James Morrison, a notable south Sligo-style Irish fiddler known as “The Professor,” is born on May 3, 1893, near Riverstown, County Sligo, at the townland of Drumfin.

Morrison grows up in a community steeped in traditional Irish culture especially music and at the age of seventeen he is employed by the Gaelic League to tutor the Connacht style of step dancing at the Gaelic League school in County Mayo.

In 1915, at the age of 21, Morrison immigrates to the United States and settles in New York City. In 1918, he wins the fiddle competition at the New York Feis. He becomes associated with other leading Irish musicians such as Michael Coleman and Paddy Killoran, who are also from County Sligo.

Morrison is one of the leading Irish music teachers in New York in the 1930s and 1940s. In addition to the fiddle, he can play the flute, tenor banjo and button accordion, and teaches hundreds of young Irish American students to play traditional music.

The Sligo style of fiddle music Morrison plays is typically highly ornamented and fast, with a fluid bowing style. Recordings of his playing are imported to Ireland in great numbers, and have an extraordinary impact. In many areas, local playing styles fall into disuse because of the popularity of the style and repertoire of Morrison and Michael Coleman. This repertoire includes predominantly reels, rather than jigs and hornpipes, and are often played by Irish musicians in the same order as on the original recordings. According to Séamus Mac Mathúna, “More than thirty years after Coleman’s death … one seldom hears ‘Bonny Kate’ without ‘Jenny’s Chickens.’ ‘Tarbolton’ is inevitably followed by ‘The Longford Collector’ and the ‘Sailor’s Bonnet.'” The great Canadian fiddler Jean Carignan was is influenced by Morrison. Morrison is well regarded by Frankie Gavin: “the approach he had to fiddle playing and the approach he had to any tune he touched just…can’t be beaten…nobody can play like that today.”

Morrison dies on November 11, 1947, and is interred, like many of his great musical contemporaries, in Saint Raymond’s Cemetery in the Bronx.