Archdall is educated by Dr. Keenane, and enters Trinity College Dublin (TCD) in 1739. He graduates with a Bachelor of Arts (BA) in 1744 and a Master of Arts (MA) in 1747, and is ordained in the Church of Ireland. He is curate of Howth from 1750 to 1753, and of Kilgobbin and Taney, also in Dublin, from 1753 to 1758, rector of Nathlash in the diocese of Cloyne from 1749 to 1758, and from 1756 domestic chaplain to Richard Pococke, Bishop of Ossory. In 1761 Pococke gives Archdall the livings of Agharney and Attanagh in Ossory which he holds until 1786, when he becomes rector of Slane in the Diocese of Meath. He is also prebendary of Cloneamary from 1762 to 1764 and of Mayne from 1764 to 1772, both in Ossory.
Archdall is interested, almost from his student days, in ancient history and antiquities, and for forty years he gathers material for a work similar to an earlier compilation, William Dugdale‘s Monasticon Anglicanum. He intends to publish two or more large folio volumes, but after Pococke’s death has no sponsor and has to pay for its publication himself causing him to cut back the scale of the project. Monasticon Hibernicum appears in 1786 as a quarto volume, though still of over 800 pages. Archdall attempts encyclopaedic coverage of the history of Ireland’s pre-reformation monasteries and abbeys. The work is ground-breaking and ambitious, though marred by mistakes and inadequacies. He receives help from friends, including scholars such as Pococke and Edward Ledwich, and with them and others is a founder member of the Royal Irish Academy (RIA) in 1786.
In 1789, Archdall publishes his second important work, a new edition of ThePeerageof Ireland by John Lodge. Lodge’s original work in four volumes is expanded by Archdall into seven octavos, adding a good deal of material from his own research to update the genealogies, as well as incorporating manuscript additions unpublished by the original author. These had been left in a cipher or in a private form of shorthand which could not be decoded by any contemporary expert in Dublin, and Archdall is just about to abandon the attempt to read them when his second wife works on it and discovers the key.
Archdall’s first wife, Sarah Colles or Collis, whom he marries in Dublin on July 30, 1747, is said to have been a relative of Thomas Prior, though she may also – or instead – have been connected in some way to Pococke. The bishop is known to have educated Christopher Colles (1739–1816), who becomes an important engineer and entrepreneur in the United States. They have two sons and a daughter, the elder son dying young. Sarah dies on May 28, 1782. Archdall marries his second wife, Abigail Young, on November 25, 1782.
Archdall’s works are still of interest to historians and genealogists, and surviving copies are valuable collectors’ items. In an apologia in his preface to the Peerage he notes, “I have left that inaccurate which could not be exact, and that imperfect which cannot be completed.” He dies suddenly on August 6, 1791, and is buried in Slane churchyard.
(From: “Archdall, Mervyn” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Henderson is born to James Douglas Alexander Henderson, who manages the family business of Henderson & Eadie, and Doris Josephine (née Watson). He attends Portora Royal School in Enniskillen, where the art master, Angus Bryson, spots him as an exceptional student.
From 1972 to 1973 Henderson studies an Arts Foundation course at Ulster University. From 1973 to 1976 he studies Fine Art at Kingston University, London, achieving a Bachelor of Artsfirst class honours degree under the tutelage of Terry Jones, returning in 1977 as Artist-in-Residence. In the same year he becomes the first recipient of the Stanley Picker Fellowship Award in Painting. Between 1978 and 1979 he completes a MA postgraduate in Fine Art at Chelsea School of Art under the tutelage of the artist John Hoyland.
In 1980, Henderson starts his professional artistic journey, developing abstract techniques, creating large canvases with complex layers of overlaid and inter-worked paint. He lives and paints in London for twenty years before relocating back to Ireland. In the mid-1980s he works in a studio adjacent to the house he shares with his partner, Jenni Stone, with whom he has a daughter named Emerald.
During the mid-1980s Henderson’s work becomes recognised by private and public collectors, including Bono, leader of the Irish rock band U2. During this period he sells his first work to the National Art Collection (1986). Cuilcagh Under A Renaissance Sky is purchased for Fermanagh County Museum with a grant from the Arts Council of Northern Ireland during his first solo exhibition “Around a Border” in Ireland. This is followed by three more acquisitions via the Arts Council during the 1980s, who continue to support his work into the new millennium acquiring If Hobbema had Seen Ireland (1989) in 2004 via Art Fund with support from the Esmée Fairbairn Foundation. His work is exhibited by Arts Council England.
In 1990 Henderson moves to the Cooperage Studio, Brick Lane, London, sharing the top floor with sculptor David Fusco and artist Bryan Benge, a friend from Kingston University. Benge says “Every summer the studios in the East End became part of the open studios programme. . . . . He was an intelligent and incredibly accomplished Painter.” It is here, separated from his partner and virtually penniless, he devotes himself entirely to his work, living in a tent, donated by Benge’s parents, inside the studio.
Henderson begins Palinurus in Soho in 1991, a series of twelve paintings depicting night time rooftop scenes across London, painted from an attic in Kingly Street. Exhibited at the Anna Bornholt Gallery in 1992, ten of the series are acquired by a single private collector.
Around 2000, Henderson becomes more influenced by Greek and Irish symbolism, in particular White Island, the Book of Kells and Sheela na gig, reflected in much of the art produced from this time onward. In 2001, he creates a set of enamel manuscripts for The Clinton Centre in Enniskillen, inaugurated by U.S. PresidentBill Clinton in 2002, in commemoration of the Remembrance Day bombing of 1987. He is interested in enameling because of the possibilities that it offers to him as a colourist and in the behaviour of gestural mark-making. The process is made possible when he is introduced to Andrew Morley, the authority on enamel sign making.
Henderson’s artistic influences include Hans Hofmann, Barnett Newman, Mark Rothko, and John Hoyland. Frequently associated with Samuel Beckett and Jack Butler Yeats, he is influenced by his homeland; his early environment, growing up around weaving, yarns and dyeing, the regions political turmoil, symbolism, and in later life his chronic illness, expressed in his more sombre paintings.
John Hutchinson, critic and director of the Douglas Hyde Gallery writes in the Sunday Independent that Henderson’s paintings “demonstrate the fruitfulness of the no man’s land between abstraction and representation,” and “His images deliberately evoke the picturesque and romantic landscape conventions that originated in the late 18th century…..as well as the expressionist subjectivity of painters such as Jack B. Yeats.” Due to Henderson’s disinterest in the commercialisation of his work, he is sometimes referred to as Ireland’s Invisible Genius.
Henderson describes the evolution of his work, after returning to Ireland in 1993, saying, “Since returning to Ireland my work has become less concerned with resting landscape painting in a cultural context more appropriate to our times, but has come full circle towards an internalised organic abstraction which characterised my more intuitive approach until the early eighties.”
Henderson is married once, in 1995 to the actress Patricia Martinelli with whom he subsequently has a daughter in 1997, Bella-Lucia. He remains married, living in the remote village of Boho, County Fermanagh, Northern Ireland, until his death, brought on by a brain tumour, on April 28, 2009. He remains a prolific artist throughout his life.
Alongside his older brother, Connor Maguire, Maguire is a prime mover in the conspiracy which leads to the outbreak of rebellion in Ireland on October 23, 1641. He is tasked with securing County Fermanagh for the rebels, but is only partially successful, with several key fortresses in the county, including Enniskillen Castle, remaining under Protestant settler control. His attempt to murder Sir William Cole immediately prior to the rising fails, but the landowner Arthur Champion is killed in one of the first actions of the rebellion. In November 1641, he joins Felim O’Neill of Kinard at Newry to issue a proclamation in which the rebels claim they are acting in defence of King Charles and Catholicism. In December 1641, the Fermanagh army under Maguire slaughters many of the garrison and refugees in Tully Castle, apparently in retaliation for the killing of the garrison of a Maguire castle which had been taken by assault some days previously. He also destroys Castle Archdale and its neighbouring settler village, and kills eight Protestant settlers at Monea Castle. In early 1642, he is expelled from the Irish Parliament and in the summer of the same year he is made a colonel in Owen Roe O’Neill‘s army in Ulster.
Maguire is appointed Governor of Fermanagh by the authorities of the newly established Confederate Ireland. He commands the rebel reserve in the Battle of Benburb in June 1646. He leads raids into Protestant-held areas in east Ulster, before joining O’Neill in his campaigns in Leinster in the autumn of 1646. Later that year, he raids lands in Connacht controlled by the Royalist commander, Ulick Burke, 1st Marquess of Clanricarde. In August 1647, O’Neill and Maguire move the army to Leinster, where Maguire quarrels so vigorously with O’Neill over the payment of troops that the general orders his arrest and court-martials him. After the court-martial, Maguire and his supporters, about five or six regiments, draw up their forces and threaten to desert. The mutiny soon dissipates and Maguire remains allied to O’Neill.
In 1648, Maguire joins O’Neill in opposing the truce between the Confederates and Royalists. He plays a prominent role in the skirmishes and evasive manoeuvrings that occur between the two sides in central Ireland. In the winter of 1648, Maguire withdraws north and on November 13 he is killed while leading an attack on a fortress near Jamestown, County Leitrim.
Discontented with James Chichester-Clark and Brian Faulkner who come to government after O’Neill’s 1969 fall from power, Boal resigns from the UUP in 1971 and joins Ian Paisley in establishing the Democratic Unionist Party (DUP) in order to provide dissident unionist opinion with a viable political alternative. He works as the first chairman and one of the first public representatives of the DUP and continues to sit in Stormont during the years of 1971–1972. He later resumes his practice as a barrister.
While Boal’s interest in federalism diminishes after the 1970s, the federalist Boal scheme of January 1974 is again put forward by liberal protestants such as John Robb as late as 2007. His friendship with Paisley finally breaks when the DUP agrees to enter government with Sinn Féin in 2007. He tells Paisley, who takes the breach very hard, that he had betrayed everything he ever advocated.
In Enniskillen, armed Williamite civilians drawn from the local Protestant population organise a formidable irregular military force. The armed civilians of Enniskillen ignore an order from Robert Lundy that they should fall back to Derry and instead launch guerrilla attacks against the Jacobites. Operating with Enniskillen as a base, they carry out raids against the Jacobite forces in Connacht and Ulster, plundering Trillick, burning Augher Castle, and raiding Clones.
A Jacobite army of about 3,000 men, led by Justin McCarthy, Viscount Mountcashel (in the Jacobite peerage), advance on them from Dublin. Lord Mountcashel’s men consist of three regiments of infantry and two of dragoons. The regiments include his own regiment, Mountcashel (approx. 650 men in 13 companies), The O’Brien regiment (also 13 companies of 650 men), and the Lord Bophin (Burke) regiment. He also has the dragoon regiments of Cotter and Clare, each with seven companies of about 350 dragoons. On July 28, 1689, Mountcashel’s force encamps near Enniskillen and bombards the Williamite outpost of Crom Castle to the southeast of Enniskillen. Crom Castle is almost 20 miles (32 km) from Enniskillen by road and about 5 miles (8.0 km) from Newtownbutler.
Two days later, they are confronted by about 2,000 Williamite ‘Inniskilliniers’ under Colonel Berry, Colonel William Wolseley and Gustave Hamilton. The Jacobite dragoons under Antoine Hamilton stumble into an ambush laid by Berry’s men near Lisnaskea and are routed, taking 230 casualties. Mountcashel manages to drive off Berry’s cavalry with his main force but is then faced with the bulk of the Williamite strength under Wolseley. There is some debate in the sources over troop numbers, though it is believed that Mountcashel has a large number of poorly armed conscripts. Unwisely, Mountcashel halts and draws up his men for battle about a mile south of Newtownbutler.
Williamite histories claim that many of the Jacobite troops flee as the first shots are fired. Up to 1,500 of them are hacked down or drowned in Upper Lough Erne when pursued by the Williamite cavalry. Of the 500 men who try to swim across the Lough, only one survives. Approximately 400 Jacobite officers, along with Lord Mountcashel, the Jacobite commander, are captured and later exchanged for Williamite prisoners, with the other Jacobites being killed. These claims seem unlikely, for several reasons. Each Irish regiment includes approximately 40 officers. The entire force, therefore, would include only about 200 officers. Many of these officers are accounted for in an October 1689 roll call, which shows approximately a 15–20% change in the officer roll call since July for the infantry regiments and 5% for the dragoons. This totals some 20–30 officers in all. Also, the Mountcashel regiment’s roll call for October shows that companies which would normally have 50–60 men, have around 25, which results in a loss of approximately 300–400 men for this regiment. The Cotter and Clare dragoons who ride away from the battle do not have significant losses, based on the October 1689 roll call. Assuming the other two infantry regiments suffer similar losses, gives a total loss of 1,200–1,300. Given their officers are recorded in the October roll and show fewer losses than the Mountcashel regiment among officers, there may be fewer losses in the ranks as well. The Williamite histories acknowledge that they captured approximately 400, including men who are later sent to Derry, which would indicate a total loss of killed, wounded, and missing of 800–900, and likely less. This number is necessarily an estimate based on the available data but should be contrasted with Williamite claims that they killed and drowned 2,000. It appears likely that a couple of hundred men from Mountcashel’s regiment may have fled into the bogs toward Lough Erne, and some of them who made it to the river tried to swim and were drowned, leading to the story of the hundreds drowned.
The battle is still commemorated by the Orange Order in Ulster and is mentioned in the traditional unionist song, “The Sash.”
The battle is significant in another way: the regiments on both sides go on to have long and famous histories. On the Williamite side, the Innsikilling Regiment (27th Foot), and on the Jacobite side, the Clare and Mountcashel/Lee/Bulkeley regiments of the Irish Brigade. The two Irish regiments face off again at the Battle of Fontenoy in 1745, where the Irish Brigade famously drives the British army from the battlefield with a charge in the final stage of the battle.
Kilfedder leaves the UUP in 1977 in opposition to the party’s policies tending to integrationism, preferring to advocate the restoration of the Stormont administration. For a time he sits as an “Independent Ulster Unionist.” He contests the 1979 European Parliament election under that label, finishing fourth in the count for the three seats, having overtaken the UUP leader Harry West on transfers.
On March 20, 1995, while traveling by train into London from Gatwick Airport, Kilfedder dies of a heart attack. This is the same day that the Belfast Telegraph carries a front-page story saying that an Ulster MP has been targeted as one of twenty MPs invited by the LGBT rights organisation OutRage! in a letter to come out. He dies unmarried and is survived by two sisters.
Although nobody is ever charged in connection with the killings, it is widely believed by nationalists and much of the press that the attack had been planned and led by Billy Wright, the leader of the Mid-Ulster Brigade’s Portadown unit. Wright himself takes credit for this and boasts to The Guardian newspaper, “I would look back and say Cappagh was probably our best,” though some sources are sceptical about his claim.
On the evening of Sunday, March 3, 1991, a unit of the UVF’s Mid-Ulster Brigade drive into the heartland of the East Tyrone IRA, intent on wiping out an entire IRA unit that is based in the County Tyrone village of Cappagh. One team of the UVF men wait outside Boyle’s Bar, while a second team waits on the outskirts of the town. At 10:30 p.m. a car pulls into the car park outside the bar and the UVF gunmen open fire with vz. 58assault rifles, killing Provisional IRA volunteers John Quinn (23), Dwayne O’Donnell (17) and Malcolm Nugent (20). The victims and car are riddled with bullets. According to author Thomas G. Mitchell, Quinn, O’Donnell and Nugent are part of an IRA active service unit (ASU). The gunmen then attempt to enter the pub but are unable to after the civilians inside realise what is happening and barricade the door. Unable to get into the bar, a UVF gunman shoots through a high open toilet window killing local civilian, Thomas Armstrong (50) and badly wounding a 21-year-old man. Their intended target, IRA commander Brian Arthurs, escapes with his life by crouching behind the bar during the shooting. According to the Conflict Archive on the Internet (CAIN), the three IRA volunteers chose to go to the pub “on the spur of the moment,” thus are unlikely to be the UVF’s original target.
After the attack, the UVF issues a statement: “This was not a sectarian attack on the Catholic community, but was an operation directed at the very roots of the Provisional IRA command structure in the Armagh–Tyrone area.” The statement concludes with the promise that “if the Provisional IRA were to cease its campaign of terror, the Ulster Volunteer Force would no longer deem it necessary to continue with their military operations.” Privately the UVF are hugely pleased with the attack in a republican heartland and Billy Wright, leader of the Portadown unit of the UVF’s Mid-Ulster Brigade, who is alleged to be centrally involved, tells Jim Cusack and Henry McDonald the killings were “one of things we did militarily in thirty years. We proved we could take the war to the Provos in one of their strongest areas.” Cusack and McDonald assert that a wealthy UVF supporter with a business in South Belfast helped the UVF purchase the cars used in the attack at auctions in the city.
The Provisional IRA initially does not acknowledge that three of the victims are within its ranks, apparently with the aim of garnering sympathy from the wider world, particularly in the Republic of Ireland, toward nationalists in Northern Ireland.
The first reprisal takes place on April 9, 1991, when alleged UVF member Derek Ferguson, a cousin of local MP Reverend William McCrea, is shot and killed in Coagh by members of the East Tyrone Brigade. His family denies any paramilitary links. In the months following the 1991 shootings, two former UDR soldiers are killed by the IRA near Cappagh. One of them is shot dead while driving along Altmore Road on August 5, 1991. The other former soldier is blown up by an IRA bomb planted inside his car at Kildress on April 25, 1993. It is claimed that he has loyalist paramilitary connections. The 1993 bombing leads to allegations that the IRA is killing Protestant landowners in Tyrone and Fermanagh in an orchestrated campaign to drive Protestants out of the region. There are at least five botched IRA attempts against the life of Billy Wright before the Irish National Liberation Army (INLA) succeeds in killing him in 1997 inside the Maze Prison.
This is not the first time the UVF carries out an attack on Boyle’s Bar in Cappagh. On January 17, 1974, at around 7:40 p.m. two masked UVF gunmen enter the pub and open fire indiscriminately on the customers with a Sterling submachine gun and a Smith & Wessonrevolver, firing at least 35 shots. A Catholic civilian and retired farmer Daniel Hughes (73) is shot eleven times and killed in the attack and three other people are injured. A group calling itself the “Donaghmore-Pomeroy Battalion of the UVF” claim responsibility for the shooting. The attack is linked to the notorious Glenanne gang.
(Pictured: The scene of the UVF attack outside Boyle’s Bar in Cappagh in March 1991. Photo: Pacemaker Archive Belfast 153-91-BW)
The two dead men, Seán South and Fergal O’Hanlon, are hailed as republican martyrs. Their funerals are attended by thousands of people and their lives immortalised in republican ballads.
The Brookeborough raid is the central action in the IRA’s border campaign of 1956-62, yet it is over and done within a matter of minutes. The aim is to unite Ireland by setting up “liberated zones” in Northern Ireland and overthrowing the Stormont government. The campaign is preceded by a series of raids carried out by republican splinter group Saor Uladh. An attack on Rosslea police station in County Fermanagh in November 1955 results in the death of Saor Uladh member Connie Green.
Royal Ulster Constabulary (RUC) officer Gordon Knowles finds himself on the sharp end of the assault as the republicans blow the front wall from the barracks. “I was blown right across the guard room,” he says. “The only thing I felt was like somebody hitting me in the back and that was the bullet going in through the left-hand side of the spine, round the back of the spine and lodging one inch from the back. They shone a torch in my face and said: ‘Oh, let’s go, he’s had it.'”
Knowles is lucky to be alive as medical staff discover thirteen bullet holes in his body. He recovers to resume his police career and still carries bullet splinters in his body to this day.
The Brookeborough raid, involving fourteen IRA men, is planned along identical lines to the Rosslea attack, with very different results. The IRA aims to explode a bomb in front of the police station and to seize RUC weapons.
Just two days previously, the police suffer their first death of the border campaign when Constable John Scally is killed in an attack on Derrylin barracks, another County Fermanagh border station.
Ahead of the Brookeborough attack, the men gather at the County Monaghan family home of Fergal O’Hanlon, who takes part in the raid. O’Hanlon’s sister Pádraigín Uí Mhurchadha describes the scene. “I remember Fergal, on the night, saying to my mother ‘These men, give them a good meal because there are faces here tonight you won’t see again.’ Now it turned out that he happened to be one of the men that she would not see again.”
The BBC has recently spoken to three of the IRA men involved the raid.
Micheal Kelly, now in his 80s, has never given an interview before about his role in the attack. “The objective was to attack the barracks, take their guns from them and if necessary, if we had the time and space, to actually destroy the barracks,” he says.
Phil O’Donoghue is also part of the IRA unit. Today, he is honorary president of the 32 County Sovereignty Movement, which is believed to be closely aligned to the Real IRA. He insists the Brookeborough operation was about taking arms rather than killing police officers. “We had strict orders – under no circumstances were we to take on the B Specials (Ulster Special Constabulary) or RUC. We were, if at all possible, to try and take their weapons but we were not in any way to attack them.”
The IRA men arrive in Brookeborough in a stolen tipper lorry, but the driver is unfamiliar with the village and stops in the wrong place. Paddy O’Regan, from Dublin, is in the back of the lorry. His job is to assist Seán South in operating a Bren light machine gun. “When the truck actually stopped, and I got up off the floor and looked over the side of the truck I was looking into a shop – no sign of a barracks.” It is the first in a series of errors – the bomb placed by the station door fails to explode.
Barry Flynn, who has written a history of the border campaign, says he saw Brookeborough as a kind of tragic fiasco. “It became like the Keystone Cops,” he says. “There were a number of grenades thrown at the police station when they found it. One bounced back underneath the lorry and actually damaged the lorry very badly.”
RUC Sgt. Kenneth Cordner is quick to react to the attack. The truck is eventually parked up close to the barracks, allowing Sgt. Cordner a clear field of fire from an upstairs window. Using a Sten sub-machine gun, he opens up with deadly effect on the IRA men below.
Paddy O’Regan is wounded in the ensuing firefight. “We started to return fire on the barracks,” he says. “And after a while I looked down and I saw Seán South lying flat on his face and I felt two thumps in my hip. I knew I was wounded but it didn’t hurt particularly bad. It’s just like somebody hit you a couple of digs and it was just my hips started going numb.”
The order is given to withdraw, according to ex-IRA man Micheal Kelly. “Fergal, the last thing I heard him say, ‘Oh, my legs, oh, my legs!’ He was shot in the legs and bled to death. Seán South, I would say, was dead at this stage.”
The attackers flee across the border leaving the two dead men at a remote farm building where they are found by police.
Bobbie Hanvey is a well-known broadcaster and photographer. In 1957 he is just twelve years old and living across the road from the Brookeborough barracks. He remembers hiding under a bed with two of his friends as the attack unfolded. “The bedroom lit up – it was like daylight with the flames coming out of the guns. That image and the sounds of those guns and that experience has stayed with me to the present day – I’ll never forget it.”
Historian Barry Flynn explains that the Brookeborough raid is also a symbolic moment for the republican movement. The lives of the dead IRA men are subsequently remembered in two famous ballads, “Seán South from Garryowen” and the “Patriot Game.”
“People were writing the songs and, regardless of what was going to happen in the rest of the campaign, the names of Seán South and Fergal O’Hanlon were there forever as the martyrs of Brookeborough”, says Flynn.
The border campaign never again reaches the intensity of the Brookeborough incident, but police officers and IRA men continue to die. The IRA calls a ceasefire in 1962. By then it is clear that its strategy for overthrowing the Stormont government has failed.
(From: “Brookeborough: Failed IRA attack and republican legend” by Robin Sheeran and Bernadette Allen, BBC News NI, http://www.bbc.com, February 22, 2019 | Pictured: Ex-IRA men Micheal Kelly, Phil O’Donoghue and Paddy O’Regan who have a role in the Brookeborough raid)
Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
Brooke is born on June 9, 1888, at Colebrooke Park, his family’s neo-Classicalancestral seat on what is then the several-thousand-acre Colebrooke Estate, just outside Brookeborough, a village near Lisnaskea in County Fermanagh. He is the eldest son of Sir Arthur Douglas Brooke, 4th Baronet, whom he succeeds as 5th Baronet when his father dies in 1907. His mother is Gertrude Isabella Batson. He is a nephew of Field MarshalAlan Brooke, 1st Viscount Alanbrooke, Chief of the Imperial General Staff (CIGS) during World War II, who is only five years his senior. His sister Sheelah marries Sir Henry Mulholland, Speaker of the Stormont House of Commons and son of Lord Dunleath. He is educated for five years at St. George’s School in Pau, France, and then at Winchester College (1901–05).
Brooke is a very active Ulster Unionist Party member and ally of Edward Carson. He founds his own paramilitary group, Brooke’s Fermanagh Vigilance, from men returning from the war front in 1918. Although the umbrella Ulster Volunteers had been quiescent during the war, it is not defunct. It re-emerges strongly in 1920, subsuming groups like Brooke’s.
In 1920, having reached the rank of captain, Brooke leaves the British Army to farm the Colebrooke Estate, the family estate in west Ulster, at which point he turns toward a career in politics.
Brooke has a very long political career. When he resigns the Premiership of Northern Ireland in March 1963, he is Northern Ireland’s longest-serving prime minister, having held office for two months short of 20 years. He also establishes a United Kingdom record by holding government office continuously for 33 years.
On May 2, 1943, Brooke succeeds John M. Andrews as Prime Minister of Northern Ireland. In 1952, while Prime Minister, was raised to the peerage as Viscount Brookeborough, the title taken from the village named after the Brookes. Although a peer, he retained his seat in the House of Commons at Stormont and remained Prime Minister for another decade.
As the Northern Ireland economy begins to de-industrialise in the mid-1950s, leading to high unemployment amongst the Protestant working classes, Brooke faces increasing disenchantment amongst UUP backbenchers for what is regarded as his indifferent and ineffectual approach to mounting economic problems. As this disenchantment grows, British civil servants and some members of the UUP combine to exert discreet and ultimately effective pressure on Brooke to resign to make way for Captain Terence O’Neill, who is Minister of Finance.
Brooke is noted for his casual style toward his ministerial duties. Terence O’Neill later writes of him, “he was good company and a good raconteur, and those who met him imagined that he was relaxing away from his desk. However, they did not realise that there was no desk.”
In his retirement Brooke develops commercial interests as chairman of Carreras (Northern Ireland), a director of Devenish Trade, and president of the Northern Ireland Institute of Directors. He is also made an honorary LL.D. of Queen’s University Belfast.
From 1970 to 1973, years in which the Stormont institution comes under its greatest strain and eventually crumbles, Brooke makes only occasional forays into political life. In 1972, he appears next to William Craig MP on the balcony of Parliament Buildings at Stormont, a diminutive figure beside the leader of the Vanguard Unionist Progressive Party (VUPP) who is rallying right-wing Unionists against the Government of Northern Ireland. He opposes the Westminsterwhite paper on the future of Northern Ireland and causes some embarrassment to his son, Captain John Brooke, the UUP Chief Whip and an ally of Brian Faulkner, by speaking against the Faulkner ministry‘s proposals.
Brooke dies at his home, Colebrooke Park, on the Colebrooke Estate, on August 18, 1973. His remains are cremated at Roselawn Cemetery, East Belfast, three days later, and, in accordance with his wishes, his ashes are scattered on the demesne surrounding his beloved Colebrooke Park.
seamus dubhghaill 