seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Palladian Architecture


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Birth of Lady Louisa Conolly

Lady Louisa Conolly, an English-born Irish noblewoman, is born on December 5, 1743, perhaps at Goodwood House in Westhampnett, Chichester, West Sussex, England. She is the third of the famous Lennox sisters and is notable among them for leading a wholly uncontroversial life filled with good works.

Born Lady Louisa Augusta Lennox, she and her sisters are portrayed in Stella Tillyard‘s book Aristocrats: Caroline, Emily, Louisa, and Sarah Lennox and in the BBC television series based on it. The Lennox sisters are the daughters of Charles Lennox, 2nd Duke of Richmond, and Lady Sarah Cadogan. The 2nd Duke’s father, Charles Lennox, 1st Duke of Richmond, is an illegitimate son of King Charles II of England.

Conolly is still a child when her parents die within a year of each other in 1750 and 1751. After this, she is brought up by her much older sister Emily FitzGerald, Duchess of Leinster, in Kildare. In 1758, at age 15, she marries Thomas Conolly (1738–1803), grand-nephew of William Conolly, Speaker of the Irish House of Commons. Her husband, a wealthy landowner and keen horseman, is also a successful politician who is elected to Parliament as early as 1759. The couple lives in the Palladian mansion Castletown House in County Kildare, the decoration of which she directs throughout the 1760s and 1770s. The Conolly summer residence, Cliff House, on the banks of the River Erne between Belleek, County Fermanagh, and Ballyshannon, County Donegal, is demolished as part of the Erne Hydroelectric scheme, which constructs the Cliff and Cathaleen’s Fall hydroelectric power stations. Cliff hydroelectric power station is constructed on the site of Cliff House and is commissioned in 1950.

The Conollys, themselves unhappily childless, at that point take up the welfare of young children from disadvantaged backgrounds as a lifelong project, contributing both money and effort towards initiatives which enable foundlings and vagabonds to acquire productive skills and support themselves. They develop one of the first Industrial Schools where boys learn trades, and she takes active personal interest in mentoring the students. In middle age, she also virtually adopts her niece Emily Napier (1783–1863), the daughter of her sister Lady Sarah Lennox. Emily, who spends long months with her aunt in Kildare, marries Sir Henry Bunbury, 7th Baronet, and moves to Suffolk, although she remains close to her aunt until her death.

Thomas Conolly dies on April 27, 1803. Upon his death, a major part of his estates, which includes Wentworth Castle, passes to a distant relative, Frederick Vernon. Conolly receives the Castletown House and estate, as also certain liquid investments and valuable urban properties, which enable her to live in comfort and continue her activities until her own death on August 6, 1821, of an abscess on her hip. She wills these substantial properties to a great-nephew, Edward Michael Pakenham, grandson of Thomas’ sister Harriet, later the MP for Donegal.

In 1999, a 6-part miniseries called Aristocrats, based on the lives of Conolly and her sisters, airs in the UK.

(Pictured: “Lady Louisa Conolly” by George Romney, 1776)


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Opening of The Museum of Science and Art, Dublin

national-museum-of-ireland

The Museum of Science and Art, Dublin on Kildare Street opens on August 29, 1890. The museum is founded on August 14, 1877, by act of Parliament. The decision to establish a state-run museum arises from requests by the Royal Dublin Society for continued government funding for its expanding museum activities.

A number of developments lead to the Science and Art Museums Act of 1877, which has the effect of transferring the buildings and collections of the Royal Dublin Society to state ownership. The collections are further enhanced by the transfer of other notable collections from institutions such as the Royal Irish Academy and Trinity College Dublin.

The Museum is the responsibility of the Department of Science and Art, which is also responsible for the South Kensington museums in London. State support for the institution is manifested in the construction of the new building on Kildare Street. It is built in the Victorian Palladian style and has been compared with the Altes Museum in Berlin, designed by Karl Friedrich Schinkel in the 1820s. Neoclassical influences can be seen in the colonnaded entrance and the domed rotunda, which rises to a height of 20 metres, and is modeled on the Pantheon in Rome.

The new museum houses coins, medals and significant Irish antiquities from the Royal Irish Academy including the Tara Brooch and Ardagh Chalice, ethnographical collections with material from Captain James Cooke‘s voyages from Trinity College Dublin, and the collections of the Geological Survey of Ireland.

These are joined by material from the decorative arts and ethnographical collections of the Royal Dublin Society along with their Irish collections of antiquities, minerals and plants. The old Royal Dublin Society museum on the Merrion Street side of Leinster House, erected with government assistance and opened in 1856, is devoted to natural history. It is dominated by zoology throughout much of its subsequent history and has an annex devoted to geology.

The building on Kildare Street is designed by Thomas Newenham Deane and is used to show contemporary Irish, British and Continental craftsmanship in its construction. State involvement in the running of the Museum allows for steady funding and a connection with other state museums in London and Edinburgh which is of considerable benefit. The collections grow with material acquired through purchase, public donation and shares of significant collections acquired by the state and dispersed by the London museums.

Catalogues are prepared by leading experts in various disciplines and printed in the Museum’s own press. In 1900 control passes to the Department of Agriculture and Technical Instruction and in 1908 its name is changed from “The Dublin Museum of Science and Art” to the “National Museum of Science and Art.” The name of the institution is changed again in 1921 to the “National Museum of Ireland.”