

In 1709, Berkeley publishes his first major work, An Essay towards a New Theory of Vision, in which he discusses the limitations of human vision and advances the theory that the proper objects of sight are not material objects, but light and colour. This foreshadows his chief philosophical work, A Treatise Concerning the Principles of Human Knowledge, in 1710, which, after its poor reception, he rewrites in dialogue form and publishes under the title Three Dialogues between Hylas and Philonous in 1713.

In this book, Berkeley’s views are represented by Philonous, while Hylas embodies the Irish thinker’s opponents, in particular John Locke. Berkeley argues against Sir Isaac Newton‘s doctrine of absolute space, time, and motion in De Motu (On Motion), published in 1721. His arguments are a precursor to the views of Ernst Mach and Albert Einstein. In 1732, he publishes Alciphron, a Christian apologetic against the free-thinkers, and in 1734, he publishes The Analyst, a critique of the foundations of calculus, which is influential in the development of mathematics.

His last major philosophical work, Siris (1744), begins by advocating the medicinal use of tar water and then continues to discuss a wide range of topics, including science, philosophy, and theology. Interest in Berkeley’s work increases after World War II because he tackles many of the issues of paramount interest to philosophy in the 20th century, such as the problems of perception, the difference between primary and secondary qualities, and the importance of language. It sold more copies than any of his other books during his lifetime.

In 1734, Berkeley is appointed Bishop of Cloyne in Ireland, a position he holds until his death. He remains at Cloyne until 1752, when he retires and goes to Oxford to live with his son and supervise his education. He dies soon afterward and is buried in Christ Church Cathedral, Oxford.

The Berkeley portion of the Yale University campus is named after George Berkeley.